The shocking discovery that my grandfather, as a 21-year-old student, had applied to join the SS as SS-Anwärter (candidate), only to withdraw in August 1939 to pursue a career as a naval engineer and start a family, led to extensive research into my family history and WWII. I developed a keen interest in the German Resistance, contacted historians, archivists, veterans, visited museums, and was in touch with members of Claus von Stauffenberg’s family, the Bonhoeffer Centre in London, and the White Rose Memorial in Munich. To this date, not many people know that over 720,000 German civilians, military, paramilitary, and clergy died trying to overturn the Nazi regime.
When one mentions German Resistance, the name Claus Maria Schenk von Stauffenberg springs to mind for all the right reasons. Whereas the other Peter Hoffmann book on my list looks at the German Resistance as a whole, this more intimate account of Claus von Stauffenberg’s background and aristocratic upbringing focuses on his biography, particularly his close relationship with his brothers Berthold and Alexander, their formative years, their association with the circle of the poet Stefan George and their political, military and professional development, which led them to take leading positions against Hitler’s tyranny.
An intriguing portrait of the central figure in the July 1944 bomb plot against Hitler and a gripping and authoritative account of the planning and execution of the conspiracy
I'm a child of Holocaust survivors who spent three years in slave labour camps. My mother told me stories of her experiences a child should probably not hear. The result is that my philosophy of life, and sometimes my writing, can be dark. It’s no surprise that this period of history imbues my novels. I chose to write mysteries to reach a wider audience, the Holocaust connections integral to the stories. During my research, I discovered a wealth of information on the Holocaust but learned that memoirs revealed best what happened to people on the ground. Memoirs draw you into the microcosm of a person’s life with its nostalgia, yearning, and inevitable heartbreak.
Peter Gay was a child in Nazi Berlin in the 1930s. I read his book to see what life was like there while writing my third novel, much of which takes place in Nazi Berlin. Gay was an academic historian but this memoir is deeply personal, laced with self-deprecating humour. His assimilated life (he and his father were staunch atheists) was relatively unaffected by the regime until 1933 when he became a Jew overnight by law. The Nazis quickly stripped the Jews of all rights, culminating in the violent Kristallnacht in 1938. He and his parents managed to escape to the U.S. six months later. Many of his relatives were killed. The underlying question in the book: why didn’t his family—and by extension other Jewish families—leave right after 1933 when Nazi plans became clear?
In this poignant book, a renowned historian tells of his youth as an assimilated, anti-religious Jew in Nazi Germany from 1933 to 1939-"the story," says Peter Gay, "of a poisoning and how I dealt with it." With his customary eloquence and analytic acumen, Gay describes his family, the life they led, and the reasons they did not emigrate sooner, and he explores his own ambivalent feelings-then and now-toward Germany and the Germans. Gay relates that the early years of the Nazi regime were relatively benign for his family: as a schoolboy at the Goethe Gymnasium he experienced no ridicule or…
When I was six years old, my Dutch relatives visited. Stories swirled about their bravery in getting secrets from the Germans and sharing the intel with the Allies, about their privation during the hunger winter, and their work hiding their Jewish countrymen. I studied abroad in 1977-1978 and took the opportunity to visit my Dutch relatives. They told me more stories of their resistance work, their escapades, and, most importantly, their “why” during my time with them. Such stories don’t leave you–ever. They percolated in my head for years until a voice came to me, Rika’s voice, and I began to write. Sixty Blades of Grass is the result.
This book brought me to boots on the ground as it supplied me with a first-hand account of life in The Netherlands during WWII. I loved every word.
Diet Eman resists the German occupation by moving her beloved Jewish friends and forged documents, at great danger to herself. Sustained by her faith, hatred of the Germans, love for The Netherlands, and her love for her fiancé, Hein, she works until her capture by the Germans.
Passionate, true, loving, suspenseful, and honest, this is a must-read for those who need to know more about the war in Holland.
Things We Couldn't Say is the true story of Diet Eman, a young Dutch woman, who, with her fiance, Hein Sietsma, risked everything to rescue imperiled Jews in Nazi-occupied Holland during World War II. Throughout the years that Diet and Hein aided the Resistance--work that would cost Diet her freedom and Hein his life--their courageous effort ultimately saved hundreds of Dutch Jews.
Now available in paperback, Things We Couldn't Say tells an unforgettable story of heroism, faith, and--above all--love.
I’m fascinated by houses and the memories that haunt them. I grew up on a private estate in rural England where my father worked. When I was little I knew a witch. She rode a bicycle, not a broomstick: she cured my warts. The trees I played under were planted when the big house belonged to the 17th-century statesman and historian, Lord Clarendon. I knew storytellers who performed in the local pubs – part of an oral tradition that goes back millennia. I moved to London, but I kept thinking about those rural enclaves where memories are very long. I set my novel in that beautiful, ghost-ridden, peculiar world.
