The best historical fiction with a twist

It’s not Hadrian’s love affair with the beautiful boy Antinous that swept me off my feet, nor the way Hadrian makes him a god after his mysterious death and builds a city dedicated to worshiping him.

That’s only a small part of a book overflowing with the emperor’s interior life, his fears and doubts and dreams. Yourcenar spent most of her life on and off writing this book, her life’s work. Filled with the exhilaration and perplexity of achieving absolute power and then holding onto it, we experience Hadrian as a profoundly paradoxical genius from the inside out. 

Dystopian when it was written, Lewis set the book distinctly in its own period, the depth of the Great Depression. He could not have written a better account of the Trump presidency had he tried.

Buzz Windrip, the whirlwind populist demagogue president, is the very essence of Trumpism. The story that follows, of the fascist oppression of his enemies and his inevitable self-destruction, often funny, often not funny at all, packs all the punch of Philip Roth’s The Plot Against America, written almost a century later, which looks in hindsight at the same phenomenon as Charles Lindbergh unseats FDR running for an unprecedented third term.

Sinclair Lewis takes the palm for seeing it first and exposing how it can happen here.   

First published in 1980, Gaywyck was the first historical gay gothic romance. Virga, whose day job for forty years was as photo editor, turns his extraordinary eye on turn-of-the-last century New York.

The tangled lives, dark secrets, and mad love – all conventions of the romance genre – are stood on their heads in this reimagining. “I realized genre has no gender,” Virga says, and set about cannily reversing roles and inverting tropes to fashion a puzzle wrapped in an enigma of requited and unrequited love.

Gaywyck stands the test of time and remains a modern classic.   

Barry, Irish, conjures a vision of the Civil War era American West that redefines the American experience.

A young Irish refugee fleeing the Great Famine which has wiped out his family, ends up in Missouri where he hooks up with another orphan and a lifelong love affair begins. The two boys survive by dressing as girls and entertaining at the local saloon in a town low on women.

As soon as they are old enough, they escape into the army, fighting in the Indian and Civil Wars, always together despite the amazing and terrible things that happen, steadfast in their love and their indomitable will to survive the crazy hand life has dealt them.    

As detailed as Virga, as teeming with real intellectual life as Yourcenar, Eco stunned the world in 1980 with this dark murder mystery set in a remote Italian Abbey in 1327.

The intricate architecture of the abbey hides enigmas and anomalies – historical, philosophical, doctrinal – and a cast of bizarre and idiosyncratic monks murdered one by one in symbolic ways by an unseen and seemingly all-powerful hand. Only a mind as encyclopedic and facile as Friar William of Baskerville can follow the thread to the demonic abbot hellbent on punishing humanity for laughing.

Unique on so many levels, The Name of the Rose was sui generis when written and remains so to this day.