A native of New York’s Long Island, I’ve always been obsessed with the shoreline. My best early memories are of traveling with my family to the eastern edge of Long Island for our two-week summer vacation. My parents didn’t earn a lot of money, and we didn’t vacation often, so those two weeks in August were heavenly. As an adult, I gravitate to coastlines and islands. I’ve always been a fan of books with a strong sense of place, especially when that place is the shore. And I loved setting my current book on an island in the Mediterranean, delving into the qualities and characteristics that make a coastline so evocative and so appealing.
Who doesn’t love a good coming-of-age story—especially one set on the beautiful, summery, and storied beaches of Cape Cod?
It’s the type of location I find irresistible. Set in the 1980s, the book centers on a young, aspiring novelist named Eve who crosses path with a literary power couple at their Cape Cod home. She lands a job as a research assistant, falls in love with their intriguing son, and scores an invitation to their famous book party.
This novel made me nostalgic for the time I was Eve’s age, full of dreams and waiting for the world to open its arms to me! So atmospheric and evocative!
I was transported back to a time that I don’t often think about, a time that was magical while it lasted. I didn’t want the book to end!
*A July 2019 Indie Next List Great Read* *One of Parade's Most Anticipated Books of Summer 2019* *An O Magazine Best Beach Read of 2019* *A New York Post Best Beach Read of 2019*
“The Last Book Party is a delight. Reading this story of a young woman trying to find herself while surrounded by the bohemian literary scene during a summer on the Cape in the late '80s, I found myself nodding along in so many moments and dreading the last page. Karen Dukess has rendered a wonderful world to spend time in.” ―Taylor Jenkins Reid, New York Times…
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Jane Austen is known mainly from her novels, but her surviving letters provide a wonderful insight into her life and character. Most of them were written to her sister, Cassandra, whenever they were separated. This edition, by Deirdre Le Faye, is the most complete and accurate collection of the known letters, and it also includes invaluable notes on what she wrote and the people who were mentioned.
Jane Austen's letters afford a unique insight into the daily life of the novelist: intimate and gossipy, observant and informative, they bring alive her family and friends, her surroundings and contemporary events with a freshness unparalleled in biography. Above all we recognize the unmistakable voice of the author of Pride and Prejudice, witty and amusing as she describes the social life of town and country, thoughtful and constructive when writing about the business of literary composition.
R. W. Chapman's ground-breaking edition of the collected Letters first appeared in 1932, and a second edition followed twenty years later. A third edition,…
After reading Life of Pi many years ago (before the movie
came out) I never found myself reading another Yann Martel book, which is
strange as I loved the Life of Pi so much.
Back in March of this year I
stumbled across a copy of Beatrice and Virgil in an old bookshop in Paris, and
was instantly drawn to it, not only from the author's name, but the blurb intrigued me terribly.
Yann Martel has this brilliant way of turning a story that
can often seem random and unusual, into something you simply have to know what
is going to happen next. Typically, I am a slow reader, but with this I just
couldn’t put it down.
Fate takes many forms. When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler monkey - named Beatrice and Virgil - and the epic journey they undertake together.
With all the spirit and originality that made Life of Pi so treasured, this brilliant new novel takes the reader on a haunting odyssey. On the way Martel asks profound questions about life and art, truth and deception,…
All my life, I’ve been aware that there are many layers to reality, many of which are human fabrications. Some are physical, like roads. Some are social, like healthcare. But the ones that control our lives the most, and that determine our global outcomes (poverty, war and ecological degradation for example), are ideological. The most powerful of these is our economic system. If we are to address the meta-crisis, I feel passionately that we need to be able to question and reimagine the economy. All the books I’ve chosen have been really important in helping me to think differently about things we usually take for granted.
I love this book because it offers a thrutopian vision of how we can get from the mess we are in to a better future for humanity and planet earth. I think it’s powerful because it’s a novel that blends the spiritual realm with the all-too-profane reality of social media and political corruption.
I love Manda’s writing. I love the way she changes rhythm and juxtaposes words to really focus attention on the important points. The story itself is a compelling page-turner, and more than that, I think it might just initiate the needed change.
Dream deeply. Rise up strong. Change is coming ... the visionary new thriller from the Sunday Times bestselling author.
How do you help the people you love create a future you're proud to leave behind?
From acclaimed author Manda Scott comes a visionary thriller of a lifetime. As Lan lies dying, she makes a promise that binds her long into the Beyond. A decade later her teenage granddaughter is caught up in an international storm of outrage that unleashes the rage of a whole, failed generation. For one shining fragment of time, the world is with her. But then the…
Books have the power to do so much more than to simply entertain. I believe it’s my job as a fiction writer to condense research of complex subjects into understandable language and then play it out in story. My Enter the Between fiction series introduces readers to the world of metaphysics—the bridge between the seen and the unseen, science, and spirituality—which serves as a key to understanding consciousness, death, and the meaning of life. I’ve spent twenty years researching contemporary paganism, holistic theory, quantum mechanics, and transpersonal psychology to come up with stories that bridge science and spirituality with paranormal, supernatural underpinnings, and contemplative messaging that aims toward a kinder, wiser, more peaceful world.
I’ve read the first sentence of The Angel’s Gameover and over, never tiring of the simple wisdom—and truth—of protagonist David Martin’s words: “A writer never forgets the first time he accepted a few coins or a word of praise in exchange for a story…” And for the rest of the novel, I’m caught in the web of an author whose prose is as pleasurable to read as the story itself.The Angel’s Game is an example of visionary/metaphysical fiction, a little-known genre under the umbrella of speculative fiction containing paranormal and/or supernatural elements that don’t exist in the realworld. Carlos Ruiz Zafon, however, makes the unreal seem real and the impossible seem possible, a sign of a truly gifted writer.
