I consider myself not only a student of satire, but also as a master practitioner with an innate and instinctive aptitude for it—like those born with perfect pitch or hand-eye coordination, kind of like an idiot savant, only hopefully without the idiot part. Satire is the perfect literary platform because it allows both the writer and the reader to explore the landscape of the human experience, the absurdity, the grandeur, the mystery, the horror—not with a sermon or a polemic or a sigh, but with a laugh and a nodding smile of recognition.
Because it was not only a thick* book, but it proved that you can think a book is crap one day, and absolutely love it the next**.
I was going to have an impacted wisdom tool chiseled out and wanted a book for my convalescence. It had a great cover, so I flipped open to the first page and read the opening line—something like, “Amoebas don’t have bones…”.
I bought it and had the wisdom tooth removed, which evidently actually removed the wisdom needed to appreciate the writing.
Time passed, and I gave the book another try—evidently the wisdom had returned because what had once been chaotic and confusing and stupid, was now delightfully random and effortlessly insightful, and really really fun. I loved this book.
* At least it seemed thick to me at that age.
** Actually, it wasn’t the next day, it was actually about a year…
Starring Sissy Hanshaw-flawlessly beautiful, almost. A small-town girl with big-time dreams and a quirk to match-hitchhiking her way into your heart, your hopes, and your sleeping bags...
Featuring Bonanza Jellybean and the smooth-riding cowgirls of Rubber Rose Ranch. Chink; a lascivious guru of yams and yang. Julian; a Mohawk by birth; asthmatic aesthete and husband by disposition. Dr. Robbins, preventive psychiatrist and reality instructor...
Follow Sissy's amazing odyssey from Virginia to chic Manhattan to the Dakota Badlands, where FBI agents, cowgirls, and ecstatic whooping cranes explode in a deliciously drawn-out climax...
David Satter is a leading commentator on Russia and the former Soviet Union. He is the author of five books on Russia and the creator of a documentary film on the fall of the Soviet Union. He has been affiliated with the Hudson Institute and the John Hopkins University School of Advanced International Studies. He is presently a member of the academic advisory board of the Victims of Communism Memorial Foundation.
Vladimir Voinovich was probably the greatest Russian satirical writer since Gogol. After the fall of the U.S.S.R., he was asked if it was still possible to write satire in Russia. He insisted that it was. “The Soviet Union was a giant mental hospital but it was organized,” he explained. “Now, the inmates have been told that they can do whatever they want. So Russia is funnier than ever.”
In this novel, published in 1986, Voinovich demonstrated his stunning ability to divine the future. He described a new Russian regime dominated by state security and based not on Marxism-Leninism but on the teachings of the Orthodox Church. Like Russia today, the regime of his novel tells its citizens that they are surrounded by “three rings of hostility.” The first is the former Soviet republics; the second, the former Soviet satellites, the third, the West – the former “capitalist enemy.” This makes…
In this satire that pokes fun at the future of communism, socialist life, and the Kremlin, an exiled Soviet writer enters a time warp and lands in Moscow in the year 2042.
Some creative writers believe that stories carry a responsibility. The duty to entertain, of course, but also to educate, challenge and question the character(s) of the most powerful, the wealthiest. I am one of them. As an author, screenwriter, stage, and film actor, I’ve always believed in using stories as a platform to convey positively disruptive ideas, to highlight potentially destructive ideologies, to combat imperialism, expansionism, racism, and other toxic practices while delivering a neutral message devoid of political affiliations and emotional responses with no logical ground. Not unlike my latest novel, America is a Zoo, I am the product of a passionate soul, one who’s apolitical by design, yet political by conviction.
In an age of codified and tropey stories with uninspired characters and safe plots designed to satisfy whatever market drivers the Big Five publishers are pushing, Trump Sky Alpha gives me hope. It is not about aesthetics, or one-dimensional coffee shop, shirtless Brads, or conforming political views. It is bonkers, aggressive, and hilarious.
In the aftermath of a nuclear war initiated by Trump, the “Orange Man”, an American journalist, finds herself in a containment zone, documenting the defunct internet’s wild humorous takes: viral memes and twitter’s heated exchanges. The journalist’s assignment soon uncovers references to an enigmatic figure, only known as Birdcrash, one who might know how to stop Trump from flying in a luxurious zeppelin for "the very best people who look terrific.” Yes, you read that right.
