The most recommended books about Austria

A touching and sympathetic biography of one of Europe’s greatest twentieth-century writers, best known as the author of The Radetzky March, and an essential introduction to his other novels (too little read in English).

We follow Roth as he flits between Europe’s cultural centres, his melancholy mood tracking the decline of the Austro-Hungarian empire. With Pim as our guide, it is impossible not to sense the fragile state of more contemporary political unions, as Roth’s plight in a way becomes our own.

Just a great novel – you will fall in love and empathize with the characters.

As always, Irving mixes in life and death making the fiction feel real. Irving has a way of surprising the reader. Each plot turn will bring out a new emotion. The reader will feel sorrow, anger, and love while identifying with the characters.

Most importantly, Irving has a real touch with making me laugh at the twists and turns of life.

I read this book as part of the research I did for my WIP, a WW2 novel. Hitler does not play a significant role in my novel, but it is impossible to study the modern history of Europe without wondering what turned a talented young Austrian artist into  the most hated man of the 20th Century.

The Secret Journals of Adolf Hitler, Volume 1: The Anointed is Part One of a two-part biography. Presented as a personal journal, this  well researched expertly written revelation  follows the formative years of Hitler’s life. This exploration seeks to help the reader  understand the desperate journey that turned an ordinary child into a charismatic madman, who after more than seven decades, still remains one of the greatest enigmas of all time.

An insightful must- read for any 20th Century History Junkie.

Jon Klassen is my favorite current children’s book illustrator and author.

With The Skull he adapts a folktale from Tyrol to tell the story of an unlikely friendship. Not only is the book by turns creepy and funny, it’s fantastically drawn and it has a cool origin story (which Klassen illuminates in his author’s note, so I won’t spoil it).

Reflections on a quest to find truth as a wandering mystic. Agehananda (whose name means "homeless bliss") was born in Austria and posted to India in World War II. He later joined an order of yogis and travelled the country asking awkward questions. This got him into trouble, and he wound up renouncing monastic life to become an academic in upstate New York. This book recounts a spiritual journey that’s also sharply intellectual. A mind-expanding read.

A remarkable novel about Truus Wijsmuller, a very brave woman in the Netherlands, resisting the Nazis by smuggling Jewish children out of Nazi Germany to the nations that will take them. A very moving and true story. The role of women in the resistance movement in the Netherlands has been neglected or underrepresented for way too long, so this story helps to shed light on the active resistance women carried out in WWII. This is exactly what my platform ‘Sophie’s Women of War’ sheds light on. 

Also a book written by an insider. Langbein was an Austrian communist who was arrested by the Nazis in Vienna and got deported.

He became a Funktionshäftling in the camp (a prisoner who had to help the Nazis with daily tasks) and wrote this formidable book about Auschwitz right after the war. Langbein describes in great detail and with style about the daily life, including sports and music, in Auschwitz I.

Non-judgemental and seemingly without anger. That’s why this book is so impressive. 

I’m recommending it for several reasons. First, it’s a splendid read. Second, it presents a view of the Arctic from a woman’s rather than a man’s point of view – not a common thing, at least not in the 1930s, when the book was written.   Third, I felt so strongly about the book’s merits that I got it back into print and wrote an introduction to it, too. 

Gödel (1906-1978) is, like Newton, an unpromising subject for biography. He was antisocial and mentally unstable. His obsessive fear of being poisoned led eventually to him starving himself to death. 

Rebecca Goldstein is a professor of philosophy with a deep interest in logic and the foundations of mathematical truth – the applecart that Gödel overturned in 1931 with his tremendous paper on the incompleteness of axiomatic systems. She is also an experienced novelist. This combination makes her just the right person to construct a gripping story out of Gödel’s weirdness and world-shaking importance.

Mary Stewart was such a huge talent. She wrote in more than one genre but I am most drawn to her gothic novels like this one.

The original vintage cover from 1965 presents what it is: 60s style, castle parapets (pivotal scene in novel), and that Fawcett Crest price tag!

(And can we just take a moment here to recognize that the original covers were always the best ones in this genre of reads?)

Stewart was a genius at spinning out a mystery that keeps the reader guessing. This novel is no exception to that and adds in that gothic flavor with just the right touch.

The Thirty Years War remains seared into the popular consciousness across Germany and Austria as a momentous catastrophe against which other conflicts are still measured.

The conflict was indeed terrible, yet its impact was uneven across time, place, social status, and gender.

Sigrun Haude writes sympathetically about how ordinary people coped with calamity whilst skillfully weaving individual stories with the wider dynamic of military and political events. 

After 1918, many German and Austrian Habsburg officers blamed their defeat on being ‘stabbed in the back’ by civilian ‘shirkers’, leftists, and (in the Habsburg case) fractious nationalists.

Both states indeed failed to manage their home fronts but, as Alexander Watson shows in his compelling account of this titanic conflict, there were far more complex reasons for the war’s outcome, not least the willingness of the high command in both states to embark on a conflict they had no realistic chance of winning.

