I've been a working journalist for 50 years, and as a child of TV, especially in the 1960s, I grew up with some of the most memorable TV themes ever written. I started writing about TV in the 1980s, and since moving to Los Angeles in 1986, have used every opportunity to meet and interview all of my favorite composers of movie and TV music. The result is this book, which looks at the history of TV themes and, in a larger sense, music written for TV generally. Every genre of TV, from crime to sitcoms, westerns to adventure, has had fun, often compelling, and truly memorable music, and I've tried to celebrate it here.
Maybe the last of the great Viennese-born classical composers, Korngold enjoyed enormous success in Europe in the 1920s.
Invited to Hollywood in 1934, he began writing film music for the swashbucklers, costume dramas, and historical pageants of Warner Bros., often starring the likes of Errol Flynn, Olivia De Havilland, and Claude Rains: Captain Blood, The Adventures of Robin Hood, The Sea Hawk, Kings Row, and others.
Korngold thought of movies as "operas without singing" and wrote lavish, richly orchestrated scores filled with memorable melodies. Fleeing the Nazi tyranny in 1938, he became one of the greatest composers in the Golden Age of movies.
Carroll spent decades researching his life, it's a thorough and compelling read, and it saddens me that the book is now long out of print.
I've mostly made my living as a feature writer, covering a broad range of subjects—from 9/11 to the Poker Million tournament, Miles Davis to (a film version of) James Joyce’s Ulysses, British soldiers injured in Afghanistan to the Peace One Day campaign—for numerous UK and Irish newspapers and magazines, including GQ, where I was formerly deputy editor, and Esquire, where I was editor-at-large. I've also written extensively about music, jazz in particular; musicians I've interviewed include Nick Cave, Gil Scott-Heron, McCoy Tyner, Wynton Marsalis, and Maria Schneider. My first book, a biography of the American guitarist Bill Frisell, was published by Faber in the spring of 2022.
Don’t let the (original) lengthy subtitle, with its nearly forty-year-old date reference, put you off; this is a deeply original and highly engaging account of the music and philosophy of one of America’s most prolific and consistently creative musicians: composer, improviser, educator and multi-instrumentalist Anthony Braxton. With a double narrative that deftly alternates between lofty discussions of subjects such as metaphysics, mysticism, language, and astrology, and the daily grind of a challenging twelve-date tour of England by a Braxton quartet in the winter of 1985, Forces in Motion cleverly captures much of the complexity, intelligence, ambition and humour of its uncompromising subject. At one point Lock describes Braxton as “an alchemist, a man who opens doors you didn’t know existed”; the same can be said of the book itself. A perfect marriage of musician and writer.
"Absolutely essential reading." — The Wire One of modern music's towering figures, composer and multi-instrumentalist Anthony Braxton has redefined critical concepts of jazz and the wider world of creative music. The Chicago native's works range from an early piece for 100 tubas to proposed compositions for orchestras on different planets. A modern classic, Forces in Motion follows Braxton's lauded quartet on a 1985 tour of England, noting his opinions of his musical predecessors — including Charlie Parker, John Coltrane, and Karlheinz Stockhausen — as well as his thoughts on racism and poverty. For this new 30th anniversary edition, Graham Lock…
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
Paganini is not one of the composers the author discusses. However, I consider Secret Lives an important book, simply because it “spills the beans” about a number of these giants.
Gioachino Rossini is portrayed with some of his numerous shortcomings (though Paganini’s dalliances achieved far more notoriety). I shall mention a few significant historical facts: (1) he and Paganini were very close friends, (2) Paganini wrote a set of brilliant variations, I Palpiti,based on an aria from Rossini’s opera, Tancredi, and (3) Paganini did indeed conduct the debut of another Rossini opera, Matilde di Shobran.
Secret Lives was also a source I tapped for some of the information I presented about composers (including, most notably, Richard Wagner) in one of my own novels.
In the fine tradition of "Secret Lives of Great Authors" and "Secret Lives of Great Artists" comes the latest entry in Quirk's successful series: "Secret Lives of Great Composers". You've heard their scores in countless movies, from "Fantasia" to "Apocalypse Now" - now get the skinny on their tumultuous lives, loves, and lunacy. You'll learn that Frederic Chopin had his heart removed before burial, due to his grave fear of being buried alive. Sergei Rachmaninoff hated the sound of his own music and despised performing it. Gustav Mahler was rarely invited to dinner parties because he would eat nothing but…
Absent Friend is a heartfelt and heartwarming tribute to a man and his work.
The man in question being Leonard Cohen. Part memoir, with illuminating glimpses into the author's own life, part biography, Absent Friend is the Irish author's homage to the man he describes as full of style, grace, and humility.
The words flow as sweetly and as easily as any of Cohen's lyrics. Recurring themes from Cohen's work are teased out: our reluctance to make the sacrifices necessary to form lasting relationships, what, if anything, awaits beyond life, and meditations on the lives of martyrs. Transcending all the above is the mystery of man's inhumanity to man.
Absent Friend is a meditation on a thirty year friendship between Leonard Cohen and Irish writer John MacKenna. Through their letters, emails and MacKenna's exploration of his favourite Leonard Cohen songs, the book builds a picture of a comradeship that culminated in their creating Between Your Love and Mine, a requiem Mass for theatre, in the months before Leonard's death.
This modest book is of great importance to anyone wishing to understand the unique artistry of Leonard Cohen. Few journalists or writers enjoyed Leonard's respect and trust as much as did John MacKenna. That trust is on full display in…
The richness and accuracy of the historical
backgrounds add to the story and the fully developed characters, which left me
sometimes angry, sometimes content, sometimes sad, sometimes happy.
