I’m fascinated by men, the way they think and behave, the problems they have in their relationships. The very first gay romance I wrote was a cowboy story – Cowboys Down – and who doesn’t love cowboys? They’re enigmatic, strong, rugged, ultra-masculine. But what if they were also gay? I think it’s that challenge, to show another side of a role that has so predominantly been drawn in one particular way in western books and films. I think gay men must have to work even harder to be accepted as a cowboy than in many other industries and exploring that is enthralling.
Jasper is the blacksmith at a small guest ranch. Ellis is the ex-con who is so traumatised by his experience in prison that he can hardly speak. The moment I knew that I was instantly hooked. It’s a slow burn, comfort-hurt story where the blacksmith works his own particular magic to mend the broken Ellis. Lots of heart-wrenching feels and a touching tale of how someone can fall and be helped to rise again. It’s lovely. Hits all the right buttons for me.
“If anybody ever needed him, Ellis did. Ellis was broken. Jasper liked to fix things.”
Jasper has the perfect life. He’s a blacksmith at a small guest ranch in Wyoming. The last thing he needs is to have that perfect life interrupted by a shifty-eyed ex-con, but the ranch needs the tax benefits the ex-con program will bring.
Traumatized by his time in prison, Ellis can barely speak. He’s about to be offered parole. He knows he will hate working on the guest ranch, but what other option does he have?
When I retired from the service, I wanted to be done with big decisions and just focus on family. I’d had enough war-zone drama. I’m drawn to stories where the veteran finds he/she just can’t do that. My protagonist in my debut, Stable deals with this. He’s overcome so much…the loss of his son, the loss of an aircrew, and years of depression. Now that he’s “back,” he just wants to lead a normal life. I wanted to show you can pull the veteran from the battlefield, but it’s hard to quell his or her desire to continue to serve—and the inherent conflict of service before self or family remains.
This is the third installment of CJ Box series featuring Wyoming Game Warden Joe Pickett. But it’s the first book in which Box introduces Nate Romanowski, a former special tactics officer in the US Air Force.
While Box’s protagonist Pickett is portrayed as straight-laced, and a rule-follower, Romanowski sees the world as black and white—he will break the law in a heartbeat to see justice done. The series masterfully uses this dichotomy of worldviews to create tension in Winterkill and the rest of the series.
In Winterkill, bad actors portray themselves as enlightened survivalists while supposedly good federal agents use questionable means to try and extract a suspected murderer from the survivalist group. A child is involved, and it’s up to Pickett and Romanowski to prevent mayhem. If they can agree on how to do it.
Award-winning writer C. J. Box returns with a vengeance in this thrilling new novel featuring Wyoming game warden Joe Pickett.
It's an hour away from darkness with a bitter winter storm raging when Joe Pickett finds himself deep in the forest edging Battle Mountain, shotgun in his left hand, his truck's steering wheel handcuffed to his right-and Lamar Gardiner's arrow-riddled corpse splayed against the tree in front of him.
Lamar's murder and the sudden onslaught of the snowstorm warns: Get off the mountain. But Joe knows this episode is far from over. Somewhere in the dense timber, a killer draws…
I was four years old when I was given a pony. The freedom of roaming the countryside with her was amazing, and I was hooked! All horse breeds have supported humans; their strength and speed have enabled farming, war, travel, and settlement. Horses feature in the art, religion, and sports of diverse cultures. My Historical Horse series contains three books—each one is a completely different story about a specific breed of horse, and a fictional girl who loved it and depended on it, even to stay alive. Writing the books was like time-traveling with horses!
This book contains two stories that intertwine: that of a girl who has lost her mother, and a mustang mare struggling to keep her foal safe. I like how the mare is portrayed as intelligent and brave, just as the girl is. Both living beings are important characters in the plot, which is wonderful. The prose is skillful and beautiful, and suits competent, older middle-grade readers who will be transported into the wild landscape.
