Wendy Lee Hermance was heard on National Public Radio (NPR) stations with her Missouri Folklore series in the 1980s. She earned a journalism degree from Stephens College, served as Editor and Features Writer for Midwestern and Southern university and regional publications, then settled into writing real estate contracts. In 2012 she attended University of Sydney, earning a master’s degree by research thesis. Her books include Where I’m Going with this Poem, a memoir in poetry and prose. Weird Foods of Portugal: Adventures of an Expatmarks her return to feature writing as collections of narrative non-fiction stories.
Portugal: The Impossible Revolution? a 1990s dissertation on rainfall patterns, and Richard Zimler's 1998 best-seller, The Last Kabbalist of Lisbon were the only books on Portugal I could find with useful content - more than enough to book a flight. Zimler´s second novel about the Zarco family connected with me because it connects Portugal with South Carolina, where I lived for decades. It was the first book to explain Portugal as weird—confusing, full of contradictions—because Portugal is not one country, but a mosaic of world cultures. For example, the main character´s father also went back and forth to Africa in the 18th century, which was mind-blowing to me. Zimler's depiction of the bond between former African slave Midnight, and John Zarco, each a survivor of state-sponsored violence was deeply moving. The book's period atmosphere, magical occurrences, and bird markets primed me to expect the same here. Which I have.
In Zimler's dazzling tale, John Zarco Stewart is an impish child of bold inquisitiveness, the unwitting inheritor of a faith shrouded in 300 years of secrecy. Dark and bitter events put an end to his innocence and almost destroy him, but he is healed by the arrival in his household of a mysterious young man from Africa.
Midnight is a freed slave brought to Porto by John's seafaring father, and he becomes John's greatest friend, ultimately determining the course of his life. But as John grows to manhood Midnight is lost to him, Napoleon's armies invade Portugal, and John's fragile…
Having lived in North America, Europe, and the Middle East, and visited many, many more countries, I am a traveler first and foremost. I travel because I like getting to know different types of people and seeing how they live and how they think about the world and about their place in it. As a historian, I can travel back in time to places even more exotic than one can visit today. My favorite place is the Mediterranean world in the Middle Ages – an exciting environment where Christians, Muslims, and Jews from Africa, Europe, and Asia, came together sometimes in conflict, but as often as not in collaboration or friendship.
That Most Precious Merchandise offers a much needed and evocatively-written reassessment of the experience of slavery in the late medieval Mediterranean. Tracing the networks of the slave trade from the Black Sea to Genoa, Venice, and Cairo, it argues that the Italian maritime powers and the Mamluk sultanate shared a similar approach to slavery. By re-assessing Black Sea slavery from the vantage point of both Italy and Egypt, Barker discerns commonalities in systems and approaches to slavery across cultures—she calls this a common culture of slavery. She presents as the principal themes of the book a series of conceptions and practices of slavery that cut across confessional and cultural lines, upending a number of fundamental paradigms that have shaped, and limited, the scholarly terrain.
The history of the Black Sea as a source of Mediterranean slaves stretches from ancient Greek colonies to human trafficking networks in the present day. At its height during the fourteenth and early fifteenth centuries, the Black Sea slave trade was not the sole source of Mediterranean slaves; Genoese, Venetian, and Egyptian merchants bought captives taken in conflicts throughout the region, from North Africa, sub-Saharan Africa, the Balkans, and the Aegean Sea. Yet the trade in Black Sea slaves provided merchants with profit and prestige; states with military recruits, tax revenue, and diplomatic influence; and households with the service of…
As an undergraduate History student, I was told by one of my professors that I thought too much like an anthropologist; as a postgraduate Anthropology student, I was told by another professor that I wrote too much like a historian! At that point, I finally gave up and turned to journalism and fiction writing…though my love for history figures largely in much of what I continue to write and read today.
This is another one that comes down to voice for me: hearing the story of one of the last African slaves to experience the Middle Passage in his own words. It’s moving, thought-provoking, and refocuses the vast and familiar history of the American slave experience to a disarmingly—and powerfully—human scale.
