The best piano books

I’ve been the pianist for the Heath Brothers and the Jimmy Heath Quartet for over 20 years. Since moving to NYC in 1996, I’ve had the honor of playing and recording with an assortment of jazz luminaries including Charles McPherson, Roberta Gambarini, Lewis Nash, Winard Harper, Rodney Green, Michael Rodriguez, David Wong, among many others. During that time, I’ve also been actively involved in teaching, arranging, and writing, having three books published by Chuck Sher since 2013, An Approach to Comping Vol. 1 and Vol. 2 and Introduction to Jazz Piano, A Deep Dive.

When I completed one of my early novels, a really demented one called Factory Town, a fellow author emailed me with great concern for my mental health. He was convinced I was heading down a dark cave that I couldn’t be rescued from. But it wasn’t true. Writing and reading these dark novels doesn’t make me depressed. It makes me feel creatively revitalized. Dark literature reminds us that being alive is painful—but it’s also wonderful. I hope to never spend any real time with people as terrifying as the ones I’ve found on these pages. But I’m incredibly thankful they were a part of my imagined world for a time. 

The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.

When I first started writing in English, which is my second language, I was reluctant to share my work with others. I was terrified they would find it lacking. It takes a lot of effort and research to write authentically for a foreign audience. I studied creative writing at different universities around the world to gain knowledge and experience. I published short stories and poems in online and print journals. Bit by bit, I gathered the courage to submit my first picture book manuscript.

I’m Jill Santopolo, a novelist, editor, and mom who was born in New York and currently lives in Washington, DC. I’ve written Everything After, More Than Words, and The Light We Lost, which was the Reese Witherspoon Book Club pick in February 2018. My books have been named to The New York Times, USA Today, Wall Street Journal, Apple, and Indiebound bestseller lists, and have been translated into more than 35 languages. I love Instagram and rarely ever use Twitter (but you can find me there, too)--and music makes my heart sing. When I was growing up I learned to play the piano, flute, and piccolo, and I loved singing and dancing.

As a child, I fell in love with picture books and the magical, whimsical worlds they opened! I recall snuggling up and listening to these tales being read to me. Later, after a bit of a struggle, I learned to read myself. From there, there was no stopping me. My library card was my most treasured, most loved possession! I quickly moved on to chapter books, then to novels, but never outgrew my love and passion for picture books! As a former teacher and now great-grandparent, I treasure the opportunity to usher children down the rabbit hole of reading!

I’ve been the pianist for the Heath Brothers and the Jimmy Heath Quartet for over 20 years. Since moving to NYC in 1996, I’ve had the honor of playing and recording with an assortment of jazz luminaries including Charles McPherson, Roberta Gambarini, Lewis Nash, Winard Harper, Rodney Green, Michael Rodriguez, David Wong, among many others. During that time, I’ve also been actively involved in teaching, arranging, and writing, having three books published by Chuck Sher since 2013, An Approach to Comping Vol. 1 and Vol. 2 and Introduction to Jazz Piano, A Deep Dive.

I started out as a religion major in college, but soon became frustrated with the abstract thoughts of privileged white males. I wanted to understand the passions and struggles of ordinary people, and soon became convinced that the examination of the distant past sheds important light on the present. It’s not that I don’t care about the world around me right now. Rather, I am convinced that those who look only at this decade, this century, or even the last century fail to recognize some of the most powerful cultural forces that have shaped our most fundamental understandings of gender, wealth, poverty, work, and so much more.

I've been teaching and writing in the field of the history of technology for over six decades, and it's not too much to say that the field and my professional career grew up together. The Society for the History of Technology began in 1958, and its journal, Technology and Culture, first appeared the following year. I've watched, and helped encourage, a broadening of the subject from a rather internal concentration on machines and engineering to a widening interest in technology as a social activity with cultural and political, as well as economic, outcomes. In my classes I always assigned not only original documents and scholarly monographs but also memoirs, literature, and films.

I’ve been the pianist for the Heath Brothers and the Jimmy Heath Quartet for over 20 years. Since moving to NYC in 1996, I’ve had the honor of playing and recording with an assortment of jazz luminaries including Charles McPherson, Roberta Gambarini, Lewis Nash, Winard Harper, Rodney Green, Michael Rodriguez, David Wong, among many others. During that time, I’ve also been actively involved in teaching, arranging, and writing, having three books published by Chuck Sher since 2013, An Approach to Comping Vol. 1 and Vol. 2 and Introduction to Jazz Piano, A Deep Dive.

