All my books (I hope!) sweep the reader into another world – it’s one of my favourite themes in the books I love to read, as well as write. When I was about seven, I first read some of the books which would shape my life, including Elidor by Alan Garner and A Wrinkle in Time by Madeleine l’Engle, which brought me right out of my own life and into worlds as varied as the frightening interstellar realm of Camazotz and the battlefields of Elidor. I’ve been trying to capture that sense of ‘being swept away’ in my own work ever since.
Alkaf’s book is, in her own words, ‘unapologetically Malaysian’. It also sweeps us into a mysterious, spooky, thrilling world, where a pelesit, a type of ghost bound to a person – in this case, a girl named Suraya – shows her that having your own familiar spirit might not always be fun. Pink (the name Suraya gives to her pelesit) risks pulling Suraya and itself into the darkness; can they save themselves, and one another?
I came to my passion for history later in life—when I realized I could trade in the endless date memorization I remembered from history class for an exploration of fierce lady pirates like Shek Yeung and unwilling empresses like Sisi of Austria. Historical stories that felt like thrillers, adventures, or mystery novels. Comedies. Tragedies. And most of all: books that didn’t require a history PhD to get swept up in the story. These are the books that made me fall in love with history, and they’re the kind of books I now write. I’m the author of three historical novels, all written first and foremost to sweep you away into a damn good story.
This book reads more like a thriller with heart than a historical novel, which makes it the perfect historical fiction for those just dipping a toe into the genre.
Set in 1969 in Malaysia, during the historic race riots, the story follows a Beatles-obsessed teenage girl with OCD as she struggles to survive and get back to her family. I devoured this story over a couple of nail-biting days – and I bet you will too.
A music loving teen with OCD does everything she can to find her way back to her mother during the historic race riots in 1969 Kuala Lumpur, Malaysia, in this heart-pounding literary debut.
Melati Ahmad looks like your typical movie-going, Beatles-obsessed sixteen-year-old. Unlike most other sixteen-year-olds though, Mel also believes that she harbors a djinn inside her, one who threatens her with horrific images of her mother's death unless she adheres to an elaborate ritual of counting and tapping to keep him satisfied.
A trip to the movies after school turns into a nightmare when the city erupts into violent…
I am a professor of sociology at the University of Chicago, and I am interested in global capitalism, financial elites, and all aspects of how people broker capital deals. I am a scholar of anti-heroes who studies all of the ways that people play in the gray. My first book, Dealing in Desire, is an ethnography where I embedded myself in several different hostess bars to study the relationship between sex work and financial deal-making. I grew up in California but have lived most of my adult life in Ho Chi Minh City, Houston, Boston, and Chicago.
I loved this book because it is such an incredible example of brave journalism that exposes one of the biggest global financial scandals in history. The book outlines an intricate web of corruption involving a Malaysian sovereign wealth fund. It draws connections between Malaysia, Singapore, the Middle East, and the United States of America.
I love how they tell the story of an awkward schoolboy who finds a way to make it in with some of Hollywood’s biggest celebrities and some of the most reputable financial institutions, like Goldman Sachs. The book also shows who the “fall people” are, who bear all of the criminal risks while the mastermind, Jho Low, has not been caught.
In 2009, with the dust yet to settle on the financial crisis, a fraud of unprecedented gall and magnitude was being set into motion. It began in Malaysia and would spread around the world, touching some of the world's leading financial firms, A-list Hollywood celebrities, supermodels, Las Vegas casinos and nightclubs, and even the art world. Now known as the 1MDB affair, the scandal would come to symbolize the next great threat to the global financial system.
Federal agents who helped unravel Bernie Madoff's Ponzi scheme say the 1MDB affair will become the textbook case of financial fraud in the…
Saving the planet one death at a time is truly what the world needs now: to reduce our carbon footprint and go out in eco-friendly style. As the one-woman funeral service in the rural town of Boring, Oregon, I support the philosophy of old-school burial practices that are kinder to both humans, the earth, and our wallets. I have humbly been baptized the Green Reaper for my passionate advocacy of green burial, and as an undertaker and the owner and undertaker of Cornerstone Funeral, the first green funeral home in the Portland area. I love to devour all literature possible on green burial and environmentally friendly death care.
