I am the author of theByzantine Trilogy (in 4 parts). These books depict the difficult beginning, decadent apogee, and sad end of the Byzantine empire. I think it is important to make historical fiction vivid, to immerse the reader in a distant time and place, with all its sights, smells, sounds, and tastes, as experienced by someone who was really there. I am also interested in what people believed, and why. For that reason, my historical novels are all first-person narratives, stories told by the people who lived through them. Here are some of the fictional memoirs that inspired me to start writing.
Boldly venturing into territory already claimed by Robert Graves, Allan Massie gives us the life of Augustus, the first Roman emperor. Full of authentic detail, both witty and serious, bawdy and censorious, this book makes ancient Rome thoroughly believable to modern readers. Augustus vividly describes his ruthless rise to power following the assassination of Julius Caesar, and reflects on his life and achievements, justifying his schemes, deceptions and crimes. Would we have done the same in his place? Maybe, if civilization depended on it.
I particularly like the two Prefaces, in which author, citing fake scholars and non-existent institutions, persuades us that this work of fiction has been translated from an ancient manuscript found in a monastery. I have used the same trick myself.
Augustus was the founder of the Roman Empire, adopted son of Julius Caesar, friend and later foe of Mark Antony, patron of Horace and Virgil. Frank and forceful, this putative autobiography tells his story from the assassination of Caesar, through his military, political and personal struggles to his final days as Emperor in everything but name.
I enjoy authors who craft twisty mystery plots with vivid historical settings filled with memorable characters. I enjoy them even more when they make me laugh out loud. When I read for pleasure, I don’t want books filled with gritty realism or tragic stories. I want a bit of fun, but my dry sense of humor is left wanting by many novels purported to be funny. I often find their main characters either annoyingly frivolous or painfully cynical. Give me intelligent characters, stories filled with hope, and an occasional one-liner that tickles my funny bone. I hope this list has introduced you to authors who do just that.
An unlikely pair fight crime and corruption in second-century Britain.
Meet Ruso and Tilla. He’s an educated, idealistic Roman serving as an army medic with the 20th Legion. She’s a feisty, pragmatic Briton and former slave. Together they fight injustice, solve murders, and share an endearing talent for getting themselves into awkward pickles by misconstruing each other’s intentions.
In Terra Incognito, Ruso travels to the British frontier, where he is the outsider and Tilla the one who understands the rules. Can a tough Roman soldier learn to take advice from his barbarian housekeeper? Can he trust her not to betray him or run away to rejoin her people? Tilla proves trustworthy, and a great crime-fighting partnership is formed.
It is spring in the year of 118, and Hadrian has been Emperor of Rome for less than a year. After getting involved with the murders of local prostitutes in the town of Deva, Doctor Gaius Petreius Ruso needs to get out of town, so has volunteered for a posting with the Army on the volatile border where the Roman-controlled half of Britannia meets the independent tribes of the North. Not only is he going to the hinterlands of the hinterlands, but it his slave Tilla's homeland and she has some scores to settle there. Soon they find that Tilla's…
I’ve always been fascinated by the ancient Romans and particularly by the ways they wrote about themselves. A Professor of Ancient History at Birkbeck, University of London since 2005, I regularly take part in BBC Radio 4’s In Our Time, discussing topics such as Roman decadence. Later generations look back on ancient Rome as mired in luxury and sexual misbehaviour—but that’s because the Romans themselves were constantly accusing one another of terrible vices. What can these claims tell us about Roman society? That’s a question that I’ve often returned to in many years of university teaching—and writing books, such asThe Politics of Immorality in Ancient Rome.
The shift to one-man rule in ancient Rome meant the ruler’s family, including his female relatives, was now centre-stage. Ancient Roman writers are generally dismissive or highly critical of the women who were part of the Roman imperial family. They are accused of arrogance, manipulation, adultery, incest—and poisoning. This engaging and well-researched book shines a spotlight on women such as Livia (Augustus’ wife), Julia (Augustus’ daughter), and Agrippina (Nero’s mother) and explores what influence they had, what they were able to achieve—and why they came in for so much, often sensationalist, criticism.
Like their modern counterparts, the 'first ladies' of Rome were moulded to meet the political requirements of their emperors, be they fathers, husbands, brothers or lovers. But the women proved to be liabilities as well as assets - Augustus' daughter Julia was accused of affairs with at least five men, Claudius' wife Messalina was a murderous tease who cuckolded and humiliated her elderly husband, while Fausta tried to seduce her own stepson and engineered his execution before boiled to death as a punishment.
