I have been researching and writing about cocktails for over two decades. My first book, The New Cocktail Hour, appeared in 2016 and I have since written seven more books pairing mixed drinks with topics such as classic movies, vinyl music, the DC Comics universe, Westerns, and travel. Cocktails are truly global concoctions, invented by using tea from the Far East, sugar from the Caribbean, liquor from Europe, and citrus from the tropics. The best books about mixed drinks transport us to a worldly state of mind wherever we are.
Capturing the excitement of our drinking age, Lonely Planet’s Global Distillery Tour stops in over 30 countries and provides a tantalizing glimpse at what is happening around the world. With photographs of both product and place, the book offers not just information on distilleries but itineraries to start planning those visits. Vast in scope while feeling manageable, the book makes a great introduction to the spirits world -- plus, has readers itching to experience it all for themselves.
Explore the exciting world of spirits with Lonely Planet. Featuring the best distilleries and bars in over 30 countries, we'll tell you where to go and what to taste - from gin, bourbon and whisky to vodka, cachaca, tequila and more. Includes unmissable regional drinks from South Africa, Canada, the USA, Mexico, Japan, Indonesia, France, Italy, the UK, Australia and New Zealand.
Within each of the 33 countries in Lonely Planet's Global Distillery Tour, we've organised the distilleries alphabetically by region. Each distillery has a suggested must-try drink or tasting experience and also recommended local sights so you can explore…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
I haven’t read a better book in a long time than YZ Chin’s collection of linked stories.
At the centre of a panoply of characters and ways of thinking, we find Isabella Sin, a woman who might be taken as a personification of Malaysia, a troubled young nation searching for an identity as it struggles against its own history.
Not unlike what is required of her country, what is ultimately required of Isabella is to “become who she was.” YZ Chin’s voice offers the sort of nuance and depth that I feel characterises the best in literary fiction.
“A welcome read in American contemporary literature. Though I Get Home is an intimate and complex look into Malaysian culture and politics, and a reminder of the importance of art in the struggle for social justice.” ―Ana Castillo, author of So Far from God and prize judge
In these stories, characters navigate fate via deft sleights of hand: A grandfather gambles on the monsoon rains; a consort finds herself a new assignment; a religious man struggles to keep his demons at bay. Central to the book is Isabella Sin, a small-town girl―and frustrated writer―transformed into a prisoner of conscience in…
I grew up in a medical family, my father and brother both surgeons and my mother a nurse. My parents met while serving in WW2 and that combination of compassion and horror in the field hospitals of Europe have stayed with me ever since. In fact, my first novel A Dangerous Act of Kindness, is set during WW2. I’m also a career hypochondriac. I avoid reading about illnesses or injuries I may suffer from myself, but I am fascinated by disease and pioneering surgery, thus The Summer Fields revolves around a disease that has now been eradicated (smallpox) and pre-anaesthetic surgery, something I hope I shall never have to face.
Some odd 1950s social attitudes caught me by surprise when I re-read this much-loved book from my past (what are those bruises all about?). Don’t let this put you off this wonderful story of courage and hardship as Jean Paget, an ordinary woman is swept up in the Japanese invasion of Malaya, faces terrible hardships in her group of female prisoners. Starving and sick, they are helped by an Australian, Sgt Joe Harman, also a prisoner, but his kindness results in the most terrible retribution. To say more would ruin the shock of this fabulous story, but I guarantee that Joe Harman will have your heart by the end of the book.
'Probably more people have shed tears over the last page of A Town Like Alice than about any other novel in the English language... remarkable' Guardian
Jean Paget is just twenty years old and working in Malaya when the Japanese invasion begins.
When she is captured she joins a group of other European women and children whom the Japanese force to march for miles through the jungle - an experience that leads to the deaths of many.
Due to her courageous spirit and ability to speak Malay, Jean takes on the role of leader of the sorry gaggle of prisoners…
Give me a castle ruin or guide me through ancient Roman mosaics and you make my day. Accordingly, my preferred reading is historical fiction. I read (and review) lots of it, like 100 books/year. I am also ridiculously romantic. I want there to be some heart with the blood and war, I want characters I can root for despite the horrifying odds facing them. I want protagonists that step out of the past to drag me back with them. When I read, these are the books I choose. When I write, these are the books I aspire to create—Romantic Historical Fiction, if you will.
