The Civil War has been a passion of mine since I was seven years old. This was inflamed by a professor I met at SUNY Cortland—Ellis Johnson, who first told me of the POW camp at Elmira, New York. Even though I grew up just thirty miles from Elmira I was astounded at this revelation. Later I learned that I had a third great-grandfather—William B. Reese—who served in the Veterans Reserve Corps after being wounded at the Battle of Gettysburg and was assigned to the garrison in Elmira, where he may have stood guard over the very prison his great grandson would write about.
A native of Elmira, Horigan sought to uncover the grisly story of the Elmira prisoner of war camp and why it was so deadly to its inhabitants. Not only does he reveal the constellation of hardships faced by prisoners, but a story of retribution which he pins on the Secretary of War Edwin Stanton and the penny-pinching Commissary General of Prisoners William Hoffman. In the end, Horigan lays out a damning indictment, which he carefully enumerates in his conclusion, of the conduct of the War Department and Officers overseeing the Elmira camp who he blames for the great suffering and death along the banks of the Chemung River in 1864-1865.
The Civil War prison camp at Elmira, New York, had the highest death rate of any prison camp in the North: almost 25 percent. Comparatively, the overall death rate of all Northern prison camps was just over 11 percent; in the South, the death rate was just over 15 percent. Clearly, something went wrong in Elmira. The culmination of ten years of research, this book traces the story of what happened. Author Michael Horigan also places the prison in the context of the greater Elmira community by describing the town in 1864 and explaining its significance as a military depot…
I'm a professor of history at the Graduate Center and Queens College at the City University of New York, where I'm also director of the Irish Studies program and the MA program in Biography and Memoir. My specialty, covered in five books that I’ve authored or co-edited, is English and Irish history in the sixteenth and seventeenth centuries; my new book represents the culmination of a decade’s research devoted to Ireland. In addition to teaching British and Irish history, I offer more unusual and wide-ranging classes including the history of the devil, the history of crime and punishment, and the history of the body. My life is divided between New York City and mid-coast Maine.
The American Civil War would produce a number of legendary figures, but William Tecumseh Sherman has long interested me for the extreme reactions he continues to provoke. Northerners would view him as a heroic if ruthless conqueror, while Southerners attributed the Confederacy’s destruction and humiliation to this uncavalier “Yankee.”
Sherman’s March in Myth and History traces the mythmaking of Sherman by historians, poets, novelists, and filmmakers, but it also goes deeper in its exploration of how myths and memories about Sherman served to bolster present-day interests. The vilification of Sherman helped to boost the Old South aristocracy and the idea of the "Lost Cause," while northerners viewed Sherman’s march as positive evidence of a superior industrialism. Sherman himself attempted to shape his legacy through lectures and a memoir. Even so, his legacy remains deeply divisive even now, with the authors writing that “there is no conciliation in sight for the…
General William Tecumseh Sherman's devastating "March to the Sea" in 1864 burned a swath through the cities and countryside of Georgia and into the history of the American Civil War. As they moved from Atlanta to Savannah-destroying homes, buildings, and crops; killing livestock; and consuming supplies-Sherman and the Union army ignited not only southern property, but also imaginations, in both the North and the South. By the time of the general's death in 1891, when one said "The March," no explanation was required. That remains true today.
Legends and myths about Sherman began forming during the March itself, and took…
I'm an award-winning teacher and writer who introduces students and readers to war in a profession that today is at best indifferent to military history, and more often hostile. That gives me a wry sense of irony, as colleagues would rather teach about fashion than fascism and truffles over tragedy. Having written a multiple award-winning book that covered 2,000 years of war, frankly I was sickened by how the same mistakes were made over and again. It has made me devoted to exploring possibilities for humane behavior within the most inhumane and degraded moral environment humanity creates; where individuality is subsumed in collective violence and humanity is obscured as a faceless, merciless enemy.
Beautifully written masterwork on one of the most important wars of the 19th century. It takes the reader from the experience of ordinary soldiers in battle to key debates around the cabinet table, in a rare display of dexterity and understanding of all levels of war. You will enter Grant’s HQ from where he ran the critical Western theater of operations and sit across from Lincoln as he makes the key decision for a hard war that let the Union maximize its resources and win. And you will walk into Lee’s HQ where the Confederacy lost the war in bursts of Southern hubris that led to two ill-conceived invasions of the North that provoked the final crushing.
