When I was younger, I turned to fantastical stories of determined, flawed heroes to bring me a world I could understand and control – unlike the scary reality I lived in. Most of the fantasy stories I read as I grew up were, of course, set in a medieval England-type world. But as I got older, I found myself fascinated by the history and mythology of the New World and got the feeling there was a lot of untapped potential there. So, I started studying Mesoamerican and Native American peoples, as well as picking up alternate history fantasies set in America. So of course, I had to write my own.
New Amsterdam is a collection of noir detective fantasy set in an alternate New World with sorcery, magical creatures, and terrifying evil.
The main character is a fallen figure, Abigail Garrett, who self-medicates with booze while trying to fulfill her duties as a forensic sorceress. She investigates heinous crimes with a voice and motivation that I absolutely loved.
Add to this character and world a scenario similar to Murder on the Orient Express and I had to pick this one up.
Abigail is not Hercule Poirot – she’s much more interesting. Her motivations and resigned duty resonated with me and I loved the textured world she inhabited. Fun alternate history with very interesting magic and setting.
Abigail Irene Garrett drinks too much. She makes scandalous liaisons with inappropriate men, and if in her youth she was a famous beauty, now she is both formidable--and notorious. She is a forensic sorceress, and a dedicated officer of a Crown that does not deserve her loyalty. She has nothing, but obligations. Sebastien de Ulloa is the oldest creature she has ever known. He was no longer young at the Christian millennium, and that was nine hundred years ago. He has forgotten his birth-name, his birth-place, and even the year in which he was born, if he ever knew it.…
I’m a British writer but I have lived in Norway for over twenty years. My yearning for history goes back as long as I can remember and I often feel trapped in the wrong time. Writing historical fiction is my way of delving into the past and bringing it back to life. I’ve always been creative and enjoyed arts and crafts and, as well as being a writer, I am also a creativity coach and have my own podcast,The Creatively You Show, which helps writers and artists deal with the emotional challenges of the creative process. My book choices reflect these interests and the broader themes of history and art.
Girl Reading is a highly creative and imaginative book. Superbly written, it takes the reader on a journey through time, and the vehicle for that journey is art. There are seven scenes from seven different time periods, each depicting an artist and a portrait of a girl or woman reading. It is such an original concept and it’s thoroughly absorbing. Given my fascination with history and art, I absolutely devoured it. Girl Readingwent on to play an important role in my own writing life. I was so impressed with it that when it came to sending my own book out to agents, I sent my manuscript to Katie Ward’s agent, who is now my own.
An orphan poses nervously for a Renaissance maestro in medieval Siena, and an artist's servant girl in seventeenth-century Amsterdam snatches a moment away from her work to lose herself in tales of knights and battles. A woman reading in a Shoreditch bar catches the eye of a young man who takes her picture, and a Victorian medium holds a book that she barely acknowledges while she waits for the exposure.
I am a novelist and journalist who has been writing about war and refugees for nearly two decades. In 2018, I went to the Greek island of Samos, which held one of the most inhumane refugee camps in Europe, to talk to people there about their lives and hopes. Out of this, I wrote several articles and later two books, including The Good Deed. My hope is to counteract the demonization of refugees, so rife in the world today, by bringing out all that we humans have in common, such as our need for shelter, food, family, safety, and love.
Nayari's novel is also about Iranian refugees, but this story is set in Amsterdam, where an Iranian professional is struggling with her marriage, her identity, and her relationship with her father, who is still in Iran. While living in Europe, she learns of the dire straits faced by refugees from all over the Middle East and Africa, which makes for powerful and moving reading.
The writing is so intelligent and honest that this is one of my favorite novels of today.
“Rich and colorful… [Refuge] has the kind of immediacy commonly associated with memoir, which lends it heft, intimacy, atmosphere.” –New York Times
The moving lifetime relationship between a father and a daughter, seen through the prism of global immigration and the contemporary refugee experience.
An Iranian girl escapes to America as a child, but her father stays behind. Over twenty years, as she transforms from confused immigrant to overachieving Westerner to sophisticated European transplant, daughter and father know each other only from their visits: four crucial visits over two decades, each in a different international city. The longer they are…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
Martin Bailey is an expert on all things Van Gogh, and any of his books could have been recommended.