In The First Ladies of Rome Annelise Freisenbruch unveils the characters whose identities were to reverberate through…
I am a writer and historian, specialising in the early-Medieval period and the fractious but fruitful encounter between the Christian and Islamic worlds. My fiction is informed by my non-fiction work: it’s a great help to have written actual histories of Northumbria in collaboration with some of the foremost archaeologists working on the period. I regard my work as the imaginative application of what we can learn through history to stories and the books I have selected all do this through the extraordinarily varied talents of their authors. I hope you will enjoy them!
Helena is Evelyn Waugh’s most overlooked novel but it is my favourite. I love it for how Waugh depicts Helena, the mother of the Emperor Constatine, but what raises it to a place in any best-of list is a passage of writing that ranks as Waugh’s best - and he sets a very high bar for himself. Towards the end of the book Helena prays for her salvation but, reading it, we realise that Waugh is praying for his own salvation too, for those “who have had a tedious journey to make to the truth, of all who are confused with knowledge and speculation… of all who stand in danger by reason of their talents.”
The Empress Helena made the historic pilgrimage to Palestine, found pieces of wood from the true Cross, and built churches at Bethlehem and Olivet. Her life coincided with one of the great turning-points of history: the recognition of Christianity as the religion of the Roman Empire. The enormous conflicting forces of the age, and the corruption, treachery, and madness of Imperial Rome combine to give Evelyn Waugh the theme for one of his most arresting and memorable novels.
I am an investor who happens to love writing, music, and simply life in general. I was born in Murmansk, Russia, where I spent my first 18 years. My family moved to Denver in 1991, and I have lived there since. I’m CEO of IMA, a value investing firm where I have creative freedom to focus on things I love. I was so fortunate to stumble into writing; it has completely rewired my mind by providing a daily two-hour refuge for focused thinking. I am constantly on the lookout for new stories and fresh insights. Writing is what keeps me in student-of-life mode, and there is so much to learn!
While William Irvine’s book introduced me to Stoic philosophy, Donald took me further into the incredible life of Roman emperor and Stoic Marcus Aurelius. This book takes you deeper into Stoic philosophy. I get asked whom I’d want to have lunch with, dead or alive, and I answer Marcus Aurelius. During his reign he was the most powerful person in the Western hemisphere. History is littered with examples that prove Lord Acton’s quip “Power corrupts; absolutely power corrupts absolutely.” Marcus is a rare exception.
"This book is a wonderful introduction to one of history's greatest figures: Marcus Aurelius. His life and this book are a clear guide for those facing adversity, seeking tranquility and pursuing excellence." --Ryan Holiday, bestselling author of The Obstacle is the Way and The Daily Stoic
The life-changing principles of Stoicism taught through the story of its most famous proponent.
Roman emperor Marcus Aurelius was the final famous Stoic philosopher of the ancient world. The Meditations, his personal journal, survives to this day as one of the most loved self-help and spiritual classics of all time. In How to Think…
The deeper I looked into Nero’s history the more references I found to astrology about which I knew nothing except that it was a “pseudo science”. Then an idea hit me like the proverbial lightning bolt. It didn’t matter that astrology was mere superstition. All that mattered was that Nero and his contemporaries believed in it. Nero’s birthday and time are known so it must be possible to re-create his horoscope. With this mysterious wheel in hand, anyone familiar with ancient astrological lore should be able to make some very intelligent guesses about what Nero’s astrologer would have been advising his imperial client on perhaps a daily basis.
A magisterial, affectionate portrait of Nero and his times, this book is full of delightful touches of humor. Grant writes that although Nero enjoyed giving feasts, “we are not told if he was amused by the famous contemporary glutton Arpocras, who ate four tablecloths at a time, and broken glass as well.”
Bound in the publisher's original cloth covered boards, spine and cover stamped in gilt. Dust jacket rubbed at the edges, small closed tears at the extremities.
As a university historian and archaeologist my focus has been the Early Middle Ages. In the 1990s I wrote several books about the fifth and sixth centuries which barely mentioned Arthur but popular histories and films based on his story just kept coming, so I decided to look again at his story and work out how and why it developed as it did. I have published three well-received books on the subject, each of which builds on the one before, plus articles that have been invited to be included in edited volumes. I disagree with much in the five books above but collectively they reflect the debate across my lifetime. It is a great debate, I hope you enjoy it.