Now featuring a new Afterword by the author, this handy paperback edition of the Pulitzer Prize-winning Battle Cry of Freedom is without question the definitive one-volume history of the Civil War. James McPherson's fast-paced narrative fully integrates the political, social, and military events that crowded the two decades from the outbreak of one war in Mexico to the ending of another at Appomattox. Packed with drama and analytical insight, the book vividly recounts the momentous episodes that preceded the Civil War including the Dred Scott decision, the Lincoln-Douglas debates, John Brown's raid on Harper's Ferry. From there it moves into…
John J. Miller is director of the Dow Journalism Program at Hillsdale College, a writer for National Review, and the host of two book-themed podcasts, The Great Books and The Bookmonger. His books include The Big Scrum: How Teddy Roosevelt Saved Football and Reading Around: Journalism on Authors, Artists, and Ideas. He lives on a dirt road in rural Michigan.
Catton was one of the Civil War’s great historians, best known for bringing the stories of individual soldiers into otherwise sweeping accounts of the American Iliad. Amid this work, he also wrote this little-known short novel, published in 1955, which today probably would be filed in the “young adult” section of your favorite bookstore. It tells the tale of Bob Hayden, a Michigan boy who lies about his age to join a volunteer company and rises to manhood while serving in Virginia with Gen. “Fighting Phil” Sheridan.
I’m the author of seven novels, including Soul Catcher, a Booksense and Historical Novels Review selection; A Brother’s Blood, which was a New York Times Book Review Notable Book and an Edgar Award Finalist; The Blind Side of the Heart, A Dream of Wolves, and The Garden of Martyrs, a Connecticut Book Award finalist and made into an opera. My historical novel Beautiful Assassin won the 2011 Connecticut Book Award for Fiction. I’ve also published a collection of his short stories, Marked Men, in addition to over 50 short stories in national journals. I was the founding editor of two magazines, American Fiction and Dogwood, as well as the founder and former director of Fairfield University's MFA Creative Writing Program. I’ve just completed a new historical novel set during the 1936 Olympics in Berlin.
What makes this immense novel (768 pages) so engrossing is that we get a very inside view of the great (or demonic—depending on your perspective) figure of John Brown. Told by his son Owen, the novel gives us both a panoramic view of Brown, his vision of slavery, his tumultuous times, and his quest to eradicate slavery by any means, as well as a very intimate portrait of the myth of John Brown as opposed to man and father.
Owen Brown is the last surviving son of America's most famous political terrorist, John Brown, who in 1859 raided the federal arsenal at Harpers Ferry, Virginia, intending to galvanise the Southern slaves into rebellion. Now Owen tells John's story. This incredible novel recreates pre-Civil War America, when slavery was tearing the country apart, and tells of one man's passage from abolitionist to guerrilla fighter and, finally, martyr. Cloudsplitter is a dazzling, suspenseful, heartbreaking story filled with both intimate scenes of domestic life and chilling violence.
Having penned several history books, Historical Fiction is as natural to me as wooden teeth were to George Washington. And hopefully, my writing speaks as authentically. But Historical Fiction’s real attraction is that it not only adds realism and depth but also offers readers the chance to learn about our past in an enjoyable format that isn’t tedious or boring. Naturally, that’s if it's crafted well. However, history shouldn’t be just a backdrop, its myriad of events should impact the characters’ lives, and in turn, impact the reader. In that vein, Historical Fiction packs a punch to the intellect and emotions. So I hope you’ll enjoy these timeless classics.
John Jakes’s trilogy is a huge investment of time, but for those who love family sagas, American history and intriguing conflicts, it's a huge banquet to sink your teeth into. This sprawling saga drew me in with its inevitable chain of events, namely the Civil War, and how it split families and friends apart due to a military conflict, one that threatened to split the nation apart and with profound humanitarian rights at its core. Superbly written and even beautifully captured on film, John Jake’s magnum opus is a winner.
Part one of the #1 New York Times bestselling North and South Trilogy—the Civil War saga that inspired the classic television miniseries North and South—with over five million copies sold!
“An entertaining…authentic dramatization of American history.”—The New York Times
From master storyteller John Jakes comes the epic story of two families—the Hazards and the Mains. Separated by vastly different ways of life, joined by the unbreakable bonds of true friendship, and torn asunder by a country on the brink of a bloody conflict that will irrevocably change them all…
My twin passions are the fictional stories of Sherlock Holmes, and American history as told on the battlefields of the Civil War—and I have long thought that we make history boring, focusing on battles and dates, and not on the individuals who made it happen (Lincoln above all). So why not shake it up? In One Must Tell the Bees, the rational but very fictional Sherlock Holmes brings to life the accomplishments of the shrewd, incisive but very real Abraham Lincoln in a way that I hope adds to our understanding of Lincoln’s accomplishments, even as our country struggles to reassess the meaning of that portion of our history.
