I am not Norwegian, or even Scandinavian. My interest in history came from my dad being a veteran after serving in Europe in WWII, even though he talked about it very little. I’ve always loved to read, write, and think, so I especially loved to read WWII stories and share them. After I met new friends on a trip to Norway, people who had lived through the five-year German occupation, I felt compelled to write about their experiences. Their stories, and ones like Snow Treasure, earned my deep respect, compelling me to research, and eventually to write, a novel that might capture the spirit and stories I had heard and loved.
A more recently released historical fiction account of a young girl’s loyalty and daring decisions on a North Sea island off the coast of Norway is The Klipfish Code. Published two years before my own book, I had not read it until a reviewer compared my debut book to this suspenseful story. I read it immediately, humbled by the comparison. Twelve-year-old Marit is living with her grandpa, who she resents for not actively protesting the German occupiers of their island. She’s outspoken, angry, and eager to support the resistance, despite his cautions and concerns. I was intrigued by this transition period in German policy. They traded propaganda and persuasion for coercion, including arresting one in ten teachers across the country, sending them to labor camps to make them agree to teach Nazi lies within the classroom. The terror of this little-known action compounds Marit’s struggle to decipher a code,…
“Set in Norway during the Nazi Occupation . . . It’s certainly one of the best middle grade WWII novels I’ve read thus far.”—Diary of an Eccentric
The year is 1942, and Norway is under Nazi occupation. Twelve-year-old Marit has decided to take action, despite her grandfather’s warnings. But will her plan work? Can she really complete her part of this secret code? And even if she can, would it make any difference to the Resistance?
As this novel reveals what Norwegian people did to preserve their dignity and freedoms, it uncovers a startling statistic: the German secret police systematically…
I have been interested in the Nazi-Soviet War since my high school years, and I am happy to say my views have become more sophisticated in the intervening 50 years! During the Cold War I served as a US Army Armor officer for 28 years and globally across 18 time zones (retired lieutenant colonel). Thereafter, I earned a PhD in modern European history, specializing in the 20th-century German military, from Purdue University. I have researched, taught, and written extensively on all aspects of military history, particularly WWII. My latest book, an operational level [of war] history of Barbarossa for the Campaigns and Commanders series (University of Oklahoma Press, in preparation as of mid-2024).
This is the first of Stahel's four volumes on Operation Barbarossa, the Germans’ June 1941 invasion that started the Nazi-Soviet War. These are books I wish I had written!
They are graduate-level military history and meticulously referenced. A key contribution is bringing the culmination point of Barbarossa, and indeed the entire conflict, even earlier than others had previously (the culmination point is basically where momentum shifts). Australian Stahel pays particular attention to German commanders.
Operation Barbarossa, the German invasion of the Soviet Union, began the largest and most costly campaign in military history. Its failure was a key turning point of the Second World War. The operation was planned as a Blitzkrieg to win Germany its Lebensraum in the east, and the summer of 1941 is well-known for the German army's unprecedented victories and advances. Yet the German Blitzkrieg depended almost entirely upon the motorised Panzer groups, particularly those of Army Group Centre. Using archival records, in this book David Stahel presents a history of Germany's summer campaign from the perspective of the two…
It took me a long time to realize that the books I write have always (always) been about trauma. (I write fantasy, so the link wasn’t immediately apparent to me.) But now that I’ve seen it, I can’t unsee it. Likewise, it took me a long time to notice that all my favorite magical books were the ones that seemed to be trying to find a new language for the terrible things that can happen to and around us. Magic provides a powerful language for psychological pain. It can make it more real. It can make it more digestible. It can help us to see it more clearly. Fiction tells lies that make reality bearable and understandable—and magical fiction is no different. Which is why it will probably always be my favorite kind.
The Dollmaker of Kraków is about a doll named Karolina who finds herself in the human world after her homeland—the Land of the Dolls—is ravaged by an army of rats. To be more specific, she finds herself in a dollmaker’s shop. In Kraków. In 1939. World War II has just begun, and Karolina watches as the horrors of the Holocaust unfold before her eyes. Glistening with folklore and fairy tales, this historical fantasy shines with hope and beauty. It never fails to remind me how art can save us, over and over, even—or especially—in the darkest of times.
A timeless fantasy set in the Second World War that weaves together magic, folklore and history, perfect for fans of The Book Thief, The Boy in the Striped Pyjamas and Goodnight Mister Tom.
One night a little doll named Karolina comes to life in a toyshop in Krakow, Poland, in 1939 and changes the life of the gruff, broken-hearted Dollmaker. And when the darkness of the Nazi occupation sweeps over the city, Karolina and the Dollmaker must bravely use their magic to save their Jewish friends from a terrible danger, no matter what the risks. This powerful story is about…
Somewhat cavalierly, I chose to read this exhaustive account of war on the Eastern Front while on a transatlantic cruise.
