Here are 100 books that Chasing Portraits fans have personally recommended if you like
Chasing Portraits.
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Carolyn Porter is a graphic designer, type designer, and unapologetic lover of old handwriting. “Marcel’s Letters: A Font and The Search for One Man’s Fate” recounts Porter’s obsessive search to learn about Marcel Heuzé, a French forced laborer who mailed love letters to his wife and daughters from a Nazi labor camp in Berlin—letters Porter found 60 years later at an antique store in Minnesota. Porter’s book was awarded gold medals from Independent Publisher and The Military Writers Society of America, and was a finalist for a 2018 Minnesota Book Award.
In 1939, Goldsmith’s grandfather and uncle were passengers on the St. Louis and hoped to receive asylum from the mounting threats of Nazi Germany. The St. Louis was turned away from Cuba, the United States, then Canada, and its passengers returned to Europe. In this book, Goldsmith recounted his six-week journey across Europe to retrace the final steps of his grandfather and uncle’s long and harrowing journey. It’s a powerful memoir that has stayed with me years after reading it.
Alex's Wake is a tale of two parallel journeys undertaken seven decades apart. In the spring of 1939, Alex and Helmut Goldschmidt were two of more than 900 Jewish refugees fleeing Nazi Germany aboard the St. Louis , the saddest ship afloat" ( New York Times ). Turned away from Cuba, the United States, and Canada, the St. Louis returned to Europe, a stark symbol of the world's indifference to the gathering Holocaust. The Goldschmidts disembarked in France, where they spent the next three years in six different camps before being shipped to their deaths in Auschwitz.In the spring of…
World War II has been the background of my life. My Viennese family fled the Nazi regime. My childhood was peopled with Holocaust survivors and other people displaced by war. My uncle was a refugee and was trained as a Ritchie Boy and sent to war. I have been inspired by how people can survive traumatic times and come out stronger and kinder.
A poignant, well-written and deeply researched non-fiction story of the author’s search for the girlfriend her grandfather had left behind in Vienna. As my family left Vienna because of the Nazi regime, and my own novel takes place in Vienna, I found Ms. Wildman’s book especially meaningful, raising the question not only of what had happened to the woman but also of how much guilt and responsibility the grandfather carried?
One woman’s journey to find the lost love her grandfather left behind when he fled pre-World War II Europe, and an exploration into family identity, myth, and memory.
Years after her grandfather’s death, journalist Sarah Wildman stumbled upon a cache of his letters in a file labeled “Correspondence: Patients A–G.” What she found inside weren’t dry medical histories; instead what was written opened a path into the destroyed world that was her family’s prewar Vienna. One woman’s letters stood out: those from Valy—Valerie Scheftel—her grandfather’s lover, who had remained behind when he fled Europe six months after the Nazis annexed…
Elizabeth Rynecki is the great-granddaughter of Polish-Jewish artist, Moshe Rynecki (1881-1943). She grew up with her great-grandfather's paintings prominently displayed on the walls of her family home and understood from an early age that the art connected her to a legacy from "the old country": Poland. Elizabeth has a BA in Rhetoric from Bates College ('91) and an MA in Rhetoric and Communication from UC Davis ('94). Her Master's thesis focused on children of Holocaust survivors. Her book, Chasing Portraits: A Great-Granddaughter’s Quest for Her Lost Art Legacy, was published by NAL/Penguin Random House in September 2016. Her documentary film, also titled Chasing Portraits, had its world premiere in Poland in 2018 and has screened at numerous film festivals across North America. The film can be streamed on Amazon, iTunes, Kanopy, and OvidTV.
Glenn Kurtz’s grandparents traveled to Poland in August 1938, one year before the outbreak of the Second World War, to visit family. They filmed parts of that trip, including 3 minutes in Poland, footage that ultimately became one of the last records of a once vibrant Jewish community. Decades later, Kurtz painstakingly set out to identify the people in the film. He ultimately located seven living survivors, including an eighty-six-year-old man who appeared in the film as a thirteen-year-old boy. A heartfelt and powerful telling of what it means to rescue history and stories of survival.
Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome colour film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community, an entire culture that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four year journey to identify the people in his grandfather's haunting images. His search takes him across the…
Carolyn Porter is a graphic designer, type designer, and unapologetic lover of old handwriting. “Marcel’s Letters: A Font and The Search for One Man’s Fate” recounts Porter’s obsessive search to learn about Marcel Heuzé, a French forced laborer who mailed love letters to his wife and daughters from a Nazi labor camp in Berlin—letters Porter found 60 years later at an antique store in Minnesota. Porter’s book was awarded gold medals from Independent Publisher and The Military Writers Society of America, and was a finalist for a 2018 Minnesota Book Award.
After Steinman’s parents passed away, she found a trove of WWII-era letters her father wrote along with a silk flag inscribed to a man named Yoshio Shimizu. In this book, Steinman recounted her years-long quest to learn who Shimizu was, a search that resulted in a trip to Japan to return the precious artifact. At the same time, by reading her father’s letters, Steinman discovered a tender and expressive side of her father—a side that had been wiped away by trauma. Steinman’s book shines a light on the universal cost of war.
A soldier’s daughter unravels the secrets of her father’s experience in the Pacific Theater in this “graceful, understated” World War II memoir for fans of The Things They Carried (The New York Times Book Review)
Louise Steinman’s American childhood in the fifties was bound by one unequivocal condition: “Never mention the war to your father.” That silence sustained itself until the fateful day Steinman opened an old ammunition box left behind after her parents’ death. In it, she discovered nearly 500 letters her father had written to her mother during his service in the Pacific War and a Japanese flag…
I love stories that show humanity persevering, stories that show life is lived through easy times and hard ones too. I like stories where there is something worth celebrating in everyday life. Stories that remind us we’re just human and that isn’t too bad and that no matter what hell we’re going through, there’s something on the other side worth enduring for. I have a passionate love for stories like this. I always seek out stories that give me a similar feeling. When I write, I try to write stories that make others feel like how I do when I come across a similar story.
A memoir written by a holocaust survivor’s experience, as well as that of her family, Martin tells the story of how the war came to their lives and uprooted their daily lives.
I met Martin when she signed my copy of her book, so this one holds a special place for me. The story is told from multiple perspectives, as Martin and her siblings take turns describing the ordeals they went through both inside concentration camps and out.
Heartbreaking and harrowing at times, the story also makes a point to address things that helped Martin’s family smile in spite of it all. Martin’s story reminds us of why we keep going, as well as shows us how her family endured the six long years of the war.
The German army swept into Poland on September 1, 1939, and four days later into Dora Szpringer's home town of Bendzin. To begin their reign of terror, the Nazis burned down Bendzin's beautiful synagogue with some 200 helpless Jews inside. Most Jewish families in Bendzin, and rest of Poland were completely wiped out by the Holocaust. The Szpringers were just an ordinary middle-class family, but through many incredible strokes of luck, or perhaps miracles, all seven of them survived. For an entire Jewish family in Poland to survive the Holocaust is amazing--likely unique. What is more remarkable is how they…
I have studied World War 2 for thirty years not so much about the killing, but to see how the Allies developed strategies to win the battles. So many decisions and so many sacrifices were made which give me pause about how great our leaders were even with their mistakes. They orchestrated the war in a grand panorama as well as focused on tactics to take a key bridge. I served in Vietnam but WW2 was different in almost every way. Recently I have focused on the effects of shell shock (WW1) and battle fatigue (WW2) known today as Post Traumatic Stress Disorder. PTSD remains in the forefront from Vietnam to Afghanistan and Iraq. I have even counseled soldiers and families about PTSD.
This well-researched and well-written book describes the heroism of Jewish women in Poland during the killing of Jews by the Nazis. Usually, the women get overlooked in war, but in Poland, their bravery and deception along with the men sabotaged the Nazis, and saved Jewish people and families because of incredible sacrifices. Even though the story is non-fiction, it reads as a fast-paced novel. The information was taken from old diaries and out of print books in Yiddish which shed light on the unbelievable war in Poland.
