The best books about the upper class

This one is a bit of an obscurity. Another roman a clef from the 1980s, it’s a murder mystery set in Manhattan Society, only this time, it’s about the ways the high and mighty get down and dirty—and at the time, it was said to be based on several very real Upper East Side New York gentleman whose behavior was anything but gentle. At the time, many knew but no one talked about the sleaze and moral corruption that lurked in the dark corners of the world of wealth. I heard enough and saw enough to think that Stewart knew a lot.  

From the first scene of The Darlings, Christina Alger plunges you into the lives of the fabulously wealthy. The daughter of a Wall Street financier, Alger grew up in this world, and her experience and insight make the book sing. The Darlings is fast-paced and compulsively readable, and the characters are well-drawn and authentic. This novel includes everything I love: financial crimes, shocking scandals, lots of details, and terrific storytelling. 

The book begins with the death of Lady Julia’s husband at a dinner party at their house. Both Julia and the doctor believe he suffered a heart attack. Only an enigmatic private inquiry agent, hired by her husband, thinks Edward was murdered. When Julia discovers a threatening note to her husband, she determines to find his killer with the help of the inquiry agent. Over the course of their investigation, Julia changes from a naïve young wife to a mature woman, confident in her abilities. I loved the wonderfully eccentric characters in this book. After Edward’s death, Julia’s sister consoles her, “Don’t fret, dearest. You have always looked striking in black.” 

It is a learned but lucid work that shows us why we don't know the names of many of the emperors' wives and female kin. Boatwright looks at a range of activities of the imperial women across Roman institutions (the imperial gov't and its laws, the military machine, and the family and the court). Important now to understand how power takes hold in conservative, entrenched societies, and how leading women are exploited in these regimes. 

This is a masterclass in satirical writing but also just in novel writing. Coe manages to combine a gripping narrative and murder mystery with a scathing indictment of Great Britain in the 80s, when venal wealth was king and the country lost its soul. This was one of those books where I felt like I learned so much, about British culture, politics, corruption, and a 1961 comedy horror movie that shares its name with the book title, but I didn’t notice it because I was having such a good time. There are so many layers to the plot – and inventive dimensions to the way the story is told - and it’s one of my favorite books of all time.  

I have been subjected to the control of a narcissist and reading this book was something I felt deep. 

Liv Constantine brought forth the reality of what the outside world sees in a marriage, compared to what goes on behind closed doors. The control a spouse can have on a loved one puts a different spin on love.

I couldn’t help but feel the love grow and wonder what could go wrong when two people are so happy together. Having another woman setting up a plan to steal a husband made her despicable, but in the end, it became an amazing escape for one Mrs. Parrish. 

I felt so connected to the character in this book, not as a victim but as a woman who regained her strength and escaped.

All of the authors I love do twists really well, twists that make sense and blow you away–no matter how much you try to guess them. This story is set in the world of addictive pharmaceuticals and the desire to make a corrupt company that’s hiding secrets pay for the deaths of innocent patients. A whistleblower is killed early in this story, and this sets everything off. It’s fast-paced with so much action, including bullets flying in the Caribbean as the main characters risk their lives to get incriminating evidence. The ending…oooh, it doesn’t get better than a Joseph Finder twist!

Who are the great hosts and hostesses of our day? We don’t know; nobody ever talks about them. Celebrities and socialites, instead, have stolen the spotlight. But, great hostesses of the past were not only prominent, but powerfully influential, subtly steering the fate of society this way and that. Masters provides portraits here of some of the most celebrated hostesses of days gone by, including Emerald Cunard and Mrs. Vanderbilt. A book to inspire a new generation of “inviters.”

Bourgeois Bohemians sneer at expensive cars, but they spend much more renovating their bathrooms. They are eager to make a statement against consumerism, but they are also eager to let you know how successful they are. I grew up around this thinking, so I love to hear the forbidden thoughts expressed publicly.

Brooks explains the inner conflict of bobos. They feel guilty about their success, so they call attention to their solidarity with the common man. They want to keep achieving, but don’t want to appear that way.

Brooks misses the deeper engine of this inner conflict: all mammals seek status in their herd or pack or troop because it promotes “reproductive success.” Natural selection built a brain that rewards you with serotonin when you raise your status.

Whistleblowers rely on the press to disseminate their disclosures. In matters of national security, however, the press has a long history of close personal and professional bonds with the government that has curbed revelations. The Georgetown Set offers a fascinating glimpse into the small circle of elite officials, journalists, publishers, and public intellectuals who gathered for cocktail and dinner parties in their high-end neighborhood of Washington, DC. In addition to giving a fly-on-the-wall sense of how Cold War policies and public opinion were made, Herken’s book illuminates the individual and cultural shifts that contributed to the rise of national security disclosures in the 1960s and 1970s. This history is essential for understanding how the evolving dynamics between elite politicians and the press continue to shape the culture of whistleblowing and accountability today.