It is always fascinating when a novel has you discovering periods and countries you know little about. Ms. Flynn’s novel throws this reader straight into the complexities of post-war British Malaysia. Yes, the British are still in control, but the old world order is being challenged. While the rubber plantations remain owned by white planters, the Malays, the Chinese, and the Indians want their share and communist insurgents spread violence and fear. In the midst of all this upheaval stands Jasmine, on the cusp of womanhood. Over a period of several months, she will experience everything from first love to betrayal. She emerges somewhat wiser, somewhat bruised. But that, after all, is what growing up entails, isn’t it?
Sixteen-year-old Jasmine Barrington hates everything about living in Kenya and longs to return to the island of Penang in British colonial Malaya where she was born. Expulsion from her Nairobi convent school offers a welcome escape – the chance to stay with her parents’ friends, Mary and Reggie Hyde-Underwood on their Penang rubber estate.
But this is 1948 and communist insurgents are embarking on a reign of terror in what becomes the Malayan Emergency. Jasmine unearths a shocking secret as her own life is put in danger. Throughout the turmoil, her one constant is her passion for painting.
My first travel memoir, Finding Myself in Borneo, has won three awards. I hold a bachelor’s degree and a master’s degree in Communication from Florida State University. I worked internationally for 45 years, becoming an expert in the field of communication for social change. I directed and produced a number of award-winning documentary films/videos, popular multimedia initiatives, and have written numerous articles and books in my field. I worked and lived in Asia, Africa, and Russia for a total of 18 years and traveled to over 80 countries on short-term assignments. In 2015, I settled in New Mexico, using my varied experiences, memories, and imagination in creative writing.
This book gives readers a clear picture of what it was like for an American woman, married to a British colonial, to live in North Borneo just before the Japanese Army invaded in 1942. It was truly an innocent place so far from the cares of the world. I read it in 1968, just before my first sojourn in Sabah, Malaysia. Much had changed by then, but it helped me understand the experiences of some of the older people I met. Today, Sabah remains a land “below the wind” (located south of the annual tropical cyclone belt.) But, as I mention in my book, it is no longer below the “political storms” as China battles the US and five other nations over the rights to the South China Sea.
This book was written during an era when Sabah was known as North Borneo, and when life was very much different from today s. Reprinted many times, this classic, of Agnes Keith s observations and reflections of the time, is a true-to-life record of society and culture then and of the captivating natural beauty of Sabah. Today, Sabah continues to be known as the land below the wind , a phrase used by seafarers in the past to describe all the lands south of the typhoon belt, but which Agnes effectively reserved for Sabah through her book. One of few…
As an author and a lifelong lover of books, I read all genres. My favorites are set in fantastical worlds with unique settings. The mash-up of history and fantasy is endlessly compelling to me, and I always want to see a romantic subplot (or main plot!) in the books I read. I want a happily-ever-after even when the strange world and its villains are conspiring against the main characters.
This unique setting (Malaysia in the late 1800s) was highlighted by the addition of fantastical elements—a spirit world layered over the “real” world, which is as real and corrupt as the one where our heroine, Li Lan, finds herself. Her struggles to find and fall in love, as well as her desire to save her home, created an unputdownable book. The romance is subtle, but sweet, and a perfect juxtaposition to some of the horrors Li Lan must endure on her spiritual journey.
A haunting, evocative and highly unusual romantic debut and now a Netflix Mandarin original drama premiering January 2020!
Seventeen-year-old Li Lan lives in 1890s Malaya with her quietly-ruined father, who returns one evening with a proposition - the fabulously wealthy Lim family want Li Lan to marry their son. The only problem is, he's dead. After a fateful visit to the Lim mansion, Li Lan finds herself haunted not only by her ghostly would-be suitor, but also her desire for the Lims' handsome new heir. At night she is drawn into the Chinese afterlife - a world of ghost cities,…
Family is one of the few truly universal experiences that all human beings have, because we all come from somewhere. Every human on Earth is raised by someone, so it’s something we can all relate to, for good or for ill. Universal experiences like family allow us as human beings to relate to others, and that common ground is what provides joy and meaning in life. I appreciate that I don’t have to have a master’s degree or PhD in family studies or family therapy to glean insights into how our families shape us. My own observations and analytical writer’s mind made me realize the importance of storytelling in keeping families together, especially across generations.
And you thought your family was crazy! Set in Malaysia, this fascinating story combines family drama with class issues, ethnic tensions, the effects of colonial rule, and even ghosts. I love how writer Preeta Samarasan evokes a mysterious, almost magical feel to the setting and characters, as the reader gets acquainted with the wealthy, yet deeply dysfunctional family at the center of the story. No matter how bitter, enraging, or disappointing these characters feel towards each other, they are still bonded together, and the story ends on a hopeful note. This family can redeem itself-even if it takes moving to another country to do it.
