Here are 67 books that Memoirs of Hadrian fans have personally recommended if you like
Memoirs of Hadrian.
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Todd May has been teaching philosophy for over thirty years. He is the author of sixteen books of philosophy, many of which have been praised for their clarity and relevance to people reflecting on their lives. He was also a philosophical advisor to the hit television sit-com The Good Place.
This may not be the best place to start, but sooner or later you’ll want to land here. Aristotle’s view of a good life, one that involves developing virtuous ways of being, is surprisingly contemporary. And unlike a lot of contemporary philosophy, he has deep reflections on the role of friendship in creating a worthwhile life.
Presents a support resource for students being introduced to philosophical texts and to philosophy in general. This work contains a glossary of terms relating to the philosopher's use of terms.
I am a philosophy post-doc at Unesp and a poet who has always felt that politics is not the exclusive business of politicians; that violence is not the exclusive business of warfare or of “vulgar” people, say, drunkards in bars. Violence, I have felt while doing philosophy in the USA, Brazil, Germany, and France, is likewise expressed by well-educated and apparently “peaceful” philosophers who are engaged in implicit politics and practice “subtle” violence. To handle the relation between politics and metaphysics is to do justice to this feeling. The Politics of Metaphysics, I hope, does that. I believe that though more tacitly, the same is done by this list’s books.
What I love about this book is the fact that it indicates that an apparently apolitical metaphilosophical assumption agrees with an upfront right-wing policy.
The assumption is that when tackling disputes in metaphysics, philosophers should aim to achieve consensus. The policy is that of pressing one to respect the allegedly rationally undeniable standards of a “herd,” as Nietzsche puts it. While problematizing this view, Nietzsche argues that libertarian tendencies of expressing one’s uniqueness are more valuable than more egalitarian tendencies of following herds; to provoke dissensus would then be more valuable than to reach consensus.
This stance has influenced me, even though while problematizing Nietzsche’s works through Carnap’s (and vice-versa), I claim that libertarian and egalitarian tendencies are equally valuable so that one should aim for a balance between them.
Unabridged English value reproduction of Beyond Good And Evilby Friedrich Nietzsche and translated by Helen Zimmern. This philosophical classic is a must read because of its fearless approach to how knowledge is formed.
Beyond Good And Evil asks, is truth absolute? Do humans invent ways to fortify already held views or truly seek the truth? Are the powerful more ‘right’ than the weak? Or is Nietzsche writing down page after page to hear himself talk?
Let the reader decide in this slim volume with full text and footnotes, produced at an affordable price.
Todd May has been teaching philosophy for over thirty years. He is the author of sixteen books of philosophy, many of which have been praised for their clarity and relevance to people reflecting on their lives. He was also a philosophical advisor to the hit television sit-com The Good Place.
This is the most influential book on my own thinking about meaningfulness in life. Wolf's idea that a meaningful life is distinct from both a happy life and a moral one—although there can be overlapping with these—is both simple and profound. And, unlike many contemporary philosophers, her writing is clear and accessible.
Most people, including philosophers, tend to classify human motives as falling into one of two categories: the egoistic or the altruistic, the self-interested or the moral. According to Susan Wolf, however, much of what motivates us does not comfortably fit into this scheme. Often we act neither for our own sake nor out of duty or an impersonal concern for the world. Rather, we act out of love for objects that we rightly perceive as worthy of love--and it is these actions that give meaning to our lives. Wolf makes a compelling case that, along with happiness and morality, this…
I have been interested in purpose and meaning since I snuck into a high school philosophy class when I was 10 years old. Since then, I have not only worked on my own quest for meaning in my life but also helped dozens of others through these types of questions as an executive coach and business leader. I believe that having an answer to the question “why am I here?” is the crucial ingredient to living a happy and fulfilled life, and I’ve been working for years to distill all that I have learned on the subject into a useable and accessible collection of insights.
This is an amazing and brief explanation of what existentialism is and why it should matter to anyone looking for meaning in their life.
I love that Satre demystifies his philosophy, making it accessible and understandable to anyone. The book is actually the transcription of a lecture he gave, so it is wonderfully readable and full of examples and situations that I learned a lot from.