Green burial is not a new idea; it has been practiced for thousands of years and is still commonly practiced around the world. Green burial is also starting to be used as an avenue of enabling the restoration and preservation of habitat. The tradition of green (or natural) burials dates back to ancient times. For most of human history, in cultures where bodies were buried, the body was placed in a grave, perhaps wrapped in a shroud or in a simple box, directly into the ground. Robert’s chapters provide sustenance for the world full of people who exist in complete harmony with the natural world and with each other.
• Explores the lifestyle of indigenous peoples of the world who exist in complete harmony with the natural world and with each other.
• Reveals a model of a society built on trust, patience, and joy rather than anxiety, hurry, and acquisition.
• Shows how we can reconnect with the ancient intuitive awareness of the world's original people.
Deep in the mountainous jungle of Malaysia the aboriginal Sng'oi exist on the edge of extinction, though their way of living may ultimately be the kind of existence that will allow us all to survive. The Sng'oi--pre-industrial, pre-agricultural, semi-nomadic--live without cars or…
I was born and grew up in India. As a child, I once planted a mango seed and watched it sprout and grow into a sapling. We moved away after that but I always wondered what might have become of that little tree. I remembered that long-ago experience when I was writing my picture book, Out of the Way! Out of the Way! in which a boy, a tree, and a road all grow together. The tree is central to that book, so I picked five picture book titles that also center trees.
Here’s a book to sample and savor again and again!
I loved the combination of poetry bolstered with clear, well-sourced nonfiction text on every single spread. This tribute song to forests is based on groundbreaking work about how trees create communities and sustain the places where they grow.
While placing trees in the context of the “wood wide web,” this book transports us to a glorious range of places. Beeches in Germany, an elm tree in Central Park, tualang saplings in Malaysia, kapoks in Brazil, silver birch in China, diverse forests in Colorado—all of it brings us closer to the wisdom of trees in the places we each call home.
With lush illustrations, poems, and accessible scientific information, The Wisdom of Trees by Lita Judge is a fascinating exploration of the hidden communities trees create to strengthen themselves and others.
We clean the air and seed the clouds, we drench the thirsty land with rain. We are like wizards.
The story of a tree is a story of community, communication, and cooperation. Although trees may seem like silent, independent organisms, they form a network buzzing with life: they talk, share food, raise their young, and offer protection. Trees thrive on diversity, learn from their ancestors, and give back to their…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
I first read this book when I was ill in bed, on strong painkillers, so the setting had a heightened quality in my mind that can never be replicated. But I’ve now read it several times (and watched the Netflix TV series), and it remains a wonderful book with great settings and characters, romance, and danger.
Before I read this book, I knew very little about Chinese Malaysian society in the late nineteenth century, and it was fascinating to learn. I also loved the Plains of the Dead, where ghosts live in houses and eat food that corresponds to the paper funeral offerings burned by their families. Seventeen-year-old Li Lan must go there to seek the deceased young man whose “ghost bride” she is and stop him from haunting her.
A haunting, evocative and highly unusual romantic debut and now a Netflix Mandarin original drama premiering January 2020!
Seventeen-year-old Li Lan lives in 1890s Malaya with her quietly-ruined father, who returns one evening with a proposition - the fabulously wealthy Lim family want Li Lan to marry their son. The only problem is, he's dead. After a fateful visit to the Lim mansion, Li Lan finds herself haunted not only by her ghostly would-be suitor, but also her desire for the Lims' handsome new heir. At night she is drawn into the Chinese afterlife - a world of ghost cities,…
Give me a castle ruin or guide me through ancient Roman mosaics and you make my day. Accordingly, my preferred reading is historical fiction. I read (and review) lots of it, like 100 books/year. I am also ridiculously romantic. I want there to be some heart with the blood and war, I want characters I can root for despite the horrifying odds facing them. I want protagonists that step out of the past to drag me back with them. When I read, these are the books I choose. When I write, these are the books I aspire to create—Romantic Historical Fiction, if you will.