A major literary event: a never-before-published work from the author of the American classic, Their Eyes Were Watching God which brilliantly illuminates the horror and injustices of slavery as it tells the true story of the last known survivor of the Atlantic slave trade-illegally smuggled from Africa on the last "Black Cargo" ship to arrive in the United States.
In 1927, Zora Neale Hurston went to Plateau, Alabama, to interview ninety-five-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of…
When I decided to familiarize myself with eighteenth-century authors of African descent by editing their writings, I didn’t anticipate becoming their biographer. In annotating their writings, I quickly became intrigued and challenged by trying to complete the biographical equivalent of jigsaw puzzles, ones which often lack borders, as well as many pieces. How does one recover, or at least credibly speculate about, what’s missing? Even the pieces one has may be from unreliable sources. But the thrill of the hunt for, and the joy of discovering, as many pieces as possible make the challenge rewarding. My recommendations demonstrate ways others have also met the biographical challenge.
English enslavers called Ancona Robin Robin John and Little Ephraim Robin John “princes” because they were literate English-speaking members of one of two ruling African slave-trading families in present-day southeastern Nigeria.
The lives of the Johns illuminate the surprisingly complex relationships among the participants in the transatlantic slave trade, when African suppliers of enslaved Africans often had as much economic and political power as their European customers.
The English allies of the rival family captured the two men during a trade war between the families in 1767.
They were taken to the Caribbean and North America, with several escapes and recaptures, before being brought to England, where they successfully sued for their freedom. They returned to the family business in Africa.
In 1767, two "princes" of a ruling family in the port of Old Calabar, on the slave coast of Africa, were ambushed and captured by English slavers. The princes, Little Ephraim Robin John and Ancona Robin Robin John, were themselves slave traders who were betrayed by African competitors-and so began their own extraordinary odyssey of enslavement. Their story, written in their own hand, survives as a rare firsthand account of the Atlantic slave experience.
Randy J. Sparks made the remarkable discovery of the princes' correspondence and has managed to reconstruct their adventures from it. They were transported from the coast…
I grew up and completed the formative years of my college education in Cape Town, South Africa, while active also in anti-apartheid struggles. My Ph.D. dissertation in the 1980s focused on the elaboration of key racial ideas in the modern history of philosophy. I have published extensively on race and racism in the U.S. and globally, in books, articles, and public media. My interests have especially focused on the transforming logics and expressions of racism over time, and its updating to discipline and constrain its conventional targets anew and new targets more or less conventionally. My interest has always been to understand racism in order to face it down.
Lisa Lowe and I were in sustained conversation as we were composing our respective books. I read earlier drafts of hers as I was writing mine. Her analysis of settler-colonialism, the African slave trade, and trade in Asian goods and peoples in the Caribbean and Americas illustrated for me ways of thinking about the global relations and interactive impacts of the movements of people, culture, and thought. Her focus on how liberal thought shaped and is shaped by these relations helped to surface the coercive and discriminatory practices that made liberal thought possible. This “history of the present” by extension was enormously generative for thinking about the history of the neoliberal present too.
In this uniquely interdisciplinary work, Lisa Lowe examines the relationships between Europe, Africa, Asia, and the Americas in the late eighteenth- and early nineteenth- centuries, exploring the links between colonialism, slavery, imperial trades and Western liberalism. Reading across archives, canons, and continents, Lowe connects the liberal narrative of freedom overcoming slavery to the expansion of Anglo-American empire, observing that abstract promises of freedom often obscure their embeddedness within colonial conditions. Race and social difference, Lowe contends, are enduring remainders of colonial processes through which "the human" is universalized and "freed" by liberal forms, while the peoples who create the conditions…
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
A historical/legal/poetic examination of the way that African bodies were treated and disposed of in the context of transatlantic slavery and how the author simultaneously advances a process of reclamation. NourbeSe provides a meditation in which silence and space advance our understanding of the gravity and horror of the subject which in no way compares with what the unnamed victims experienced. She recalls them and names them into existence.
