I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.
Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.
I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.
When he's not carrying out heists with his friend Parker, Alan Grofield runs a small theater in Indiana. But putting on shows costs money and jobs have been thin lately - which is why Grofield agreed to fly to Las Vegas to hear Andrew Myers' plan to knock over a brewery in upstate New York.
Unfortunately, Myers' plan is insane - so Grofield walks out on him. But Myers isn't a man you walk out on, and his retribution culminates in an act of unforgivable brutality.
That's when Grofield decides to show him what a disciple of Parker is capable…
This is embarrassing. Joseph Mitchell, the journalist and legendary longtime contributor to the New Yorker, is, in my opinion, the finest chronicler of 1950-80s Manhattan life who ever lived.
Here’s what’s embarrassing. I have previously devoured all of his story collections and any reprints in the New Yorker, but never read his greatest work, about the Village bohemian eccentric Joe Gould. Not anymore. As deft a piece of journalism as ever was.
'It's a masterpiece, of course, but more than that it shows that there is some such thing as being a simple observer' Nicci French, Independent
It was 1932 when Joseph Mitchell first came across Joe Gould, a Harvard-educated vagrant of Greenwich Village. Penniless, filthy, scurrilous, charming, thieving, Joe Gould was widely considered a genius. He was working on a book he called an Oral History - the longest book ever written he claimed, formed of recorded conversations set down in exercise books. Of course, when Gould died the great epic was nowhere to be found.
I’ve been a writer of nonfiction and fiction and full-time editor since my college years, and a publisher (Smart Rhino Publications). I’ve read horror and suspense fiction all my life, but it’s only been in the past decade or so that my reading has turned more and more toward police procedurals, noir, and crime fiction. It was only natural that I’d turn to writing a police procedural series, starting with Harvester of Sorrow. I hope you’ll read all the wonderful books I’ve recommended!
I’ve always enjoyed Bill Pronzini’s work (including his work with wife Marcia Muller). The Flimflam Affair is the first book I read from his Carpenter and Quincannon series. This is a perfect example of how to embed historical fact into crime fiction. Although this is not a police procedural novel (the lead characters are private detectives), procedural elements are certainly included throughout. I’m envious of Pronzini’s ability to use the beginning of the 20th century as a backdrop for this fine series.
The Flimflam Affair is the latest charming historical mystery in Mystery Writers of America Grand Master Bill Pronzini's detective series.
Carpenter and Quincannon, Professional Detective Services is a fixture in San Francisco at the dawn of a new century. While the future is unclear, Sabina and John know one thing for certain; they will protect their clients from flimflammers, thieves, and murderers, and do whatever it takes to run these dregs of society into the arms of the law.
Sometimes, that requires a subtle touch. Professor A. Vargas, self-styled medium extraordinaire, and his partner Annabelle, use guile and trickery to…
My father was a stage magician, and I grew up looking for the gimmick behind the marvel. As a journalist, I gravitated toward true crime and the many varieties of fraud, deception, and misdirection on display in any high-stakes criminal trial. I am particularly fascinated by elaborate cons, whether they involve sideshow mitt readers, political hucksters, or cryptocurrency barons. When I found out that a century ago my hometown was the center of a Big Con operation that raked in millions, I had to learn more. The result is my book Gangbuster.
Warner deftly weaves three narratives: the lurid life of the French aristocrat whose sexual exploits led to the coining of the term “sadism,” the fate of his most infamous work, and the collapse of a rare-book investment scheme devised by a man accused of being “the Bernie Madoff of France.”
It’s a lot of ground to cover, but this well-researched, well-crafted account hums along, introducing us to revolutionaries, surrealists, sexologists, high-end book collectors, and more, all fascinated by the handwritten scroll of 120 Days of Sodom.
And it raises questions about what makes a rare and suppressed book truly valuable – is it the unique history of its author, the dangerousness of its ideas, or its potential as an investment vehicle?
NEW YORK TIMES EDITORS’ CHOICE • The captivating, deeply reported true story of how one of the most notorious novels ever written—Marquis de Sade’s 120 Days of Sodom—landed at the heart of one of the biggest scams in modern literary history.
