I’m a MM romance author who loves Christmas. Except, living in Australia means my Christmas Day us spent lazing about in a pool in the middle of a summer heatwave. That’s why I love reading all the romance books about holidays where there’s snow, wintry nights, hot cocoa, and of course, all the love and feels we’ve come to expect at this magical time of year. There are too many MM holiday romances to mention, but I hope this list gives you a taste of what you can expect!
Lilly Morton is such an exceptional writer, she’s able to transport readers smack-bang to Christmas in Amsterdam. I loved that. I also loved the two characters, Arlo and Jack. So different in so many ways, and yet utterly perfect together. Expect plenty of laughs, great conversations, and of course, a happily ever after!
Arlo Wright’s introduction to his sexuality came when he saw his older brother’s best friend, Jack Cooper, in his sweaty football kit. Unfortunately, he didn’t have long to enjoy the revelation because he promptly knocked himself out on a table.
Relations between them have never really moved on from that auspicious beginning. Arlo is still clumsy, and Jack is still as handsome and unobtainable as ever.
However, things look like they’re starting to change when Arlo finds himself sharing a room with Jack while on holiday in Amsterdam at Christmas. Will the festive spirit finally move them towards each other,…
I was gripped by this first-person story of the horrors of the Holocaust.
This is the story of a teen-age girl who experiences hell on earth – and manages to survive. It provides testimony to the resilience of the human spirit.
"Both heartbreaking and life-affirming" (Edith Eger, author of The Choice), the long-awaited memoir of Holocaust survivor Hannah Pick-Goslar, who shares an intimate look into her life and friendship with Anne Frank.
In 1933, Hannah Pick-Goslar and her family fled Nazi Germany to live in Amsterdam, where she struck up a close friendship with her next-door neighbor, an outspoken and fun-loving young girl named Anne Frank. For several years, the inseparable pair enjoyed a carefree childhood of games, sleepovers, and treats with the other children in their neighborhood of Rivierenbuurt. But in 1942, Hannah and…
I like to tell people that I found my passion in life and it's books. I write them, read them, review them and I’ve been a librarian for 17 years. (I’ve worked in libraries for longer than that. Over 25 years!) It’s been dark times recently and romance has become my happy place. I’m a sucker for romances with pretty covers, quirky characters, and not so much of the on-page spice. If there’s some travel involved, even better!
I fell in love with this book so hard that I read it all in one sitting. (Yes, that means I spent one, entire, luxurious day reading it! That day was an absolute gift.) I loved the writing style, the chance to armchair travel to Paris on the back of Leo’s moped alongside Hannah. It had just enough intrigue but was quiet and charming overall. Reading this book was like taking my mind to a spa to be pampered and rejuvenated.
In this witty and heartfelt debut love story for fans of Josie Silver's One Day in December, a woman stranded in Paris for the day discovers that the wrong road can sometimes lead us in the right direction.
When Hannah and her boyfriend, Simon, set out to Amsterdam, they’re confident that they’ll make it to his sister’s wedding in time. However, unbeknownst to them, their train is scheduled to divide in the middle of the night. And when it does, half of it continues the route to Amsterdam. And the other half—the…
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
In seventeenth-century Holland, Catrin is an artist who is instrumental in the founding of Delft pottery.
Rembrandt appears as someone who recognizes Catrin’s artistic talent, and Vermeer is also a minor character, though he is usually just referred to as Johannes. It was a lot of fun when I first realized who this Johannes was!
Through Catrin’s challenges, Van der Vlugt also explores the challenges that women faced at the time, including domestic violence and the difficulty of entering the art world.
From Simone Van Der Vlugt comes her European bestselling novel of a young woman's rise as a painter in Holland's Golden Age—perfect for readers of The Miniaturist, Tulip Fever, and Girl with a Pearl Earring.
Amsterdam 1654: against the backdrop of Holland's Golden Age, a dangerous secret threatens to destroy a young widow's new life.
Following the sudden death of her husband, twenty-five-year old Catrin leaves her small village and takes a job as a housekeeper to the successful Van Nulandt merchant family. Amsterdam is a city at the peak of its powers: science and art are flourishing in the…
Tim Voors has walked across countries and continents on adventures taking him into the unknown: across America on the Pacific Crest Trail (2678 miles), across New Zealand on the Te Araroa Trail (1881 miles), around Shikoku Japan on the ancient ’88 Temples Trail’ (815 miles) and through Spain to Santiago de Compostela on the famous Camino the Santiago. He lives near Amsterdam and works as a speaker and creative director, giving keynote speeches for global companies and conferences, and inspiring audiences with tales of ordinary people doing extraordinary things. In 2021 Tim’s second book Not Alone will be published about his hike through New Zealand’s Te Araroa Trail.
I love it when words and photos enhance each other in a book. Martijn Doolaard wrote and photographed his epic solo journey on his bike from Amsterdam, through Europe, through the middle east, and into the far east. It is one of the rare coffee table books that I actually read and love revisiting frequently to look at the beautiful photos.
The title says it all: one man, one bike, one long ride, the adventure, the pleasure, and the pain. It is simultaneouslya travelogue and visual journey. Martijn Doolaard traded the convenience of a car and the distractions of daily life for a cross-continental cycling journey: a biped adventure that would take him from Amsterdam to Singapore. Leaving behind repetitive routines, One Year on a Bike indulges in slow travel, the subtlety of a gradually changing landscape, and the lessons learned through traveling. Venturing through Eastern European fields of yellow rapeseed to the intimate hosting culture and community in Iran, One…
When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
New Amsterdam is a collection of noir detective fantasy set in an alternate New World with sorcery, magical creatures, and terrifying evil.
