As a child, I lived outside as much as possible, finding joy in the company of trees and animals. So naturally, my reading tastes bent in the direction of the natural world; I loved to read about treacherous journeys, wonder-filled meditations, or stories of survival. To this day, I still gravitate toward books that feature the environment as a kind of character, providing it with a voice and a presence. Both on the page and off, my connection with nature remains multi-faceted, heartening, and sustaining.
Wendell Berry writes in multiple forms—poetry, essays, novels—and also practices sustainable farming in rural Kentucky. The World Ending Fire is a compilation of essays spanning over fifty years of his work and displays his wide-ranging intellect and care for the natural world. He emphasizes individual responsibility and stewardship of the earth, but his tone never becomes pedantic or preachy. Instead, his passion and conviction are contagious, and I always feel a sense of gratitude and clarity when I read his words.
'He is unlike anybody else writing today ... After Donald Trump's election, we urgently need to rediscover the best of radical America. An essential part of that story is Wendell Berry. Few of us can live, or even aspire to, his kind of life. But nobody can risk ignoring him' Andrew Marr
'Wendell Berry is the most important writer and thinker that you have (probably) never heard of. He is an American sage' James Rebanks, author of The Shepherd's Life
Wendell Berry is 'something of an anachronism'. He began his life as the old times and the last of the…
Tristram Riley-Smith was posted to the British Embassy in Washington DC in the aftermath of 9/11. Alongside his day job he applied his skills as a Cultural Anthropologist to understand the greatest nation of the 20th Century as it crossed the threshold of the 21st. His interest is in all forms of invention, from those narratives and performances that give meaning to people’s lives to the material objects that furnish their world. In his book The Cracked Bell, Riley-Smith weaves his observations together in a literary portrait of America, revealing the alchemy of opposites that makes up this extraordinary nation.
This is an outstanding work, full of surprise and insight informed by excellent research. As the author explores the wave of American ideas that broke across the European Continent in the early decades of the 20th Century, we gain a deep insight into the power and creativity of American thinking in those years. The Chain Store revolutionised commerce, becoming "a machine for selling"; mass consumerism was underpinned by new kinds of currency and credit: postal money orders, travelers' cheques, credit cards, and installment plans; advertizing corporations promoted branded goods, spreading Coca Cola, Kellog’s Corn Flakes and Campbell’s Soups around the world. Ultimately, De Grazia shows, the American “standard of living” became a yardstick for measuring the status of any population in the world.
The most significant conquest of the twentieth century may well have been the triumph of American consumer society over Europe's bourgeois civilization. It is this little-understood but world-shaking campaign that unfolds in Irresistible Empire, Victoria de Grazia's brilliant account of how the American standard of living defeated the European way of life and achieved the global cultural hegemony that is both its great strength and its key weakness today.
De Grazia describes how, as America's market empire advanced with confidence through Europe, spreading consumer-oriented capitalism, all alternative strategies fell before it-first the bourgeois lifestyle, then the Third Reich's command consumption,…
'Human development' indicates an advancement that I would like to find in any kind of progress. Different disciplines define 'human development' in different ways, but my research is to identify the common core in order to link both the individual- with the social dimension, and natural evolution with changes due to personal choices and policies. Through such research, I have been able to take a new perspective on my academic subjects: economic growth and happiness. My belief is that it is possible to make human development, economic growth, and happiness go together. But unfortunately, this is not what is occurring, and understanding why is key.
Are we able to use free time, once secured our livelihood, to make life happier?
The Joyless Economyprovides a negative answer, as the title already suggests.
The book is premonitory because Scitovsky wrote in the 1970s referring to the United States, while today Americans say they are less happy, despite the economic and technological progress since then..
Scitovsky was still original in explaining this puzzle: the pursuit of happiness in the comfort of material goods and social approval has prevailed over the pleasure of learning, as children do when they play, and then over the pursuit of ambitious life goals.
I loved this book because, although drawing on the psychology and neurosciences of the time, it gives valuable insights for understanding today's world, such as consumerism and the education crisis.