Set in Czechoslovakia in the 1930s, this story of a newly-married couple overseeing the construction of their dream home is as clean-cut, luminous and full of hints of fragility as the building itself – a modernist cube of glass. The husband is rich, the wife excited by her new role as patron. Their architect - a sharply observed portrayal of a tetchy artist who will insist on sticking to his vision regardless of his clients’ doubts – wants to make them a masterpiece, and he does. But the husband is Jewish. We are in the 1930s. Glass walls are not going to keep them safe.
In lucid, elegant prose Mawer conjures up central European culture in those edgy, febrile years when artistic and intellectual energy were so vital, and politics were so deadly.
The inspiration for the major motion picture The Affair, now available on demand.
Cool. Balanced. Modern. The precisions of science, the wild variance of lust, the catharsis of confession and the fear of failure - these are things that happen in the Glass Room.
High on a Czechoslovak hill, the Landauer House shines as a wonder of steel and glass and onyx built specially for newlyweds Viktor and Liesel Landauer, a Jew married to a gentile. But the radiant honesty of 1930 that the house, with its unique Glass Room, seems to engender quickly tarnishes…
Jay Geller is a professor of history and Judaic studies and has published five books on the experience of the Jews in twentieth-century Germany. He has worked with secondary school teachers, religious communities, and museums to develop programs on the Holocaust, Nazism, and dangers of intolerance and radicalism. He is a graduate of Princeton University and Yale University.
When the Nazis came to power, they were viciously antisemitic, but they had not planned a genocide of the Jews. By 1942, that genocide was their driving purpose. What changed? Schleunes argues that pressures within the Nazi Party and the circumstances of World War II induced an increasing radicalization of the Nazis’ plan for the Jews, culminating in the Holocaust.
"There is no single phenomenon in our time so important for us to understand as the one which identified itself in Germany during the 1920's, 30's and 40's as National Socialism. By the time this movement was swept from the stage it had destroyed the lives of at least thirty million and perhaps as many as forty million people. . . . The realization that some men will construct a factory in which to kill other men raises the gravest questions about man himself. We have entered an age which we cannot avoid labeling 'After Auschwitz.' If we are to…
Born in a displaced persons camp in Germany after World War 2, Ettie immigrated with her parents to the USA. She grew up and was educated in New York City and Pennsylvania and immigrated to Israel after completing graduate school. After retiring from a career in international schools in 6 countries, she currently resides in Arizona with her husband. She is a Board member for the Phoenix Holocaust Association and devotes much time to giving presentations to youth and adults worldwide.
While the author and I came from different sides of the same fence, I found myself empathizing with her deathbed promise, her fears, her worries, her self-doubt, and her commitment to finding, and eventually exposing, the truth. Setting out to write what should have been a fairly ‘easy’ biographical tribute to her late grandfather – hailed as a Lithuanian hero- she discovered - and uncovered - details and documents which shattered her world and confirmed “the gossip.” She began to doubt the stories she was told as a child and the people who told them- both in her Lithuanian-American neighborhood and back in the old country. What a page-turner…what agony and pain…until she finally made her courageous decision. Bravo, Silvia.
I am passionate about the book because both my parents were survivors of the Lithuanian version of the Holocaust. There were very few survivors from Lithuania, and Foti’s book helps…
Silvia Foti was raised on reverent stories about her hero grandfather, a martyr for Lithuanian independence and an unblemished patriot. Jonas Noreika, remembered as “General Storm,” had resisted his country’s German and Soviet occupiers in World War II, surviving two years in a Nazi concentration camp only to be executed in 1947 by the KGB. His granddaughter, growing up in Chicago, was treated like royalty in her tightly knit Lithuanian community.
But in 2000, when Silvia traveled to Lithuania for a ceremony honoring her grandfather, she heard a very different story—a “rumor” that her grandfather had been a…
I’m a German History professor who focuses on the Holocaust, but I’ve been educating myself on the topic since 5th grade, when a friend suggested some children’s literature on the Holocaust. So, I guess this is a topic that has interested me for some thirty years now. I can’t stop asking why, I can’t stop reading, and I can’t stop educating, especially as Holocaust denial and antisemitism are on the rise. History, in general, can teach us so much about who we are and who we have the potential to become. The Holocaust is a prime example of what happens when humanity fails to achieve its potential.