It is always fascinating when a novel has you discovering periods and countries you know little about. Ms. Flynn’s novel throws this reader straight into the complexities of post-war British Malaysia. Yes, the British are still in control, but the old world order is being challenged. While the rubber plantations remain owned by white planters, the Malays, the Chinese, and the Indians want their share and communist insurgents spread violence and fear. In the midst of all this upheaval stands Jasmine, on the cusp of womanhood. Over a period of several months, she will experience everything from first love to betrayal. She emerges somewhat wiser, somewhat bruised. But that, after all, is what growing up entails, isn’t it?
Sixteen-year-old Jasmine Barrington hates everything about living in Kenya and longs to return to the island of Penang in British colonial Malaya where she was born. Expulsion from her Nairobi convent school offers a welcome escape – the chance to stay with her parents’ friends, Mary and Reggie Hyde-Underwood on their Penang rubber estate.
But this is 1948 and communist insurgents are embarking on a reign of terror in what becomes the Malayan Emergency. Jasmine unearths a shocking secret as her own life is put in danger. Throughout the turmoil, her one constant is her passion for painting.
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
As an immigrant to Malaysia, I can attest that the delightful stories in this collection are electric with Malaysian spirit.
The magic in these tales is literally magic, sometimes whimsical, sometimes discomfiting, imbued with warm and ironic wit. The throughline linking the stories is that they focus either on experiences of the uncanny in Malaysia, or the uncanny experiences of Malaysians abroad.
The included story “If At First You Don’t Succeed, Try, Try Again” won a Hugo award, but my personal favourite may be “The Terra-cotta Bride.”
Nineteen sparkling stories that weave between the lands of the living and the lands of the dead. Spirits Abroad is an expanded edition of Zen Cho's Crawford Award winning debut collection with nine added stories including Hugo Award winner "If at First You Don't Succeed, Try, Try Again." A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate…
I have been researching and writing about cocktails for over two decades. My first book, The New Cocktail Hour, appeared in 2016 and I have since written seven more books pairing mixed drinks with topics such as classic movies, vinyl music, the DC Comics universe, Westerns, and travel. Cocktails are truly global concoctions, invented by using tea from the Far East, sugar from the Caribbean, liquor from Europe, and citrus from the tropics. The best books about mixed drinks transport us to a worldly state of mind wherever we are.
Capturing the excitement of our drinking age, Lonely Planet’s Global Distillery Tour stops in over 30 countries and provides a tantalizing glimpse at what is happening around the world. With photographs of both product and place, the book offers not just information on distilleries but itineraries to start planning those visits. Vast in scope while feeling manageable, the book makes a great introduction to the spirits world -- plus, has readers itching to experience it all for themselves.
Explore the exciting world of spirits with Lonely Planet. Featuring the best distilleries and bars in over 30 countries, we'll tell you where to go and what to taste - from gin, bourbon and whisky to vodka, cachaca, tequila and more. Includes unmissable regional drinks from South Africa, Canada, the USA, Mexico, Japan, Indonesia, France, Italy, the UK, Australia and New Zealand.
Within each of the 33 countries in Lonely Planet's Global Distillery Tour, we've organised the distilleries alphabetically by region. Each distillery has a suggested must-try drink or tasting experience and also recommended local sights so you can explore…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
I haven’t read a better book in a long time than YZ Chin’s collection of linked stories.
At the centre of a panoply of characters and ways of thinking, we find Isabella Sin, a woman who might be taken as a personification of Malaysia, a troubled young nation searching for an identity as it struggles against its own history.
Not unlike what is required of her country, what is ultimately required of Isabella is to “become who she was.” YZ Chin’s voice offers the sort of nuance and depth that I feel characterises the best in literary fiction.
“A welcome read in American contemporary literature. Though I Get Home is an intimate and complex look into Malaysian culture and politics, and a reminder of the importance of art in the struggle for social justice.” ―Ana Castillo, author of So Far from God and prize judge
In these stories, characters navigate fate via deft sleights of hand: A grandfather gambles on the monsoon rains; a consort finds herself a new assignment; a religious man struggles to keep his demons at bay. Central to the book is Isabella Sin, a small-town girl―and frustrated writer―transformed into a prisoner of conscience in…