'Original and compelling, an untold story of rare and captivating power' Philippe Sands
'A fascinating history about a little-known group who took on the Nazis . . . The individual tales of these courageous young women are remarkable' Independent
'Rescues a long-neglected aspect of history from oblivion, and puts paid to the idea of Jewish, and especially female, passivity during the Holocaust. It is uncompromising, written with passion - and it preserves truly significant knowledge. ... Judy Batalion has uncovered a trove of unknown or forgotten information about the Holocaust of genuine import and impact.'…
I'm a child of Holocaust survivors who spent three years in slave labour camps. My mother told me stories of her experiences a child should probably not hear. The result is that my philosophy of life, and sometimes my writing, can be dark. It’s no surprise that this period of history imbues my novels. I chose to write mysteries to reach a wider audience, the Holocaust connections integral to the stories. During my research, I discovered a wealth of information on the Holocaust but learned that memoirs revealed best what happened to people on the ground. Memoirs draw you into the microcosm of a person’s life with its nostalgia, yearning, and inevitable heartbreak.
Elsa Thon recounts her war experiences in a cinematic tale with the eye of an artist. A teenager in Poland who had apprenticed in photo retouching, she was recruited by the Jewish underground. She left her family behind in the Warsaw Ghetto, ending up in Krakow with false papers. This was difficult for her, a deeply honest person. She writes, “I lied all the time.” She takes the reader with her on her dangerous journey, the degradation of a labour camp, and a forced march. Elsa was also a student in my seniors writing class and I found her to be generous and good-humoured, despite her painful past. She lost her whole family in the Holocaust but she writes that it was her “destiny” to survive.
Elsa Thon was a sixteen-year-old photographer's apprentice when the Nazis occupied her town of Pruszków, Poland. When her family was sent to the Warsaw ghetto, Elsa joined a community farm and was recruited by the Underground. Despite her deep belief in destiny, Elsa refused to bow to her fate as a Jew in war-torn Poland.
My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction.
Yes! We all saw the movie, but did you know that it began as a memoir written by Szpilman to document his life during WWII? If you didn’t, pick up this book. You will be there, by Szpilman’s side as he fights for survival, and his first-person narrative allows us to see the ghetto and Poland through his eyes.
The powerful and bestselling memoir of a young Jewish pianist who survived the war in Warsaw against all odds. Made into a Bafta and Oscar-winning film.
'You can learn more about human nature from this brief account of the survival of one man throughout the war years in the devastated city of Warsaw than from several volumes of the average encyclopaedia' Independent on Sunday
'We are drawn in to share his surprise and then disbelief at the horrifying progress of events, all conveyed with an understated intimacy and dailiness that render them painfully close - riveting' Observer
I’m the author of seven published novels and a recently retired English professor. I was the founder and director of the Fairfield University MFA program. My latest novel is called Lebensborn and is set in Germany near the end of World War II. The novel concerns a little-known project hatched by Heinrich Himmler called Lebensborn (“the fount of life”). Concerned about Germany’s falling birth rate, Himmler began the program in 1935 hoping to encourage unwed mothers not to have abortions but to give birth to their babies at Nazi-run homes and then to give their babies up for adoption to “pure Aryan” officers. Lebensborn follows the story of Renate Dressler, a young German girl who falls in love with an SS officer.
What I appreciate about Hunter's novel is that it takes a new approach to the subject of the Holocaust. With the outbreak of WWII, the Kurcs, a Polish-Jewish family, find themselves driven into another diaspora, with their family members cast to the four corners of the globe. Hunter touches on the plight of Poland during the early years of the war when the country was torn asunder by Germany from the west and the Soviet Union from the east. The plot follows the various family members as they struggle to survive the Holocaust in Poland, in Stalin's Gulag, and as one member tries to flee to South America. A big, sprawling, family epic filled with tragedy and humanity, brutality and heroism.
The New York Times bestseller with more than 1 million copies sold worldwide
Inspired by the incredible true story of one Jewish family separated at the start of World War II, determined to survive-and to reunite-We Were the Lucky Ones is a tribute to the triumph of hope and love against all odds.
"Love in the face of global adversity? It couldn't be more timely." -Glamour
It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk around the family…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.
The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him
'The first masterpiece in comic book history' The New Yorker
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.
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