Todd May has been teaching philosophy for over thirty years. He is the author of sixteen books of philosophy, many of which have been praised for their clarity and relevance to people reflecting on their lives. He was also a philosophical advisor to the hit television sit-com The Good Place.
What makes for a good life, or a beautiful one, or, perhaps most important, a meaningful one? Throughout history, most of us have looked to our faith, our relationships, or our deeds for the answer. But in A Significant Life, philosopher Todd May offers an exhilarating new way of thinking about these questions, one deeply attuned to life as it actually is: a work in progress, a journey—and often a narrative. Offering moving accounts of his own life and memories alongside rich engagements with philosophers from Aristotle to Wittgenstein and Bernard Williams, he shows us where to find the significance of our lives: in the way we live them.
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This may not be the best place to start, but sooner or later you’ll want to land here. Aristotle’s view of a good life, one that involves developing virtuous ways of being, is surprisingly contemporary. And unlike a lot of contemporary philosophy, he has deep reflections on the role of friendship in creating a worthwhile life.
Nietzsche’s recommendation that we leave morality behind and seek to create ourselves by overcoming who we currently are is not for everyone. A friend of mine once described Nietzsche’s entire philosophy as kicking you in the head and saying, “Wake up!” He’s always engaging even when he’s maddening.
This is the most influential book on my own thinking about meaningfulness in life. Wolf's idea that a meaningful life is distinct from both a happy life and a moral one—although there can be overlapping with these—is both simple and profound. And, unlike many contemporary philosophers, her writing is clear and accessible.
Okay, so it’s a lecture, really, rather than a book. But it’s the classic statement of existentialism. The idea that life doesn’t have any meaning other than what we create for it, that we’re alone in the universe without a God to guide us, that we are nothing more than the projects we commit ourselves to—it’s all here.
This one’s a novel, a book that took Yourcenar thirty years to write. It doesn’t offer answers, but by having the main figure (the emperor Hadrian) reflect back on his life in the moments before his death, the novel brings before us the beauty and tragedy that is life itself.
5,888 authors have recommended their favorite books and what they love about them. Browse their picks for the best books about existential philosophy, Emperor Hadrian, and Nietzsche.
We think you will like The Long Ships, The Love-Artist, and Educated if you like this list.
From Stephen's list on early English history.
Something of a forgotten classic, this used to be the most widely read novel in Sweden. Though not strictly a book about English history, the story describes the impact of the raids of the Northmen on England through the eyes of our protagonist, Red Orm, and details his adventures in Moorish Spain, Ireland, Sweden, and the Byzantine Empire. This is a classic tale of exploration and discovery that also manages to present us with a very believable view of the late 10th-century world, especially that of Anglo-Saxon England during the reign of Ethelred the Unready. If you enjoy high adventure and have any interest in the Vikings and the culture that bore them this is an excellent addition to your library.
From Jesse's list on historical novels of the ancient world.
The Roman poet Ovid was one of the most popular writers of his day, but the defining tragedy of his life – his lifelong exile from Rome at the very height of his powers – remains as mysterious today as it was in his own time. In The Love-Artist, Jane Alison provides that tragedy with a back story, when Ovid, on holiday on the shores of the Black Sea, meets and is enchanted by the witch-like Xenia and persuades her to return with him to Rome, with dire consequences. But it’s the book’s dream-like atmosphere – the sense that we are seeing the world through the eyes of a great poet with one foot in the ambitious world of empire and the other in an unstable netherworld of imagination and mythology – that will remain with the reader.
From Lance's list on combining memoir, culture, myth, and poetry.
Our circumstances were very different, but I feel a real kinship to her description of a childhood with oppressive/overwhelming parents and the ways in which they attempted to constrict and cripple her future simply by imposing their own world view as a matter of course on their children. Her need to break from them to find herself also echoes my own need to do the same, which I did at the same age, leaving home to go to college, in my case to work my way through college on my own despite coming from an affluent background. But as I write in my own book, living with my parents was crazy making, and my steps to assert reality simply grew over time until by late adolescence they became irresistable.