A novel on the political madness of our time and the Internet’s deep workings, by the author of The Infernal
One year after the president has plunged the world into nuclear war, a journalist takes refuge in the Twin Cities Metro Containment Zone. On assignment, she documents internet humor at the end of the world, hoping along the way to find the final resting place of her wife and daughter. What she uncovers, hidden amid spiraling memes and twitter jokes in an archive of the internet’s remnants, are references to an enigmatic figure known only as Birdcrash, who may hold…
I’ve now completed four books in my New Rock fantasy series; and, while the stories are full-on adventures in a strange (but strangely familiar) new world, they contain lots of comedic characters and situations. I come from a background of comedy writing. Comedy isn’t nice people telling jokes. That’s a dinner party. Comedy is all about pain, fear, misery, confusion, suffering, mistakes, betrayals, accidents, dangers, and things going horribly wrong—and what good adventure doesn't have those? And why wouldn’t any strange new world be full of them? New Rock New Role, the first book in the series, is published on December 12th 2023 by CAEZIK SF & Fantasy.
Robert Sheckley stands out from his contemporaries of the golden age of science fiction by being not just great but also often very funny.
Sheckley has a wry, insightful wit, which puts him in a class of his own among the giants of the post-WW2 era. Start with his eight stories of the AAA Ace Interplanetary Decontamination Service. Great idea, great characters, great settings (two shysters running a fly-by-night planetary fixer-upper service, on the cheap): they are light, effortless, unpretentious, insightful, and brilliant.
It’s basically Ghostbusters in space. What more could you want?
Robert Sheckley (July 16, 1928 – December 9, 2005) was a Hugo- and Nebula-nominated American author. First published in the science fiction magazines of the 1950s, his numerous quick-witted stories and novels were famously unpredictable, absurdist, and broadly comical. Sheckley was named Author Emeritus by the Science Fiction and Fantasy Writers of America in 2001.This volume has the following great stories: Warm, Ask A Foolish Question, Beside Still Waters, Cost of Living, Forever, Keep your Shape The Leech, Seventh Victim, Watchbird, Warrior Race, One man's poison, The Perfect Woman
I write about inequality in international development, American communities, environmental movements, and workplaces. I’ve been doing this reporting for over a decade. I’ve also worked in global health, an experience that has given me a first-hand glimpse into the depths and texture of inequality we have manufactured in our current world, including within the organizations and movements that purportedly challenge such global inequality. As a reader, I’m equally passionate about immersive nonfiction and fiction. I’ll dive into anything that’s driven by a good story.
I should start by saying that Thiong'o has recently been accused, by his son, of beating his former wife, claims I take very seriously (and which has put my reading of Thiong'o’s female characters in a new light).
In this book, I found a sharp, cunning satire of despotic post-colonial governments working with and shaped by international funders and Western policymakers. Having worked in NGOs, I found Thiong'o’s characterization of “development” to be darkly funny and cringe-worthily accurate.
Informed by traditional African storytelling, discover Ngugi wa Thiong'o's masterpiece.
To honour the Ruler's birthday, the Free Republic of Aburiria set out to build a tower; a modern wonder of the world that will reach the gates of Heaven. But behind this pillar of unity a battle for control of the Aburirian people rages. Among the contenders: the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank.
Mona
Awad’s Bunny is a fever dream of literary wit and feminist horror.
Following the bizarre experiences of Samantha, who’s pursuing an MFA at an
elite New England institution, Bunny reveals raw truths about envy, aspiration,
and loneliness while delivering delicious shocks at every turn.
Awad keeps the
reader guessing from the first to the final page in this Lovecraftian fable. I couldn’t
put this book down, by turns gasping and giggling as Sam’s story unfolded.
"Jon Swift + Witches of Eastwick + Kelly 'Get In Trouble' Link + Mean Girls + Creative Writing Degree Hell! No punches pulled, no hilarities dodged, no meme unmangled! O Bunny you are sooo genius!" —Margaret Atwood, via Twitter
"A wild, audacious and ultimately unforgettable novel." —Michael Schaub, Los Angeles Times
"Awad is a stone-cold genius." —Ann Bauer, The Washington Post
The Vegetarian meets Heathers in this darkly funny, seductively strange novel from the acclaimed author of 13 Ways of Looking at a Fat Girl.
