The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
When the authors in Distant Flickers formed Telltale, a writers’ collective, we brainstormed ways to reach out to readers and give them insight as to how our life experiences are transformed into art. We decided to put together an anthology as part of our endeavor. In doing so, we researched how other writer collectives reached out to their readership. A number of us are historical fiction writers and/or members of the Womens Fiction Writers Association (WFWA), which is how we came to be acquainted with Paper Lanterns, the collective of historical fiction writers behind this anthology. The stories in Unlocked are works of historical fiction that revolve around the common element of an old wooden chest. The settings are varied and span seven centuries, from 1225 Ireland to 1679 Amsterdam to the American Civil War to Regency London to World War II to the Nineteen Seventies.
In much the same manner as Pandora, each Paper Lantern Writer takes a turn opening an old wooden chest, digging out stories spanning seven centuries. The individuals in these tales—heroes, villains, and in between—are more than people from the past. Whether they are making mayhem, waging war, or quietly holding their families together, their strength and fortitude shines on the page. From the Swinging Seventies to the Middle Ages, these characters gather, keep, and spill the secrets of their souls.
Who knows what treasures will be found when this ancient trunk is finally Unlocked?
Tim Voors has walked across countries and continents on adventures taking him into the unknown: across America on the Pacific Crest Trail (2678 miles), across New Zealand on the Te Araroa Trail (1881 miles), around Shikoku Japan on the ancient ’88 Temples Trail’ (815 miles) and through Spain to Santiago de Compostela on the famous Camino the Santiago. He lives near Amsterdam and works as a speaker and creative director, giving keynote speeches for global companies and conferences, and inspiring audiences with tales of ordinary people doing extraordinary things. In 2021 Tim’s second book Not Alone will be published about his hike through New Zealand’s Te Araroa Trail.
I love it when words and photos enhance each other in a book. Martijn Doolaard wrote and photographed his epic solo journey on his bike from Amsterdam, through Europe, through the middle east, and into the far east. It is one of the rare coffee table books that I actually read and love revisiting frequently to look at the beautiful photos.
The title says it all: one man, one bike, one long ride, the adventure, the pleasure, and the pain. It is simultaneouslya travelogue and visual journey. Martijn Doolaard traded the convenience of a car and the distractions of daily life for a cross-continental cycling journey: a biped adventure that would take him from Amsterdam to Singapore. Leaving behind repetitive routines, One Year on a Bike indulges in slow travel, the subtlety of a gradually changing landscape, and the lessons learned through traveling. Venturing through Eastern European fields of yellow rapeseed to the intimate hosting culture and community in Iran, One…
As an art historian and painter, I was inevitably drawn to the theme of artists and their muses when I started writing historical fiction. Female, passive, disempowered, and doomed sums up the fate of most muses. History is littered with their corpses - Rossetti’s model Lizzie Siddal committed suicide, Rodin’s model Camille Claudel went mad, Edie Sedgwick, made famous by Warhol, died of an overdose. The title ‘muse’ might offer immortality, but their lives were often hell on earth. My books set out to understand what drove these women, some of whom were artists in their own right, to make such huge sacrifices.
The muse occupies a slightly different role in Deborah Moggach's novel in that she spends a large part of the book supposedly already dead. Muses often exerted a posthumous influence on their artists, usually reflecting a legacy of guilt on the artist's part for his mistreatment or neglect. (Rossetti is a case in point. He had all his poems buried with his muse Lizzie Siddal, only to request permission to exhume them years later.) The painter, in this case, Jan van Loos, remains true, spending his life painting portraits of his muse Sophia and their love. Perhaps to be a muse, even a dead one, wasn't all bad.
From the bestselling author of The Best Exotic Marigold Hotel comes a thrilling story of power, lust and deception...
Seventeenth-century Amsterdam - a city in the grip of tulip fever.
