100 books like The Miniaturist

I’ve always loved peculiar heroes and heroines. Characters with strange gifts and an equal number of challenges. It started with Sherlock Holmes, whose mind fascinated me. As a child, I gravitated to the unnatural protagonist, Tarzan, in the Edgar Rice Burroughs novels and Bilbo Baggins in The Lord of the Rings trilogy. I was never a big fan of Superman, I preferred people who adapted quickly to new surroundings and could think on their feet. Once I began my writing career, I kept those protagonists in my mind. Four novels in, I do my best to capture their spirit and determination to overcome whatever lands in front of them.

I have no expertise on anything, but I do feel like I have had a lot of experience being around families and observing complex family dynamics. It’s funny because I would say I have never actually had the “family” experience myself. I grew up with just a mother and a younger sister. That’s it. I barely knew my father, barely knew my grandfather, sort of knew my grandmother. Barely knew my uncles. I found myself looking at other families with awe. Not with envy, but more with curiosity. And as someone who has had his own issues with my sole sibling, I am forever intrigued by that dynamic as well.   

I write as Robert J. Lloyd, but my friends call me Rob. Having studied Fine Art at a BA degree level (starting as a landscape painter but becoming a sculpture/photography/installation/performance generalist), I then moved to writing. During my MA degree in The History of Ideas, I happened to read Robert Hooke’s diary, detailing the life and experiments of this extraordinary and fascinating man. My MA thesis and my Hooke & Hunt series of historical thrillers are all about him. I’m fascinated by early science, which was the initial ‘pull’ into writing these stories, but the political background of the times (The Popish Plot and the Exclusion Crisis, for example) is just as enticing. 

I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age. 

My passion is for writing stories about strong women. Most of my favourite characters in literature are strong women—Jo March, Elizabeth Bennet, Jane Eyre. It's their intelligence, and spirit that hooks me. Even when they're misguided or confronting overwhelming odds, they pull themselves back from the brink to begin on a slightly altered path to achieve their purpose. It's the heroine’s journey that draws me into a novel, and it's her journey I wish to describe in my own books. Unfortunately, studying history has shown me there's still a long way women need to travel in the journey towards gender equity. Let’s hope these characters can teach us all something.

I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.

I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.

I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.

I'm a social anthropologist who has lived, dreamed, and worked in Syria most of her life. Having spent my childhood in Damascus I always yearned to return. After completing my PhD at the University of California, Los Angeles, in the economy of modern Bedouin Tribes, I won a Fulbright award to teach at the University of Damascus. Since then, Damascus has been at the centre of my academic and social life. I met my husband there, a British helicopter pilot, sent there to learn Arabic. I'm an emeritus professor of anthropology and forced migration at the University of Oxford and my research has been on the forced migrant communities who make up Syria’s cosmopolitan society.

My idea of ‘good fiction’ – and what I try to write myself – involves secret agents and skulduggery, crime, and romance. My own life has involved a good deal of travel. I studied Education and Drama, then Literature, History, and Politics at post-graduate level. All of which help with my research and writing. As a British ex-pat, I have lived in the USA and different parts of Europe. Now, we are finally settled near Málaga, Spain. ‘Deep-reading’ fiction set in fascinating places, quality content to indulge in on dark winter nights. I hope you enjoy your time travel as much as I do.