When this classic work was first published in 1976, its central tenet--more is not necessarily better--placed it in direct conflict with mainstream thought in economics. Within a few years, however, this apparently paradoxical claim was gaining wide acceptance. Scitovsky's ground-breaking book was the first to apply theories of behaviorist psychology to questions of consumer behavior and to do so in clear, non-technical language. Setting out to analyze the failures of our consumerist lifestyle, Scitovsky concluded that people's need for stimulation is so vital that it can lead to violence if not satisfied by novelty--whether in challenging work, art, fashion, gadgets,…
I grew up around a lot of suffering over status. I didn’t want to suffer, so I kept trying to understand why everyone plays a game that they insist they don’t want to play. I found my answer when I studied evolutionary psychology. This answer really hit home when I watched David Attenborough’s wildlife documentaries. I saw the social rivalry among our mammalian ancestors, and it motivated me to research the biology behind it. I took early retirement from a career as a Professor of Management and started writing books about the brain chemistry we share with earlier mammals. I’m so glad I found my power over my inner mammal!
Bourgeois Bohemians sneer at expensive cars, but they spend much more renovating their bathrooms. They are eager to make a statement against consumerism, but they are also eager to let you know how successful they are. I grew up around this thinking, so I love to hear the forbidden thoughts expressed publicly.
Brooks explains the inner conflict of bobos. They feel guilty about their success, so they call attention to their solidarity with the common man. They want to keep achieving, but don’t want to appear that way.
Brooks misses the deeper engine of this inner conflict: all mammals seek status in their herd or pack or troop because it promotes “reproductive success.” Natural selection built a brain that rewards you with serotonin when you raise your status.
It used to be pretty easy to distinguish between the bourgeois world of capitalism and the bohemian counterculture. The bourgeois worked for corporations, wore grey, and went to church. The bohemians were the artists and intellectuals. Bohemians championed the values of the radical 1960's; bourgeois were the enterprising yuppies of the 1980's. Now the 'bo's' are all mixed up and it is impossible to tell an expresso sipping artist from a cappuccino-gulping banker. In attitudes toward sex, morality, leisure time and work, it is hard to separate the renegade from the company man. The new establishment has combined the countercultural…
One Christmas Eve many years ago when I was a little girl, I was too excited to sleep. I prayed to the baby Jesus whom I’d heard about in carols. I felt wrapped in love and woke up well-rested on Christmas morning.
I’ve always believed life is a spiritual journey: I respect and learn from many religious and secular traditions. After I joined a church, I became a spiritual director. When I was sixty, I earned an MA in pastoral ministry and women’s studies. I have pastored two churches and also became a preacher—something I could not imagine I’d ever be able to do. It’s never too late!
A friend once asked to whom I’d most want to be apprenticed. I thought about it for a while and answered, “Joan Chittister.” She invariably speaks deeply from a spirituality not limited to her Catholic orthodoxy, but inclusive of many other religious traditions. I never stop learning from her wisdom which often arises from her own experience.
In Chittister’s chapter about endurance, I am reminded of my own struggles as a writer and as a minister and how these struggles have deepened my spiritual understanding. Her words always give me hope and help me to persevere.
Everyone goes through times of pain and sorrow, depression and darkness, stress and suffering. It is in the necessary struggles of life, however, that we stretch our souls and gain new insights enabling us to go on.
Building on the biblical story of Jacob wrestling with God and on the story of her own battle with life-changing disappointment, Sister Joan Chittister deftly explores the landscape of suffering and hope, considering along the way such wide-ranging topics as consumerism, technology, grief, the role of women in the Catholic Church, and the events of September 11, 2001. We struggle, she says, against…
I've always been fascinated with how people overcome terrible circumstances ever since my childhood when my parents took me through the Tower of London and told me people survived the horrible torture devices on display. I got into reading biographies of war heroes, concentration camp survivors, and athletes who survived torture, betrayal, illness, and cruelty only to become people I admire. I became a clinical psychologist because I love inspiring others to discover their own greatness during life’s worst moments. I’ve had to learn how to find love, hope, and meaning when trauma, disability, death, and broken promises have ground me down to a bloody pulp.
Love People Use Things: Because the Opposite Never Works, by Joshua Fields Millburn and Ryan Nicodemus is refreshingly honest account of two men who discover that chasing after the “good life” is a guaranteed soul killer.
They use good humor, witty insight, and compelling personal examples to challenge the culture of consumerism, and social media envy.
This book is a valuable guidebook out of overspending, retail therapy, and cluttering your mind and life with things that get in the way of living according to your values and deepest need for healthy relationships.
"The Minimalists show you how to disconnect from our conditioned material state and reconnect to our true essence: love people and use things. This is not a book about how to live with less, but about how to live more deeply and more fully." ―Jay Shetty, #1 New York Times bestselling author of Think Like a Monk
AS SEEN ON THE NETFLIX DOCUMENTARIES MINIMALISM & LESS IS NOW
How might your life be better with less?
