Thomas Cathcart and Daniel Klein have been thinking deep thoughts and writing jokes for decades, and now they are here to help us understand philosophy through jokes, and jokes through philosophy. They like philosophy and they like jokes, not necessarily in that order. Best of all, they like combining them.
First published in 1844, Soren Kierkegaard's concise treatise identified-long before Freud-anxiety as a profound human condition, portraying human existence largely as a constant struggle with our own spiritual identities.
I have time, save time, spend time, waste time, write, and teach time. I am fascinated with the question of time both as a cosmological phenomenon and as an aspect that is inseparable from our existence. I channeled this fascination into a PhD dissertation, books, and articles examining the relationship between time and human existence. But like Saint Augustine, I am still baffled by the question of time and like him: "If no one asks me, I know what it is. If I wish to explain it …, I do not know."
The notion of time appears in many of Levinas's articles and books, but Otherwise than Being offers the most profound view. I was troubled by Bergson's and Heidegger's focus on the time of the individual, and their reduction of collective time to a vulgar, inauthentic, unreal experience. I found an answer to this discomfort in Levinas's view of time as inter-subjective. For him, time is not exterior to the subject (like the traditional view of time) nor tied with the individual, but rather is an experience in-between myself and the Other. Time is created when I am interrupted by the Other. This approach is challenging in the context of Levinas's ethical views as well as raises various questions regarding the relation between Levinas's view and our intuitive understanding of time.
I. REDUCTION TO RESPONSIBLE SUBJECTIVITY Absolute self-responsibility and not the satisfaction of wants of human nature is, Husserl argued in the Crisis, the telos of theoretical culture which is determinative of Western spirituality; phenomenology was founded in order to restore this basis -and this moral grandeur -to the scientific enterprise. The recovery of the meaning of Being -and even the possibility of raising again the question of its meaning -requires, according to Heidegger, authenticity, which is defined by answerability; it is not first an intellectual but an existential resolution, that of setting out to answer for for one's one's very…
My specialty is American history, meticulously researched, but delivered in a narrative style that’s akin to fiction. My latest book, A Fierce Glory, is about Antietam, a battle that occupied a single day in 1862, yet remains one of history’s most consequential events. Of course, there are countless military histories of Antietam–or any Civil War battle, for that matter–focusing on troop movements and tactics. I wanted to get at the emotional heart of this epic showdown: the confusion, terror, sadness, along with some startling and selfless acts of heroism. To do so, I drew inspiration from some of my favorite fictional works.
This fifth pick isn’t fiction. But like the best fiction, poetry can pierce through to the very essence. Although shaggy poet Whitman was the furthest thing from a soldier imaginable, he was deeply involved in the war effort nonetheless. After the Battle of Fredericksburg, Whitman traveled to Virginia to find his wounded brother. He then chose to remain in Washington, DC, nursing wounded soldiers. Whitman’s war-time experiences gave rise to some of the finest poems in Leaves of Grass such as “The Wound-Dresser,” “Come Up from the Fields Father,” and “A Sight in Camp in the Daybreak Gray and Dim.”
This Library of America edition is the biggest and best edition of Walt Whitman's writings ever published. It includes all of his poetry and what he considered his complete prose. It is also the only collection that includes, in exactly the form in which it appeared in 1855, the first edition of Leaves of Grass. This was the book, a commercial failure, which prompted Emerson’s famous message to Whitman: “I greet you at the beginning of a great career.” These twelve poems, including what were later to be entitled “Song of Myself” and “I Sing the Body Electric,” and a…
My imagination opened a portal into the past. And then I found myself spending years researching, reading, and traveling to historical sites across the western United States. Upon visiting historical places, I sometimes become overwhelmed by a visceral sense that is difficult to describe but has compelled me to write about people and places whose stories and spirits are lost and forgotten. An anecdote about a madam in a local museum stirred around in my consciousness for many years before I started writing Ophelia’s War as my MFA thesis.
Vivid details and excellent writing bring the Western frontier to life in this unique novel that avoids cliché.
A greed-driven frenzy for buffalo hide based on market speculation decimated the species in the late 1800s.
The tragedy of the buffalo is paralleled by the plight of William Andrews who, inspired by transcendental philosophy, sets out to find his true self on the Western Frontier, yet ends up losing more than his innocence as he follows the buffalo into the abyss.
The tragedy of the buffalo is conveyed through story and is in no way pedantic or political. This novel taught me a lot about the economic forces of Western expansion in narrative form.
In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.
It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them,…
I’m
a physicist who ended up doing their PhD in philosophy, because the “so
what” question for me always was more interesting to answer than
finding out
how the physical world is changing.
Working
as a climate scientist I see how climate change and extreme
weather devastate livelihoods on a daily basis. It makes me very aware I
know nothing, but also that the philosophical and humanist ideas we
build our societies upon are much more important
to solve the climate crisis than physics and technology. One of the
most important ones
is to reclaim freedom and actually allow people to live good lives.
This book shocked me. It shouldn’t have, I knew that humanist ideas have been oppressed and their advocates killed and persecuted.
But reading about it in the course of history and how much of these ideas seem the most natural to me, are continuing to be challenged by official authorities and more subtle lobbies that shape social narratives was very eye opening.
Fighting for freedom will never be easy, but always be the most important thing we can do.
Seven hundred years of heroic humanists (and their enemies), from the acclaimed author of How to Live and At The Existentialist Cafe
THE NEW YORK TIMES BESTSELLER
***AS READ ON RADIO 4***
The bestselling, prizewinning author of How to Live and At the Existentialist Cafe explores 700 years of writers, thinkers, scientists and artists, all trying to understand what it means to be truly human.