Maya lives like a captive. At Grandmother's house in California, everything is forbidden: friends, fun, even memories. And her life is built on lies: lies Grandmother tells her about her dead mother, lies Maya tells to impress or manipulate. But then she moves to the vast Wyoming wilderness where her mother's family awaits - kind, rugged people who have no tolerance for lies. They challenge Maya to confront the truth about who she is. And a mysterious mustang called Artemisia waits, too. She holds the key to Maya's freedom. But to find it, Maya will have to risk everything, including…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
I’ve never been to Wyoming, the setting of this book, and if I’ve read a book set in Wyoming, I can’t remember, but I won’t soon forget this story.
The landscape of Wyoming and all its flora and especially its fauna (hello, title!) are deeply ingrained in this moving and unique story where a little bit of magic (weirdness? nature? something wonderful, that’s for sure) adds a soulful twist to a story dealing with harsh realities.
“A powerful novel of tremendous empathy and optimism.” —Gary D. Schmidt, Newbery Honor winner and National Book Award finalist
“Exquisitely written and painfully real.” —Megan E. Freeman, award-winning author of Alone
When a twelve-year-old decides that she must get herself and her mother out of a bad situation, an eerie connection to a coyote pack helps her see who she’s meant to be—and who she can truly save. The Benefits of Being an Octopus meets The Nest in this contemporary middle grade novel about family, class, and resilience, with a magical twist.
I walked to the library every Saturday to find a new mystery. I think I read everyone and read some more than once. As I matured, I discovered the mixture of romance and suspense I was hooked. I literally read every book in the genre’ at my local library.
The damaged heroine and the cocky MC. The dialogue and writing are fun and the ‘who-dun-it’ kept me guessing. The beauty of the Grand Tetons is so well described you feel like you there and in awe of the backdrop.
The sole survivor of a brutal crime, Reece Gilmore is on the run, desperately fighting the panic attacks and the nightmares that haunt her. She doesn't intend to stay in the sleepy town of Angel's Fist one second longer than she needs to, despite its friendly - if curious - inhabitants, and the irresistible attraction of local writer Brody.
However, on a hike into the mountains she witnesses a couple having a vicious argument that culminates in murder. Faced with a lack of evidence, the authorities in Angel's Fist find it hard to believe Reece's story. But when a series…
I’ve loved learning about the Old West for as long as I can remember. Is this because I was born a few miles from the spot where Jesse James robbed his first train? Or is it because my family watched so many classic western movies and TV shows when I was a kid? Either way, writing books set in the Old West is a natural fit for me. I love researching the real history of that era just as much as I love making up stories set there. In fact, I write a column about the real history of the Wild West for a Colorado-based newspaper, The Prairie Times.
This book delights me. It makes me laugh, it inspires me, and it makes me wish I could have met Elinore Pruitt Stewart. Even though her life certainly wasn't easy, she never lost her hope, her joy, her faith, or her sense of humor.
Stewart wrote these letters to a friend, detailing her successes and failures as a woman homesteader, and hoping to encourage other women to try forging their own lives on the frontier. Wanting to build a better life for herself and her daughter, this widow headed off into the plains of Wyoming, where she took a job keeping house for a rancher while also claiming her own homestead. Her accounts of her new life are funny, moving, and encouraging by turn.
As a young widow with a small child, Elinore Pruitt left Denver in 1909 and set out for Wyoming, where she hoped to buy a ranch. Determined to prove that a lone woman could survive the hardships of homesteading, she initially worked as a housekeeper and hired hand for a neighbor—a kind but taciturn Scottish bachelor whom she eventually married. Spring and summers were hard, she concedes, and were taken up with branding, farming, doctoring cattle, and other chores. But with the arrival of fall, Pruitt found time to take her young daughter on camping trips and serve her neighbors…
The Meadow is a book that is far grander than its already grand setting of the American West.
Galvin explores the lives that have come and gone over a hundred years from a meadow at the confluence of two rivers. If you were teaching literature and had to give the best example of place, you could do no better than Galvin’s writing.
As a reader, I enjoy books whose lines make you want to go back and reread, just to savor the word craft and relish the imagery. The Meadow is a masterclass.
