I’m a professor of philosophy because when I got to college, philosophy sounded like what Gandalf would study—the closest thing we have to the study of magic. It turns out, I wasn’t far from the mark. Philosophy shows you entire dimensions to the world that you never noticed because they exist at weird angles, and you have to change your way of thinking to see them. Entering them and seeing the world from those perspectives transforms everything. A great work of philosophy is like having the lights turn on in an annex of your mind you didn’t know was there, like an out-of-mind experience—or perhaps, an in-your-mind-for-the-first-time experience.
How many bibliographicaljokes have you ever heard, well, read? This book has jokes in its Table of Contents, its title, its sub-title—in the author attribution! And at the end, the Postscript to this Postscripttakes the entire thing back—twice!—although, as Kierkegaard says, to write something and take it back is not the same as not writing it. He wants to affect the reader, not just pass along abstruse theories. Kierkegaard criticizes the basic mindset of philosophy that pretends to have a God’s-eye view of reality when really we’re forced to make decisions of crucial importance, in precarious circumstances, with limited information, never knowing if it was the right one, perpetually living out our lives suspended over 70,000 fathoms of water.
In Philosophical Fragments the pseudonymous author Johannes Climacus explored the question: What is required in order to go beyond Socratic recollection of eternal ideas already possessed by the learner? Written as an afterword to this work, Concluding Unscientific Postscript is on one level a philosophical jest, yet on another it is Climacus's characterization of the subjective thinker's relation to the truth of Christianity. At once ironic, humorous, and polemical, this work takes on the "unscientific" form of a mimical-pathetical-dialectical compilation of ideas. Whereas the movement in the earlier pseudonymous writings is away from the aesthetic, the movement in Postscript is…
I have been interested in purpose and meaning since I snuck into a high school philosophy class when I was 10 years old. Since then, I have not only worked on my own quest for meaning in my life but also helped dozens of others through these types of questions as an executive coach and business leader. I believe that having an answer to the question “why am I here?” is the crucial ingredient to living a happy and fulfilled life, and I’ve been working for years to distill all that I have learned on the subject into a useable and accessible collection of insights.
What I love about The Mandarins is that in describing the life of de Beauvoir, Sartre, Camus and their contemporaries in Paris at the end of the Second World War, it provided me with greater insight into how an existentialist approach to meaning in life can be put into practice.
I also really enjoyed the book for the quality of its writing and its interesting plot. It is fiction, but so close to what actually happened as to almost be history.
In her most famous novel, The Mandarins, Simone de Beauvoir takes an unflinching look at Parisian intellectual society at the end of World War II. In fictionally relating the stories of those around her - Jean-Paul Sartre, Albert Camus, Arthur Koestler, Nelson Algren - de Beauvoir dissects the emotional and philosophical currents of her time. At once an engrossing drama and an intriguing political tale, The Mandarins is the emotional odyssey of a woman torn between her inner desires and her public life. "Much more than a roman a clef . . . a moving and engrossing novel." - New…
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
If there was one criticism I had of Interview With The Vampire, it was that there wasn’t enough Lestat. I can’t have been the only one because when Anne Rice decided to do a sequel, she didn’t keep following Louis, the tortured hero of the first book, but instead told us the story of his Maker.
I love that this book doesn’t try to repeat what the first part did and tell us another story of a vampire at odds with what he is. Lestat embraces the (after)life that is forced upon him. I admire the purity of his acceptance of what he is and having no regrets about what he must do to survive.
#1 New York Times Bestselling author - Surrender to fiction's greatest creature of the night - Book II of the Vampire Chronicles
The vampire hero of Anne Rice’s enthralling novel is a creature of the darkest and richest imagination. Once an aristocrat in the heady days of pre-revolutionary France, now a rock star in the demonic, shimmering 1980s, he rushes through the centuries in search of others like him, seeking answers to the mystery of his eternal, terrifying exsitence. His is a mesmerizing story—passionate, complex, and thrilling.
I have loved science since I was young. I was obsessed with watching videos and reading books by scientists like Michio Kaku and Neil DeGrasse Tyson, where they explored concepts like time travel, black holes, and the quantum realm. In college, I majored in environmental studies, mostly because of my love for both natural science and policy. In addition to basic biology and ecology, I learned about what is hurting the Earth and the consequences of not acting fast. I contributed to a white paper on “Ecocide,” or deliberate destruction of the natural environment, by the Russians in Ukraine. I also contributed to the Journal of Science and Technology Law.
I love this book because not only is it a sci-fi novel, but it loops in a crime angle. Crime is my other favorite genre to read.
As a lawyer, I’ve always found ways to weave crime and the law into my novels. It also deals with humans living in other places than Earth, a concept I’ve always been interested in reading and writing about.
One thousand years after Earth was destroyed in an unprovoked attack, humanity has emerged victorious from a series of terrible wars to assure its place in the galaxy. But during celebrations on humanity's new homeworld, the legendary Captain Pantillo of the battle carrier Phoenix is court-martialed then killed, and his deputy, Lieutenant Commander Erik Debogande, the heir to humanity's most powerful industrial family, is framed for his murder. Assisted by Phoenix's marine commander Trace Thakur, Erik and Phoenix are forced to go on the run as they seek to unravel the conspiracy behind their captain's demise, pursued to the death…
I have been a professor of politics and law for decades, first at Harvard and then Oxford, and so on; I spent these decades trying to understand what makes democracy work. I think we’ve been focusing on the wrong things, and as a political and legal theorist, I want to help us think about a better way forward—one we can carve for ourselves every day of our lives.
I loved Bruce Ackerman’s recent book because he is also a professor of constitutional law reflecting on the state of democracy today but in an existential way, looking laterally at possible solutions to our political problems. Our starting points are similar, but proposed solutions different and complementary—I learned a tremendous amount from this book.