The main character is a fallen figure, Abigail Garrett, who self-medicates with booze while trying to fulfill her duties as a forensic sorceress. She investigates heinous crimes with a voice and motivation that I absolutely loved.
Add to this character and world a scenario similar to Murder on the Orient Express and I had to pick this one up.
Abigail is not Hercule Poirot – she’s much more interesting. Her motivations and resigned duty resonated with me and I loved the textured world she inhabited. Fun alternate history with very interesting magic and setting.
Abigail Irene Garrett drinks too much. She makes scandalous liaisons with inappropriate men, and if in her youth she was a famous beauty, now she is both formidable--and notorious. She is a forensic sorceress, and a dedicated officer of a Crown that does not deserve her loyalty. She has nothing, but obligations. Sebastien de Ulloa is the oldest creature she has ever known. He was no longer young at the Christian millennium, and that was nine hundred years ago. He has forgotten his birth-name, his birth-place, and even the year in which he was born, if he ever knew it.…
I've taught Drawing in universities since 1985. Currently, I work at IADE-Universidade Europeia in Lisbon, Portugal. Long before that, at the age of five, I drew a volcano. A mountain exploding on the top as a delirious shiny crown and lava running from its flanks making a pattern of vibrant reddish-yellow. Proudly, I showed it to my mother. She exclaimed: What a beautiful pineapple! I only retained the word ‘beautiful’ and never stopped drawing. Trained as an architect, I discovered the virtue of drawing what we see, while experiencing the act of being there. I also became a compulsive reader, perhaps to experience the act of being elsewhere.
John Berger taught us to see art in a new way. His acclaimed BBC series changed the way art was shown on TV. Contemplating art included looking around and finding remarkable images being used in plain situations. In his book, Here is where we meet he placed a heart-touching short story in Lisboa, my adored city. I realised that we had often crossed the same roads and parks,enjoyed the same views. I was conquered. In Bento’s Sketchbook, Berger searches for the mind of Baruch (Bento) Spinoza, one of the most enigmatic philosophers of the 17th century. It is nice to follow this book by reading Antonio Damásio’s Looking for Spinoza, Joy, Sorrow, and the Feeling Brain. Berger also mentions Damásio, describing what goes on in his mind and body when drawing. The Dutch Philosopher, a member of the Portuguese Jewish community in Amsterdam,had a rich work…
The seventeenth-century philosopher Baruch Spinoza-also known as Benedict or Bento de Spinoza-spent the most intense years of his short life writing. He also carried with him a sketchbook. After his sudden death, his friends rescued letters, manuscripts, notes-but no drawings.
For years, without knowing what its pages might hold, John Berger has imagined finding Bento's sketchbook, wanting to see the drawings alongside his surviving words. When one day a friend gave him a beautiful virgin sketchbook, Berger said, "This is Bento's!" and he began to draw, taking his inspiration from the philosopher's vision.
As a child with older sisters, I read their books beyond my age level under the blankets with a flashlight in bed at night. I became a reading addict. Raised in The Netherlands with the Second World War casting its large shadow on our lives, I only became interested, after my parents were gone, in how people survived and had to find their courage under impossible circumstances. They would never talk about those occupation years. My search into history led me to find the answers.
I loved this non-fiction book, and reading it, I often broke down in tears, realizing this personal and innocent true teenage story was all leading up to the tremendous death of millions of innocent people.
This is the only Anne Frank book that I recommend to everybody from a young age. It is THE introduction to the real events of World War 2.
With 30 per cent more material than previous editions, this new contemporary and fully anglicized translation gives the reader a deeper insight into Anne's world. Publication of the unabridged Definitive Edition on Penguin Audiobook, read by Helena Bonham-Carter, coincides.
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
When the authors in Distant Flickers formed Telltale, a writers’ collective, we brainstormed ways to reach out to readers and give them insight as to how our life experiences are transformed into art. We decided to put together an anthology as part of our endeavor. In doing so, we researched how other writer collectives reached out to their readership. A number of us are historical fiction writers and/or members of the Womens Fiction Writers Association (WFWA), which is how we came to be acquainted with Paper Lanterns, the collective of historical fiction writers behind this anthology. The stories in Unlocked are works of historical fiction that revolve around the common element of an old wooden chest. The settings are varied and span seven centuries, from 1225 Ireland to 1679 Amsterdam to the American Civil War to Regency London to World War II to the Nineteen Seventies.
In much the same manner as Pandora, each Paper Lantern Writer takes a turn opening an old wooden chest, digging out stories spanning seven centuries. The individuals in these tales—heroes, villains, and in between—are more than people from the past. Whether they are making mayhem, waging war, or quietly holding their families together, their strength and fortitude shines on the page. From the Swinging Seventies to the Middle Ages, these characters gather, keep, and spill the secrets of their souls.
Who knows what treasures will be found when this ancient trunk is finally Unlocked?
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
One of the characters of my novel goes to a Dutch colony, and I found this look at what that might be like particularly fascinating.
Rajaram gives us the intensely personal perspective of two young women, Jana and Sontje, who in 1620 Amsterdam have no way to make a living. They sign on to become “Company Daughters,” the company being the Dutch East India Company. Agreeing to travel to the other side of the world and marry men they have never met, the two women land in a place they had not imagined, and find a way to survive with one another’s care.
‘Blew my mind… so magically written and most of all that it is based on true events… a hard-hitting, soul-crushing book… I loved every moment of it… immersive, heart-wrenching, I feel emotional writing this review.’ Goodreads reviewer, 5 stars
Wanted: Company Daughters. Virtuous young ladies to become the brides of industrious settlers in a foreign land. The Company will pay the cost of the lady’s dowry and travel. Returns not permitted, orphans preferred.
Amsterdam, 1620. Jana Beil has learned that life rarely provides moments of joy. Having run away from a violent father, her days are spent searching for work…