“Reading The Curse of the Marquis de Sade, with the Marquis, the sabotage of rare manuscript sales, and a massive Ponzi scheme at its center,felt like a twisty waterslide shooting through a sleazy and bizarre landscape. This book is wild.”—Adam McKay, Academy Award–winning filmmaker
Described as both “one of the most important novels ever written” and “the gospel of…
Having spent my youth watching dramasCrown Court andL.A. Lawon TV and reading Rumpole of the Bailey, it’s not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. It’s a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where they’ll always achieve a fair and just result and uncover the truth. All the books I’ve recommended challenge this notion in different (but equally brilliant) ways.
"The serial killer isn’t on trial he’s on the jury."
Actor Bobby Solomon is accused of murdering his wife and bodyguard in a frenzied attack. Eddie Flynn, former conman turned lawyer, is brought in to assist the defence team. Eddie’s the full package—resourceful, quick-witted, a masterful cross-examiner, and he can handle himself in a fight. He also believes in Bobby’s innocence. But he’s up against an ingenious, ruthless killer who will stop at nothing to achieve his cause.
If the central premise—that of a killer infiltrating the jury and undermining the entire justice system—isn’t sufficiently terrifying, then the array of corrupt police officers and self-serving lawyers (on both sides) should tip you over the edge. Happily, Eddie stands head and shoulders above them all.
'THIRTEEN is my favourite read of the year.' Sarah Pinborough
'Outstanding.' Lee Child
'Smart and original. This is a belter of a book.' Clare Mackintosh
****************
They were Hollywood's hottest power couple. They had the world at their feet. Now one of them is dead and Hollywood star Robert Solomon is charged with the brutal murder of his beautiful wife.
This is the celebrity murder trial of the century and the defence want one man on their team: con artist turned lawyer Eddie Flynn.
I’ve been fascinated by people’s behavior since I was a child. I was the kid who asked too many impertinent questions, never satisfied with the short answer. When I fell in love with historical fiction, the history mingled with my interest in human psychology. I soon discovered that despite advancements throughout civilization, people’s wants, needs, and fears remain fairly consistent. The exploration of life experiences that are not our own through the power of a book is pure magic. I hope these recommendations will allow you to put another’s life on like you would your winter parka and just for a moment, gain an understanding of another’s trials and tribulations.
I will admit it, I am a sucker for a compelling book cover. The cover ofMrs. Kimble completely drew me in and it didn’t take long for me to be so immersed that I wanted to grab the characters by their shoulders and shake some sense into them. I was intrigued by the idea of a “serial husband” but honestly, I wanted to know more about this narcissistic man who could simply change who he was at any given moment all the while changing careers, hometowns, and wives without nary a backwards glance. Self-centered doesn’t even begin to describe Ken Kimble but he sure does make the novel an intriguing story about love, loss, betrayal, and human nature in all of its glory.
Covering a span of twenty five years, Mrs Kimble tells the story of three women married in succession to the same man - a charismatic opportunist named Ken Kimble. Told from the perspective of each Mrs Kimble, it offers a mesmerising look at how three very different women become accomplices in their own deception.
We see Ken Kimble through the eyes of the women he seduces: his first wife, Birdie, who struggles to hold herself together in the months following his desertion; his second wife, Joan, a lonely heiress recovering from personal tragedy, who sees in Kimble her last chance…
When it comes to dark and twisted books with jaw dropping twists, I can’t get enough. I love them. I crave darkly creative books that make you think. Anything but your standard, everyday domestic thriller with the traumatized alcoholic main character. As a child I watched Law and Order and Masterpiece Theater mysteries with my mother. I loved a good British thriller. I suppose I got it from her, it was always something we shared. I veered clear of darker reading growing up, you don’t want to freak your parents out, of course. But now as an adult, I love it. No gore, no graphic shock horror for me. Psychological thrillers all the way.
This book is so original. We follow an old man, a retired serial killer, on his journey to read his own newly published true crime story. He stumbles on the book while doing his security rounds and can't resist picking it up, and over the next week finds himself more and more obsessed with reading it, growing fears that he will be discovered after twenty years, and with the author, his only surviving victim- who was a child at the time and is now an adult twenty years later.
I enjoyed this book, it's original in the sense that the killer is an ordinary, cranky old bastard that no one likes. He's just a guy, who doesn't stand out, hasn't been good at anything all his life, a mediocre man that falls into the crowd. The only thing he's ever been able to succeed at was being The Nothing Man,…
I was the girl who survived the Nothing Man.Now I am the woman who is going to catch him...
At the age of twelve, Eve Black was the only member of her family to survive an encounter with serial attacker the Nothing Man. Now an adult, she is obsessed with identifying the man who destroyed her life.
