I can’t remember a time when I wasn’t interested in Napoleon, although in what ways have shifted back and forth over time. His reforms shaped the Europe we live in today, as few other rulers have managed. To go to law, to buy and sell, to marry, be born, or divorce, all these actions belong to his Civil Code. That is why I took up the study of his regime and its work as a professional historian. His myth, his exploits, gripped me as a boy, and still do. So spectacular a rise and fall do not happen by chance. There was no one like him.
‘Game changer’ is a much-overused term for new academic books, but not in this case. Wolfram Siemann’s seminal biography of Metternich sheds a blinding array of new light on one of the most important figures of the age, and recasts forever our understanding of the politics and diplomacy of the Napoleonic period. At last, a great scholar has systematically exploited the private archives of the Metternich family, bringing new facts to bear on the key moments of the Napoleonic wars. It is simply indispensable, and HUP are to be saluted for making it available in English.
A compelling new biography that recasts the most important European statesman of the first half of the nineteenth century, famous for his alleged archconservatism, as a friend of realpolitik and reform, pursuing international peace.
Metternich has a reputation as the epitome of reactionary conservatism. Historians treat him as the archenemy of progress, a ruthless aristocrat who used his power as the dominant European statesman of the first half of the nineteenth century to stifle liberalism, suppress national independence, and oppose the dreams of social change that inspired the revolutionaries of 1848. Wolfram Siemann paints a fundamentally new image of the…
I am a graduate in Philosophy with a Masters degree in Contemporary Culture so this theme is enormously interesting for me. My passion has been shifting from literature to contemporary society and culture in general. I love to find the connexions between the current state of affairs and the past. I honestly think that if we look at the lives and times of the great thinkers we can get hints about the state of contemporary society. Understanding what makes us behave and think the way we do it is my main motivation.
The figure of Ludwig Wittgenstein has always been quite enigmatic for me.
The enormous contradictions of his life and the intensity of it are difficult to understand in the abstract. Ray Monk's biography contextualizes the life and work of the Austrian philosopher who set out to solve all the problems of philosophy.
Monk's biography stands as a testament to Wittgenstein's enduring influence on our understanding of language, thought, and reality.
I have been drawn to the history of the German lands ever since I opened a historical atlas as a child and wondered why the middle of Europe was a colorful patchwork compared to the solid blocks depicting other countries. I then wondered how the people living under this multitude of authorities could manage their affairs, resolve differences, and defend themselves against each other and outsiders. Digging deeper into these questions has unearthed fascinating stories, not all of them pleasant, but which also shed light on the complexities of our shared existence.
The Thirty Years War remains seared into the popular consciousness across Germany and Austria as a momentous catastrophe against which other conflicts are still measured.
The conflict was indeed terrible, yet its impact was uneven across time, place, social status, and gender.
Sigrun Haude writes sympathetically about how ordinary people coped with calamity whilst skillfully weaving individual stories with the wider dynamic of military and political events.
At its core, Coping with Life during the Thirty Years' War (1618-1648) explores how people tried to survive the Thirty Years' War, on what resources they drew, and how they attempted to make sense of it. A rich tapestry of stories brings to light contemporaries' trauma as well as women and men's unrelenting initiatives to stem the war's negative consequences. Through these close-ups, Sigrun Haude shows that experiences during the Thirty Years' War were much more diverse and often more perplexing than a straightforward story line of violence and destruction can capture. Life during the Thirty Years' War was not…
I am a reader of primary texts. One can be dismayed by the number of followers’ easy reliance on secondary literature to create interpretations of their leader’s economic ideas about the sources of society’s well-being. Distortive alteration and the recycling of unfounded ideas about conflicting influential economists’ theories is actually counterproductive. Only scrutiny of an author’s work can reveal false assertions. I’m proposing four authors I’ve scrutinised to find out what they really thought about my main teaching interests: money and credit, and their impact on prices, and the manipulation of the volume of either/both to affect purchasing power. It has been astounding to learn what theory applications, distorting their intent, bear their name.
Take Hayek’s market economy as a Bohemian accordion orchestra.
As its instruments produce music, each elongates, pulls in air (analogous to money), and compresses, expresses air (money). Air-in (savings) is equal to air-out (investment). Fluctuating elongations and compressions are an essential feature of the orchestra (the economy).
For Hayek, interference with harmonious accordion (economic) activity infusing or restricting air (money) would spoil the music.