I felt that
often, Morrow’s characters were hiding something. There were subplots that
tantalized me and took me down new avenues, but Morrow always brought them back
to the primary plot. And, of course, the beautiful prose.
Finally, the complexity of the subplots, as Morrow weaved
them into a coherent whole, left me humbled but also inspired to move from the
“temporal linearity” of my own books to something more complex.
“Twining music history with the political tumults of the 20th century, The Prague Sonata is a sophisticated, engrossing intellectual mystery.”—The Wall Street Journal
Music and war, war and music—these are the twin motifs around which Bradford Morrow, recipient of the Academy Award in Fiction from the American Academy of Arts and Letters, has composed his magnum opus, a novel more than a dozen years in the making.
In the early days of the new millennium, pages of a worn and weathered original sonata manuscript—the gift of a Czech immigrant living out her final days in Queens—come into the hands of…
Every once in a while, I enjoy reading a soft murder/mystery with a hint of
romance, and that’s when I turn to Nora Roberts—never disappointed with her
format writing.
I find her words simple and colorful, allowing the reader to
whiz through the story without pause. Love is always a major point in Roberts’
character’s adventures, and nine times out of ten, the good guy always gets the
girl.
Night Shift/Night Shadow is no different—two short stories of sisters
in different scenarios but with the same outcome
It is an easy read for the
millions already familiar with this best-selling author.
Drawing on hundreds of interviews with Allen himself, his family members (including actor and poet Jo Harvey Allen, his wife and artistic partner of more than sixty years), and his many notable friends, colleagues, and collaborators (from musicians like David Byrne and Kurt Vile to artists such as Bruce Nauman and Kiki Smith); full access to the artist's home, studio, and voluminous journals and archives; and over twenty years of collaboration and friendship with Allen, author Brendan Greaves limns a revealing portrait, as deeply researched as it is intimate, as provocative as it is poetic, of a singularly multivalent storyteller…
Ever since childhood, I’ve wondered about people who led inventive, innovative lives. How did they get their inspiration? Where did their ideas come from? How did they take that inspiration and change the world? I found information, but not the answers I was looking for, at the library. When I became an elementary library teacher, new forms of biographies – beautiful picture book biographies about people of all kinds – became available. My students loved them and so did I, and I became inspired to write for children. I’m excited that my first two picture book biographies, which received starred reviews, are out in the world – with more coming your way!
I love this book because it shows how a musical icon discovered and developed his own personal style.
Juan García Esquivel had a passion for music but no formal training. Without knowing the typical ways of arranging notes, Esquivel was free to experiment–and that made his work so unique that anyone hearing his music knew right away that he was the composer.
I think this book is great for showing the value of thinking differently. I also love the joyful illustrations inspired by ancient Mexican art.
Juan Garcia Esquivel was born in Mexico and grew up to the sounds of mariachi bands. He loved music and became a musical explorer. Defying convention, he created music that made people laugh and planted images in their minds. Juan's space-age lounge music--popular in the fifties and sixties--has found a new generation of listeners. And Duncan Tonatiuh's fresh and quirky illustrations bring Esquivel's spirit to life.
I have always been a voracious reader and was blessed with parents who filled my home with books, who read to me, and who exposed me to both true and fictional stories that expanded my heart and nourished my imagination. I grew up on Christian biographies, along with devouring history and novels. I was shaped, nourished, and strengthened by the stories of real men and women who lived lives that mattered, and who understood that God never puts His children in times, in places, or in circumstances where He cannot enable them to shine brightly, and where they cannot speak truth and compassion into the darkness.
Follow the parallel stories of an unforgettable, powerfully real, close-knit tribal culture in the wild mountains of New Guinea, and the deeply dedicated, deeply flawed man who would seek them out with the Gospel of Christ.
The collision of two cultures and two quests brings tragedy—but does not end in tragedy. Encountering this story as a teenager changed me forever and made the gospel a living thing to me.
Engulfed in the darkness of Irian Jaya's Snow Mountains live the Yali, naked cannibals who call themselves lords of the earth. Yet, in spite of their boldness, they live in terror and bondage to the women-hating, child-despising gods they serve. Missionary Stan Dale dared to enter their domain and be an instrument to change their future. Peace Child author, Don Richardson, tells the story of Dale, his wife, his companions, and thousands of Yali tribesmen in Lords of the Earth. This unforgettable tale of faithful determination and zeal against overwhelming odds brings unlikely characters together in a swirl of agony…
Having taught college courses on and written books about theatre, film, and popular music for over forty years, I have great respect for those who write about the popular art form known as musical theatre. As a theatergoer, I've watched the Broadway (and Off-Broadway) musical develop, change, and sometimes decline. It seems musicals are more popular today than ever before; they certainly are more diverse. I grew up with the traditional Rodgers and Hammerstein model and have seen musicals take on new forms over the years.
It is an exciting art form that deserves to be written about.
An early and still one of the best works on the subject, Green'sThe World of Musical Comedy is the book that introduced generations of musical theatre fans to the art form. It was first published in 1960 and that first edition was my first encounter with the great songwriters and musicals of the American theatre. Green later revised and updated the book and the fourth edition stops at 1980 but the book remains in print. I still recommend it as the best way to discover the classic works in the world of musicals.
Acclaimed through three editions for its uniquely informative and entertaining style, this fourth edition of Stanley Green's World of Musical Comedy updates and enlarges the theatrical scope to include such recent shows as A Chorus Line, Barnum, They're Playing Our Song , and Annie . In a format that provides biographies of all the leading figures in the musical's development, Stanley Green manages to convey the spirit of the Broadway stage, its musical make-believe, and yet remain objective about the creative swings in its history and the careers of its individual creators. Everyone is here: Victor Herbert, Sigmund Romberg, Jerome…
