The most recommended books about the Black Sea

When I first visited Central Asia in 2008, little did I know that it would become the focus of my life and work. I now advise the World Bank and national governments on economic development, with a particular focus on tourism, and I’m the Chairman of the Royal Society for Asian Affairs. I am Uzbekistan’s Ambassador for Tourism, a co-founder of the Silk Road Literary Festival, and I’ve written and updated guidebooks to Kazakhstan, Kyrgyzstan, Tajikistan, Uzbekistan, and the Silk Road.

Having lived in North America, Europe, and the Middle East, and visited many, many more countries, I am a traveler first and foremost. I travel because I like getting to know different types of people and seeing how they live and how they think about the world and about their place in it. As a historian, I can travel back in time to places even more exotic than one can visit today. My favorite place is the Mediterranean world in the Middle Ages – an exciting environment where Christians, Muslims, and Jews from Africa, Europe, and Asia, came together sometimes in conflict, but as often as not in collaboration or friendship.

I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.

I’m a Sydney, Australia born sociologist and writer and back in 1990 I hitchhiked through the UK, travelled in Europe and arrived in Turkey just as the Gulf War was starting. After three months in the country I was hooked. I now live in Istanbul and write about the people, culture, and history. Using my less than perfect Turkish language skills I uncover the everyday extraordinary of life in modern Istanbul even though it means I’ve accidentally asked a random stranger to give me a hug and left a butcher convinced I think Turkish sheep are born with their heads on upside down.

I am a historical fiction writer living in a landlocked village in the Chilterns, UK. I became obsessed with long sea voyages while researching my debut novel, On Wilder Seas, which is inspired by the true story of Maria, the only woman aboard the Golden Hind during Francis Drake’s circumnavigation voyage in 1577-1580. I immersed myself in the literature of the sea, in early modern sailors’ accounts of their terrifying voyages, in their wills and diaries, in maps and sea-logs. A ship is the perfect setting for a novel: the confined space, the impossibility of escape, the ever-present danger – and the hostile, unforgiving sea is the ultimate antagonist.

As a historian, journalist, and travel writer, Tony Perrottet has made a career out of bringing the past to vivid life. Born in Australia, he started writing as a foreign correspondent in South America, where he covered guerrilla wars in Peru, drug running in Colombia, and military rebellions in Argentina. He continues to commute to Athens, Iceland, Tierra del Fuego, and Havana, while contributing to the Smithsonian Magazine, The New York Times, and The Wall Street Journal, amongst others. He has written six books on subjects ranging from classical tourism to the Pope's "pornographic bathroom" in the Vatican, and most recently, ¡Cuba Libre!, an anecdotal account of the Cuban Revolution. His travel stories have been selected seven times for the Best American Travel Writing series, and he is a regular guest on the History Channel, where he has spoken about everything from the Crusades to the birth of disco.

I’ve loved the gothic genre ever since I first read Jane Eyre as a student of Victorian Literature. My PhD thesis focused on Dracula, another Victorian gothic novel, and The Curse of Morton Abbey pays homage to classics like these. What I love most about the genre is its symbolism: like vivid dreams, gothic novels express our deepest fears and longings. It’s no accident that Jungian archetypes show up in gothic novels as often as they do in dreams, and I’ve enjoyed analyzing these texts in my work as an English professor. Also, I just really like stories that send chills up my spine and give my lifelong insomnia a purpose!

My career in business strategy as a manager, consultant, and academic developed via my lifelong passion for military strategy and tactics, reading countless books on the Battle of Marathon through to the Third (!) World War. When I was introduced to business strategy in an MBA program, it was love at first lecture. I progressed to a doctorate in “Business Policy” at Harvard Business School as the second doctoral student of the then unknown Michael Porter. My main contribution has been the concept of global strategy for multinational companies. My focus is now on how Chinese companies are moving from imitation to innovation and reinventing management control.

Some people travel through food–they seek out authentic foods when they are travelling, visit certain places just to eat their specialties, and travel from their own kitchens when they are at home. This book list is for them. The same has always been the case with me, and I have continued this habit of exploring culture through food in the writing of my own cookbooks. Amber & Rye was the book for which I physically travelled the most, and my partner did all the travel photography too, so it was a family experience.

I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.