The best books about jazz

As a jazz critic, I was long struck by the absence of knowledgable (and fun) references to this music in mystery novels, my second love. Then I happened upon a pair of remaindered books by British novelist John Harvey. A blurb referring to his police detective Charlie Resnick's devotion to bebop giants Charlie Parker, Miles Davis, and Thelonious Monk sealed the deal. Harvey doesn't just drop names and titles in Easy Meat, he plays jazz critic himself: "It was a bad sign, Resnick knew, when he played Monk last thing at night, the pianist’s fractured attempts at melody obeying no logic but their own. A big man, as Resnick was big, Monk’s fingers stabbed down at single notes, crushed chords into the beauty of an abstract painting, twisted scaffolding seen in a certain light." 

Charlie Brown, Lucy, and “the gang” have fascinated me since I sat at the family table, fighting with my siblings for sections of the newspaper. My copy of this book is copiously highlighted because there was so much to learn about the artist’s life and technique. The opening pages reeled me in when the writer told of Schulz witnessing his mother’s excruciatingly painful death from cancer. I know cartoons have wisdom that goes beyond kids’ comprehension. This book shows how and why Schulz used all the elements of his life to write this strip. Peanuts and the comics of my childhood are why I use graphic novels like Maus in my classrooms. They have truths that hit on many levels.

Another book about a Jewish man who led a life that reads like fiction.

Louis Bannet grew up in Rotterdam with an alcoholic father and no money. He became a child prodigy at the violin, but decided in the Twenties and Thirties that he wanted to be the next Louis Armstrong. He became a star in Europe, but was deported to Auschwitz-Birkenau in 1943. He was recognized by a SS-guard and he was forced to be the leader of the campband in Auschwitz-Birkenau.

The trumpet saved his life and ‘The Dutch Louis Armstrong’, as he was known by that time, traveled from subcamp to subcamp. He even played in the villa of Dr. Josef Mengele, the so-called Angel of Death.

Argentinians in 1950s Paris argue about art and philosophy. They fall in and out of love to a jazz soundtrack. The novel itself is in love with the modern city and the secret patterns of chance. Prefacing it is a ‘table of instructions’ in which the author writes that "this book consists of many books, but two books above all. The first can be read in a normal fashion and it ends with Chapter 56... The second should be read by beginning with Chapter 73 and then following the sequence indicated at the end of each chapter."

There’s an exhilaration of structure, a deadpan formal playfulness that still thrills. It’s the book that taught me the most about reading. And, not entirely coincidentally, it’s the book that made me realise I was going to become a writer.

For one year, award-winning sportswriter Joe Posnanski traveled with baseball ambassador Buck O’Neil all over the country, sharing stories about those who played in the Negro Leagues. This is a book about baseball, yes, but this is a book about choosing hope time and time again, even when it doesn’t make sense.

This is a book full of stories of those who were denied a chance to play in the major leagues because of something beyond their control—the color of their skin. But this is also a book about how love is the strongest power in the universe, breaking down hate, and replacing it with hope. I read this book almost every spring, as MLB players are headed to Spring Training.

To me, due to the rigor of its scholarship, this is the best book written about Coltrane. It combines meticulous attention to Coltrane’s life story with in-depth musical analysis of his oeuvre. A must-read for anyone who wants to really delve into the music of this monumental musical master. 

I love the way Mr. Mathews retains Monk’s personal and instantly recognizable sound while presenting very playable and economical jazz piano arrangements. I would recommend this to jazz piano students looking for a way to play Monk’s music as solo piano pieces. It's nice to be able to reference how to voice these tunes from a master who actually exchanged ideas with Monk himself. The collection includes some of the most popular Monk compositions along with some lesser-known gems.

When I really need to recharge, I go to the sea, which is why I instantly gravitated to this book. As a busy amateur detective, Lady Swift seeks some downtime, too, but it doesn’t last. Not only does a body turn up almost as soon as she lets out a big exhale at the resort where she’s staying, but her husband whom she thought was dead six years ago, is the victim. Of all the people that had to “die” while she was on vacation, it had to be him, and that’s just where this storyteller’s mastery begins. Add humor, Englishness, and the interwar years—things I often gravitate toward in my beach reads—and I had a great whodunnit on my hands.

Space Is the Place opened so many windows for me into a world of esoteric spirituality fused with mind-blowing musical and theatrical creativity. John Szwed was a member of my PhD dissertation committee, although it was pretty hard to track him down, and he was wrapping up this book as I finished my own. I’d seen Sun Ra at my college and thought of the Arkestra as a kind of spaced-out novelty act, not knowing anything about Ra’s history: his celestial epiphanies; his long immersion in big-band jazz, including his stint with the great Fletcher Henderson; the cadre of stellar musicians he recruited and molded for the Arkestra; his entrepreneurial streak. When I turned to the study of music and spirituality, Szwed’s biography became an indispensable source. Afrofuturism has become a very hot topic in contemporary cultural studies, and there’s no better way into its arcane mysteries than through this… show more.

In an alternative version of our own society, where jazz music serves all the functions of our present-day internet and cats and mice can talk, there exist two couples who are heading towards disaster because of philosophy and love. In the meantime, they enjoy everything life has to offer, including cocktails made by playing a special type of piano (wrong notes produce alarming flavours) and the fact that inanimate objects can respond to their emotional states. The novel is genuinely poignant as well as incredibly odd, and the evolving story, and the language in which it is told, are always surprising. 