He also defends existentialism from some of its common critiques, which makes the book even more useful as an introduction. Many of my questions were answered here!
It was to correct common misconceptions about his thought that Jean-Paul Sartre, the most dominent European intellectual of the post-World War II decades, accepted an invitation to speak on October 29, 1945, at the Club Maintenant in Paris. The unstated objective of his lecture ("Existentialism Is a Humanism") was to expound his philosophy as a form of "existentialism," a term much bandied about at the time. Sartre asserted that existentialism was essentially a doctrine for philosophers, though, ironically, he was about to make it accessible to a general audience. The published text of his lecture quickly became one of the…
I am a writer and historian, specialising in the early-Medieval period and the fractious but fruitful encounter between the Christian and Islamic worlds. My fiction is informed by my non-fiction work: it’s a great help to have written actual histories of Northumbria in collaboration with some of the foremost archaeologists working on the period. I regard my work as the imaginative application of what we can learn through history to stories and the books I have selected all do this through the extraordinarily varied talents of their authors. I hope you will enjoy them!
For writers of historical fiction, Eagle in the Snow has attained almost mythical status. First published fifty years ago, the book is still in print mainly through the enthusiastic recommendation of readers. Wallace Breem wrote only two other works and died in 1990, so there will be nothing more from his pen. It adds piquancy to the themes of the story: it’s a tale of the passing of things and the dying of an empire. It’s the tale of a man struggling against the fading of the light, even though he knows the struggle is hopeless. It’s a story of endings in a world that does not understand its mortality.
A novel about General Maximus, one of the inspirations behind Ridley Scott's massively successful film GLADIATOR.
'Behind me I left my youth, my middle age, my wife and my happiness. I was a general now and I had only defeat or victory to look forward to. There was no middle way any longer, and I did not care.'
In the year AD 406 Rome was on the defensive everywhere, and a single Roman legion stood desperate guard on the Empire's Rhine frontier. Maximus, the legion's commander, is urged to proclaim himself emperor, but he stands by his concept of duty…
I am the author of theByzantine Trilogy (in 4 parts). These books depict the difficult beginning, decadent apogee, and sad end of the Byzantine empire. I think it is important to make historical fiction vivid, to immerse the reader in a distant time and place, with all its sights, smells, sounds, and tastes, as experienced by someone who was really there. I am also interested in what people believed, and why. For that reason, my historical novels are all first-person narratives, stories told by the people who lived through them. Here are some of the fictional memoirs that inspired me to start writing.
The short reign of Julian the Apostate is one of the “what ifs” of history. Raised as a Christian, Julian was a secret pagan. When he unexpectedly became emperor, he reversed the privileges of the Church and promoted his own Neo-Platonist cult, intending to restore paganism. Even though we know how things really turned out, it is fascinating to speculate about what might have happened if he had succeeded.
Gore Vidal has filled this novel with war, politics, sex, religion, heresy, and philosophy. I have tried to follow his example (though I have been more sympathetic to eunuchs than he was).
Gore Vidal's fictional recreation of the Roman Empire teetering on the crux of Christianity and ruled by an emperor who was an inveterate dabbler in arcane hocus-pocus, a prig, a bigot, and a dazzling and brilliant leader.
Humor is based on surprise and the ‘foreign’ is often surprising. As I traveled all over the world for work, I searched out local authors and found myself laughing. It started with At Swim Two Birds and has never stopped.
I remember buying The Long Ships about twenty years ago on Potrero Hill in San Francisco. Generally speaking, 1950s Swedish novels about Vikings are not my thing, but there was an absolutely over-the-top introduction from Michael Chabon.…'best novel ever’ kind of stuff…so I bought it.
Since then, I have recommended it to dozens of people, almost all of whom have, often to their surprise, loved it and recommended it to others. My favorite recommendation was to a pal whose daughter absconded with it and was reading it on a parapet in southern Spain when a guy came by and asked her what she was reading. She showed him the book, he perused it gravely, and then tore out the frontispiece and used it to roll a joint. This is a very satisfying book in every way.
Don’t get it confused with the derivative Norwegian comedy series, Norsemen. The Long Ships…
This saga brings alive the world of the 10th century AD when the Vikings raided the coasts of England.
