71 books like The Guest

This is a book about many things—guilt, artmaking, and love among them—but when I think of it, I think of a novel that depicts the complexities of making and sustaining a life more deftly than anything else I’ve read. How things like cruelty and beauty, innocence and evil, truth and lies all coexist. How we move forward despite this uneasy balance.

The novel follows Fee, a boy who grows up in Maine and sings in an all-boys choir. The choir director turns out to be an abuser, and his actions haunt Fee and the other boys in the choir into adulthood.

On a prose level alone, Chee’s writing is unparalleled, his sentences sharp enough to cut glass. I don’t see how anyone could read this book and come away unchanged. 

This thriller is a compulsively readable novel.

In dueling POVs of a gay couple, Vernon explores their relationship, with its power imbalances and manipulations, in all its messiness. Neither narrator is being honest with the other, and the novel is set in motion when Oliver decides to visit a bathhouse where a would-be trick attacks him, making him fear for his life.

The rest of the novel ping-pongs between the narrators, both of whom are concealing so much from each other for very different reasons. 

Guide is the fourth book in Cooper’s George Miles Cycle. This short novel is packed with so much to think about, even if what that includes will make your skin crawl.

If you are unfamiliar with Cooper’s work, this isn’t the book I’d recommend you start with, but his language is so precise that it’s hard to imagine the sentences being written in any other way. The shifting POV chapters take readers on a tour of the seedier parts of L.A., forcing us to examine and interrogate not only how we all tell our own stories, but also how some people then use those to erase or justify their complicity. 

Habib’s novel is an interesting and disturbing debut following a single father who unexpectedly reconnects with a former bully who has ulterior motives.

The first part of the novel jumps back and forth between their high school days and the present, leading to a moment of shocking violence. It’s the aftermath of that violence and how the protagonist deals (or fails to deal) with it that stands out the most, leading to a gut-wrenching conclusion.

Terrible things happen to the women in this book, but they all, every single one of them, rock the boat to try and make their own lives. In this retelling of The Great Gatsby that centers the POVs of three women critical to the story (Jordan Baker, Daisy Buchanan, and Myrtle Wilson’s suffragist sister), we get the story that was always hiding between the lines.

I found myself proud of and mourning the lives of each of these women. I felt furious on their behalf and hopeful that the generations that came after them would reap the benefits of their mistakes and their work. 

Perhaps most surprising to me, I found myself wanting to know these women more than I ever, ever wanted to get to know Gatsby’s world. 

Set in the present-day cosmopolitan city of Mumbai, India, the novel follows the lives of two women: Serabai Dubash, a middle-class widow, and her maidservant, Bhima. The pair experience similar situations in their lives: abuse, the death or absence of a husband, and the longing for a better future. They both have pregnant daughters, a fact that becomes significant as the novel progresses.

This book shows us the difficulties faced by women in Indian society but also their courage. Ultimately it is an upbeat book with great spirit. The plot twist at the end, and the resolution, blew me away. 

Jane Austen is unparalleled in her depiction of good and evil on a domestic level. While the situations are slightly less dramatic than in the other books I have selected, Mansfield Park compellingly presents the consequences of habituated action. Fanny Price is not perfect and certainly not most people’s cup of tea, but, like all Austen heroines, represents virtue and a growing self-knowledge over the course of the novel. The Crawford siblings are vivid examples of dulled moral vision. Without committing the literary sin of giving away the end, I will say that the “anti-romance” trajectory of the plot is wonderfully satisfying. Further, Sir Thomas Bertram may be my favorite male Austen character of all.

Heather O’Neill is one of my favorite authors. She lives in the nuanced and gritty places in relationships. She also sets her novels in really exciting and different time periods. I could pick any of her books, but her latest is so delicious. When We Lost our Heads is set during the turn of the 19th century in Montreal. It’s about two women from different economic realities and families – who forge a very unlikely, volatile, destructive, and important relationship. It is funny and dark and the time and setting are vital and exciting. 

I have been subjected to the control of a narcissist and reading this book was something I felt deep. 

Liv Constantine brought forth the reality of what the outside world sees in a marriage, compared to what goes on behind closed doors. The control a spouse can have on a loved one puts a different spin on love.

I couldn’t help but feel the love grow and wonder what could go wrong when two people are so happy together. Having another woman setting up a plan to steal a husband made her despicable, but in the end, it became an amazing escape for one Mrs. Parrish. 

I felt so connected to the character in this book, not as a victim but as a woman who regained her strength and escaped.

I like the historical setting of Gentil’s books (mainly 1930s Australia, although her characters venture overseas in a couple of the books) and the original newspaper clippings that introduce the chapters, which give you a glimpse of current affairs that form the backdrop to the story. Personally, I also enjoy the fact that her protagonist is an artist, albeit one with a wealthy family behind him. There’s danger, disapproving family, Blackshirts, unrequited love, and above all, staunch friendships; Rowland and his mates are people you wish you could hang out with. Give the Devil His Due is the seventh book in the Rowland Sinclair series.