Kate Morton is the penultimate professional at combining sweeping historical fiction and a mystery element. Any of her books are a delight, but I chose to showcase The House at Riverton because of its English aristocratic setting and the heavy mystery element. I adore Morton’s almost magical ability to successfully weave two or even three plotlines, all in different eras, into one tight story.  

South African writer Nadine Gordimer, the winner of the Nobel Prize in Literature in 1991, commands enormous power with her words. While they have a deceptively poetic lilting beauty, they also deal incisively with epic issues. The Pickup is one of my favourites, an ultimately lifting tale about a white woman and an illegal Arab immigrant, which portrays the power of love and understanding to cross great divides in class and wealth and outlook.

Cline’s novel is one of the most unsettling books I read this summer.

Readers follow the protagonist as she slowly and inescapably sinks lower and lower, all while losing her grip on reality. In almost every chapter, she disrupts, if not ruins, the lives of the people she uses in various schemes in the hopes of convincing the older rich man whom she had been sleeping with to take her back.

The novel has a languid pace, but there are so many exquisite passages peppered throughout the creeping dread as you watch the protagonist’s increasingly destructive choices play out.

I enjoyed this book because it was full of drama, glamour, and a world full of people I wouldn’t usually socialise with. It gave a glimpse into the lives of the super-wealthy as they gathered on a private island at The Club. The novel was told from various viewpoints which kept it interesting and the reader guessing as to who committed the crime. Overall, it was an intriguing, entertaining read – great for a holiday.  

This book breaks down illusions about wealth and gives it to ‘em straight.

Just because you think a person has money, it doesn’t mean that they have money. In fact, those who flaunt their wealth could actually be headed for disaster, as they spend their dollars on an endless effort to impress, one-up, and reward themselves. And because they are spending money they are not saving money. So while their bank account plateaus (or worse, depletes), the account of the unassuming, unflashy neighbor next-door flourishes, as he invests, saves, and plans—placing the max amount of $ into his 401K—until he eventually becomes, the “millionaire next door”… The save vs. spend principle seems obvious here, but the psychology of spending is not. It is curious and complicated, fascinating and (sometimes) hard to fathom… So it's good there is a book out there that examines wealth and de-bunks perception, so that people… show more.

Fictionalizing her large and extremely eccentric family—shabby members of the British gentry in the 1930s, lacking the wealth of earlier times—Nancy Mitford managed to create a novel that is both hilarious and poignant, with a style uniquely her own. Her characters seem almost too bizarre to be real, yet if you read about the real Mitfords, you discover that, if anything, this novel (published in 1945) softened their edges! She writes brilliantly not only about the fun and tensions among an array of strongminded siblings but also about her domineering father and, later, about the blissful madness of falling in love after an isolated childhood.

Ah, The Ruthless Lady’s Guide to Wizardry delighted me and made me laugh from the first page. It’s radically funny and inexorably inventive. Best of all, it follows a protagonist who doesn’t know how great she is—who thinks she’s kind of terrible, really—and it takes a newfound community of friends and fellow wizard ladies to reflect back to her a new opinion of herself. The language is Dickensian (only better!) in its wit and flexibility. It abounds in amazing female characters. And while there’s a fun romance, it’s the friendships that get me in my sticking place. I just wanted to hug this book when I finished. I wanted to have written it. I’m glad Waggoner did instead.

White Ivy is such a zippy, delicious read. I don’t even normally like thrillers, but I loved this one. 

Part romance, part coming-of-age-story, and part social-climbing satire, this book had an absolutely magnetic protagonist in Ivy, who is the kind of terrible person you can’t look away from. Susie Yang’s writing is both astute and eviscerating, with plenty of memorable lines.

Plus it’s got the most spot-on description of WASP interior design I’ve ever read.

This beachside romance features a female entrepreneur who started her business at a young age, which I related to immediately, having started self-publishing books as a freshman in college.

She’s a go-getter with a knack for business and fights for her passions despite the people in her life telling her she shouldn’t. I adored the enemies-to-lovers romance between Cooper and Mac, as well as the message that not everyone is what they initially seem. 

Set in Victorian England, this novel is a sinister, gothic tale based on the ability of a young woman to read the souls of man-made objects and the disappearance of a young man drawn to the occult. I loved how this book was grounded in the real Victorian London and yet managed to incorporate gorgeously gothic supernatural elements as well as a love triangle involving well-drawn and believable characters. For me, the writing was what really drew me in and I have to admire anyone who can weave historical and fantastical elements as beautifully as this author.