This one though - if we are learning about influences that have shaped and guided and disconcerted Vincent - has to be considered. To know the artist is to understand the numerous homes and landscapes that have shaped and influenced both him and his art. In an era when people rarely left the area where they were born, Van Gogh was both a traveller and unsettled.
This book made me truly consider what that might actually mean.
Vincent van Gogh was a restless soul. He spent his twenties searching for a vocation and once he had determined to become an artist, he remained a traveller, always seeking fresh places for the inspiration and opportunities he needed to create his work.
Living with Vincent van Gogh tells the story of the great artist's life through the lens of the places where he lived and worked, including Amsterdam, London, Paris and Provence, and examines the impact of these cityscapes and landscapes on his creative output. Featuring artworks, unpublished archival documents and contemporary landscape photography, this book provides unique insight…
The Secret Diary of Hendrik Groen, 83¼ Years Old, translated by Hester Velmans, is a delightful exploration of aging, filled with humor and wit.
As someone living in a multigenerational home and providing care to aging parents, I found Groen's honest depiction of life in his eighties deeply relatable and touching. The book offers a unique perspective on the joys and challenges of growing older, which resonated with me as I navigate the daily realities of caregiving.
Groen's diary entries, filled with his observations and experiences, serve as a heartwarming reminder that age is just a number. Highly recommended for anyone looking for an insightful, humorous read.
The hilarious international bestselling novel that has had pensioners ditching their sticks and zimmers to follow the age-defying, youth inducing antics inside The Secret Diary of Hendrik Groen, 83 1/4 Years Old . . .
'Terrific. This geriatric Adrian Mole made me laugh' Woman and Home
'Funny and touching' BBC Radio 4
Meet Hendrik Groen. An octogenarian in a care home who has no intention of doing what he's told, or dying quietly. To that end, he creates the Old-But-Not-Dead Club and with his fellow members sets about living his final years with careless abandon. Such anarchism infuriates the care…
I grew up in a small village in a very rural part of Scotland. It was perhaps inevitable, then, that I would have an interest in the urban. Cities, especially big cities, seemed wonderfully exciting when I was growing up, full of mystery and promise, intoxicating, transgressive, with a hint of danger and a whiff of excitement. That fascination has stayed with me throughout my academic career as I have explored different facets of the urban experience. I am aware of the growing inequality but remain optimistic about the progressive possibilities and redemptive power of the urban experience to change lives and attitudes.
The writer loves Amsterdam that much is clear. He deftly shows how this one city grew from the most unpromising location to become not only a great city in its own right, but also the city where tolerance, markets, and the ideals of liberal tolerant capitalist society were forged and burnished. Our modern liberal cosmopolitanism was created in Amsterdam. We owe a great deal to Amsterdam and its citizens.
Amsterdam is not just any city. Despite its relative size it has stood alongside its larger cousins - Paris, London, Berlin - and has influenced the modern world to a degree that few other cities have. Sweeping across the city's colourful thousand year history, Amsterdam brings the place to life: its sights and smells; its politics and people. Concentrating on two significant periods - the late 1500s to the mid 1600s and then from the Second World War to the present, Russell Shorto's masterful biography looks at Amsterdam's central preoccupations. Just as fin-de-siecle Vienna was the birthplace of psychoanalysis, seventeenth…
I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.
This book tells the story of how the people of the Netherlands – the country where I’ve lived for more than a decade, and which I wrote my first book about – have not just managed to survive below sea level, in a land riddled with rivers and canals, but managed to turn their boggy environment to their advantage, becoming grandmasters at building dikes, draining land and constructing water-pumping windmills. The book isn’t a heavy read – the emphasis is on photos, maps, and interesting factoids – but it’s full of insights into everything from how Amsterdam was built to why the Dutch aren’t too worried about climate change. Perfect reading when I’m sitting in my garden in the Dutch countryside, with water on both sides.
