When I was writing The Grief Hole, a novel about a woman who knows how you’re going to die by the ghosts who haunt you, and her battle with Sol Evictus, a charismatic singer and art collector, I visited the New Jersey State Museum with family. There were a number of artworks on show there that resonated within the novel, and with the choices Sol Evictus makes. He only collects paintings and sculptures with dark inspiration, such as The Sempstress, by Richard Redgrave, Bruegel’s Massacre of the Innocents, and the photographs of Dina Gottleibson.
There I saw Adolph Konrad’s “Summer Afternoon’, where a large, white house dominated the painting. It seemed to loom over the people sitting, stone-faced, at a table in the overgrown garden in the foreground. Around them, behind them, between them, were ghosts; pale, transparent figures. Being Sol Evictus, most of his pieces are stolen, and I loved researching art theft as I wrote.