I'll be honest--I hated the ending of this book. But I realize it's a duology, and sometimes those are just meant to be heart-rending, awful cliffhangers. The writing is absolutely breathtaking and completely pulled me into this world. I loved the main characters so much, and their romance was just perfection (minus the ending, haha). And the love letters? THE LOVE LETTERS.
When two young rival journalists find love through a magical connection, they must face the depths of hell, in a war among gods, to seal their fate forever.
After centuries of sleep, the gods are warring again. But eighteen-year-old Iris Winnow just wants to hold her family together. Her mother is suffering from addiction and her brother is missing from the front lines. Her best bet is to win the columnist promotion at the Oath Gazette.
To combat her worries, Iris writes letters to her brother and slips them beneath her wardrobe door, where they vanish―into the hands of Roman…
Rupert Read is an Associate Professor of Philosophy at the University of East Anglia in Norwich, UK, where he works alongside some of the world’s leading climate scientists. He is a campaigner for the Green Party of England and Wales, a former spokesperson for the Extinction Rebellion, and co-founder of the Climate Activists Network, GreensCAN.
Why did Wordsworth and Coleridge decide to produce this book, together? Well, basically, it was because they regarded themselves as having something to say, something to contribute that went way beyond the sphere of pleasing or thought-provoking in a purely literary sense.
The form of the poetry was very shocking at the time and they were also bringing a new point to poetry. And that point is what really brings this very close to eco-philosophy. What they tried to do in theLyrical Balladswas to produce a sort of poetic manifesto for thinking about nature in a different way, in a more serious way, than was customary at the time.
Wordsworth and Coleridge's joint collection of poems has often been singled out as the founding text of English Romanticism. Within this initially unassuming, anonymous volume were many of the poems that came to define their age and which have continued to delight readers ever since, including 'The Rime of the Ancient Mariner', the 'Lucy' poems, 'Lines written a few miles above Tintern Abbey', 'A Slumber did my Spirit seal' and many more. Wordsworth's famous Preface is a manifesto not just for Romanticism but for poetry in general.
This is the only edition to print both the original 1798…
I am a historian and economist who is fascinated by the intersection of the economy and culture. This started for me with the idea that economic ideas were shaped by the cultural context in which they emerged, which resulted in my book on the Viennese Students. Over time it has expanded to an interest for the markets for the arts from music to the visual arts, as well as the way in which culture and morality influence economic dynamism. Economics and the humanities are frequently believed to be at odds with each other, but I hope to inspire a meaningful conversation between them.
Perhaps Max Weber’s book on the Protestant Ethic should be on my list. But I prefer this book by sociologist Campbell which is at least as bold in its argument. It takes a fresh look at consumption and suggests that modern consumption draws on human imagination, a desire for novelty, and experimentation. Like Weber, Campbell traces the historical roots of modern economic action, and he does so by suggesting that Romanticism was not a hostile reaction to capitalism, but the imaginative counterpart to the productive revolution of the eighteenth century. As such Romanticism facilitated the Industrial Revolution and made the modern economy possible. Campbell does not explore this, but I think of the Romantic Ethic as the cultural background for the subjective theory of value in economics.
Originally published in 1987, Colin Campbell's classic treatise on the sociology of consumption has become one of the most widely cited texts in sociology, anthropology, cultural studies, and the history of ideas. In the thirty years since its publication, The Romantic Ethic and the Spirit of Modern Consumerism has lost none of its impact. If anything, the growing commodification of society, the increased attention to consumer studies and marketing, and the ever-proliferating range of purchasable goods and services have made Campbell's rereading of Weber more urgent still. As Campbell uncovers how and why a consumer-oriented society emerged from a Europe…
The novel tells of the doomed love between the Carthaginian princess Salammbô and the rebel leader Matho, set against the backdrop of the real revolt of Carthage's unpaid mercenaries after the First Punic War.
I was enchanted by Flaubert's combination of flamboyant 19th-century French romanticism with meticulous historical research. The culture depicted is as alien as anything in science fiction or fantasy but seems utterly real.
All the characters are larger-than-life, everything is over-the-top, it's great fun and a thrilling read.
Sin duda, Salambó es una novela histórica hasta ahora no superada, y que desde su aparición ha servido como modelo del género. Los acontecimientos que narra ocurren al finalizar la primera guerra púnica, cuando el ejercito de mercenarios formado por hombres de distintos pueblos se levanta contra Cartago. Las profundas investigaciones y lecturas que llevó a cabo Flaubert para esta prodigiosa reconstrucción histórica lo acercaron tanto a aquella realidad, que incluso hoy sigue causando asombro entre los estudiosos de esa antigua civilización. Descubrimientos arqueológicos posteriores a su muerte han demostrado la veracidad de muchos de sus detalles sobre aquella civilización…
I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish.
Originally intended as a screenplay, this is rife with vivid imagery and fast-paced action. From the jump, I was hooked, staying up all night to finish the book. It is set in the aftermath of the apocalypse in Seattle, WA.
I loved the developing romance between Beth and Ryker and how Myhre threw us for a few loops along the way. It has heart-pounding action, vibrant interpersonal relationships, and a great atmosphere. If I were at the end of the world, I’d want Beth and Ryker on my team! Fans of other post-apocalyptic indie authors, Harley Tate, Kyla Stone, and Nate Johnson, will enjoy this fast-paced post-apocalyptic romantic thriller.
Was it love at first sight? Fate had other plans. At the dawn of the apocalypse, a naïve, but resourceful woman must fight her way through nature, humankind and herself to reunite with her family.
Beth has cocooned herself in routine after a devastating family tragedy upended her world years ago, but a chance encounter with a Marine named Ryker sends ripples through her carefully guarded world. He is smitten. She is unsure.