Sophia's husband Cornelis is one of the lucky ones grown rich from this exotic new flower. To celebrate, he commissions a talented young artist to paint him with his beautiful bride. But as the portrait grows, so does the passion between Sophia and the painter; and ambitions, desires and dreams breed an intricate deception and a reckless gamble.
I am an award-winning author of two five-star rated memoirs: “My Whorizontal Life: An Escort’s Tale” and “A Someday Courtesan,” and the creator/performer of the 90-minute solo show: “My Whorizontal Life: The Show!” I co-host the podcast My Index to Sex. and I am a Juilliard Drama Graduate and the former #1 escort in the country. Thinking about how I grew up in a safe, typical suburb in the middle of America made me wonder if the things that happened to me with men as a girl happened to many women as we came of age in the 70s.
This is a lovely memoir of falling in true love for the first time. The author was the same age as me when she fell in love for the first time in a magical Paris when she was there as a serious musical student.
As I read, I was transported with her to that time and sent spinning back into my own life at the same age as a serious drama student falling in love in Amsterdam.
The book is romantic at first and so true to the heart, as well as the experience of losing oneself to another for the first time. I loved experiencing Paris with her and her love of music. A not famous author who deserves to be.
PARIS, 1976: Twenty-year-old American student Julie Scolnik had just arrived in the City of Light to study the flute when, from across a sea of faces in the chorus of the Orchestre de Paris, she is drawn to Luc, a striking (married) French lawyer in the bass section. This moving tale of an ebullient young American and a reserved Frenchman will transport readers to the cafés, streets, and concert halls of Paris in the late seventies, and, spanning three decades, evolves from deep romance to sudden heartbreak, and finally to a lifelong quest for answers to release hidden, immutable grief.…
I am a long-time journalist and have been passionate about understanding history ever since taking a wonderful AP course in European history in high school. I have read many historical books, both fiction and nonfiction, so it makes sense that my first novel, Rebecca of Ivanhoe, is historical fiction. To be a good journalist and citizen, you have to know and understand history to inform your reporting and try to prevent the bad moments of history from repeating themselves.
This book is the fascinating story of a Sephardic Jewish emigrant in London who, in the 1660s, was permitted to scribe for a blind rabbi even though she was a woman. The narration flips between Esther Velasquez’s remarkable story and an ailing historian in the 21st century who is trying to determine the identity of the mysterious scribe known to scholars only as “aleph.”
I liked this story because it revealed a fascinating window on how women, and particularly Jewish women, were treated in 17th-century Europe.
WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."-Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a…
I learned so much about the history of nature in cities--and I could barely keep up with my note taking imagining the future of landscapes in cities and suburbia.
An eye-opening and urgent re-examination of nature in our cities, from the Sunday Times bestselling author.
'Awe-inspiring... full of wonder, warning and hope' ISABELLA TREE, author of Wilding
Our modern-day cities might seem to represent our separation from the vitality of the natural world. Yet, as Ben Wilson reveals in this invigorating re-examination of urban landscapes across the globe, nature has always been at the heart of the city.
Moving from Los Angeles and Delhi to Singapore and Amsterdam, Wilson explores how the bond between humans and nature has oscillated throughout history, and shows that - in a time of…
The phenomenal number one bestseller and a major BBC TV series. Winner of the Specsavers National Book Award and Waterstones Book of the Year. A Richard and Judy Book Club selection.
Beautiful, intoxicating and filled with heart-pounding suspense, Jessie Burton's historical novel set in Amsterdam, The Miniaturist, is a story of love and obsession, betrayal and retribution, appearance and truth.
On an autumn day in 1686, eighteen-year-old Nella Oortman knocks at the door of a grand house in the wealthiest quarter of Amsterdam. She has come from the country to begin a new life as the wife of illustrious merchant…
I’m a British writer but I have lived in Norway for over twenty years. My yearning for history goes back as long as I can remember and I often feel trapped in the wrong time. Writing historical fiction is my way of delving into the past and bringing it back to life. I’ve always been creative and enjoyed arts and crafts and, as well as being a writer, I am also a creativity coach and have my own podcast,The Creatively You Show, which helps writers and artists deal with the emotional challenges of the creative process. My book choices reflect these interests and the broader themes of history and art.
