Explore the best Holocaust books

When the Nazis came to power in 1933 the Jewish population of Berlin was 160,000. By the start of the war, it had fallen to 80,000 due to people emigrating. By late 1943 almost the entire Jewish population of Berlin had been deported to the death camps, but around 4,000 remained in the city, living in hiding, with false identities, underground, and in constant fear. This book was first published in 1982 and is a remarkable account of how some of these people survived (though the majority of those who went underground were eventually caught and murdered).  The book reads like a thriller and is also a tribute to the many non-Jews who risked their lives to help save those of others.

The Diary of Anne Frank may be the most well-known story of the Holocaust. Millions have read or seen the movie about the young girl and her family hiding in an attic room in Amsterdam until they were betrayed and taken to Auschwitz. Having visited the hiding place in Amsterdam that still holds the memory of that time, I found Sullivan’s work fascinating. She takes a familiar tale to the next level as she explores the cold case re-opened after decades by Vincent Pankoke, a retired FBI agent who painstakingly follows the trail to a startling conclusion.

Ann Szedlecki’s richly detailed memoir starts: “I am the daughter of nobody... Who am I? My past is gone, disappeared.” As a student in my writing class for seniors, her slightly-accented voice read out excerpts of her poignant manuscript. How do you remember all this, I used to ask. She would just smile sadly. Her story begins in pre-war Poland, showing us the loving family later destroyed. When the Nazis invade, Jews are beaten and killed at random in the streets. At fourteen, she and her older brother head east to the Soviet Union, ending up in Siberia. A gifted writer, she depicts the brutality of life in a labour camp but also the kindness of strangers; then the heartbreaking description of returning to Poland to find none of her family survived.  

This novel tells the story of a typically sheltered American Jewish girl on a personal mission to Israel just as the country (and the world) is grappling with the trial of Adolf Eichmann.

It reveals the impact of the Holocaust not just on the protagonist’s father, who lived through it, but on the young girl herself as she struggles with the burdens of history, class, and immigration. Set in the past, it casts a bright light on our today.

I loved this beautifully written novel which embraces and honours the Ukrainian spirit. It is 1942 and the Germans have arrived in a small town in Western Ukraine. When the schoolmaster and his wife are rounded up and murdered along with all the other Jews, Yaisa, a local peasant girl, instinctively hides their two young sons away. The massacre is witnessed with horror both by a Ukrainian Auxiliary, now remorseful at having joined the German police, and by a German engineer who is building roads with forced Ukrainian labour. Now the hunt is on for the Jewish boys – and for Yaisa too. An incredibly moving read that both hones in on one small town and pans out across the vast and varied landscape of Ukraine. 

A predominant amount of work in memory studies has focused on national memory cultures. The shift in this anthology is towards small, local or regional memories and towards vernacular sites of remembering. Its contributors attend in the main to personal and familial forms of memory, and thus on the narrative modes and media associated with them. The chapters cover a fascinating range of topics, making for a diverse volume united by a key preoccupation with the locatedness of memory, rather than referring broadly across a whole national context or to a huge sweeping range of memory and remembering. This is a very welcome shift, bringing to the fore everyday objects of memory that have tended to be less predominant—hence ‘peripheral’, in the sense of being swept aside or overshadowed. Redressing this allows for a more complex understanding of relations between public and private memory and remembering practices, across varying temporal… show more.

One of the most original books I have ever read, and as such impossible to classify by genre—a dizzying mix of memoir, history, and travel writing. As the separate stories of four apparently unrelated individuals unfold, Sebald exposes a common theme: the loss of identity through trauma and displacement. The stories are devastating and yet there is something hopeful in Sebald’s melancholic and vivid writing, the powerful case he makes for these stories being heard.

For me (and not just because my family is Hungarian), Wallenberg’s story is the most heart-wrenching of all accounts of Holocaust heroism. He was the Swedish diplomat in Nazi-occupied Budapest who worked tirelessly to save Jewish lives, despite death threats to himself. He issued thousands of Swedish protection documents and set up Jewish safe-houses. One incident particularly brings a lump to my throat. Hearing of a death march of Jewish deportees, he drove to the Hungarian border to head it off. Clutching a bunch of Swedish passports, he ordered the Arrow Cross guards (Hungarian fascists) to stand aside whilst he searched for the Jews entitled to them. The suspicious guards surrounded him with pointed bayonets, but he shouted above their heads that he had passes for anyone who had ‘lost’ them. Hands were raised throughout the crowd. Wallenberg was so convincing that the SS officer in charge finally relented. The… show more.

An inspirational exploration of profound contemplations on forgetting, which takes the reader on a guided tour through neglected passages in the writings of illustrious writers from antiquity to present times, including Homer, Ovid, Plato, Augustine, Dante, Rabelais, Montaigne, Cervantes, Locke, Voltaire, Kant, Goethe, Nietzsche, Sartre, Elie Wiesel, Primo Levi, Böll, Borges, and many others.

In this book Max Silverman focuses on the remembering and understanding of extreme violence and terror, arguing against the tendency to separate different histories from each other along ethno-cultural lines. In countering this tendency, he conceives of the present not as an isolated moment but rather as a composite structure made up of different temporal traces from the past, lying in varying layers of visibility within the present, each of them capable of mediating, and being transformed by, another. Silverman builds a cogent case for the ways in which history, memory and imagination overlap and interact. After reading this book, it is difficult, if not impossible, to mount a defence of memory as authentic, sovereign, and autonomous. 