In the 1930’s some very forward-thinking person at the Work Projects Administration got the idea to interview former slaves and record their stories before it was too late, and their stories had been lost.
The result was some 2,300 interviews with men and women who had been enslaved across many states (not just the South). The interviews are generally brief but always unvarnished and compelling.
The resulting record of their lives and experiences will leave a mark on anyone who reads them. And you should read them.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I began writing speculative fiction because I was fascinated by its potential as a laboratory to imagine the world that could be. It’s a narrative form that allows us to play with revolutionary changes in society without any real people getting hurt. And it compels the author to do the hard work of imagining how others experience life in the real world as well as the imaginary one. The best SF novels balance their speculations with a grounding in the observed world, entertaining us with propulsive wonder while filling our minds with new ideas and fresh perspectives that linger long after we put the book down.
The Civil War in this short novel by Bisson, who sadly died in early 2024, is part of the book's backstory. It is set in a 1950s America in which our 1860s Civil War never happened.
In Bisson’s mirror America, Harriet Tubman joined John Brown in his raid on Harper’s Ferry, resulting in a victory for the abolitionists that led to a massive slave uprising in the South, aided by radical Europeans and Mexicans seeking to reclaim territory and ultimately the formation of a new socialist utopia from the former states of the Deep South.
With this bold and radical counterfactual as the backdrop, Bisson uses a chorus of compelling narrations to imagine the more just America that could be—and the struggles it would take to realize it.
Presenting an alternative version of African American history, this novel explores what might have happened if John Brown’s 1859 raid on Harper’s Ferry had been successful. Chronicling life in a thriving black nation founded by Brown in the former southeastern United States, this dramatic story opens 100 years later, just as Nova Africa is poised to celebrate its first landing of a spacecraft on Mars. The prosperous black state will soon be tested when the granddaughter of John Brown returns from Africa to reunite with her daughter and share with her a secret that will alter their lives forever.
I’ve been reading and writing stories for as long as I can remember—and the weird ones have always been my favorite. I discovered many of my favorite books by wandering into my local library, telling the librarian about my strange reading interests, and allowing them to set me up with literary masterpieces of the most unusual kind. Once I knew how to bend the rules of genre and form to create something original, I took to creating my own weird stories, and have been doing so ever since in my novels, short stories, D&D characters, and bedtime stories for my bird.
A Prayer for the Dying is the only full-length novel I’ve ever read entirely in second-person perspective—which makes for a white-knuckle-grip adventure as the narrator drags the reader along a dark, haunted path, which is also a little bit on fire.
This ghost story full of living people (at first) follows a hard-working and dedicated protagonist who tries to protect his little town of Friendship as it faces disaster after horrible disaster. The narrative of the story unfurls like a tidal wave—terrifying, yet impossible to look away from as it sweeps away everything in its path. This scary story is definitely not for the faint of heart.
Set in a leafy Wisconsin town just after the American Civil War, this story opens one languid summer's day. Only slowly do events reveal themselves as sinister as one neighbour after another succumbs to a creeping, fatal disease.
I am an academic historian who has had a passion for the wars of the three kingdoms for over three decades. I have been reading books about the civil wars in Britain and Ireland since I was ten years old. I have been a member of the re-enactment society The Sealed Knot and the Cromwell Association. I published my first monograph on the wars of the three kingdoms in 2018. The monograph views the conflict from a three kingdoms perspective through the eyes of the Scottish Covenanters and their English allies. I am a Fellow of the Royal Historical Society.
Samuel Rawson Gardiner’s comprehensive and detailed account of the civil wars has laid the foundation for many of the subsequent histories of the conflict. It was the first account of the civil wars written by a professional historian who had spent a lifetime exploring the expansive and diverse first-hand accounts of the conflict.
All the books in this series are fantastic and highly recommended.
S.R. Gardiner's seminal work on the "Great Rebellion" has been accepted since it first appeared at the end of the 19th century as the chronological basis for all that has been written since. Available in four volumes, the first of which traces events from the beginning of the conflict to the Battle of Marston Moor, which was to prove the turning point for the Parliamentarian cause. This volume contains an introduction by Christopher Hill, an authority on 17th-century English history, in which he sums up Gardiner's importance both in his own time and for ours.