Girl Reading is a highly creative and imaginative book. Superbly written, it takes the reader on a journey through time, and the vehicle for that journey is art. There are seven scenes from seven different time periods, each depicting an artist and a portrait of a girl or woman reading. It is such an original concept and it’s thoroughly absorbing. Given my fascination with history and art, I absolutely devoured it. Girl Readingwent on to play an important role in my own writing life. I was so impressed with it that when it came to sending my own book out to agents, I sent my manuscript to Katie Ward’s agent, who is now my own.
An orphan poses nervously for a Renaissance maestro in medieval Siena, and an artist's servant girl in seventeenth-century Amsterdam snatches a moment away from her work to lose herself in tales of knights and battles. A woman reading in a Shoreditch bar catches the eye of a young man who takes her picture, and a Victorian medium holds a book that she barely acknowledges while she waits for the exposure.
I developed my passion for the Reformation while studying History and Theology at Cambridge. Now, several years and a dozen books on 16th -17th-century history later, my obsession has not waned for what was the most formative period in the development, not only of our religious and political life, but also of our culture. I like to think that, through my books, journal articles, and lectures (and the occasional historical novel) I have made a useful contribution to our understanding of that culture.
This is the biography of one of the most disruptive figures in the separatist movement. It brings to life the turbulence of the life of the Netherlands settlers more vividly than generalisations about conditions in Amsterdam, and Leiden can do. Johnson was the most extreme and dogmatic of the English separatists. He led a congregation in London in the 1590s, was exiled, made an abortive attempt to set up his own colony in Nova Scotia, then joined the separatist community in Amsterdam. There he fell out with the established leadership and created a split in the English community. The vivid (perhaps 'lurid' would be a better word) story of a maverick so domineering that he could excommunicate his own father and brother reveal the destructive depths to which religious certainty could descend.
Francis Johnson and the English Separatist Influence is the first thorough treatment of Francis Johnson as the central focus of an academic work. Johnson (1562-1618) was the pastor of the English Separatist Ancient Church in London and Amsterdam from 1592-1618. Once referred to as the "Bishop of Brownism" by one of his contemporaries, Johnson's theological and practical influence on Christian traditions as diverse as the Baptists, Congregationalists, and English Independents demonstrated the wide breadth of English Separatism's formative influence.
Francis Johnson's quest to create a perfectly ordered, scriptural, Christian congregation led him to fiery debates with the most influential leaders…
I’m a psychiatry professor, researcher, and author at Stanford University. Besides OCD, my research has focused on the interface between technology and psychology, both in its negative manifestations (e.g., video game addiction, online narcissism, cyberbullying) and positive applications (e.g., telemedicine, virtual reality therapy, AI digital therapeutics). My reading tastes and non-scientific writing topics reflect the same interests—deep and highly personal psychological explorations of individuals on a quest for meaning or facing seemingly insurmountable obstacles, symptoms, or character tests.
I loved the thrilling interweaving of historical fact with creative fiction, psychology with politics, and high Golden Age Amsterdam culture with Nazi Germany depravity.
Irv Yalom reimagines the inner lives of two men who couldn’t be more different, and whose individual and unique fates history still somehow found a way to unite.
A haunting portrait of Arthur Rosenberg, one of Nazism's chief architects, and his obsession with one of history's most influential Jewish thinkers
In The Spinoza Problem, Irvin Yalom spins fact and fiction into an unforgettable psycho-philosophical drama. Yalom tells the story of the seventeenth-century thinker Baruch Spinoza, whose philosophy led to his own excommunication from the Jewish community, alongside that of the rise and fall of the Nazi ideologue Alfred Rosenberg, who two hundred years later during World War II ordered his task force to plunder Spinoza's ancient library in an effort to deal with the Nazis' "Spinoza Problem."