Set in post-WWII with wartime flashbacks to an earlier time, Blundell uses music, dance, and fashion to capture the mood and atmosphere of the era. Her descriptions of the fashions had me drooling and wanting to run to the nearest vintage shop to buy a new dress. Blundell’s use of language, imagery, and metaphor worked well and often flirted with brilliance. She captured the dichotomy of having one foot in childhood and the other in adulthood with compelling plot twists, intertwining the complex mother and the daughter relationship from the perspective of a young woman. The romance aspect was realistic and dangerous with the character of Peter exactly what every parent fears for their budding daughter and what so many naive girls think they want.

Vincent Sheean’s memoir, published in 1935, stands out because it established a genre of memoir writing by foreign correspondents and because of its high literacy value.

“It has now been 30 years or more since Vincent Sheean wrote his Personal History,” commented Saturday Review of Literature editor Norman Cousins commented years later. “Many of the foreign correspondents have tried to convey the same sense of an intimate, interactive relationship with events and people that gave such luster to Sheean’s book.”

Sheean’s still-young career had spanned the globe for Europe, to North Africa and the Middle East, to the 1920s revolution in China, to the Soviet Union. His story was about himself insofar as it described how the news felt to him.

The events he witnessed proved the most important of the period in which he lived. Sheean went on in a similar fashion after the book appeared, displaying almost… show more.

Elfriede Jelinek has many anti-heroines in novels and plays, but I pick Erika Kohut, a repressed Austrian piano teacher who in her late thirties is still living under the power of her stifling elderly mother. Vienna, the city of music and great composers like Franz Schubert, is seen not only through the Vienna Conservatory but inside peep-shops that Erika frequently visits to escape from her mother. Although she is a masochist and self-mutilates, she begins a relationship with Walter, a new student, and gives him the instructions through an atypical letter. Jelinek's work makes me feel many things, not only due to her stories and characters but also the depth of her writing! The importance of her voices in novels and plays is extraordinary, her prose is satirical and very critical. She looks at their characters psychologically, from the deep of human behavior.

Here we enter the topic of time travel, a concept very dear to me from both a fictional, moral, and scientific point of view. Many novels have attempted to show how one change in the past could change our future. Elton’s novel struck me for its originality in picking a notorious historical event largely ignored by fiction when it comes to time travel and alternate history. The assassination of the Franz Ferdinand of Austria is used not just as the spark of World War I but as the start of the ideological and warmongering terror that would spread through Europe. The novel is an example of man’s fixation with trying to find one cause for all problems when maybe there are multiple causes going back years and years. The search is as vain as the main character’s attempts to change history.

Much has been written about the Holocaust but enough can never be said. Tom Stoppard was born in Czechoslovakia in 1937 to a non-observant Jewish family forced to flee the Nazi terror. 

In his play Leopoldstadt Stoppard follows the history of a family living in that Jewish suburb of Vienna, from the turn of the 20th century to today. The story of the prejudice and restrictions they experienced, as well as the hopes they had of transcending them through business success and assimilation, are heartbreaking. A friend of mine came from such a family and from his recollections I know that Stoppard has described the situation accurately.

This play (as the family) is full of characters you care about deeply, and knowing about the coming Holocaust, we want to cry out a warning to them.  We can’t. But this is a warning about the future.

Manhattan art dealer Sera James watched her world crumble at the altar two years ago, and her heart is still fragile. Her desire for distraction reignites a passion for a mysterious portrait she first saw as a young girl—a painting of a young violinist with piercing blue eyes. Along with wealthy heir William Hanover, Sera unravels the story behind the painting’s subject, an Austrian violinist Adele Von Bron who smuggles Jews out of Vienna and finds herself in Auschwitz.

Evocative, haunting, soul searching, this debut by Cambron is time-slip historical fiction at its best: heartbreaking truth of the horrors of Auschwitz, romance with a musical refrain, art and faith. Just the kind of story I try to write. A delight.

Take Hayek’s market economy as a Bohemian accordion orchestra.

As its instruments produce music, each elongates, pulls in air (analogous to money), and compresses, expresses air (money). Air-in (savings) is equal to air-out (investment). Fluctuating elongations and compressions are an essential feature of the orchestra (the economy).

For Hayek, interference with harmonious accordion (economic) activity infusing or restricting air (money) would spoil the music.

Economic fluctuations stem from preferences, spending for present enjoyment, or saving for future gains. Relative demands for end products or capital impact relative prices, costs, and returns, affecting savings/investment. Investment money, as IOUs, flies where returns are highest.

Hayek engages readers to prove that bank interventions’ tinkering with money is as capable of producing compassionate social outcomes as free individuals using their earnings as they wish.

In most introvert-theme fiction, not much “happens.” Instead, the author focuses on the texture of characters’ thoughts, experiences, and memories. I found this novel, by an Austrian writer not well known in the English-speaking world, fascinating for two reasons. First, it explores the life, work, and thinking process of an obsessive genius – someone introverted to the nth degree. And second, it does so in a book of just two paragraphs, going on and on in musical prose where the repetitive rhythms of the sentences have just as much impact as what they’re narrating. The architectural genius in Correction is partly based on Austrian philosopher Ludwig Wittgenstein, which added interest for me since I find Wittgenstein a uniquely inspiring figure.