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship's owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition,…
I’ve been fascinated by dark fiction since I discovered Edgar Allan Poe at the age of ten. I don’t know why I like to immerse myself in such troubling worlds, perhaps, by experiencing the worst of human nature vicariously, these texts give us the opportunity to really get to grips with who we are as people and what we are capable of. I’ve written eight works of fiction. Wuthering Heights has captivated me, and I've always been fascinated by the two mysterious holes in the narrative: where is Heathcliff from? And where does he go when he is missing for three years? I wrote a book, Ill Will, that attempts to answer these questions.
Another slavery narrative that doesn’t pull any punches. Set in Martinique 1765, it tells the tale of brothers Emile and Lucien, who are charged by their French master, Father Cleophas, with a mission. They must return to Grenada, the island they once called home, and smuggle back 42 slaves claimed by English invaders. A gruesomely compelling story.
Nicole Maskiell’s Bound by Bondage studies intimate family connections and slavery among New York among elite families with Dutch roots.
With the help of personal documents, such as diaries and letters, Maskiell reconstructs the lives of enslaved individuals and, in this way, demonstrates how American elite families of Dutch heritage played a crucial role in the dissemination of slavery in New York and the American Northeast.
During the first generations of European settlement in North America, a number of interconnected Northeastern families carved out private empires. In Bound by Bondage, Nicole Saffold Maskiell argues that slavery was a crucial component to the rise and enduring influence of this emergent aristocracy. Dynastic families built prestige based on shared notions of mastery, establishing sprawling manorial estates and securing cross-colonial landholdings and trading networks that stretched from the Northeast to the South, the Caribbean, and beyond. The members of this elite class were mayors, governors, senators, judges, and presidents, and they were also some of the largest slaveholders in…
I’ve always been interested in history. I grew up in London, where there's a lot of it. But what made me want to write fiction about the past was experiences of imaginative affinity for certain other times and places. My first book is set during World War One. I've always felt connected to the change in sensibility that many people went through then, from an optimistic, moralistic, Victorian outlook, in which, to quote Paul Fussell from The Great War and Modern Memory, people “believed in Progress and Art and in no way doubted the benignity even of technology” to an understanding that human beings and our societies contained deeper, more persistent shadows.
The question of how to portray a historical atrocity like slavery in a work of fiction is obviously monumental. Toni Morrison, Gayl Jones, Colson Whitehead, and John Keene have approached this with consummate brilliance by writing the experience and subjectivity of enslaved and formerly-enslaved people. Johnson, however, focuses on the perpetrators: the men who engage in and profit from the capture and trafficking of other human beings. As in Mantel’s novel, the choice of the protagonist is key. Rutherford Calhoun is a ne’er-do-well free Black man from New Orleans who runs away on a ship to escape debts and engagement to a woman whose love he hasn’t done much to deserve. It turns out this ship is bound for Africa to collect a cargo of people, members of the Allmuseri tribe, an ethnicity Johnson invented for his fiction. But along with the people, they are also collecting something much more…
The Apocalypse would definitely put a crimp in my career plans.
Rutherford Calhoun, a puckish rogue and newly freed slave, spends his days loitering around the docks of New Orleans, dodging debt collectors, gangsters, and Isadora Bailey, a prim and frugal woman who seeks to marry him and curb his mischievous instincts. When the heat from these respective pursuers becomes too much to bear, he cons his way on to the next ship leaving the dock: the Republic. Upon boarding, to his horror he discovers that he…
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
The best book on the legal basis for reparations from the Caribbean’s foremost historian. It offers a historical examination of the justification for reparations for the cost and lost labor the British gained during enslavement and brings together African and indigenous people's rights.
Since the mid-nineteenth-century abolition of slavery, the call for reparations for the crime of African enslavement and native genocide has been growing. In the Caribbean, grassroots and official voices now constitute a regional reparations movement. While it remains a fractured, contentious and divisive call, it generates considerable public interest, especially within sections of the community that are concerned with issues of social justice, equity, civil and human rights, education, and cultural identity. The reparations discourse has been shaped by the voices from these fields as they seek to build a future upon the settlement of historical crimes.