I love this book because it is so clever, so funny, and makes me feel happy. I’m always game for a smart Regency romance, and I love a good mystery, so that is how I found this ebook.
The protagonist, Beatryce Hyde-Claire is shy and witty and self-effacing. The love-interest is handsome and didactic and totally puzzled by Beatryce.
The mystery is good, but the repartee between the two, along with the funny side characters make this a wonderful romance-mystery-comedy. The fact that it is first in a series, made my year!
Nothing ruins a lovely house party like bloody murder.
At the decrepit old age of six-and-twenty, Miss Beatrice Hyde-Clare has virtually no hope of landing a husband. An orphan living off her relatives' charity, her job is to sit with her needlework and to keep her thoughts to herself.
When Bea receives an invitation to an elegant country party, she intends to do just that. Not even the presence of the aggravatingly handsome Duke of Kesgrave could lead this young lady to scandal. True, she might wish to pour her bowl of turtle soup on his aristocratic head - however,…
I am a journalist who has written books on American history for the general reader but not an academic historian or specialist, though I have the utmost respect for both. I like to think I have an independent mind and that I look for ideas that challenge conventional wisdom but are rooted in good sense and critical intelligence. The books I have recommended here reflect this temperament and, I believe, an innate sense of the comic and absurd. These are desperately needed at a time when people take themselves much too seriously—as in a presidential election year.
I love this book because Flaubert has meticulously—and with a bracingly acidic intelligence—listed the cliches of his day…meaning what people, without thinking, automatically say about almost any subject, including the stock phrases that must accompany any subject. He exposes superstitions and absurdities that must have driven Flaubert nuts to hear. An American writer, Frank Sullivan, did something similar when he invented “the cliché expert” who would testify before Congress.
I recommend this book because we need to be reminded that our everyday speech and thinking are saturated with thoughtless absurdities. We take so much for granted that it is totally unexamined and ridiculous if it is only pointed out to us, which Flaubert does a masterful job of doing. As the book jacket puts it, “Throughout his life, Flaubert made it a game to eavesdrop for the cliché, the platitude, the borrowed and unquestioned idea with which the ‘right thinking’…
Throughout his life Flaubert made it a game to eavesdrop for the cliche, the platitude, the borrowed and unquestioned idea with which the "right thinking" swaddle their minds. After his death his little treasury of absurdities, of half-truths and social lies, was published as a Dictionnaire des idees recues. Because its devastating humor and irony are often dependent on the phrasing in vernacular French, the Dictionnairewas long considered untranslatable. This notion was taken as a challenge by Jacques Barzun. Determined to find the exact English equivalent for each "accepted idea" Flaubert recorded, he has succeeded in documenting our own inanities.…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When I studied with James Alan McPherson at the Iowa Writers’ Workshop over twenty years ago, he played stand-up records from the 1970s and asked students to read ancient drama translated from Latin.
He was teaching us how comedy works, and he had a long gaze. His collection Elbow Room is similarly expansive. The past bubbles into the present abruptly, as in the story “A Loaf of Bread,” where “older people began grabbing, as if the secret lusts of a lifetime had suddenly seized command of their arms and eyes.”
A beautiful collection of short stories that explores blacks and whites today, Elbow Room is alive with warmth and humor. Bold and very real, these twelve stories examine a world we all know but find difficult to define.
Whether a story dashes the bravado of young street toughs or pierces through the self-deception of a failed preacher, challenges the audacity of a killer or explodes the jealousy of two lovers, James Alan McPherson has created an array of haunting images and memorable characters in an unsurpassed collection of honest, masterful fiction.
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
This is classic, quintessential British humor, the kind of dry wit that makes you laugh out loud as you’re reading. I didn’t want it to end because of how hilarious I found the main character. Even while being funny, the book does a great job establishing the imposter syndrome the main character feels as a member of the middle class attempting to enter the elite halls of academia as an older graduate student.
He is a fish out of water, incapable of having normal social interactions with his peers, “betters,” or students. Possibly, the best-ever hangover scene in writing occurs in this book.
Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.
Kingsley Amis's Lucky Jim was published in 1954, and is a hilarious satire of British university life. Jim Dixon is bored by his job as a medieval history lecturer. His days are only improved by pulling faces behind the backs of his superiors as he tries desperately to survive provincial bourgeois society, an unbearable…