Back when jazz was popular and popular music was jazz, Andy Razaf was born in Washington DC, a member of the royal family of Madagascar: one source says his name was Andriamanantena Paul Rezafinkarefo, his father a nephew of Queen Ranavalona III. Andy became one of the most successful lyricists of his era. By the time he and Fats Waller co-wrote the black broadway show Hot Chocolates in 1929, Louis Armstrong singing "Ain't Misbehavin'" from the pit, he was at the top of his game. He and Waller wrote "Honeysuckle Rose", "Keepin' Out Of Mischief Now", "Blue, Turning Grey Over You", "The Joint Is Jumpin'", and more; in the early years, they would sell their lead sheets to as many publishers as they could, knowing that the publishers were cheats too. But Razaf also wrote with Eubie Blake ("You're Lucky To Me", "Memories Of You"), James P. Johnson ("A Porter's… show more.

Terry Gibbs played vibes (vibraphone) with several of the most famous big bands during the Swing Era, than formed his own small groups, then led big bands himself starting in 1956. Steeped in Swing, he also held his own with the modernists. Perhaps his most amazing accomplishment was putting together his Dream Band, which recorded at least 68 selections, arranged by all the best arrangers in the business, in four different clubs in Hollywood, mostly in 1959. It was a 'dream band' because although the big band era was over, all the best musicians on the West Coast wanted to play in this one because the music was so much fun. Gibbs was in his 90s when his book came out; he knew how lucky he had been, and his book is full of joy and love.

Technically a novel, but rooted so specifically in the details of Zelda’s life that her family members all recognized themselves and their town in her writing. A surrealist and poetic coming-of-age story written by the wife of Jazz Age writer F. Scott Fitzgerald during an eight-week period when she was living in a mental hospital. An imperfect and fascinating way to narrate a life.

This book is remarkable for Lewis’s unique profile, which combines status as a major contributor to, as well as a critic of, creative improvised African-American music. It tells of the Association for the Advancement of Creative Music (AACM), an organization focused on freely improvised music, which is unique for having wedded aesthetic innovation with the struggle for social justice.

Phil Woods left these acerbic notes behind when he died, his personality in every word, hard on himself as on anybody, also sometimes very funny. He was known for having married Charlie Parker's widow after Parker died, and for possessing Parker's alto sax, but Woods was such a master of the instrument that he became almost as influential as Parker. At a Billy Joel recording session in 1977, he casually tossed off a solo on "Just The Way You Are" that made the record a hit. He also recorded with Steely Dan and Paul Simon, toured the world with Quincy Jones, Russia with Benny Goodman, toured with his European Rhythm Machine, then with his own quintet for 20 years. The book has an elegiac tone because the incredibly rich mainstream jazz scene in New York that Woods had known in the 1950s-60s was gone forever.

This scrupulous 624-page tome elucidates the life and work of the High Priest of Bebop, Saint Thelonious Monk, in amazing detail and exactitude, while remaining supremely engaging and easy to read. The fact that the author developed the book with members of Monk’s family comes through in the authenticity of the narrative.  

This book is not for the faint of heart. It was gripping but also haunting. Jazz is the son of a convicted serial killer. He’s bright and good-hearted, yet lives in fear of what kind of psycho could be lurking in himself because of his parentage. When a woman is found dead near his town, he sees clues at the crime scene that the police miss but he knows are his father’s signature. He begins to investigate and as always happens, danger draws closer as the truth is unearthed. What I loved about this story was Jazz. A sympathetic character, just trying to have a normal life with a best friend and a girl friend but who can’t get away from the fact he sees the world through a lens colored by having a serial killer for a father. Not to mention that his father isn’t finished with him, either. 

When I began my book I’d been out of graduate school for 25 years. I read deeply to see what I’d missed and discovered what is now called cultural history. It seems to me that a great deal of it is written to a template rather than directly from the facts as discovered. Even though DeVeaux comes out of the academic world, I get no such sense from Bop. It’s brilliant. Immaculately researched and nicely written, it addresses the extraordinary transition of Black music from entertainment-driven (however artful) to art (however entertaining). It’s an important story, and DeVeaux tells it beautifully.

This novel broke my heart the first time I read it, as much as it thrilled me, and I wanted to step into the book and hug all of the main characters.

They felt so alive—through their pain and desperation, their anger—and it showed me how to weave a layered, complex plot with multiple points of view into a cohesive, meaningful, single story. It follows a jazz musician with a huge secret, one revealed only after his death, which threatens to destroy the family he’s made, on and off the stage.

I love a good family saga, especially one dealing with issues of identity, class, culture, and sexuality—but if that doesn’t grab you, read it for the simple pleasure of Kay’s writing.

Skilled at the art of concision, she imbues this novel with both lyrical and concrete imagery, leaving the reader with portraits so crisp and profound you will feel… show more.

For the same reason I would recommend attending any musical performance by John Birks ‘Dizzy’ Gillespie: Sheer entertainment, surprisingly touching aspects of his personality, instant feelings of friendship shared, and his unbreakable optimism, with which to face and endure whatever life had in store for him. In Italy he was a beloved “Italian,” officially elected honorary citizen of Bassano del Grappa, where we had opened the “Dizzy Gillespie Popular School of Music” that carried an integrated section for blind students. When his memoirs were published he asked me to translate the book into Italian, therefore I had to read it with particular concentration. Many were the moments I would have to shut the book and laugh out loud! Oh yes, Diz the Wiz, or The Joyous Soul of Jazz!