Acclaimed as one of the best historical novels ever written, this engaging saga of Viking adventure in 10th century northern Europe has a very appealing young hero, Orm Tostesson, whose story we follow from inexperienced youth to adventurous old age, through slavery and adventure to a royal marriage and the search for great treasure. Viking expeditions take him to lands as far apart as England, Moorish Spain, Gaardarike (the country that was to become Russia), and the long road to Miklagard.…
If you want to learn about historical societies and events, read history books. But if you want to understand your own world, and how it has emerged from and been shaped by the eternal, unchanging human psyche, intellect and fragility, read historical fiction. A great historical novel should always be first and foremost about the time in which it is written. That is what first drew me to the story of Petronius in The Uncertain Hour – if it doesn’t have a human heart, no amount of technical historical detail will kindle it in the reader’s imagination.
The Roman poet Ovid was one of the most popular writers of his day, but the defining tragedy of his life – his lifelong exile from Rome at the very height of his powers – remains as mysterious today as it was in his own time. In The Love-Artist, Jane Alison provides that tragedy with a back story, when Ovid, on holiday on the shores of the Black Sea, meets and is enchanted by the witch-like Xenia and persuades her to return with him to Rome, with dire consequences. But it’s the book’s dream-like atmosphere – the sense that we are seeing the world through the eyes of a great poet with one foot in the ambitious world of empire and the other in an unstable netherworld of imagination and mythology – that will remain with the reader.
A darkly brilliant first novel imagines a missing chapter in the life of Ovid. Why was Ovid, the most popular author of his day, banished to the edges of the Roman Empire? Why do only two lines survive of his play Medea, reputedly his most passionate work, and perhaps his most accomplished? Between the known details of the poets life and these enigmas, Jane Alison has interpolated a haunting drama of passion and psychological manipulation. On holiday in the Black Sea, on the fringes of the Empire, Ovid encounters an almost otherworldly woman who seems to embody the fictitious creations…
I’m the author of five extremely different novels: Boy A(which was made into an award-winning film),Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.
Written long before quarantines became so fashionable, Jesus in Jim Crace’s novel is an almost peripheral player, because– set during Christ’s forty days in the wilderness – six other people share in the inhospitable desert caves, miracles, and hallucinations. Each character has their own troubles and trials; their own battles with demons to resolve; which they hope isolation and fasting will accomplish. And for each, in ingenious ways, it does… I am a big fan of Crace’s style, rhythm, and invention, and this is one of his finest works.
So this is happiness, she thought. Or this, at least, is what adds up to happiness. The prospect of never running after men and camels any more, of being Miri without shame or hesitation, of letting drop her headscarf for a change so that nothing intervened between her and the sky.
Five travellers venture into the Judean wilderness in search of redemption. Instead, amidst the barren rocks, they are met by a dangerous man, Musa, and fall under his dark influence. As the unforgiving days and bitter nights erode their resolve, it becomes clear…
I have always believed that everyone has a story to tell. I have connected to people throughout my life because I chose to sit, listen, and share stories. I do this in my own neighborhood and on my travels worldwide. I do it with people I don’t have anything in common with and people I think I might not like. Every time, without exception, I learn something. Often, I am inspired. These experiences have tested and grown my compassion, empathy, kindness, and understanding capacity. I suppose this is why I love reading. It’s like meeting strangers and sharing stories.
The survivalist family drama, paranoia, and isolation seemed an impossible life for Tara Westover to escape. This memoir had a suspense and thriller aspect that I loved. I could not put it down.
Her ability to stand up to her parents and an abusive older brother without means showed true grit. She is an admirable and inspirational human being. I love stories where humans overcome great adversity.
Selected as a book of the year by AMAZON, THE TIMES, SUNDAY TIMES, GUARDIAN, NEW YORK TIMES, ECONOMIST, NEW STATESMAN, VOGUE, IRISH TIMES, IRISH EXAMINER and RED MAGAZINE
'One of the best books I have ever read . . . unbelievably moving' Elizabeth Day 'An extraordinary story, beautifully told' Louise O'Neill 'A memoir to stand alongside the classics . . . compelling and joyous' Sunday Times
Tara Westover grew up preparing for the end of the world. She was never put in school, never taken to the doctor. She did not even have a birth certificate…