Even after years of studying the Holocaust, I remain overwhelmed by the enormity of the horrors, and there are still times when I find my faith in humanity wavering and all I can think to ask in anger and confusion is “Why?” I know I’m not alone. Peter Hayes’s masterful book is the result of an entire career centered on asking that very question. The outcome is an incredibly readable, insightful, and thought-provoking account of the Holocaust that doesn’t shy away from answering the big questions. After reading it, one might still ask “why,” but it won’t be out of frustration, anger, and confusion, but rather out of a desire to keep learning more about one of the greatest catastrophes in the history of humanity.
Peter Hayes has been teaching Holocaust studies for decades and Why? grows out of the questions he's encountered from his students. Despite the outpouring of books, films, memorials, museums and courses devoted to the subject, a coherent explanation of why such carnage erupted still eludes people. Numerous myths have sprouted, many to console us that things could have gone differently if only some person or entity had acted more bravely or wisely; others cast new blame on favourite or surprising villains or even on historians.
Why? dispels many legends and debunks the most prevalent ones, including the claim that the…
I think I literally read this book in one sitting. If I didn’t, that was only because I didn’t
want the book to end.
The author,
another historian, tells a hugely moving story about her mother, a Jewish
immigrant in New York in the 1930s, who struggled to make her way as a young
woman. Because she immigrated alone, she
was also separated from her parents and siblings.
Through occasional letters that go back and
forth, Faderman’s mother dreams about reuniting her family in New York but
ultimately comes to learn about the tragedies her parents and siblings endure
at the hands of anti-semites and Nazi invaders. I was riveted by Faderman’s portrayal
of her mother, a woman I felt I had read about repeatedly in history books but
who came to life in such a moving and personal way.
An acclaimed writer on her mother’s tumultuous life as a Jewish immigrant in 1930s New York and her life-long guilt when the Holocaust claims the family she left behind in Latvia
A story of love, war, and life as a Jewish immigrant in the squalid factories and lively dance halls of New York’s Garment District in the 1930s, My Mother’s Wars is the memoir Lillian Faderman’s mother was never able to write. The daughter delves into her mother’s past to tell the story of a Latvian girl who left her village for America with dreams of a life on the…
This book revitalized my faith in the healing power of friendship and storytelling.
Over six years, Franks conducted a series of conversations with Levi, then in her 90s, a woman born in Jewish Rhodes, an ancient community eradicated during the holocaust.
Franks’s beautifully written, exquisitely-paced account exposes two brilliant minds, Levi’s and his own.
In their ennobling company, you retrace Levi’s inspiring life from her youth in the unique community of Jewish Rhodes, through her astounding survival of Nazi death camps, to her astonishing ability to craft a fulfilling life afterward.
Together, Frank and Levi explore both the horrors of genocide and the resilience of human nature.
One of Wall Street Journal’s Ten Best Books of the Year * Winner of the National Jewish Book Awards for Holocaust Memoir and Sephardic Culture * Recipient of the Jewish Book Council’s Natan Notable Book Award * Winner of the Sophie Brody Medal
The remarkable story of ninety-nine-year-old Stella Levi whose conversations with the author over the course of six years bring to life the vibrant world of Jewish Rhodes, the deportation to Auschwitz that extinguished ninety percent of her community, and the resilience and wisdom of the woman who lived to tell the tale.
As a retired opera singer, I have sung many of the songs that are featured in the book. I first became interested in Terezin when I sang with an opera company that was performing Brundibar, a children’s opera (composed by Hans Krasa, who was imprisoned in the camp) performed more than 50 times in Terezin. As a psych major (having written several medical/psych thriller books as well) I am constantly questioning the idea of choices and the consequences that fall from them. War challenges our notion of humanity, hope, and choice, and perhaps writing helps me work through some of those questions I have…what would I do in that situation?
There are several books I could recommend written by adults who were imprisoned as children in Terezin during the war, but this one stands out because of its artwork interspersed with factual accounts of daily life. Indeed, it’s the factual perspective she takes in her descriptions that makes them so heart-wrenching. Her map was my primary tool in writing descriptions of the camp, and her artwork, imitating her writing style, comes across as stark and factual. Written as a diary, not a novel, I cried at the cruelty with which her life unfurled before her. At the same time, however, she manages to capture the beauty of being a child, full of hope and promise. That balance makes the book a jewel.
In 1939, Helga Weiss was a young Jewish schoolgirl in Prague. As she endured the first waves of the Nazi invasion, she began to document her experiences in a diary. During her internment at the concentration camp of Terezin, Helga's uncle hid her diary in a brick wall. Of the 15,000 children brought to Terezin and deported to Auschwitz, there were only one hundred survivors. Helga was one of them. Miraculously, she was able to recover her diary from its hiding place after the war. These pages reveal Helga's powerful story through her own words and illustrations. Includes a special…