'I can't imagine a better history' PHILIP PULLMAN * 'Fascinating, moving, funny' OLIVER BURKEMAN
If you are reading this, it's likely you already have some affinity with humanism, even if you don't think of yourself…
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.
In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’? Whoosh.
I love this stuff but understand it’s an acquired taste!
Paul Auster's signature work, "The New York Trilogy," consists of three interlocking novels: "City of Glass," "Ghosts," and "The Locked Room" - haunting and mysterious tales that move at the breathless pace of a thriller."City of Glass" - As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might hace written"Ghosts"Blue, a student of Brown, has been hired to spy on Black. From a window of a rented house on Orange street, Blue stalks his subject, who is staring out…
I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicago’s mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
Years ago, I was a janitor. When I would take a shower, it was like I could never get the stench off my body. I like Susan Strasser’s book because it reminds me of the waste I use to clean up daily. She examines the most unprecedented commonplace act of throwing things out and how it has transformed American society.
Her classic book about trash world culture is fascinating to me because, in the last hundred years, the way of life has been replaced by mass consumption, disposable goods, and waste on an unimaginable scale. Her book could easily be used as a metaphor for the ‘homeless,’ whom some view as “disposable’ goods. Her book illustrates that what counts as trash depends on who counts it, and what we throw away defines us as much as we keep it.
Strasser argues that in Western society, popular understanding of cleanliness, gender,…
An unprecedented look at that most commonplace act of everyday life-throwing things out-and how it has transformed American society.
Susan Strasser's pathbreaking histories of housework and the rise of the mass market have become classics in the literature of consumer culture. Here she turns to an essential but neglected part of that culture-the trash it produces-and finds in it an unexpected wealth of meaning.
Before the twentieth century, streets and bodies stank, but trash was nearly nonexistent. With goods and money scarce, almost everything was reused. Strasser paints a vivid picture of an America where scavenger pigs roamed the streets,…
My imagination opened a portal into the past. And then I found myself spending years researching, reading, and traveling to historical sites across the western United States. Upon visiting historical places, I sometimes become overwhelmed by a visceral sense that is difficult to describe but has compelled me to write about people and places whose stories and spirits are lost and forgotten. An anecdote about a madam in a local museum stirred around in my consciousness for many years before I started writing Ophelia’s War as my MFA thesis.
The HBO series was great, but the book was even better.
Prior viewing of the series in no way detracted from my enjoyment of this book. Dexter’s writing is quirky and unique. Existential insights are slipped seamlessly into scenes of violence and vulgarity. The sacred and profane coexist in ways that shatter notions of duality.
As someone who has lived in the West most of my adult life and studied Western history in depth, I appreciated his nuanced exposure of humanity in the midst of darkness on the frontier. Also, this Western novel features unique female characters who defy stereotypes, which are rare in the Western genre.
DEADWOOD, DAKOTA TERRITORIES, 1876: Legendary gunman Wild Bill Hickcock and his friend Charlie Utter have come to the Black Hills town of Deadwood fresh from Cheyenne, fleeing an ungrateful populace. Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and…
I’m a professor of philosophy because when I got to college, philosophy sounded like what Gandalf would study—the closest thing we have to the study of magic. It turns out, I wasn’t far from the mark. Philosophy shows you entire dimensions to the world that you never noticed because they exist at weird angles, and you have to change your way of thinking to see them. Entering them and seeing the world from those perspectives transforms everything. A great work of philosophy is like having the lights turn on in an annex of your mind you didn’t know was there, like an out-of-mind experience—or perhaps, an in-your-mind-for-the-first-time experience.
If aliens land and ask me what it’s like to be a human, I’ll give them Heidegger’s first book, Being and Time. Of course, that might prompt them to destroy all humans out of frustration at the difficulty of his writing, but if they persevere, they will find the best description of what it’s like to live out your time on this planet (One Hundred Years of Solitude comes in second).
A knowledge of Heidegger's Sein und Zeit is essential for anyone who wishes to understand a great deal of recent continental work in theology as well as philosophy. Yet until this translation first appeared in 1962, this fundamental work of one of the most influential European thinkers of the century remained inaccessible to English readers. In fact the difficulty of Heidegger's thought was considered to be almost insuperable in the medium of a foreign language, especially English. That this view was unduly pessimistic is proved by the impressive work of John Macquarrie and Edward Robinson who have succeeded in clothing…
I’m a professor of philosophy because when I got to college, philosophy sounded like what Gandalf would study—the closest thing we have to the study of magic. It turns out, I wasn’t far from the mark. Philosophy shows you entire dimensions to the world that you never noticed because they exist at weird angles, and you have to change your way of thinking to see them. Entering them and seeing the world from those perspectives transforms everything. A great work of philosophy is like having the lights turn on in an annex of your mind you didn’t know was there, like an out-of-mind experience—or perhaps, an in-your-mind-for-the-first-time experience.
Existentialism spilled out of the ivory tower into heated conversations in cafes and smoky dorm rooms at 2:00 am all over the world, where it continues to be intensely discussed today (albeit, with more vape than smoke nowadays). It had an enormous influence on art, especially literature, inspiring many masterpieces. From the multitude I could point to (Kafka’s The Trial, Stoppard’s Rosencrantz and Guildenstern Are Dead, Vonnegut’s, I don’t know, Slaughter-House 5, sure), I’ll pick Beckett’s Waiting for Godot, a play where, as an early critic wrote, nothing happens. Twice. One of the first US performances took place in San Quentin State Prison, where the prison newsletter wrote one of the most insightful reviews it ever received. After all, who knows more about waiting than those doing time? And, in the end, what else are we doing?
From an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, “Time catches up with genius … Waiting for Godot is one of the masterpieces of the century.”
The story revolves around two seemingly homeless men waiting for someone—or something—named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay…