Economic fluctuations stem from preferences, spending for present enjoyment, or saving for future gains. Relative demands for end products or capital impact relative prices, costs, and returns, affecting savings/investment. Investment money, as IOUs, flies where returns are highest.
Hayek engages readers to prove that bank interventions’ tinkering with money is as capable of producing compassionate social outcomes as free individuals using their earnings as they wish.
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These seven works taken together represent the first integration and systematic elaboration of the Austrian theories of money, capital, business cycles, and comparative monetary institutions, which constitute the essential core of Austrian macroeconomics. These works have profoundly influenced postwar expositions of Austrian or capital-based macroeconomics down to the present day. The creation of such an oeuvre is a formidable intellectual feat over an entire lifetime; it is an absolute marvel when we consider that Hayek had completed it in the span of eight years (1929–1937) and still well shy of his fortieth birthday. Hayek’s…
I’ve been fascinated by historical fiction since I was a child when I read Number the Stars by Lois Lowry and it absolutely captivated me. I appreciate how history cautions us to examine the present, so we don’t repeat the same injustices. After failing to get a literary agent for not one, but two contemporary novels, I decided to shift my focus to historical fiction. Inspired by dual-narrative structure, I wrote a novel set in both present-day San Francisco and 1876 San Francisco. That book, my debut, The Dressmaker’s Dowry, became a USA Today bestseller. I’ve since gone on to write two more novels, Boardwalk Summer and The Pilot’s Daughter.
This is a heartbreaking, yet uplifting novel of love and survival inspired by real resistance workers during World War II Austria, and the mysterious love letter that connects generations of Jewish families. It takes place in both 1989 Los Angeles and 1938 Austria. I love this book because of Jillian’s beautiful writing, and her strong sense of place. I felt transported to WWII Austria, where I became deeply invested in the love story between Kristoff and Elena. I also enjoyed that the modern-day story takes place pre-internet, where a newly divorced woman, Katie, does hands-on research to learn more about an unusual WWII-era stamp. Both narratives weave together seamlessly. I was lucky to read this book while visiting my family in Switzerland, surrounded by the beauty of the Alps.
“A gorgeous and thrilling novel… Perfect for book clubs and fans of The Nightingale.” –PopSugar
A historical novel of love and survival inspired by real resistance workers during World War II Austria, and the mysterious love letter that connects generations of Jewish families. A heart-breaking, heart-warming read for fans of The Nightingale, Lilac Girls, and Sarah's Key.
Austria, 1938. Kristoff is a young apprentice to a master Jewish stamp engraver. When his teacher disappears during Kristallnacht, Kristoff is forced to engrave stamps for the Germans, and simultaneously works alongside Elena, his beloved teacher's fiery daughter, and with the Austrian resistance…
I’ve spent a lifetime as a professional classical musician and a mystery reader. Starting with Hardy Boys adventures at the same time I started playing the violin, my intertwined love affairs with music and the mystery genre continue to this day. As a long-time member of major American symphony orchestras, I’ve heard and experienced so many stories about the dark corners of the classical music world that they could fill a library. It gives me endless pleasure to read other mystery authors’ take on this fascinating, semi-cloistered world and to share some of my own tales with the lay public in my Daniel Jacobus mystery series.
Intense and intricate with complex human interactions subjected to the forces of history and destiny, Canone Inverso is both literary fiction and mystery. This gripping tale of evolving relationships centers around the field of classical music and a particular violin. With the setting in Germany, Austria, and Hungary during the turbulent 1930s and ’40s, a brilliant, working-class young violinist is secluded in a prison-like music conservatory with an aristocratic boy who befriends him. Gradually, their bond is severely tested. What is genius? What is friendship? What is the price paid for beauty and greatness? These are some of the issues we’re confronted with in this riveting novel.
When a strangely carved violin appears at auction in London, one bidder is prepared to pay any price to have it in his possession again. Many years before, two boys were united in their lust for music; how they were ultimately divided is revealed as the story journeys to pre-Nazi Vienna.
Much has been written about the Holocaust but enough
can never be said. Tom Stoppard was born
in Czechoslovakia in 1937 to a non-observant Jewish family forced to flee the
Nazi terror.
In his play Leopoldstadt
Stoppard follows the history of a family living in that Jewish suburb of
Vienna, from the turn of the 20th century to today. The story of the prejudice and restrictions
they experienced, as well as the hopes they had of transcending them through
business success and assimilation, are heartbreaking. A friend of mine came from such a family and
from his recollections I know that Stoppard has described the situation
accurately.
