I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Jane Austen is known mainly from her novels, but her surviving letters provide a wonderful insight into her life and character. Most of them were written to her sister, Cassandra, whenever they were separated. This edition, by Deirdre Le Faye, is the most complete and accurate collection of the known letters, and it also includes invaluable notes on what she wrote and the people who were mentioned.
Jane Austen's letters afford a unique insight into the daily life of the novelist: intimate and gossipy, observant and informative, they bring alive her family and friends, her surroundings and contemporary events with a freshness unparalleled in biography. Above all we recognize the unmistakable voice of the author of Pride and Prejudice, witty and amusing as she describes the social life of town and country, thoughtful and constructive when writing about the business of literary composition.
R. W. Chapman's ground-breaking edition of the collected Letters first appeared in 1932, and a second edition followed twenty years later. A third edition,…
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
A best-selling novelist explains to a fictional niece why, under the shadow of the nuclear bomb we should bother with stuff written before the twentieth century, particularly with the romances of an old maid who never went anywhere. A skilled novelist herself, Weldon vividly depicts the horrors of Austen’s world that equal those of our age—famine, war, childbirth, and medical ignorance. Because she is a novelist, she is good at describing Austen’s mastery of turning social household irritations into art. As a special bonus, she recommends other novelists for readers to enjoy and aspiring novelists to learn from.
Alice is an eighteen-year-old student and aspiring novelist with green spiky hair, a child of the modern age who recoils at the idea of reading Jane Austen. In a sequence of letters reminiscent of Jane Austen's to her own neice, 'aunt' Fay examines the rewards of such study. Not only is her correspondence a revealing tribute to a great writer - it is also an original and rewarding exploration of the craft of fiction itself.
My father introduced me to the world as we paged through his old pre-WWII atlas. We traced borders and rivers with our fingers and he spoke names that were magical incantations and invitations to a world more exciting and mysterious than our midwestern home. As a reader, I was drawn to books about travel and as a budding writer, I was inspired by the adventures of “Brenda Starr, Girl Reporter” featured in the Sunday comics of my youth. I packed my bags early and my passport is never out of date. I continue to read traveloirs, and I write in my journal every day. Oh! The places I will go.
While on a summer backpacking trip with her fiancé, twenty-eight-year-old Shannon Fowler’s life was suddenly and irreparably altered when her fiancé was stung and killed by a box jellyfish on the remote shore of an island in Thailand. In an effort to save her own life, to discover how to go on, she turned to traveling the world.
In rich detail, heart-breakingly honest prose, and deeply intimate story-telling, Shannon takes us along as she journeys to some of the most grief-stricken and tragic sites in the world. It’s through her travels, her interactions with strangers, her explorations that she begins to heal.
This story and Shannon’s unflinching telling gave me courage as I wrote my memoir—courage to open my heart not just to my own grief but to my personal connection to the ceaseless grief in our world.
'A cross between H is for Hawk and Wild' Stylist 'A courageous memoir of love and loss . . . compelling' Sunday Express 'Intimate and inspiring' Observer 'Rich and absorbing' Cathy Rentzenbrink, author of The Last Act of Love 'A brave and necessary record of love, as beautiful as it is heartbreaking' Ann Patchett, author of Commonwealth
On a warm evening on a beautiful beach in Thailand, Shannon Leone Fowler's life was shattered when a box jellyfish - the most venomous animal in the world - wrapped itself around her fiance Sean's legs, stinging and killing him in minutes.
A cheat, perhaps, as I re-read Persuasion a few times every year. Each time it yields something different, but if you are looking for Jane Austen at her kindest, look no further. This is a story about the importance of holding on and holding dear; of second chances and of love regained.
'In Persuasion, Jane Austen is beginning to discover that the world is larger, more mysterious, and more romantic than she had supposed' Virginia Woolf
Jane Austen's moving late novel of missed opportunities and second chances centres on Anne Elliot, no longer young and with few romantic prospects. Eight years earlier, she was persuaded by others to break off her engagement to poor, handsome naval captain Frederick Wentworth. What happens when they meet again is movingly told in Austen's last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension,…
I’ve been fascinated by sisters, siblings, and my place in the family since I was old enough to realize I had an older sister and a younger brother. I asked my parents a lot of questions. Why am I blonde? Why is my sister taller? Lots of questions my parents didn’t have answers for. At school in biology, we studied genes, familial traits, and nature versus nurture. I was fascinated, and still am today. Why does my sister behave the way she does? Why do I? Is it because of our upbringing, or was she just born with an aversion to cheese? I wanted to know the answers. I’m still searching.
I laughed a lot reading Eligible. Yes, it’s silly, but this version of Pride and Prejudice had me hooked from the outset, probably for no other reason than that it forced me to consider the Bennet family and the sisters, in a new, twenty-first century light.
Liz, late 30’s, magazine writer, and her older sister, Jane, a yoga instructor, live in New York, whilst youngest sisters Kitty and Lydia, are busy with their CrossFit workouts and Paleo diets to consider careers. Mary, the middle sister, is earning her third online master's degree. And, yes, Mrs Bennet just wants to marry off her daughters.