Supermarket security guard Jim Doyle has just started reading The Nothing Man—the true-crime memoir Eve has written about her efforts to track down her family’s killer. As he turns each page, his rage grows. Because Jim’s…
As a screenwriter I’ve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean “good guys.” I like to see “ordinary” people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions.
In this first book of The Shill Trilogy struggling actress Jane Innes is seduced by a handsome new arrival in her acting class. He admits he’s a con man and needs Jane to pose as a rich, carefree heiress to fulfill his intricate scam. I loved this book because Jane, being desperate for money, and love, agrees to help the con man that has seduced her. Is it love or money the reason she agrees? I believe there is no black and white, good or evil in characters when it comes to morals. I enjoy stories that show us the gray in us, and how one can be swayed to the dark side through desperation if given the right opportunity.
Struggling actress Jane Innes is seduced by a handsome new arrival in her acting class. He makes a proposition. He admits he’s a con man and needs Jane to pose as a rich, carefree heiress to fulfill her part in his intricate scam.
Would you agree? Or run the other way?
All goes as planned until Jane’s true identity threatens to surface and their scheme begins to crack at the seams.
It all leads to a tangled maze of deception, depravity and murder.
THE SHILL is part one of a trilogy from Shamus Award winning author, John Shepphird.
Why am I an expert on recommending books about sociopaths and liars? I unknowingly shared a life with one for five years. Shattered, I grappled with the aftermath of deception. How could I have been duped for so long? Through therapy and reading, I discovered many smart, compassionate people fall hard for the charismatic charm and convincing stories sociopaths tell to get whatever it is they want from whomever they want it. Without a conscious and incapable of feeling, they often latch onto someone with high morals and emotional intelligence in the hopes of learning how to mirror those attributes only to destroy the ones who love them the most.
Sure, you could say con artist Meg Williams, or any of the aliases this woman goes by, is a vigilante, determined to right the wrongs done to her by society through the many lies she tells. Or you could see her as a sociopathic opportunist.
Kara Roberts is out to catch Williams and bring her to justice for being instrumental in both destroying Roberts’ career and her personal life. But once Roberts gets close to Williams, she falters…and falls under her spell. See a pattern yet? Yep, that’s right. The sociopath always charms the victim.
While the book skews toward a Machiavellian “the ends justify the means” philosophy, the characters are duplicitous and amoral at best, sociopathic and self-serving at worst.
"Julie Clark has done it again...taking you straight into the collision course of two dynamic, complicated women." -Laura Dave, #1 New York Times bestselling author
From the instant New York Times bestselling author of The Last Flight!
She's back.
Meg Williams. Maggie Littleton. Melody Wilde. Different names for the same person, depending on the town, depending on the job. She's a con artist who erases herself to become whoever you need her to be-a college student. A life coach. A real estate agent. Nothing about her is real. She slides alongside you and tells you exactly what you need to…
My father was a stage magician, and I grew up looking for the gimmick behind the marvel. As a journalist, I gravitated toward true crime and the many varieties of fraud, deception, and misdirection on display in any high-stakes criminal trial. I am particularly fascinated by elaborate cons, whether they involve sideshow mitt readers, political hucksters, or cryptocurrency barons. When I found out that a century ago my hometown was the center of a Big Con operation that raked in millions, I had to learn more. The result is my book Gangbuster.
This as-told-to memoir by Weil, better known as the Yellow Kid, is a crash course in grifts of all kinds, from petty barroom scams to elaborate shady deals in oil, stocks, and real estate.
Weil is a witty tour guide and a gifted impostor, posing as a geologist, banker, or tycoon as needed. To me, what’s most eye-opening is his total lack of compassion for his victims, whom he regards as greedy suckers who deserve to be fleeced.
Criminals rarely see themselves as in the wrong, and Weil’s efforts to justify his larcenous career make for an intriguing con played on the reader.
The story of Joseph “Yellow Kid” Weil, a man who could—and often did—pull off scams to outshine The Sting.
In his long career as a confidence man, Joseph “Yellow Kid” Weil swindled the public of more than eight million dollars and established the reputation for robbery and trickery. Always beating the police at their own game, “Yellow Kid” used phony oil deals, women, fixed races, and an endless list of other tricks to best an increasingly gullible public. One day, he was Dr. Henri Reuel, a noted geologist who traveled around and told his hosts that he was a representative…