The city is thrown into chaos when a missile strikes near Spokane, testing Beth's newfound optimism. As strife escalates, Beth must lead her friends on a perilous…
My background is in academic film analysis, although this has opened doors to many subjects: literature, music, philosophy, political economy… My students are always encouraged to think beyond their "home" discipline when they come to university. I believe that if you study a subject deep enough, it will lead to all the others. So far, my research has led me from classical music through Hollywood biopics and Romanic philosophy to some of the most fundamental questions about the construction and social organisation of creative labour in the modern world. I find that the most enjoyable books explain the world to us whilst reflecting upon what that act of explanation means.
An interdisciplinary study taken to its logical conclusion. Starting with a powerful interpretation of Romanticism back in the 1950s, Peckham’s work culminated in an ambitious "general theory of human behaviour."
In essence, this book helped me understand that explanation is a form of violence–all languages, and all cultures, strive to enforce predictable behaviour in other human beings. Despite his flaws, Peckham offers a fascinating example of the power of interdisciplinarity. All subjects, when followed through, lead to all the others.
Explanation and Power was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The meaning of any utterance or any sign is the response to that utterance or sign: this is the fundamental proposition behind Morse Peckham's Explanation and Power. Published in 1979 and now available in paperback for the first time, Explanation and Power grew out of Peckham's efforts, as a scholar of Victorian literature, to understand the nature of Romanticism. His search ultimately led back to-and built upon-the…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
Reading this book is like sheer escapism to the Highlands of Scotland. Beautifully illustrated, the author has an engaging style that carries you along as she tells the story of Highland lodges and how Scotland became the place to go to find rest and escapism as well as great sport. You come away seeing Scotland in a new light and wanting to spend August amongst the heather and hills.
Featuring breathtaking photographs of some of Scotland s most remarkable and little-known houses, this book tells the story of how incomers adopted the North of Scotland as a recreational paradise and left an astonishing legacy of architecture and decoration inspired by the romanticized image of the Highlands. Known as shooting lodges because they were designed principally to accommodate the parties of guests that flocked north for the annual sporting season, these houses range from Picturesque cottages ornees and Scotch Baronial castles to Arts and Crafts mansions and modern eco-lodges. While their designs respond to some of Britain s wildest and…
I’m a doctor working in the NHS and for a national cancer charity. I’m particularly interested in the care of the terminally ill. I‘ve worked closely with hospice teams, feeling enormously privileged to be with patients considering their options at the end of life. I’ve noticed how often people die without having even mentioned their wishes to loved ones, they are reluctant to speak of their fears, and as a result, these discussions never occur. I believe we need to open up the conversation about dying by bringing it into the public domain, dragging it into popular culture, and making it a feature of our films, television, and books.
This is similar in subject to A Man Called Ove. The main protagonist is a grumpy elderly person who can’t see the point in being alive anymore, but this time she’s an older, frailer British woman, which adds a different tone to the narrative.
Eudora is looking into a trip to Switzerland as an answer to that ephemeral problem of how to shuffle off one’s mortal coil with minimal fuss. Again, it is the new friendships she makes that steer her away from her original course, and again it is a story of community and learning to live in the moment. Annie Lyons writes with warmth and humour about Eudora’s early life and addresses the topic of assisted suicide with a deft touch. It’s a brave and very enjoyable book.
'An exquisitely poignant tale of life, friendship and facing death... Everyone should read this book' Ruth Hogan, Sunday Times bestselling author of The Keeper of Lost Things
USA TODAY BESTSELLER
*Shortlisted for the RNA Contemporary Romantic Novel of the Year Award*
'Eudora's beautifully-told story shows us how we can live and support others at all stages of life, value what matters most and suck the juice out of every day' Kathryn Mannix, Sunday Times bestselling author of With the End in Mind
'Wow - definitely my book of the year... in my all time top ten!' Reader review
I've been a fan of Mary Shelley ever since I read Frankenstein, but this was the first time I read her novel The Last Man. I was blown away by this eighteenth century novel which imagines life in the twenty-first century. To me, it really cemented Shelley as the writer who really invented science fiction as we know it.
With an Introduction and Notes by Dr Pamela Bickley, The Godolphin and Latymer School, formerly of Royal Holloway, University of London.
The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.
Mary Wollstonecraft Shelley (1797-1851) was the only daughter of Mary Wollstonecraft, author of Vindication of the Rights of Woman, and the radical…
Of all the books I have ever read, this book made me think the most.
It is a magnificently written tome following the history of erotic art, originating from the ancient earth-bound religions, through the Egyptian, Greek and Roman sky religions, and through the various artistic expressions found in the music, paintings, sculpture, literature, and poetry of our Christian epoch.
Camille Paglia is a formidable scholar and a fearless critic of our day and age, calling into question so many of our most dearly held beliefs, both old and new. I am known in my family as a fast reader, but this book so enthralled me I read every page slowly, almost saying each word out loud to myself. It is a splendid, shocking, fascinating read, brimming with wit and wisdom.
The fiery, provocative, and unparalleled work of feminist art criticism that launched the exceptional career of one of our most important public intellectuals—"a remarkable book, at once outrageous and compelling, fanatical and brilliant.... One must be awed by [Paglia's] vast energy, erudition and wit" (The Washington Post).
Is Emily Dickinson “the female Sade”? Is Donatello’s David a bit of pedophile pornography? What is the secret kinship between Byron and Elvis Presley, between Medusa and Madonna? How do liberals and feminists—as well as conservatives—fatally misread human nature? This audacious and omnivorously learned work of guerrilla scholarship offers nothing less than a…