I loved the five sisters’ dynamics: at times sweet, bitchy, caring, dismissive, rude, and compulsively dishing out home truths. I also appreciated the women were trying to break away from family expectations and controls. After reading this, I was very glad I only have one sister…
NEW YORK TIMES BESTSELLER • Wonderfully tender and hilariously funny, Eligible tackles gender, class, courtship, and family as Curtis Sittenfeld reaffirms herself as one of the most dazzling authors writing today.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE TIMES (UK)
This version of the Bennet family—and Mr. Darcy—is one that you have and haven’t met before: Liz is a magazine writer in her late thirties who, like her yoga instructor older sister, Jane, lives in New York City. When their father has a health scare, they return to their childhood home in Cincinnati to…
The fundamental connection between law and economics rules most of the world. This is especially true in romantic relationships, whether the parties realize it or not. Being “Janites” ourselves, in addition to our day jobs of family law professor and economic consultant, we could not help but read Jane Austen and be blown away by her genius understanding of both law and economics. Moreover, the principles she draws out that govern much of her characters’ decision-making are just as applicable today in the world of online dating and Tinder. We hope our book enlightens you on law and economics in new, surprising, and romantic ways.
Doody offers a comprehensive study of the names of people and places – real and imaginary – in Austen’s fiction.
Illustrating how Austen’s creative choices reveal her virtuosic talent for riddles and puns, Doody also picks up deep stories from English history.
Showing how Austen names signal class tensions and regional, ethnic, and religious differences, readers gain understandings of Austen’s literary techniques and cultural commentary.
In Jane Austen's works, a name is never just a name. In fact, the names Austen gives her characters and places are as rich in subtle meaning as her prose itself. Wiltshire, for example, the home county of Catherine Morland in Northanger Abbey, is a clue that this heroine is not as stupid as she seems: according to legend, cunning Wiltshire residents caught hiding contraband in a pond capitalized on a reputation for ignorance by claiming they were digging up a "big cheese" - the moon's reflection on the water's surface. It worked. In Jane Austen's Names, Margaret Doody offers…
Ever since watching the BBC adaptation ofPride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelicedrew on his illicit love affair with serving girl Sarah Walker. My début Pandorais vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.
A cultural tour de force, this book includes everything you could ever wish to know about the Georgian era, although it does specifically stick to its latter years (1789-1830). It is a deeply informative read yet the author maintains a lively and engaging tone throughout as he covers a wide range of topics such as the landscape of Regency Britain, travel, law and order, as well as entertainment, health, and sexuality, so it’s just perfect for any reader unfamiliar with the period. In fact, it’s perfect for anyone who already is. Established writers of the genre will surely pick up something new by reading it.
'Excellent... Mortimer's erudition is formidable' The Times
A time of exuberance, thrills, frills and unchecked bad behaviour...Ian Mortimer turns to what is arguably the most-loved period in British history - the Regency, or Georgian England.
This is the age of Jane Austen and the Romantic poets; the paintings of John Constable and the gardens of Humphry Repton; Britain's military triumphs at Trafalgar and Waterloo. It was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality.
And like all periods in history, it was an age of many contradictions - where Beethoven's thundering…
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
This book parodies the gothic novels popular in Jane Austen’s time. Ann Radcliffe, whose novel Udolpho features prominently, was the queen of this genre. Her stories boast chilling elements like murder plots, the Spanish Inquisition, skeletons, evil nuns, and more.
The heroine of this book, Catherine Morland, enjoys this kind of writing a bit too much; mistaking real life for fiction leads her to see murder and intrigue where there is none. It’s a good warning for us imaginative types not to let fantasy run away with us. (There’s no harm in enjoying a spooky tale within reason, though; Henry Tilney, the novel’s level-headed hero, has read Udolpho and thoroughly enjoyed it.)
Introduction and Notes by David Blair, University of Kent.
Northanger Abbey tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her.
In this, her first full-length novel, Austen also fixes her sharp, ironic gaze on other kinds of contemporary novel, especially the Gothic school made famous by Ann Radcliffe. Catherine's reading becomes intertwined with her…
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
P.G. Wodehouse is a comic genius best known for his series of books featuring Wooster and Jeeves, but this book differs from his usual fare in that it has a female protagonist and a sweet little romance.
I loved Jill, who is the type of heroine Jane Austen might have invented: loyal, spunky, and highly principled. Jill’s adventures take us from London to 1920s New York, but this isn’t historical fiction. Like Austen’s books, this is a contemporary novel written in the era in which the author lived.
I love Austen because of her wry humor and her feisty female characters, two things that are also present in this very fun book.
P.G. Wodehouse's classic tale (originally published under the title "The Little Warrior") of Jill Mariner, a wealthy young woman engaged to Sir Derek Underhill. Following financial disaster, Jill's life takes several adventurous turns with schemes, relatives, chorus girls, and the search for love.
Rabbit Hole is about Teddy’s obsession with her sister Angie’s cold-case disappearance. When Angie was alive, she was angry and difficult, but Teddy still misses her. While writing the book, I thought a lot about my relationships with my own sisters and how unique that particular bond is. I love books that capture the at-times-uncomfortable closeness of sisterhood and grapple with its power.
Austen writes sisters like no one else, and the dynamic between tempestuous Marianne and practical Elinor is the template for so many novels that have followed.
Austen keeps the two sisters from becoming caricatures by making them more alike than different, and the love that anchors their relationship is at the heart of the novel.
I first read this as a freshman in college, and I still think about it every time I’m writing sisters. A classic.
'The wit of Jane Austen has for partner the perfection of her taste' Virginia Woolf
Jane Austen's subtle and witty novel of secrets and suppression, lies and seduction, brilliantly portrays a world where rigid social convention clashes with the impulses of the heart. It tells the story of two very different sisters who find themselves thrown into an unkind world when their father dies. Marianne, wild and impulsive, falls dangerously in love, while Elinor suffers her own private heartbreak but conceals her true feelings, even from those closest to her.