I’m a writer, editor, and publisher. As a child in the 1970s, I first discovered a taste for adventure stories in the pages of Marvel comics. This lead to a wider interest in fiction, particularly sci-fi, horror, and adventure tales. I believe one of the basic tenets to becoming a good writer is to read…a lot. I gravitate toward well-known but also lesser-known stories. My main criteria: is the writing engaging, does it inspire me to keep reading? As a writer, I ask myself these same questions about my work. The titles in this list are among the benchmarks I aim for when writing and editing. 

I’ve been the pianist for the Heath Brothers and the Jimmy Heath Quartet for over 20 years. Since moving to NYC in 1996, I’ve had the honor of playing and recording with an assortment of jazz luminaries including Charles McPherson, Roberta Gambarini, Lewis Nash, Winard Harper, Rodney Green, Michael Rodriguez, David Wong, among many others. During that time, I’ve also been actively involved in teaching, arranging, and writing, having three books published by Chuck Sher since 2013, An Approach to Comping Vol. 1 and Vol. 2 and Introduction to Jazz Piano, A Deep Dive.

I grew up in a medical family, my father and brother both surgeons and my mother a nurse. My parents met while serving in WW2 and that combination of compassion and horror in the field hospitals of Europe have stayed with me ever since. In fact, my first novel A Dangerous Act of Kindness, is set during WW2. I’m also a career hypochondriac. I avoid reading about illnesses or injuries I may suffer from myself, but I am fascinated by disease and pioneering surgery, thus The Summer Fields revolves around a disease that has now been eradicated (smallpox) and pre-anaesthetic surgery, something I hope I shall never have to face. 

My prime credential for writing these books is my own humanity, as someone who's felt the deep power of music on the human spirit since childhood. The stories I tell in these books are about musicians and artists, people who had a passion for creating something out of thin air with patience and many years of hard work. I highlight their lives to give kids (and adults) examples of passion coupled with persistence because Life is often very challenging.

I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)

I am a children’s book creator and a parent. Raising an anxious child can be challenging. Events that many children find fun and exciting can be overwhelming and scary for your child. Seemingly small changes in their daily routine can throw some youngsters into a swirl of emotions that is upsetting to them and to those who love them. When I was searching for picture books to help the young worrier in my life, I looked for books that acknowledged their distressing feelings while giving them some strategies with which to cope with their overwhelming emotions. That premise became the theme of my Maud the Koala book series. 

I learned to read music at about the same time I learned to read words. I grew up taking piano lessons, studying almost entirely classical pieces that came weighted with history: everything I ever played had been played better by someone else. I still enjoyed my attempts, but realized that the relationship I had with those notes was not the one I wanted to have with words, which I felt drawn to assemble into my own arrangements, my own stories. So, as a weirdo who’s been thinking about interpretation and creation since childhood, I love books that delve into the challenges and emotional complexities of making music.

I once spotted a mama black bear and her cubs on a camping trip in Manitoba, Canada. I kept a safe distance watching in awe as the cubs climbed trees. I’ve been fascinated with bears ever since. Most of the books I publish center around strong themes of family, friendship, making a difference in the world, and many have a bear as a secondary character. I think there’s always room for more bear stories in the world, don’t you?

I’m often asked: “Are you a musician? You must be, in order to write so beautifully and convincingly, through the eyes of a musician!” Actually, I’m what’s known as a “serious amateur”—which means that I study the piano “seriously” but not professionally, purely for the love of it. In fact, my understanding of the piano deepened tremendously as I worked on this book, as if my protagonist required that of me, in order to bring her to life the way she needed.  The piano has become more and more vital to me, as a writer, because it allows me to explore and express in ways that don’t depend on words. 

I enjoy combining science, wit, and satire in my stories. I’ve observed life for 75 years, practiced food-animal veterinary medicine, and used molecular biology to earn a PhD in microbiology. The evolution of virulence in pathogens has long been an interest of mine. From observation, I’ve learned never to underestimate the destructive power of a well-intentioned fool, and that no situation is so bad that an idiot can’t make it worse. Heroes are flawed. They make mistakes, but they grow. They kick themselves in the ass and move on. Their opponents aren’t supermen, either.