The stunning new novel from the internationally bestselling author of THE SHADOW OF THE WIND.
In an abandoned mansion at the heart of Barcelona, a young man - David Martin - makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he has taken refuge in the world of books, and spends his nights spinning baroque tales about the city's underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house letters hinting at the mysterious death of the previous owner. Like a…
In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
The twists! The turns! The head-spinning lies! The problem with being an author is that I often know within a few pages exactly how a book will end. Although it doesn’t bother me (because the journey is just as important as the destination, in my opinion), it’s always really exciting when I come across a book where I have no clue WTF is going on.
The layers of deception, half-truths, lies, manipulations…they had me wondering where on earth this was going. I defy anyone to work out everything that’s going on.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER
“Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie.
Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a…
As a graphic novel creator and art teacher with years of experience, I understand the importance of introducing serious topics for discussion in an accessible way. My art students of all ages are curious about different subjects, wondering what life is like for others and if their own feelings are normal. Graphic novels are a perfect tool for fostering these discussions. Having been interested in comics as a medium for a long time, I'm thrilled to share this with young audiences and encourage exploration of diverse perspectives.
The Real Friends series draws on the author's personal experiences of navigating friendships and finding her place in the world.
Every child can relate to the challenges of social situations, making this memoir a relatable and reflective read. The book is infused with humor and wit, making it an enjoyable and insightful read for all ages.
Following little Shannon's life from kindergarten through fifth grade, Real Friends captures the emotional roller coaster ride of friendship, from navigating the tricky waters of cliques and bullies to her never-ending struggle to stay in "The Group." Shannon's honest and heartfelt story reminds us of how hard it was to learn what real friends are-and why finding them is worth the journey.
I’ve gone to France often during my life. I always buy books that look interesting while I’m there, mainly to keep my French in good shape. I tend to pick authors and subjects which catch my eye. Some get discarded, but most give a fascinating and often very different perspective on life than I find in English novels and essays.
This is an excellent series of essays on the small things in life which please the author. Some are more obvious than others, but all are described stylishly and with typical French humour and elegance. I confess that after reading it, I did my own—inevitably inferior—version. But it was an enjoyment just going through the process.
An enchanting celebration of life's small pleasures, this little book captures the French imagination and art of living a good life.
Each chapter features a small pleasure that is both uniquely Gallic and universal. From the smell of apples maturing in a cellar to the gentle whir of a bicycle dynamo at dusk to turning the pages of a newspaper over breakfast, to the joy of a snowstorm inside a paperweight . . .
Recounted with a lively, innocent curiosity about the little things that make life worthwhile, this is an unforgettable, absorbing read to be savoured at length by…
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” As author Edward St. Aubyn quotes: “Money has value because it can be exchanged for something else. Art only has value because it can’t.” I find books about writers are closer to my lived experience and connect me intimately with both the characters and their author.
A story about a biographer who pokes into the corners of a Nobel-winning author’s salacious life to write an exposé is juicy enough, but what happens when the latter uses the opportunity to write a counter-exposé on the former? Unstructured in plot and other novel-craft, this book is laden with pithy quotes on the writing life. The biographer and his subject are libidinous, adulterous, and self-absorbed, a testament to the fact that a writer has to be appreciated separately from their work. Also on display are the strategies employed by the publishing industry to keep the reputation and marketability of a once best-selling author alive, long after their effective shelf-life.
Mamoon is an eminent Indian-born writer who has made a career in England -- but now, in his early seventies, his reputation is fading, his book sales have dried up and his new wife has expensive tastes. Harry, a young writer, is commissioned to write a biography to revitalise Mamoon's career. He greatly admires Mamoon's work and wants to uncover the truth of the artist's life, but Harry's publisher seeks a more salacious tale of sex and scandal to generate headlines. Meanwhile, Mamoon himself is mining a different truth altogether -- but which one of them will have the last…
In today’s world we have unprecedented access to knowledge and science. We are increasingly unsatisfied with seemingly impossible things that have no plausible explanation. Speculative fiction is known for asking one simple question “What If?” Science fiction leans toward scenarios that might be possible, whereas fantasy dwells in the world of the impossible. In early fantasy writing we would read about impossible things, and the author would wave it away with a simple “It’s just magic – don’t think about it.” Modern audiences want more. Hard fantasy (where magic systems have a logical and rules-based premise) dares not only to ask “what if” but also suggests “here’s how.”
The Saga of Recluse by L.E. Modesitt Jr. is a massive series of twenty interconnected novels that span centuries of its world’s history. The author recommends reading the series in order of publication, so we begin with The Magic of Recluse. In this novel we see a world in which the use of the two opposing disciplines of magic, known as Order and Chaos, are woven into the very fabric of society. As the story unfolds we see how Modesitt has carefully crafted each system, pausing to flesh out the societal implications of such. In the world of Recluse, we see magic integrated into society in a way that shows careful world building beside detailed rules of magic. Superb storytelling makes the world a joy to explore.
The Magic of Recluce launched a bestselling epic fantasy world that now spans multiple volumes.
Young Lerris yearns to find a place in the world better suited to his skills and temperament. In Recluce this means taking one of two options: permanent exile from Recluce or the dangergeld, a complex, rule-laden wanderjahr in the lands beyond. Many do not survive.
Lerris chooses dangergeld.
Lerris will need magic in the lands beyond, where the power of the Chaos Wizards reigns unchecked, and he must learn to use his powers in an orderly way before his wanderjahr, or fall prey to Chaos.
