I'm a professor of modern U.S. history and have spent my career researching this list's fascinating era. This moment began our modern political history. The first Red Scare in the United States, erupting in the wake of World War I and the Russian Revolution, was a conflict over the definition and limits of radicalism in a modern democracy and the limits of its repression. It was also tied to other seismic questions of the era that remain relevant, including how far the fights of women and Blacks for opportunities and rights that other Americans took for granted could succeed, whether to end mass immigration, the meaning of ‘Americanism,’ the extent of civil liberties, the limits of capitalism, and the role of social movements in the republic.
The Seattle General Strike was the local event that escalated a national Red Scare at the beginning of 1919 and caused a wave of panic that the Russian Revolution was coming home. Friedheim is great at explaining how this extraordinary event occurred, sketching the key factions in the city, and narrating the drama of the big moments. This classic account of strikers running a city until the troops were called in, first published in 1964, is back in print in a great new edition with photos.
"We are undertaking the most tremendous move ever made by LABOR in this country, a move which will lead-NO ONE KNOWS WHERE!" With these words echoing throughout the city, on February 6, 1919, 65,000 Seattle workers began one of the most important general strikes in US history. For six tense yet nonviolent days, the Central Labor Council negotiated with federal and local authorities on behalf of the shipyard workers whose grievances initiated the citywide walkout. Meanwhile, strikers organized to provide essential services such as delivering supplies to hospitals and markets, as well as feeding thousands at union-run dining facilities.
My first love in reading and writing is historical fiction. But I’m pretty particular about how the stories are created. To me, historical novels should be as accurate as possible; the facts, rather than the fiction, should guide the story. With my writing, I follow the wise words of the author, Anya Seton:It has…been my anxious endeavor to use nothing but historical fact when these facts are known…. Since I have based my story on history, I have tried never to distort time, or place, or character to suit my convenience.I’m particularly pleased when readers tell me that my research is exemplary and they have learned something new.
I love books that include unusual locations and little-known events. Red Winter takes place in the 1920s in Siberia when the pogroms came and disrupted the peaceful existence of a small town in the frozen north. Like my book, which is about the creation of a Scottish colony in Central America, Red Winter offers the reader an opportunity to learn about a largely unknown history.
When murderous Bolsheviks infiltrate the Siberian city of Nikolaevsk-on-Amur in 1920, Luba’s comfortable, upper class life is upended overnight. As her husband is imprisoned and their house overrun with unruly partisan soldiers, Luba finds herself on the run with four small children, her mother-in-law, and epileptic sister-in-law. Pigsties, abandoned warehouses, opium dens are just a few of the places the group seeks refuge as they try to elude capture and stay alive.
The little-known history of this exotic time and place is seen through the eyes of a reluctant heroine grappling with adversity and loss during the dangerous political chaos…
I lived in the former Soviet Union for ten years, primarily in Moscow, the home of many a brutal tyrant. My obsession with dictator literature began after I discovered that Saddam Hussein had written a romance novel, following which I spent many years reading the literary output of all of the 20th century’s most terrible tyrants, from Mussolini to Stalin to the Ayatollah Khomeini. This monumental act of self-torture resulted in my critically acclaimed book The Infernal Library: On Dictators, the Books They Wrote, And Other Catastrophes of Literacy.
If How to be a Dictator gives you an overview of the great tyrants of the 20th century, then Service’s biography of Joseph Stalin provides a close analysis of one of the great monsters of the 20th century. Everybody knows about Hitler’s terrible crimes, but Stalin’s are less familiar, due to a mystifying reluctance on the part of several generations of educators to teach “the youth” about the USSR. What I especially admire about Service’s book is that he really engaged with Stalin’s own writings (which are awful) and so he provides a lot of insight into the ideas that drove this ex-seminarian as he transformed himself into the supreme leader of the largest country in the world. The Stalin that ultimately emerges from this portrait is no raving lunatic but rather a highly intelligent and profoundly evil man who is completely in control of himself. Chilling.
Overthrowing the conventional image of Stalin as an uneducated political administrator inexplicably transformed into a pathological killer, Robert Service reveals a more complex and fascinating story behind this notorious twentieth-century figure. Drawing on unexplored archives and personal testimonies gathered from across Russia and Georgia, this is the first full-scale biography of the Soviet dictator in twenty years.
Service describes in unprecedented detail the first half of Stalin's life--his childhood in Georgia as the son of a violent, drunkard father and a devoted mother; his education and religious training; and his political activity as a young revolutionary. No mere messenger for…
Why do utopias fail? Why does the world of human dignity and equality they aspire to so often ossify into a mechanism of repression that strangles the very people revolutionaries attempted to liberate?
