My name is David Seow, I’ve been a huge entertainment fan since I was a child and met Jack Lord when he came to Singapore. I’ve been fascinated by celebrities and what drove them to succeed. Since then, I’ve amassed a collection of over 400 celebrity autographs. My passion for the entertainment scene and celebrities led me to work as a freelance entertainment journalist and a sitcom scriptwriter. For the past 26 years, I have followed my other passion of writing children’s picture books, and I have published 48 books to date, some of which I’ve gifted to some of my favourite celebrities.
Audrey Hepburn was a little lady with the biggest heart.
I loved this book so much that I’ve reread it several times. I was hooked from the start to the finish, from her childhood in war-torn Europe to her work as a goodwill ambassador with UNICEF. The author perfectly describes Audrey’s grace, style, and compassion.
This is one of the best picture book biographies I’ve read. I wish I had met her. I love this book.
From Roman Holiday to Breakfast at Tiffany's, when Audrey Hepburn starred in a movie, she lit up the screen. Her unique sense of fashion, her grace, and, most important, her spirit made her beloved by generations. But her life offscreen was even more luminous. As a little girl growing up in Nazi-occupied Europe, she learned early on that true kindness is the greatest measure of a person-and it was a lesson she embodied as she became one of the first actresses to use her celebrity to shine a light on the impoverished children of the world through her work with…
As a descendant of Jewish refugees, from pogroms in Russia and from Nazi persecution in Germany, I grew up with stories of war, exile, and loss. As a writer, these themes have been very important for me, not only in the series of four books about Stephie and Nellie, but also in a novel for adults and a picture book for younger children. As a reader, I am interested in stories that deal with the same themes – stories that may be set in the past, the present, or the future. As a mother and grandmother, I know that good books can help us talk to our young about the most difficult matters.
"It was like living on a desert island. Instead of the sea, there were houses and people around me." Aleks, aged 11, uses a metaphor fetched from his favorite book, Robinson Crusoe, to describe his own struggle for survival. But his "island" is a ruined house in the ghetto, where he hides after having been separated from his father during a raid by the Nazis. Just as resourceful and inventive as his literary role model, Aleks manages to fend for himself while hoping for his father to return.
Uri Orlev, himself a survivor of the Warsaw ghetto and Bergen-Belsen, succeeds in combining a classic adventure story with a realistic narrative of the Holocaust. I don't know how he does it, but I know that his book is a masterpiece.
During World War II a Jewish boy is left on his own for months in a ruined house in the Warsaw Ghetto, where he must learn all the tricks of survival under constantly life-threatening conditions.
It took me a long time to realize that the books I write have always (always) been about trauma. (I write fantasy, so the link wasn’t immediately apparent to me.) But now that I’ve seen it, I can’t unsee it. Likewise, it took me a long time to notice that all my favorite magical books were the ones that seemed to be trying to find a new language for the terrible things that can happen to and around us. Magic provides a powerful language for psychological pain. It can make it more real. It can make it more digestible. It can help us to see it more clearly. Fiction tells lies that make reality bearable and understandable—and magical fiction is no different. Which is why it will probably always be my favorite kind.
The Dollmaker of Kraków is about a doll named Karolina who finds herself in the human world after her homeland—the Land of the Dolls—is ravaged by an army of rats. To be more specific, she finds herself in a dollmaker’s shop. In Kraków. In 1939. World War II has just begun, and Karolina watches as the horrors of the Holocaust unfold before her eyes. Glistening with folklore and fairy tales, this historical fantasy shines with hope and beauty. It never fails to remind me how art can save us, over and over, even—or especially—in the darkest of times.
A timeless fantasy set in the Second World War that weaves together magic, folklore and history, perfect for fans of The Book Thief, The Boy in the Striped Pyjamas and Goodnight Mister Tom.
One night a little doll named Karolina comes to life in a toyshop in Krakow, Poland, in 1939 and changes the life of the gruff, broken-hearted Dollmaker. And when the darkness of the Nazi occupation sweeps over the city, Karolina and the Dollmaker must bravely use their magic to save their Jewish friends from a terrible danger, no matter what the risks. This powerful story is about…
Winner of the Choix Goncourt Prize, Anne Berest’s The Postcard is a vivid portrait of twentieth-century Parisian intellectual and artistic life, an enthralling investigation into family secrets, and poignant tale of a Jewish family devastated by the Holocaust and partly restored through the power of storytelling.