All over the world, people learn in school that the Netherlands is a country that lies below sea-level. Dikes, polders, windmills and wooden shoes are well-known icons of this unusual nation, while its sturdy dams and storm surge barriers also enjoy world fame. But how does it all work? How can a country exist under such circumstances and even be prosperous? One would expect the Dutch to panic about climate change but they don’t seem to be; how come? This book will tell you all about it, both in words and photos, striking a balance between developments in the past,…
I’m an autistic science fiction writer myself, and I’ve been reviewing autistic science fiction, fantasy, and horror books for over a decade on my “Autistic Book Party” blog. I’ve learned a huge amount in this time about authors like me and what we have to offer the book world. Autistic people are called unimaginative, but that description couldn’t be more wrong – many of us use our imaginations as a richly detailed escape and coping mechanism. There are many more of us out there today than anyone else realizes, from famous, award-winning names to obscure authors using their unique view of the world to create works of imagination, insight, and beauty.
A comet is about to strike the Earth. Denise, an autistic teenager in the near-future Netherlands, struggles to secure a place for herself, her mother, and her sister on a generation ship bound to escape the coming devastation. Duyvis deconstructs myths about ableism, family relationships, survival dilemmas, and the value of human lives in this wrenching but compassionate and ultimately hopeful book.
A thrilling, thought-provoking novel from one of young-adult literature's boldest new talents.
January 29, 2035. That's the day the comet is scheduled to hit-the big one. Denise and her mother and sister, Iris, have been assigned to a temporary shelter outside their hometown of Amsterdam to wait out the blast, but Iris is nowhere to be found, and at the rate Denise's drug-addicted mother is going, they'll never reach the shelter in time. A last-minute meeting leads them to something better than a temporary shelter-a generation ship, scheduled to leave Earth behind to colonize new worlds after the comet hits.…
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
I learned a lot about seventeenth-century Amsterdam when researching The Map Colorist, and I loved how Jessie Burton really brings the time and place to life.
There is the young Nella, caught in a marriage she doesn’t understand, and which will ultimately have dire consequences. There is also her sister-in-law, whom we come to really know only at the very end. Overlapping it all is the mysterious miniaturist, who presents Nella with new figures for the elaborate doll house that her husband gave her. The miniatures seem to predict the future!
The phenomenal number one bestseller and a major BBC TV series. Winner of the Specsavers National Book Award and Waterstones Book of the Year. A Richard and Judy Book Club selection.
Beautiful, intoxicating and filled with heart-pounding suspense, Jessie Burton's historical novel set in Amsterdam, The Miniaturist, is a story of love and obsession, betrayal and retribution, appearance and truth.
On an autumn day in 1686, eighteen-year-old Nella Oortman knocks at the door of a grand house in the wealthiest quarter of Amsterdam. She has come from the country to begin a new life as the wife of illustrious merchant…
As an art historian and painter, I was inevitably drawn to the theme of artists and their muses when I started writing historical fiction. Female, passive, disempowered, and doomed sums up the fate of most muses. History is littered with their corpses - Rossetti’s model Lizzie Siddal committed suicide, Rodin’s model Camille Claudel went mad, Edie Sedgwick, made famous by Warhol, died of an overdose. The title ‘muse’ might offer immortality, but their lives were often hell on earth. My books set out to understand what drove these women, some of whom were artists in their own right, to make such huge sacrifices.
The muse occupies a slightly different role in Deborah Moggach's novel in that she spends a large part of the book supposedly already dead. Muses often exerted a posthumous influence on their artists, usually reflecting a legacy of guilt on the artist's part for his mistreatment or neglect. (Rossetti is a case in point. He had all his poems buried with his muse Lizzie Siddal, only to request permission to exhume them years later.) The painter, in this case, Jan van Loos, remains true, spending his life painting portraits of his muse Sophia and their love. Perhaps to be a muse, even a dead one, wasn't all bad.
From the bestselling author of The Best Exotic Marigold Hotel comes a thrilling story of power, lust and deception...
Seventeenth-century Amsterdam - a city in the grip of tulip fever.
Sophia's husband Cornelis is one of the lucky ones grown rich from this exotic new flower. To celebrate, he commissions a talented young artist to paint him with his beautiful bride. But as the portrait grows, so does the passion between Sophia and the painter; and ambitions, desires and dreams breed an intricate deception and a reckless gamble.