Victor Serge is, for me, one of the essential writers of the 20th and now 21st centuries. A rebel since adolescence, he watched the revolution he had become part of in Russia begin to devour itself through internal terror, while at the same time fighting against the White terror of its opponents.
This novel gives an insider view of St. Petersburg, once the Czarist capital of Russia under the Bolsheviks in 1919-1920. What is remarkable in all of Serge’s writing, both fiction and non-fiction, is that in spite of being nearly killed by the revolution he worked for, he never turned away from his ideals and belief that a new form of society was possible.
1919–1920: St. Petersburg, city of the czars, has fallen to the Revolution. Camped out in the splendid palaces of the former regime, the city’s new masters seek to cement their control, even as the counterrevolutionary White Army regroups. Conquered City, Victor Serge’s most unrelenting narrative, is structured like a detective story, one in which the new political regime tracks down and eliminates its enemies—the spies, speculators, and traitors hidden among the mass of common people.
Conquered City is about terror: the Red Terror and the White Terror. But mainly about the Red, the Communists who have dared to pick up…
Growing up in postwar Germany, I have always been fascinated by how people survive wars emotionally and retain their humanity. In my extensive research for Captives, I came across an account of a German soldier in North Africa, whose tank had been hit and was engulfed in flames. A human torch, he jumped from the tank, expecting to be killed by British soldiers who were nearby. Instead, they rolled his body in the sand to extinguish the flames and called a medic, saving his life. This act of humanity moved me and inspired me to make the preservation of one’s humanity in war the central theme in my novel.
Yuri Zhivago, a physician and a poet—strives to adhere to his ideals of integrity throughout his tragic life—though not always successfully. His medical skills allow him to heal others, and his poetry lets him explore truth in the volatile world of the Bolshevik Revolution and the Russian Civil War.
Although he is in love with Lara, a married woman with whom he has a passionate affair, his sense of duty and honor allow him to remain devoted to his wife, Tonya.
His belief that humans should be true to themselves and maintain independent thoughts ultimately makes him a target for the Bolsheviks.
As a writer who believes in the importance of truth—and as a flawed human being who makes mistakes and regrets them—I relate to Yuri.
First published in Italy in 1957 amid international controversy, Doctor Zhivago is the story of the life and loves of a poet/physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set against this backdrop of cruelty and strife is Zhivago's love for the tender and beautiful Lara, the very embodiment of the pain and chaos of those cataclysmic times. Pevear and Volokhonsky masterfully restore the spirit of Pasternak's original—his style, rhythms,…
I’m a cognitive psychologist, originally from Scotland, but I have lived and worked in Canada for the last 50 years, first at the University of Toronto, and then at a research institute in Toronto. My passion has always been to understand the human mind – especially memory – through experimental research. Memory is fundamental to our mental life as humans; to a large extent it defines who we are. It is a complex and fascinating topic, and my career has been devoted to devising experiments and theories to understand it better. In our recent book, Larry Jacoby and I attempt to pass on the excitement of unravelling these fascinating mysteries of memory.
This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.
Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.
His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable.
An autobiographical volume which recounts the story of Nabokov's first forty years up to his departure from Europe for America at the outset of World War Two. It tells of his emergence as a writer, his early loves and his marriage, and his passions for butterflies and his lost homeland. Written in this writer's characteristically brilliant, mordant style, this book is also a tender record of lost childhood and youth in pre-Revolutionary Russia.
I am a retired lecturer at Southampton University, but used to live in China for many years. I experienced the horrible Chinese Cultural Revolution between the 1960s and 1970s, which was similar to Stalin’s Great Purges. I was put in jail and suffered cruel torture. So personally, I can more understand how, in all revolutionary movement, people were struggling with the threat of death and hopelessness; how they were torn between the new value of the revolution and the damage to the existing moral system; and how the strength of humanity could shine in the bloody darkness of terror.
It is a compelling epic of the bloody Russian Revolution to show how Don Cossack suffered and fought during World War I, the Russian Revolution, and the following civic war. The love story is beautiful and moving. The main character Grigori was moving between the White and Red army, with pain and daze. Like other Cossack people, he was torn between royalty and betrayal, right and wrong, justice and barbarism.
This is the first of four books of the novel, And Quiet Flows the Don. The second and third books are due to be put into ebook format in late 2016, with book four coming available in 2017.