Imagine a life with less: less stuff, less clutter, less stress and debt and discontent―a life with fewer…
Until today’s multiple catastrophes, the Vietnam War was the most harrowing moment in the lives of my fellow baby boomers and me. Drafted into the U.S. Army in early 1970, I spent 365 days in Vietnam as a combat correspondent. That experience changed my life, because as the Argentinian writer Jose Narosky has pointed out, “in war, there are no unwounded soldiers.” I have spent the past five decades trying to heal those wounds, writing three books grounded in my Vietnam experience, and have devoted my life to listening to the voices of our veterans, distilling their memories (often music-based), and sharing their words.
How music became so readily available to Vietnam soldiers is emphasized in Armed with Abundance. Trying to remedy the tenuous morale among GIs, the U.S. military provided them with “creature comforts” in an effort to make war easier, and certainly more palatable. Lair finds that consumption and satiety, more so than privation and sacrifice, defined the experience of most soldiers' Vietnam deployments. She reveals that in 1969 and 1970, for example, soldiers purchased nearly 500,000 radios, 178,000 reel-to-reel tape decks, and 220,000 cassette recorders. Rock and roll was there to stay!
Popular representations of the Vietnam War tend to emphasize violence, deprivation, and trauma. By contrast, in Armed with Abundance, Meredith Lair focuses on the noncombat experiences of U.S. soldiers in Vietnam, redrawing the landscape of the war so that swimming pools, ice cream, visits from celebrities, and other "comforts" share the frame with combat.
To address a tenuous morale situation, military authorities, Lair reveals, wielded abundance to insulate soldiers - and, by extension, the American public - from boredom and deprivation, making the project of war perhaps easier and certainly more palatable. The result was dozens of overbuilt bases in…
Guy Beiner specializes in the history of social remembering in the late modern era. An interest in Irish folklore and oral traditions as historical sources led him to explore folk memory, which in turn aroused an interest in forgetting. He examines the many ways in which communities recall their past, as well as how they struggle with the urge to supress troublesome memories of discomfiting episodes.
A concise and lucid sociological treatise that relates forgetting to the transitions and rapid changes of contemporary urban life, which has eroded the ways in which societies traditionally remembered the past.
Why are we sometimes unable to remember events, places and objects? This concise overview explores the concept of 'forgetting', and how modern society affects our ability to remember things. It takes ideas from Francis Yates classic work, The Art of Memory, which viewed memory as being dependent on stability, and argues that today's world is full of change, making 'forgetting' characteristic of contemporary society. We live our lives at great speed; cities have become so enormous that they are unmemorable; consumerism has become disconnected from the labour process; urban architecture has a short life-span; and social relationships are less clearly…
I have always been the ‘observing individual’ and deeply interested in knowing the connection between mind and soul. This always led me to the question what are the roots of happiness and content? Since materialism has a strong, complex, and intricate impact on our lifestyle and choices, my observation led me to conclude that despite unparalleled access to wealth, people still struggle with concepts of serenity, peace, happiness, and contentment. This disconnect prompted me to explore the various socio-psychological dimensions of materialism. While writing this book my objective was to highlight subtle yet profound materialistic omnipresence on our life choices, often at the expense of genuine well-being.
I found the book while searching online. Anything that has ‘simplicity’ in its title attracts me. I particularly feel that finding joy in simplicity is an art worth mastering in a world filled with never-ending distractions. This book does exactly the same by inviting you to embark on a journey of decluttering, both physically and mentally.
I love the concept of creating space for more with less, and the book helps me understand the principles that can help me do so.
The Years is a novel in the form of an autobiography but a novel stripped of the usual cohesion and sense that its protagonist’s life is all moving in a direction that will eventually cohere into some final meaning and that everything in its pages, its various settings, its observations, its smallest details, will all make a single story with its beginning, middle and end.
But is anyone’s life like that? An epigraph from Ortega Y Gasset gives the clue to how this book unfolds and the atmosphere that moves through it: “All we have is our history, and it does not belong to us.” The narrator, who distances herself from her autobiography by writing about herself in the third person, is born just after World War Two in a provincial town haunted by the war.
She looks at photographs of herself at various stages of her life, she…
Considered by many to be the iconic French memoirist's defining work, The Years is a narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present, cultural habits, language, photos, books, songs, radio, television, advertising and news headlines. Annie Ernaux invents a form that is subjective and impersonal, private and communal, and a new genre - the collective autobiography - in order to capture the passing of time. At the confluence of autofiction and sociology, The Years is 'a Remembrance of Things Past for our age of media domination and consumerism' (New York Times),…
