50 books like Henry Moore's Sheep Sketchbook

John Berger taught us to see art in a new way. His acclaimed BBC series changed the way art was shown on TV. Contemplating art included looking around and finding remarkable images being used in plain situations. In his book, Here is where we meet he placed a heart-touching short story in Lisboa, my adored city. I realised that we had often crossed the same roads and parks, enjoyed the same views. I was conquered. In Bento’s Sketchbook, Berger searches for the mind of Baruch (Bento) Spinoza, one of the most enigmatic philosophers of the 17th century. It is nice to follow this book by reading Antonio Damásio’s Looking for Spinoza, Joy, Sorrow, and the Feeling Brain. Berger also mentions Damásio, describing what goes on in his mind and body when drawing. The Dutch Philosopher, a member of the Portuguese Jewish community in Amsterdam, had a rich work… show more.

This book answers the excruciating question: Where are the antinomic antipodes of Los Angeles located? The British master of Pop Art, a long-time inhabitant of LA from 1964 to 2019, filled this sketchbook in his native England. There are no words in this book except for an apocryphal introduction and Hockney’s hand brushed “Yorkshire April 04”. If Henry Moore masters the ballpoint pen, David Hockney excels in watercolor. But the brush is not primarily used to fill in surfaces but to draw. The colorful water flows in fast gestures easy and attentive. “I could do this,” one thinks. Only if I had my own Yorkshire and my faraway LA. The book is also a prequel to Hockney’s most recent work, fully bucolic, produced in Normandy, France where, according to him, people know how to live. Hockney pretends to do everything unassumingly. Of course we know that this is not… show more.

This novel is the story of William Stoner, raised on a US midwestern farm, who becomes an English professor at the University of Missouri. It follows his life throughout, in simple prose, becoming both moving and profound. It was introduced to me by a knowledgeable NY city book dealer back in the 90s. I pick it up every few years for another reading experience. It’s become a bit of an obscure classic.

This is probably the book, in the entire history of publishing, in which the author repeatedly apologizes for having it published. Of course, this is entirely false modesty. Ware is one of the more acclaimed and creative graphic tellers of our time. This is a facsimile of his sketchbooks from 1986 to 1995. A second one would follow but this is the first and, consequently, closer to the source of his creative origins. But my main reason for suggesting this book in this context is the way he draws by observing what is around him as a sort of breathing exercise that keeps him alive and going.

This story begins with a familiar premise – a wolf disguises himself in sheep’s clothing in order to get close to his woolly neighbors, and hopefully, eventually, maybe eat them. What makes this story so funny is the sheep know all along their new friend is a wolf, but they fully accept him into their community anyway. This simple act of friendship makes all the difference. I love books that make me laugh and share powerful truths about the world. This story does exactly that. You will giggle your way through this stilly book, and you’ll leave with the understanding that sometimes love and friendship are all you need to change a heart and a life. Added bonus: the ending is perfect!

Elements of this book feel made for me – a woman, alone on her sheep farm on a remote British island, faces predatory danger that straddles the line between real and imagined, internal and external. The writing is pure poetry, each detail telegraphing threat.

A stark natural world surrounds and encroaches on the home that strong, complex, reclusive Jake shares with her dog named Dog (as soon as this good boy was introduced, the stakes ratcheted). I can’t shake this frightening and moving exploration of misogyny, patriarchal terror, and trauma.

This is one of my all-time favorite books.

Why?

First, I love sheep. I don’t know why. Maybe it’s because I identify with all of Jesus’ examples about those simple creatures.

And I get that I need as much of God's help as they do.

Second, I love the way Keller applies the gospel to his life as (a shepherd) in helpful and practical ways that help readers more fully understand what Jesus meant by what He said.

Just talking about this book makes me want to go back and read it again.

If you’re a dog person, Keller also wrote a similar book called Lessons from a Sheep Dog. That’s a good one, too! (Please don't tell my sheep dog I recommended the sheep book over of the dog book. ☺️)

Maximus is a cute fellow, who is much larger than the average platypus. Max has a loving family, but he endures a trauma when his bed floats away from home during a rainstorm and he loses track of this family. Max encounters other animals who have some of the same traits. For example, Deedee Duck has a bill like Max and similar feet, but she’s not related. Soon Max meets Ollie the Otter, hoping they were part of the same family. Ollie admits their tails look alike, but still; they are not related. In the end, all of the animals Max meets help reunite him with his grandparents. Max is delighted, but he also realizes his new friends are part of his extended family. I loved that message and found the illustrations to be endearing.

This was the book that set me off on a decade-long journey of reading (and re-reading) Murakami. Along with The Wind-Up Bird Chronicle, another favorite, I've re-read it at least twice.

So why is it about thinking differently? Because the book is written so differently! If you've read any recent speculative fiction, the author likely owes a debt to Murakami and his wondrous approach to narrative storytelling. You'll get lost in a bizarre, beautiful quest that takes on all sorts of twists and turns.

From a wild sheep chase to a grand old treasure hunt that gripped a nation, the Quest for the Golden Hare tells the real-life story of one of the most famous book-related escapades in recent memory. 

In 1979, British artist Kit Williams published Masquerade – a cryptic storybook containing clues to the whereabouts of an 18-carat gold hare trinket that Williams buried somewhere in the English countryside. Author Bamber Gascoigne was the only other person present at the burial, and was tasked with documenting the frankly bonkers lengths the crazed fans would go to uncover it.

I’m loath to mention the pandemic again, but in these times, when most of us are going stir crazy and are itching for an adventure, this book might just be the next best thing. (Bonus points if you can source a copy of Masquerade while you’re at it, which I believe has been… show more.