January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz.
Sadly, there is not one Jewish family in this world who does not have a connection to the Holocaust. I imagine that my pull towards World War II heroic women is become I am a Jewish woman. I have a passion for books and many of the characters in my choices share this passion. I also have a passion for Britain. France is not too shabby either; the Parisian setting in some of the books are descriptive and gripping.
Susan Vreeland is also entranced by color, artistic creativity, and the transformative power of art. In Lisette’s List, the author portrays Impressionist and Post-Impressionist art by way of the fictional character, Lisette, in Provence, during WWII and the years after as France returns to ‘normal.’ She quotes Paul Cezanne, “Art is a religion.
Its goal is the elevation of thought,” Camille Pissarro, “Blessed are they who see beautiful things in humble places where other people see nothing,” and Marc Chagall, “Art seems to me to be a state of soul more than anything else. Color is all. When color is right, form is right. Color is everything.”
Vreeland paints a story with words of color, of resilience, and of hope.
From Susan Vreeland, bestselling author of such acclaimed novels as Girl in Hyacinth Blue, Luncheon of the Boating Party, and Clara and Mr. Tiffany, comes a richly imagined story of a woman’s awakening in the south of Vichy France—to the power of art, to the beauty of provincial life, and to love in the midst of war.
In 1937, young Lisette Roux and her husband, André, move from Paris to a village in Provence to care for André’s grandfather Pascal. Lisette regrets having to give up her dream of becoming a gallery apprentice and longs for the comforts and sophistication…
In Egypt, we did not have our own Arab comics, but different worlds came to us from translated comics, American (Disney and superheroes), and French comics. I did not like superhero comics, I loved Disney comics and French comics, and n addition to my passion for reading history, some French series combine this, such as the Alix series. I would have loved to have a historical background to the events that prompted me to read more about them and get to know the real characters, how they lived, and how they ended.
This comic book is one of the difficult books for the author, unless he is a lover of the work and immersed in its details.
The story is romantic, and takes place in almost one place. Nevertheless, the writer succeeds in not leaving us an opportunity to get bored, especially with the charming Gibrat drawings, which resemble a group of artistic paintings.
The historical background here is the Second World War, and the period of the Nazi occupation of France, which is of the type of war romance, the story of Julien who survived a train accident, to spend a year waiting for a deferred death, in which he recalls his love story with Cecile, and in this year the fates change many persons.
I liked this comic so much when I first read it that I translated it into Arabic, and I recommend you to read this comic.
Meet Cécile as she tries to help escaped prisoner-of-war Julien Sarlat avoid capture during the Occupation of France in 1943 in this prequel to the award-winning graphic novel Flight of the Raven.
Julien has escaped from a prisoner-of-war train headed for Germany, but fate intervenes when the train is bombed and among the victims a body is identified as his. Dead to the world, he takes advantage of the situation and hides in the small village of Cambeyrac, using his secret observation post overlooking the village square to watch the permanent theater that people offer in the course of the…
I’m a Cuban refugee. I came with my family in the early 1960s a few years after the Cuban revolution. I served 4 years in the U.S. Marines. I went to school and in 1982 married. Both of my daughters became college professors. The younger works for the CUNY system, while the oldest teaches at Yale University in New Haven, Connecticut. I have always had a passion for modern European history. It grew from an interest in military history when I was a Marine.
Professor Theo J. Schulte has written a well-documented, well researched study of the Ostheer(German Army in the East) covering the Russian campaign.
I loved this book because, like almost all of the recommendations that I have listed, it is a single volume with a concise yet thorough enough study of the German Army and its connection to the Genocide and Democide in the Soviet Union.
The book taught me that there was a reason why, during the war, out of the approximately twenty-five million Soviet citizens who died in the war, thirteen million were civilians. The reason, Schulte points to, is the purposeful targeting of the civilian population for murder (Democide).
The book made me realize that the study of Nazi policies in the East should not only include the Holocaust, but should also cover the “other” deaths that occurred as well.