Kershaw’s double biography of the Nazi leader (the second part, almost entirely about World War II, is called Hubris) is a classic, and remains the best, most approachable look at the unusual upbringing of a young boy from provincial Austria who once wanted to be an artist, and felt in debt with the Jewish doctor who (unsuccessfully, as it turned out) treated his mother’s cancer. Hubris is most remarkable for the glimpses it provides of a different fate for that young boy Adolf: how he was scarred by family tragedy and by failure at multicultural Vienna, and how the Great War gave him an opening to become the worst possible version of himself.

It’s Poland 1941, and Roza and her 5-year-old daughter Shira are hiding in a neighbor’s barn, and hoping beyond hope that they will remain safe, because the rest of their family has all been taken away. This is a lyrical read which many musical analogies since Shira is a musical prodigy. I loved this book because you are right there, staying silent, while trying to create a life with your daughter.  This was inspired by the true stories of hidden children during WWII and stayed with me long after. 

It’s important to be open-minded as you’re reading this book and understand that it is reality blended with mysticism and spirituality, which means you will need to suspend disbelief. Throughout the novel I enjoyed the interweaving of Ganesha’s commentary with the main narrative, as it kept me wondering how and when he might show himself to Esther and what role he fills in the story. It lent some mystery and edginess to the plotline. Esther is unconventional, especially when it comes to her mothering, and some readers might be put off by this, but her survival instinct is admirable, in my opinion. Teitelman does a fantastic job setting up Esther’s fastidious dedication to quality and perfection, which plays into that survival instinct.

This picture book was inspired by a true story about Henryk, a Jewish boy in WWII Poland. Henryk’s family loved music and enjoyed singing together. They couldn’t afford a piano, so Henryk learned to play Schubert on the harmonica his father had given him. When his parents were arrested by the Nazis, Henryk was deported to Dyhernfurth concentration camp. A Nazi guard heard him playing the harmonica and ordered the boy to play for him. Henryk didn’t want to play for the guard, but he had no choice. Then he found out that he also had another, more important audience: his fellow inmates could hear him play. His music was a gift for them, providing tremendous comfort during a time of despair. 

The text is poetic and powerful, and the illustrations, done in a dark palette, are haunting and exquisite.

This novel is the story of an Eastern European Jewish man (Max), who is imprisoned by the Nazis during WW2 and by the Soviets immediately after. His story is amazing and is being told to famed Nazi hunter and the author of this book, Simon Wiesenthal, in the 1960's. Wiesenthal's involvement surrounds the Nazi camp commander who persecuted Max and his fiancée. The Nazi, Werner Schulze, resurfaces as a German plant manager twenty years after the war and Wiesenthal must decide whether or not he has sufficient evidence to prosecute him.

I should first point out that Tom Doherty has been a mentor of mine for nearly a decade.

Before I met him, however, his book on Pre-Code Hollywood and censorship was pivotal for me understanding the machinations and implications of censorship. Hollywood and Hitler woke me up to the significant influence the film colony has had in both fighting fascism as well as others who turned a blind eye to it. It was Tom who sparked my interest in the relationship between Hollywood and antisemitism.

In fact, it was also Tom who first suggested I write a book on the 1941 Senate Investigation into Hollywood’s anti-Nazi films. Long story short, Hollywood and Hitler is a great book and Tom is a great scholar and even better mentor. Read all his work. 

Sons and Soldiers tells the stories of the Ritchie Boys, a special military intelligence unit of the US Army in World War II trained in Camp Ritchie, Maryland and made up of German-Austrian men, often German Jews who had fled Nazi persecution. These men had everything to lose: if they were captured and identified behind enemy lines, they would be killed on the spot. However, they also knew that their special knowledge of the German language and German culture gave them an advantage against Hitler’s army. The Ritchie Boys were critical to the Allied victory. Not surprisingly, those who survived went on to become leaders in American society, great heroes who understood that there are some things worth dying for. 

Brilliantly executed, this stunning book provides a composite firsthand view of history’s darkest turn. Using a suite of interesting travellers in Hitler’s Germany this book perfectly captures the looming ominousness and increasing brutality of this infamous time and place. It also reveals a very human capacity to be misled, prejudiced, or uninterested. This is a book that will open your eyes to the past and make you think hard about the present.

In 1939, Goldsmith’s grandfather and uncle were passengers on the St. Louis and hoped to receive asylum from the mounting threats of Nazi Germany. The St. Louis was turned away from Cuba, the United States, then Canada, and its passengers returned to Europe. In this book, Goldsmith recounted his six-week journey across Europe to retrace the final steps of his grandfather and uncle’s long and harrowing journey. It’s a powerful memoir that has stayed with me years after reading it.

If Epstein’s book, published in 1979, was the first expose about the commonalities among the children of the Holocaust, Hass’ book was the second. Hass succeeded in melding oral history, memoir, and his professions as a clinical psychologist and university professor. This book is helpful, not only to those of the second generation, but to mental health professionals, as well. It was also helpful to me, as it explained the unique, and often difficult, relationship between the survivor parents and their children.

I am passionate about the book because as a child of survivors, I have also had to grapple with the effects of my parents’ trauma. Of course, as a young child, I had no idea that my parents’ behaviors were special or different. It was only at an older age, I began noticing the differences between the atmosphere and attitudes in my home vs. those of my friends.… show more.