I have picked these books because I have a passion for good reading material. All the books I have chosen have become reading classics in their own way. They are well written and have plots that go well beyond normal literature in a sense that they unveil the 'human condition' into the realm of the protagonist being up against all odds, where in the end, truth reveals all!
I read this fine book when it first came out with all its allusions to free sex and promiscuity. The theme is an elegant allegory about an American married couple who trade civilization for the wilderness of the Sahara.
I like how both were first seduced by the desert's eternal beauty, and in the end, both surrender psychologically and physically to the desert's deep dark undercurrents backdropped by an uncompromising, deeply different culture.
'The Sheltering Sky is a book about people on the edge of an alien space; somewhere where, curiously, they are never alone' Michael Hoffman.
Port and Kit Moresbury, a sophisticated American couple, are finding it more than a little difficult to live with each other. Endeavouring to escape this predicament, they set off for North Africa intending to travel through Algeria - uncertain of exactly where they are heading, but determined to leave the modern world behind. The results of this casually taken decision are both tragic and compelling.
I’m a graphic novelist and designer based in beautiful Minneapolis. I tend to be varied in my artistic style and medium, moving between comics, illustration, design, and occasionally animation. Having created a graphic novel adaptation of The Great Gatsby, I feel very passionate about the subject of graphic novel adaptations. One of the most important things is that there should be a compelling reason for it to be a graphic novel in the first place; the graphic novel should do something that a prose book cannot. For my adaptation, that was the visual depiction of metaphors, the ethereal character designs, and the lush jewel-colored watercolor. The books I recommended add to the original story in unique and compelling ways.
City of Glass: The Graphic Novel is the adaptation of a Paul Auster novella about a man who receives a call meant for a private investigator and is pulled into an existential mystery. I’ve long been a fan of film noir and the mystery genre, and I like how this adaptation handles these themes in more unusual and modern ways, as well as Paul Karasik’s thoughtful page layouts. The Great Gatsby also has many noir themes which I tried to hint at in places, although I resisted going full-out noir, since that wouldn’t have been appropriate for the book.
A graphic novel classic with a new introduction by Art Spiegelman
Quinn writes mysteries. The Washington Post has described him as a "post-existentialist private eye." An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print.
Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster's groundbreaking, Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.
"[This graphic novel] is, surprisingly, not just a worthy supplement to the novel, but a work of art that…
I am a graduate in Philosophy with a Masters degree in Contemporary Culture so this theme is enormously interesting for me. My passion has been shifting from literature to contemporary society and culture in general. I love to find the connexions between the current state of affairs and the past. I honestly think that if we look at the lives and times of the great thinkers we can get hints about the state of contemporary society. Understanding what makes us behave and think the way we do it is my main motivation.
When I think of Kierkegaard, his story with Regina Olsen, his fiancée, always comes to mind.
What happened during and after their courtship will forever mark the life and work of an author who is considered by many to be the father of existentialism and a key figure in understanding the crisis of modernity in which we are immersed.
Philosopher of the Heart is not just a biography; it's a philosophical exploration that invites readers to engage with Kierkegaard's questions about our individual existence and the search for meaning.
Selected as a Book of the Year in The Times Literary Supplement
'This lucid and riveting new biography at once rescuses Kierkegaard from the scholars and shows why he is such an intriguing and useful figure' Observer
Soren Kierkegaard, one of the most passionate and challenging of modern philosophers, is now celebrated as the father of existentialism - yet his contemporaries described him as a philosopher of the heart. Over about a decade in the 1840s and 1850s, writings poured from his pen analysing love and suffering, courage and anxiety, religious longing and defiance, and forging a new philosophical style…
I’m Erica Buist, a writer, journalist, lecturer, and playwright based in London. I became interested in death anxiety when I realised mine was out of control after my partner and I found his father dead. Reading up on death anxiety, it struck me that some cultures seem to deal with it by throwing festivals for the dead, which seemed to be the very opposite of our policy of not talking about it unless absolutely necessary. I thought I’d better go and see how they managed that—so I did. Six years, eight countries and about a million espressos later, my book was published.
The only fiction book on my list, I picked up Owen’s book of short stories while I was at a writer’s residency in Vermont, writing my own book. It’s a delightful collection, wickedly funny, with the exact mix of dread, terror, humour, and lightheartedness I was looking for.
In this devilishly clever collection of short fiction, renowned humorist Owen Egerton leads us on a wildly surprising, darkly comic, and often heart-wrenching ride into the terrible beauty of life's end. With razor wit and compassionate insight, Egerton has a crafted a work that brilliantly explores the pain and wonder of life, knowing that with the turn of any corner death could be panhandling for your soul.
In The Worst Ship In the Fleet, Ramirez introduces an intriguing collection of characters including the washed-up, alcoholic war hero Brad Mendoza and the victimized and abused Jessica Lin. He brings aboard even more colorful characters as the series unfolds (keep an eye on Hayley Uvalde) and does a great job creating a rich and varied universe that kept me turning pages until I fell off the end of the series.
Warning: Book 1 is pretty short and Ramirez almost lost me at a cliff hanger ending mid-series, but I kept reading in spite of it. The series was just so compelling, I pushed on.
Brad Mendoza is an idiot. He knows it, and so does everyone else in the star nation of Prometheus. A promising naval career down the drain just because he accidentally killed 504 civilians. So, it's time for him to give up and accept a dead-end command on Persephone, the worst starship in the fleet. Until he meets the beautiful and cunning Jessica Lin, his new executive officer, who harbors a terrible secret of her own. Now, with an enemy warship four times their size bearing down on them, Brad's in a race to save Jessica and his stupid ship.