The author, Jonathan Dimbleby, achieves what I find to be the most satisfying approach to complex historical events like Germany’s invasion of the Soviet Union in 1941. He synthesizes a vast amount of archival and secondary detail and generates a fast-moving narrative that’s neither too broad nor too granular.
The first half of Barbarossa, focused on the two countries’ tortured diplomatic history between the wars, is especially engrossing. Full disclosure: By the book’s end, I knew with certainty this wasn’t ideal “cruise-ship reading.”
'With his customary literary flair and capacity to master and mobilize very many and varied sources, Jonathan Dimbleby gives us the best single-volume account of the Barbarossa campaign to date' Andrew Roberts, author of Churchill: Walking with Destiny
'Like a fast-moving juggernaut of horror, Dimbleby's Barbarossa is a page-turning descent into Hell and back. Part warning, part fable, but all too true, this fresh and compelling account of Hitler's failed invasion of the Soviet Union should be on everyone's reading list for 2021' Dr Amanda Foreman, author of A World on Fire
I grew up during the civil rights movement in the US, and my ancestors—the lucky ones—escaped pogroms in eastern Europe at the turn of the 20th century and made it to North America. (The unlucky ones were slaughtered in the Holocaust.) So I suppose it is natural that I would be drawn to write stories about the struggle to overcome persecution, racism, and injustice. I love creating characters who, at the beginning of the story, don’t know that they have what it takes to fight for justice, but then slowly build the confidence and courage to make a difference. And writing about these triumphs is fun, too!
As both a reader and a writer, I seem to be drawn to books about characters experiencing oppression and persecution, and drawing on inner reserves of courage and compassion to combat it. This book fits that description perfectly. I was on the edge of my seat following Hanneke as she works for the Dutch Resistance during World War II. I was left wondering: How do you find the bravery and determination to risk your own life in order to save someone else’s?
The bestselling, "gripping" (Entertainment Weekly), "powerful" (Hypable), "utterly thrilling" (Paste.com) winner of the Edgar Award for Best Young Adult Mystery, perfect for readers of Kristin Hannah and Ruta Sepetys
Amsterdam, 1943. Hanneke spends her days procuring and delivering sought-after black market goods to paying customers, her nights hiding the true nature of her work from her concerned parents, and every waking moment mourning her boyfriend, who was killed on the Dutch front lines when the Germans invaded. She likes to think of her illegal work as a small act of rebellion.
I spent most of my youth playing sports, and so was forced into being a closet reader, only sissies read books. I never watched TV as a kid. I was always buried in a book that transported me somewhere. These were the days when I had to read with a flashlight under the covers until I was caught and told to shut my darn book and go to sleep. This led to a degree in creative writing and a first career stint teaching the subject. Then, after retiring from founding a financial planning company, I started writing and hope I can transport others.
A comment in The Washington Star reads: “No one who reads it will forget it.” That is true. I went through every emotion imaginable from stark horror to utter innocence. The boy, escaping the Holocaust, travels on his own through the Slavic countryside where he discovers the best in people and the horrifying worst. I traveled with him.
Jerzy Kosinski's mythic, master-work of a shattered post-War Europe.
Originally published in 1965, The Painted Bird established Jerzy Kosinski as a major literary figure. Kosinski's story follows a dark-haired, olive-skinned boy, abandoned by his parents during World War II, as he wanders alone from one village to another, sometimes hounded and tortured, only rarely sheltered and cared for. Through the juxtaposition of adolescence and the most brutal of adult experiences, Kosinski sums up a Bosch-like world of harrowing excess where senseless violence and untempered hatred are the norm. Through sparse prose and vivid imagery, Kosinski's novel is a story of…
I became very interested in this topic when I moved to Italy and met and married Andrea Meloni. I had never been particularly interested in wars and battles but, when he began to tell me about his very personal experience growing up in Mussolini’s Fascist Italy, I was captivated and felt that his unique story was important. I, therefore, encouraged him to write his memoirs. My book is based on them, and so it is more his book than mine. However, I did extensive research to set his story in a coherent historical context.
Origo was an English woman married to a wealthy Italian.
They were living on their estate in Italy (Tuscany) when Mussolini came to power and soon allied himself with Hitler. Her personal account of how they, both anti-Fascists, lived during this very difficult period brings history to life. They often put themselves in harm’s way by helping others hide from Fascist pursuers.