Whereas it is now generally accepted that the Wehrmacht leadership became deeply implicated in Nazi war crimes and atrocities in occupied Soviet Russia during the Second World War, little is known about the responses of the lower ranks to these policies. This study of two rear areas examines these responses in respect of such issues as POW treatment, partisan warfare, relations with the civilian populations, economic policy and attitudes towards the SS. Above all it moves into the territory of the social history of the Wehrmacht, based on documents and statistical data.
Jeremy Black is a prolific lecturer and writer, the author of over 100 books. Many concern aspects of eighteenth-century British, European, and American political, diplomatic and military history but he has also published on the history of the press, cartography, warfare, culture, and on the nature and uses of history itself.
A Major scholar of the period, Moorhouse is particularly instructive for his ability to capture the Eastern European perspective. The Polish war of 1939 has generally been underplayed in the literature, and it is particularly valuable therefore to see this well-researched account.
A new and definitive account of the German invasion of Poland that initiated WWII in 1939, written by a historian at the height of his abilities.
'Deeply researched, very well-written... This book will be the standard work on the subject for many years to come' - Andrew Roberts, author of Churchill: Walking with Destiny
The Polish campaign is the forgotten story of the Second World War.
The war began on 1 September 1939, when German tanks, trucks and infantry crossed the Polish border, and the Luftwaffe began bombing Poland's towns and cities. The Polish army fought bravely but could not…
I’m a Canadian author and I set my novels here. When I first attempted to write a book, I chose historical fiction because I thought it would be easier to get my characters into trouble—without cell phones and other modern conveniences to bail them out. I wasn’t wrong. However, the research involved with writing good historical fiction soon gave me a whole new appreciation for the genre and I was hooked. I find the WWII era far enough in the past to provide historical insight into humanity’s many weaknesses and strengths, yet near enough to make it relatable. I’ve been thrilled with the feedback on my faith-based stories.
I love how Tolsma sets up a very believable story of a Dutch war widow who ends up harboring a wounded Resistance worker. Although saving him means risking everything and although liberation is within sight, Cornelia’s faith won’t allow her to turn the man out. Fearing their story will end before it even begins, she must make an impossible choice between relative safety for her brother and herself, or joining Gerrit in the Resistance. I learned so much about what the Dutch went through during WWII.
A stranger's life hangs in the balance. But to save him is to risk everything.
The war is drawing to a close, but the Nazis still occupy part of the Netherlands. After the losses she's endured, war widow Cornelia is only a shadow of the woman she once was. She fights now to protect her younger brother, Johan, who lives in hiding.
When Johan brings Gerrit Laninga, a wounded Dutch Resistance member, to Cornelia's doorstep, their ives are forever altered. Although scared of the consequences of harboring a wanted man, Cornelia's faith won't let her turn him out.
I am a historian of the Nazi occupation of France during the Second World War and the author of two books about the period. My book about the Oradour-sur-Glane massacre (Silent Village) was published in French this year, and as a result, I was interviewed live on French television. I am fascinated by history from the ground up, and I love revealing the stories of ordinary people whose contributions have been under-represented. My current PhD research focuses on the Resistance in rural French villages, interpreted through a series of micro-histories. I also adore historical fiction. I have a master's degree from Cardiff University and a BA joint Hons from the University of Exeter.
I cannot think of a better example of micro-history, a specialism of mine, that tells the story of a single event yet delves so deeply and reveals so much. Paula Schwartz is a renowned historian of Occupied France who specializes in gender, daily life, and the Communist Party in France during this period of immense upheaval.
Her unequalled knowledge of these areas are brought together in her account of a May 1942 street protest over food shortages that had deep and tragic consequences, and were the tip of the iceberg of a Resistance movement that was in full development. This book makes current scholarship accessible to the wider public in ways that I had never before seen.
On Mother's Day, 31 May 1942, a group of women stormed a small grocery store at the intersection of two Parisian market streets, the rue de Buci and the rue de Seine, to protest the food shortages that had become a chronic feature of daily life. The then-outlawed French Communist party aimed to channel the frustrations of hungry Parisians by organizing such actions throughout the capital and beyond. The so-called "women's demonstration on the rue de Buci" was one such protest, part of a larger, overarching resistance movement against the collaborationist Vichy regime and the German occupiers. The Buci affair…
