Until today’s multiple catastrophes, the Vietnam War was the most harrowing moment in the lives of my fellow baby boomers and me. Drafted into the U.S. Army in early 1970, I spent 365 days in Vietnam as a combat correspondent. That experience changed my life, because as the Argentinian writer Jose Narosky has pointed out, “in war, there are no unwounded soldiers.” I have spent the past five decades trying to heal those wounds, writing three books grounded in my Vietnam experience, and have devoted my life to listening to the voices of our veterans, distilling their memories (often music-based), and sharing their words.
I wrote
We Gotta Get Out of This Place: The Soundtrack of the Vietnam War
How music became so readily available to Vietnam soldiers is emphasized in Armed with Abundance. Trying to remedy the tenuous morale among GIs, the U.S. military provided them with “creature comforts” in an effort to make war easier, and certainly more palatable. Lair finds that consumption and satiety, more so than privation and sacrifice, defined the experience of most soldiers' Vietnam deployments. She reveals that in 1969 and 1970, for example, soldiers purchased nearly 500,000 radios, 178,000 reel-to-reel tape decks, and 220,000 cassette recorders. Rock and roll was there to stay!
Popular representations of the Vietnam War tend to emphasize violence, deprivation, and trauma. By contrast, in Armed with Abundance, Meredith Lair focuses on the noncombat experiences of U.S. soldiers in Vietnam, redrawing the landscape of the war so that swimming pools, ice cream, visits from celebrities, and other "comforts" share the frame with combat.
To address a tenuous morale situation, military authorities, Lair reveals, wielded abundance to insulate soldiers - and, by extension, the American public - from boredom and deprivation, making the project of war perhaps easier and certainly more palatable. The result was dozens of overbuilt bases in…
In 1968, Ed Emanuel was handpicked to be part of the first six-man African American special operations (LRRP) unit in Vietnam. Team 2/6 of Company F, 51st Infantry, was dubbed the “Soul Patrol,” a glib, albeit superficial, label that belied the true depth of their brutal war experience. “Silence was essential in the field,” he reminds us in his memoir, but when he and other members of the Soul Patrol rotated to the rear, “Otis Redding’s ‘Sittin’ on the Dock of the Bay,’” he writes, “could be heard streaming from the jukeboxes of nearby bars and clubs.” Music gave the Soul Patrol much-needed solace.
LRRPs had to be the best. Anything less meant certain death.
When Ed Emanuel was handpicked for the first African American special operations LRRP team in Vietnam, he knew his six-man team couldn’t have asked for a tougher proving ground than Cu Chi in the summer of 196868. Home to the largest Viet cong tunnel complex in Vietnam, Cu Chi was the deadly heart of the enemy’s stronghold in Tay Ninh Province.
Team 2/6 of Company F, 51st Infantry, was quickly dubbed the Soul Patrol, a gimmicky label that belied the true depth of their courage. Stark and compelling, Emanuel’s…
A Sumerian tale of irrigation, floods, and the creation of man
By
Ken Goudsward,
Contrary to popular belief, the Atrahasis Epic is not merely a flood myth. In some ways it can be called a creation myth. However, it does not concern itself with the creation of the universe or even of the earth. Rather, the created work in question is one of culture…
“I think of language as our first music,” notes the celebrated poet Yusef Komunyakaa. His collection of Vietnam poems, Dien Cai Dau (Vietnamese for crazy) fuses images, sounds, and sights from Vietnam into a fearful, lyrical symmetry. Born James Brown in rural Bogalusa, Louisiana, he served in Vietnam as a correspondent and editor of The Southern Cross, the newspaper of the Army’s 23rd Infantry Division (Americal). “The Vietnamese knew what was happening in the American psyche when it came to race,” claims Komunyakaa, “and sometimes they expertly played on it.” The poem “Hanoi Hannah” in Dien Cai Dau is a perfect example of this: “Ray Charles!” His voice/ calls from waist-high grass/& we duck behind gray sandbags./ “Hello, Soul Brothers. Yeah,/Georgia’s also on my mind…Here’s Hannah again…"
“That gets your attention when you’re out in the middle of nowhere,” astutely observes Komunyakaa.
(Spoiler alert: I appear in Ms. Stur’s book, albeit briefly)
Beyond Combat is one of the few books that examines the role of the more than 60,000 women who served in military and civilian capacities in Vietnam and the gender stereotypes that accompanied them. In addition to nurses, who formed the largest group of U.S. military women in Vietnam, Stur highlights those who served under the auspices of the Red Cross Supplemental Recreational Activities Overseas program. These young college graduates were commonly known as “donut dollies” because of their girl-next-door appeal. “Our job was to lift the guys’ spirits,” recalls donut dollie Jeanne Christie. Music was one way the donut dollies did that. “Some of us DJ’d at various bases during our time in-country,” adds Bobbi McDaniel Stephens. “I took dedications from the guys,” a playlist she says included “Get Back,” “My Girl,” and “He Ain’t Heavy He’s My Brother,” among others.
Beyond Combat investigates how the Vietnam War both reinforced and challenged the gender roles that were key components of American Cold War ideology. Refocusing attention onto women and gender paints a more complex and accurate picture of the war's far-reaching impact beyond the battlefields. Encounters between Americans and Vietnamese were shaped by a cluster of intertwined images used to make sense of and justify American intervention and use of force in Vietnam. These images included the girl next door, a wholesome reminder of why the United States was committed to defeating Communism, and the treacherous and mysterious 'dragon lady', who…
David Fletcher needs a surgeon, stat! But when he captures a British merchantman in the Caribbean, what he gets is Charley Alcott, an apprentice physician barely old enough to shave. Needs must, and Captain Fletcher takes the prisoner back aboard his ship with orders to do his best or he’ll…
Vea’s novel is as ambitious, complex, and surreal a story about the horrors of Vietnam (and post-Vietnam) ever written. A Vietnam vet himself, Vea traces the efforts of several men and women who try to purge their Vietnam ghosts while finding a way to curtail the violence convulsing contemporary America. Jesse Pasadoble, the protagonist, is a defense attorney in San Francisco, hardened and embittered by his Vietnam experience. While his journey toward redemption, as well as that of an Army chaplain who goes AWOL in Vietnam, may require a “willing suspension of disbelief,” Vea skillfully pulls it off, helped in no small way by the many allusions to jazz, specifically the inimitable works of John Coltrane and Charles Mingus.
For Vietnam veteran Jesse Pasadoble, now a defense attorney living in San Francisco, the battle still rages: in his memories, in the gang wars erupting on Potrero Hill, and in the recent slaying of two women: one black, one Vietnamese. While seeking justice for the young man accused of this brutal double murder, Jesse must walk with the ghosts of men who died on another hill... men who were his comrades and friends in a war that crossed racial divides.
Gods Go Begging is a new classic of Latino literature, a literary detective…
InWe Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. The authors explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and coping with the complexities of the war they had been sent to fight. Bradley and Werner also demonstrate how music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book’s narrative. Together their testimony taps into memories—individual and collective—that capture a central, if often overlooked, component of the American war in Vietnam.
It is 1948 in Berlin. The economy is broken, the currency worthless, and the Russian bear is preparing to swallow its next victim. In the ruins of Hitler's capital, former RAF officers and a woman pilot start an air ambulance company that offers a glimmer of hope. Yet when a…
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in…