A spellbinding, exuberant first novel, set in Malaysia, that introduces us to a prosperous Indian immigrant family, as it slowly peels away its closely guarded secrets.
When the family's servant girl, Chellam, is dismissed from the big house for unnamed crimes, it is only the latest in a series of losses that have shaken six-year-old Aasha's life. Her grandmother has passed away under mysterious circumstances and her older sister has disappeared for a new life abroad, with no plans to return. Her parents, meanwhile, seem to be hiding something away - from themselves, and from one another.
Saving the planet one death at a time is truly what the world needs now: to reduce our carbon footprint and go out in eco-friendly style. As the one-woman funeral service in the rural town of Boring, Oregon, I support the philosophy of old-school burial practices that are kinder to both humans, the earth, and our wallets. I have humbly been baptized the Green Reaper for my passionate advocacy of green burial, and as an undertaker and the owner and undertaker of Cornerstone Funeral, the first green funeral home in the Portland area. I love to devour all literature possible on green burial and environmentally friendly death care.
Green burial is not a new idea; it has been practiced for thousands of years and is still commonly practiced around the world. Green burial is also starting to be used as an avenue of enabling the restoration and preservation of habitat. The tradition of green (or natural) burials dates back to ancient times. For most of human history, in cultures where bodies were buried, the body was placed in a grave, perhaps wrapped in a shroud or in a simple box, directly into the ground. Robert’s chapters provide sustenance for the world full of people who exist in complete harmony with the natural world and with each other.
• Explores the lifestyle of indigenous peoples of the world who exist in complete harmony with the natural world and with each other.
• Reveals a model of a society built on trust, patience, and joy rather than anxiety, hurry, and acquisition.
• Shows how we can reconnect with the ancient intuitive awareness of the world's original people.
Deep in the mountainous jungle of Malaysia the aboriginal Sng'oi exist on the edge of extinction, though their way of living may ultimately be the kind of existence that will allow us all to survive. The Sng'oi--pre-industrial, pre-agricultural, semi-nomadic--live without cars or…
Coming-of-age stories have always appealed to me because of their focus on an internal struggle. They’re usually juxtaposed with a changing landscape or moving to a new place. In broad strokes, coming-of-age stories focus on personal identity and our place in our day-to-day world. As someone who’s born in the US but grew up on the Mexican side but currently lives in California, the questions of what aspects of me are American and which are Mexican have been ongoing. With that in mind, these five books speak to me in a profound way, and I'm happy they exist as comics.
This is a non-fiction book about an artist doing a road trip with an adorable dog by the name of Bug. As they travel the historic highway, Shing Yin Khor reflects on this country’s history, what it can mean to live in the US as a person of color and why we’re often left with more questions than satisfying answers. Even the title reflects this as it’s an interrogative sentence rather than a declarative one. It’s a very personal journey and it reads like a friend telling you about their trip. There are various segments where the scenery does the talking.
As someone who did not grow up in this country, I have been in a similar headspace. I love this book.
As a child growing up in Malaysia, Shing Yin Khor had two very different ideas of what "America" meant. The first looked a lot like Hollywood, full of beautiful people and sunlight and freeways. The second looked more like The Grapes of Wrath - a nightmare landscape filled with impoverished people, broken-down cars, barren landscapes, and broken dreams. Those contrasting ideas have stuck with Shing ever since, even now that she lives and works in LA. The American Dream? A Journey on Route 66 is Shing's attempt to find what she can of both of these Americas on a solo…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
As an immigrant to Malaysia, I can attest that the delightful stories in this collection are electric with Malaysian spirit.
The magic in these tales is literally magic, sometimes whimsical, sometimes discomfiting, imbued with warm and ironic wit. The throughline linking the stories is that they focus either on experiences of the uncanny in Malaysia, or the uncanny experiences of Malaysians abroad.
The included story “If At First You Don’t Succeed, Try, Try Again” won a Hugo award, but my personal favourite may be “The Terra-cotta Bride.”
Nineteen sparkling stories that weave between the lands of the living and the lands of the dead. Spirits Abroad is an expanded edition of Zen Cho's Crawford Award winning debut collection with nine added stories including Hugo Award winner "If at First You Don't Succeed, Try, Try Again." A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate…