And Quiet Flows the Don is an epic novel in four volumes by Russian writer Mikhail Aleksandrovich Sholokhov. The first three volumes were written from 1925 to 1932 and published in the Soviet magazine October in 1928–1932, and the fourth volume was finished in 1940. The English translation of the first three volumes appeared under this title in 1934.
I’m a longtime Moscow correspondent, having worked there for The Baltimore Sun in the 1990s and for The Washington Post in the 2010s. It was an exciting time to be in Russia, and I couldn’t help noticing parallels between the Russian revolutions of 1917 and the collapse of the Soviet Union in 1991. I think American policymakers, in particular, profoundly misunderstood both events. In my newspaper career, I am a winner of the Pulitzer Prize, the George Polk Award, an Oversea Press Club award, and other honors. In the fall of 2018, I taught for a semester at Princeton University.
Amazingly, in the spring of 1917 an Interview Commission was formed in Russia to obtain oral histories of the revolution that led to the abdication of Czar Nicholas II. Thirteen key players were interviewed about their role in the sweeping and often violent events that had occurred just two months earlier. You can sense the ambivalence that they were struggling with. Of special note is Alexander Kerensky, who would become the leader of the Provisional Government, describing how he called Nicholas’ brother Michael in the middle of the night, waking him up, and persuading him to renounce the throne.
The Fall of Tsarism contains a series of gripping, plain-spoken testimonies from some of the leading participants of the Russian Revolution of February 1917, including the future revolutionary premier Alexander Kerenskii.
Recorded in the spring of 1917, months before the Bolsheviks seized power, these interviews represent the earliest first-hand testimonies on the overthrow of the Tsarist regime known to historians. Hidden away and presumed lost for the better part of a century, they are now revealed to the world for the first time.
I’ve been fascinated by the First World War ever since I read Vera Brittain’s Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nurses’ memoirs and diaries, and for the last fifteen years or so have continued to read and write about women’s experiences during and after the war as a university academic researcher, often from a comparative perspective. Men’s stories and memories of the First World War still dominate our understanding of it, but I believe that women’s perspectives give us a vital and often overlooked insight into the war and its consequences.
Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.
Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.
Women have participated in war throughout history, but their experience in Russia during the First World War was truly exceptional. Between the war's beginning and the October Revolution of 1917, approximately 6,000 women answered their country's call. These courageous women became media stars throughout Europe and America, but were brushed aside by Soviet chroniclers and until now have been largely neglected by history. Laurie Stoff draws on deep archival research into previously unplumbed material, including many first-person accounts, to examine the roots, motivations, and legacy of these women. She reveals that Russia was the only nation in World War I…
I am an Assistant Professor in the Department of Foreign Language Teaching Methodologies at Vyatka State University in Kirov, Russia. My book Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the 1936 Draft Constitution was published in November 2017. Most recently I have published an article-length study entitled Peasant Communal Traditions in the Expulsion of Collective Farm Members in the Vyatka–Kirov Region 1932–1939 in Europe Asia Studies in July 2012. I am currently conducting research for a future book manuscript on daily life on the collective farms and the day-to-day relationships between collective farmers and local officials.
Lee explores the 1918 Revolution in Georgia, where the Social Democrats (Mensheviks), led by Noe Zhordania remained committed to a democratic and inclusive revolution, which stands as a counterpoint to the Bolshevik notions of a strict, disciplined party and a limited, undemocratic but participatory system of government. When the Bolsheviks seized power in 1918, the Georgian Social Democrats reluctantly broke away from Russia and sought to navigate the charged political waters, trying to stave off invasion from Turkey and Denikin's White forces with alliances with first Germany and then Britain. They also tried to apply classic Marxist principles, creating not socialism but a bourgeois industrial revolution and a corresponding democratic regime.
This new democratically elected Menshevik government tried to solve issues of pressing concern, carrying out land reform and encouraging judicial reform, and encouraging industrial development, while trying to maintain the sovereignty and territorial integrity of their new nation. Eventually,…
For many the Russian Revolution of 1917 was a symbol of hope. In the eyes of its critics, however, Soviet authoritarianism and the horrors of the gulags have led to the revolution becoming synonymous with oppression, threatening to forever taint the very idea of socialism.
The experience of Georgia, which declared its independence from Russia in 1918, tells a different story. In this riveting history, Eric Lee explores the little-known saga of the country's experiment in democratic socialism, detailing the epic, turbulent events of this forgotten chapter in revolutionary history. Along the way, we are introduced to a remarkable cast…