This play (as the family) is full of characters you care about
deeply, and knowing about the coming Holocaust, we want to cry out a warning to
them. We can’t. But this is a
warning about the future.
At the beginning of the twentieth century, Leopoldstadt was the old, crowded Jewish quarter of Vienna. But Hermann Merz, a manufacturer and baptised Jew married to Catholic Gretl, has moved up in the world. Gathered in the Merz apartment in a fashionable part of the city, Hermann's extended family are at the heart of Tom Stoppard's epic yet intimate drama. By the time we have taken leave of them, Austria has passed through the convulsions of war, revolution, impoverishment, annexation by Nazi Germany and - for Austrian Jews - the Holocaust in which 65,000 of them were murdered. It is…
I've been a working journalist for 50 years, and as a child of TV, especially in the 1960s, I grew up with some of the most memorable TV themes ever written. I started writing about TV in the 1980s, and since moving to Los Angeles in 1986, have used every opportunity to meet and interview all of my favorite composers of movie and TV music. The result is this book, which looks at the history of TV themes and, in a larger sense, music written for TV generally. Every genre of TV, from crime to sitcoms, westerns to adventure, has had fun, often compelling, and truly memorable music, and I've tried to celebrate it here.
Maybe the last of the great Viennese-born classical composers, Korngold enjoyed enormous success in Europe in the 1920s.
Invited to Hollywood in 1934, he began writing film music for the swashbucklers, costume dramas, and historical pageants of Warner Bros., often starring the likes of Errol Flynn, Olivia De Havilland, and Claude Rains: Captain Blood, The Adventures of Robin Hood, The Sea Hawk, Kings Row, and others.
Korngold thought of movies as "operas without singing" and wrote lavish, richly orchestrated scores filled with memorable melodies. Fleeing the Nazi tyranny in 1938, he became one of the greatest composers in the Golden Age of movies.
Carroll spent decades researching his life, it's a thorough and compelling read, and it saddens me that the book is now long out of print.
Sometimes I have to take a trip back to my reading "roots": gothic mystery and suspense. This list is a deep dive into some of my very favorite vintage gothic authors and ones that I consider to be icons of the genre. These writers formed the foundation not only for my reading tastes but also for who I have become as a writer. The memories of my younger self come flooding back when I revisit these authors and their works as I have done with this list. Some of these novels are hard to come by now but, in my opinion, the older and more beat-up paperback, the better.
Mary Stewart was such a huge talent.She wrote in more than one genre but I am most drawn to her gothic novels like this one.
The original vintage cover from 1965 presents what it is: 60s style, castle parapets (pivotal scene in novel), and that Fawcett Crest price tag!
(And can we just take a moment here to recognize that the original covers were always the best ones in this genre of reads?)
Stewart was a genius at spinning out a mystery that keeps the reader guessing. This novel is no exception to that and adds in that gothic flavor with just the right touch.
Vanessa March's husband Lewis is meant to be on a business trip in Stockholm. So why does he briefly appear in newsreel footage of a fire at a circus in Vienna, with his arm around another woman? Vanessa flies to Austria to find her husband - and inadvertently becomes involved in a mystery surrounding the famous dancing stallions of Austria's Spanish Riding School . .…
I am an economics professor at Victoria University of Wellington. As a previous Secretary of the New Zealand Treasury and Governor of the Reserve Bank of New Zealand, I have had quite a bit of experience watching economists’ ideas succeed and fail in the real world. I have written a number of books about policy economists and their lives in peace and wartime. (And a couple of novels too!)
This is a heavier read taking us through a group history of the Austrian School of Economics from the coffee houses of Imperial Vienna to the modern-day Libertarians. Economists such as Ludwig von Mises, Friedrich Hayek, and Joseph Schumpeter originated ideas that have had a big impact on economics and politics, and have been much debated ever since.
A group history of the Austrian School of Economics, from the coffeehouses of imperial Vienna to the modern-day Tea Party
The Austrian School of Economics-a movement that has had a vast impact on economics, politics, and society, especially among the American right-is poorly understood by supporters and detractors alike. Defining themselves in opposition to the mainstream, economists such as Ludwig von Mises, Friedrich Hayek, and Joseph Schumpeter built the School's international reputation with their work on business cycles and monetary theory. Their focus on individualism-and deep antipathy toward socialism-ultimately won them a devoted audience among the upper echelons of business…