In discrete disclosures joined with the intricacy of a spider's web, James Galvin depicts the hundred-year history of a meadow in the arid mountains of the Colorado/Wyoming border. Galvin describes the seasons, the weather, the wildlife, and the few people who do not possess but are themselves possessed by this terrain. In so doing he reveals an experience that is part of our heritage and mythology. For Lyle, Ray, Clara, and App, the struggle to survive on an independent family ranch is a series of blameless failures and unacclaimed successes that illuminate the Western…
As an avid trail-runner and mountain-biker who’s done a ton of outdoorsy things, from sailboat racing on the Chesapeake Bay to rockclimbing to backpacking in the Pacific Northwest, I’m convinced that nothing gets you closer to someone’s experience than a well-told first-person account. The best personal narratives make you feel the cold, glow with the exhilaration, and burn with ambition to go, to do, to see for yourself — and can even make you look at the world, and yourself, in a new way. These books, different as they are, have all done those things for me.
I really love a lot of the writing between the two world wars — there’s something clear-eyed but lacking in guile, almost willfully large-spirited and generous. The two Muries alternate chapters, Mardie describing everyday life in the beautiful but rapidly-changing Jackson Hole of the 1930s and 40s, while Olaus writes about and illustrates his work as a famous wildlife biologist. I regularly re-read this book when I want to feel good about people and the world.
For over thirty-seven years, Margaret and Olaus Murie made their home in the mountainous wilderness of the Tetons, where Olaus Murie conducted his famous studies of the American elk, the wapiti. Through these years their home was almost a nature-conservation shrine to thousands of Americans interested in the out-of-doors, in animals, in nature in general. Wapiti Wilderness, begun by Mrs. Murie as a sequel to her Two in the Far North, which told of the Muries' life and expeditions in Alaska, became a book written by both the Muries.
In alternate chapters, Olaus tells of his work as a field…
Raised in the American West, I have watched the explosive growth in Colorado with dismay. In my lifetime, metro Denver has grown from a population of about 500,000 people to more than 5.5 million. The Colorado of large ranches and wide, open spaces is disappearing. I have named my publishing company “lost ranch books,” in honor of the ranch where I grew up, which was sold and developed with cookie-cutter houses. I’ve now set out to recapture historic Colorado by writing about it. My award-winning books center on Colorado’s and the American West’s history, for not only is it fascinating and, often, troubling, but it still resonates today.
Jordan’s memoir strikes close to my heart: parents, like mine, who encourage their children to better their lives by leaving their homes, going to college, working at fulfilling jobs, and building loving families. But where does that leave the family ranch? As in my own family, Jordan’s parents sell it when there is no one to return and take over the hard, often unrewarding work. In this beautifully written, poignant work, Jordan explores her ancestors, neighbors, and her own time on the ranch, and she makes the reader feel just how deep her grief is over the loss of her heritage and, especially, the land. Be ready to cry.
The daughter and granddaughter of Wyoming ranchers, Teresa Jordan gives us a lyrical and superbly evocative book that is at once a family chronicle and a eulogy for the land her people helped shape and in time were forced to leave. Author readings.
I was born in a little shipbuilding town in Scotland but, like everyone else in the world back then, I grew up in the American West. These were the stories we all grew up with – burned into our imaginations along with stories from the Bible or the Greek myths. Nowadays, the West is still important to me – but today it is the personal accounts of the West that interest me most – the personal diaries and eye-witness accounts of the brides, the doctors, teachers, mothers, children, who experienced the West first-hand.
The hard-drinking, cigar-smoking, cross-dressing heroine of the American West continues to keep a python grip on the imagination.“I’m a howling coyote from Bitter Creek, the further up you go the worse it gets and I’m from the headwaters,” she used to rap. Calamity fascinates because she is a self-made myth and Linda Jucovy’s biography is an informed and insightful exploration of that myth.
“Who in the world would think that Calamity Jane would get to be such a famous person?” one of the pallbearers at her funeral asked an interviewer many years later. It seemed like a reasonable question. Who else has accomplished so little by conventional standards and yet achieved such enduring fame?
But conventional standards do not apply. Calamity was poor, uneducated, and an alcoholic. For decades, she wandered through the small towns and empty spaces of the Dakotas, Wyoming, and Montana. But she also had a natural talent for self-invention. She created a story about herself and promoted it tirelessly…