John Morris was an ancient historian specializing in the later Roman Empire who late in life turned his attention to Dark Age Britain. I only met him very briefly at a conference in the mid-1970s, by which time he was already very ill. He wrote by far his best-known work while presiding over the translation of a host of source materials for early medieval Britain and their publication by Phillimore, all the time fighting his own battle against cancer. He didn’t just accept Arthur as a real historical figure but made him the pivotal figure of British history in the decades around 500, accepting as authoritative all sorts of stories written many hundreds of years later. In so doing he was largely responsible for bringing the Arthurian Period of British history into existence and certainly gave it enormous popular appeal. Rarely has one writer had such an impact on a…
A lifetime's scholarship enabled John Morris to recreate a past hitherto hidden in myth and mystery. He describes the Arthurian Age as 'the starting point of future British history', for it saw the transition from Roman Britain to Great Britain, the establishment of England, Scotland, Ireland and Wales from the collapse of the Pax Romana. In exploring political, social, economic, religious and cultural history from the fourth to the seventh century, his theme is one of continuity. That continuity is embodied in Arthur himself: 'in name he was the last Roman Emperor, but he ruled as the first medieval king.'
The deeper I looked into Nero’s history the more references I found to astrology about which I knew nothing except that it was a “pseudo science”. Then an idea hit me like the proverbial lightning bolt. It didn’t matter that astrology was mere superstition. All that mattered was that Nero and his contemporaries believed in it. Nero’s birthday and time are known so it must be possible to re-create his horoscope. With this mysterious wheel in hand, anyone familiar with ancient astrological lore should be able to make some very intelligent guesses about what Nero’s astrologer would have been advising his imperial client on perhaps a daily basis.
Early on in my research on Neronian astrology I had the good fortune to discover this book and visit its author, a real live astrologer. When he showed me the chart he had done for me I felt a shiver of excitement, convinced that I was the first person to pay an astrologer to cast Nero’s horoscope in 2,000 years. Dr. Noonan’s book is an excellent introduction to astrology as it was practiced in the ancient world.
Classical Scientific Astrology focuses on the astrology of the Classicists, including Ptolemy and Al-Biruni, and its everyday use in determining the future of individuals, the national economy, the outcome of business and military ventures, the quality of national leadership and more. Included are: Historical persepctive of astrology from its earliest beginnings The houses and branches of astrology The signs, including their nature, and body parts, diseases, flora, fauna and places indicated by the signs; degrees of the signs and decanates The planets, including their nature, rulershp, terms, face and sect The aspects, including their power, applying and separating, orientality and…
I have always loved historical fiction as a reader, but my passion to write it caught fire during the years I lived in Venice, Italy, when I discovered the curious institution of the ballot boy within the Byzantine complexities of the thousand-year Venetian Republic. Since ballot boys were randomly chosen over a period of six hundred years, choosing my particular Doge and ballot boy required a survey of the entire field before I circled in on Venice, 1368, IMHO the peak brilliance of that maritime empire. It is a peculiarity of history that the names of all 130 doges of Venice are recorded, but none of their ballot boys are mentioned. The challenge was irresistible.
It’s not Hadrian’s love affair with the beautiful boy Antinous that swept me off my feet, nor the way Hadrian makes him a god after his mysterious death and builds a city dedicated to worshiping him.
That’s only a small part of a book overflowing with the emperor’s interior life, his fears and doubts and dreams. Yourcenar spent most of her life on and off writing this book, her life’s work. Filled with the exhilaration and perplexity of achieving absolute power and then holding onto it, we experience Hadrian as a profoundly paradoxical genius from the inside out.
Framed as a letter from the Roman Emperor Hadrian to his successor, Marcus Aurelius, Marguerite Yourcenar's Memoirs of Hadrian is translated from the French by Grace Frick with an introduction by Paul Bailey in Penguin Modern Classics.
In her magnificent novel, Marguerite Yourcenor recreates the life and death of one of the great rulers of the ancient world. The Emperor Hadrian, aware his demise is imminent, writes a long valedictory letter to Marcus Aurelius, his future successor. The Emperor meditates on his past, describing his accession, military triumphs, love of poetry and music, and the philosophy that informed his powerful…
I’ve always been fascinated by the ancient Romans and particularly by the ways they wrote about themselves. A Professor of Ancient History at Birkbeck, University of London since 2005, I regularly take part in BBC Radio 4’s In Our Time, discussing topics such as Roman decadence. Later generations look back on ancient Rome as mired in luxury and sexual misbehaviour—but that’s because the Romans themselves were constantly accusing one another of terrible vices. What can these claims tell us about Roman society? That’s a question that I’ve often returned to in many years of university teaching—and writing books, such asThe Politics of Immorality in Ancient Rome.
This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.
By the author of Stoner, the surprise international bestseller
After the brutal murder of his great-uncle, Julius Caesar, Octavian, a shy and scholarly youth of nineteen, suddenly finds himself heir to the vast power of Rome. He is destined, despite vicious power struggles, bloody wars and family strife, to transform his realm and become the greatest ruler the western world had ever seen: Augustus Caesar, the first Roman Emperor.
Building on impeccable research, John Williams brings the legendary figure of Augustus vividly to life, and invests his characters with such profound humanity that we enter completely into the heat and…