The bestselling diaries of WWII in Tuscany, with a new introduction by writer and social historian Virginia Nicholson, and stunning rediscovered photographsAt the height of the Second World War, Italy was being torn apart by German armies, civil war, and the eventual Allied invasion. In a corner of Tuscany, one woman - born in England, married to an Italian - kept a record of daily life in a country at war. Iris Origo's compellingly powerful diary, War in Val d'Orcia, is the spare and vivid account of what happened when a peaceful farming valley became a battleground.
My reading is almost entirely influenced by my own family’s extraordinary history. My mother and father-in-law were both illegitimate. Both suffered for the fact and my father-in-law was 11 years old when he first found out and was reunited with his mother, albeit on a second-class basis compared to his half siblings. My mother trained bomb aimers. My father flew Lancaster bombers and was just 19 years old in the skies above wartime Berlin. My own books combine history, my personal experiences, and my family’s past to weave wartime stories exploring the strains that those conflicts imposed on friendships.
An abiding theme within my own book is that love and friendship can supplant racial and cultural differences, and this book, set in a village in France during the 2nd World War, highlights a growing and reluctant friendship between an occupier and the occupied.
The hatred that invasion induces causes any fraternisation to be labelled ‘collaboration.’ Sometimes it is. Sometimes, it is just people caught out of context seeking comfort and normality.
It is easy for those whose countries have never been occupied to scoff at the behaviour of those who had to live in the atmosphere and the reality of a hostile invasion. Let’s hope we never have to find out firsthand.
In 1941, Irene Nemirovsky sat down to write a book that would convey the magnitude of what she was living through, not in terms of battles and politicians, but by evoking the domestic lives and personal trials of the ordinary citizens of France. She did not live to see her ambition fulfilled, or to know that sixty-five years later, "Suite Francaise" would be published for the first time, and hailed as a masterpiece. Set during a year that begins with France's fall to the Nazis in June 1940 and ends with Germany turning its attention to Russia, "Suite Francaise" falls…
I am a professional historian who has been writing books for more than forty years. Most of the books have been about war and dictatorship in the first half of the twentieth century. My last book, The Bombing War: Europe 1939-1945, developed my long interest in air war history, which goes back to my first major book written in 1980 on air warfare in World War II.
There are a great many books written on the Soviet-German conflict. In this volume, Fritz makes the most of all the recent research and his familiarity with Hitler’s military career, to create a vibrant narrative of the largest conflict in World War II. What makes this account different is Fritz’s ability to weave together the story of the campaigns and the murderous, genocidal strategies pursued by the German invader. Hitler waged two wars, against the Red Army and against the Jews. Fritz charts their twin course, making greater sense of the nature of a savage and merciless war.
On June 22, 1941, Germany launched the greatest land assault in history on the Soviet Union, an attack that Adolf Hitler deemed crucial to ensure German economic and political survival. As the key theater of the war for the Germans, the eastern front consumed enormous levels of resources and accounted for 75 percent of all German casualties. Despite the significance of this campaign to Germany and to the war as a whole, few English-language publications of the last thirty-five years have addressed these pivotal events. In Ostkrieg: Hitler's War of Extermination in the East, Stephen G. Fritz bridges the gap…
It was in 1982, while a Fulbright scholar in the USSR researching my doctoral dissertation, that I realized my responsibility as a historian extended far beyond writing history books. I lived among Russians and saw up close how the Kremlin-controlled what citizens knew about their own past. The future was already determined—the end of class struggle. The past was merely a made-up prologue. As a consequence of that year, I focus on the creation, preservation, and accessibility of cultural knowledge. History clues us into where we come from. Like a DNA test, it reveals how our single life is intricately braided with people we will never meet.
When I heard of the 2021 mass murder at the Tree of Life Synagogue in Pittsburgh, the fear of anti-Semitism became deeply personal.
I grew up just a few blocks from the synagogue. (I was raised Catholic.) In Kuznetsov’s “documentary novel” about Nazi-occupied Ukraine, the author recounts how, as an 8-year old, he witnessed the German army’s 1941 invasion of Kiev.
They set about massacring over 30,000 Jews within the first week of occupation. This happened in a large ravine only a stone’s throw from the boy’s home. This third edition of the book comprises the heavily censored published Soviet text, the uncensored text, and Kuznetsov’s added commentaries.
It is a palimpsest that lets us see past, present, and no doubt future ways that regimes use history to control what people know about their own past.
The powerful rediscovered masterpiece of Kyiv during the Second World War, told by a young boy who saw it all.
'So here is my invitation: enter into my fate, imagine that you are twelve, that the world is at war and that nobody knows what is going to happen next...'
It was 1941 when the German army rolled into Kyiv. The young Anatoli was just twelve years old. This book is formed from his journals in which he documented what followed.
Many Ukrainians welcomed the invading army, hoping for liberation from Soviet rule. But within ten days the Nazis had…
