The most recommended books about Wyoming

I walked to the library every Saturday to find a new mystery. I think I read everyone and read some more than once. As I matured, I discovered the mixture of romance and suspense I was hooked. I literally read every book in the genre’ at my local library. 

For most of my career as an oil explorationist I have worked with geologists, an exceptional group of men and women who, from observing earth’s surface as it is configured today, can decipher earth’s history. By understanding how rocks were originally formed and how in subsequent millennia rocks have been buried, transported warped, eroded, re-deposited, and altered by high pressures, high temperatures, hot water, and all the tectonic forces of nature that have formed the surface as we see it today, they believe, really believe, that they can visualize the subsurface.  It’s a fascinating four-dimensional detective story. 

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.

I’ve always been fascinated by the past, through movies and books. What is it like to live in an age with no cell phones, no internet? People have to work ten times as hard. I eschewed fluffy romances and wanted to get down to the nitty-gritty of a historical era. How they dress, what they eat, the dirt and truth, then throw in obstacles to test my female characters’ strength and self-reliance. As an avid reader, I have no problem with extensive research to get my facts correct. I want to walk in their world and deal with their problems. Then delve deep into the emotions we all experience.

As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories. 

My favorite mode of transport is being on the back of a good horse. I have enjoyed horse treks in Ecuador on the Inca Trail, in the backcountry of British Columbia, the High Sierras, and on the Wild West coast of Ireland, as well as numerous stays at guest’s ranches in the U.S. My equestrian articles have appeared in Equus, Horse Illustrated, and California Riding Magazine, to name a few. A back injury forced me to give up my mare and the riding world I loved. Writing The Cowgirl Jumped over the Moon was my way of letting go and moving forward in life.

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

There's something about broken people trying to do good that has always resonated with me. In basic training, a drill sergeant with debilitating PTSD told us what combat would be like through a storm of choking sobs and a haze of tears. He needed us to know. Even if it broke him. Working as an investigator in Denver and Washington, I watched people with complicated pasts and uncertain futures fight tooth and nail (sometimes literally) to put human traffickers behind bars. Literature has always been a bridle for that wildness I saw in the world. A tool for taking the ghashing, stomping, unruliness of the human experience and making it rideable, relatable, survivable.

Raised in the American West, I have watched the explosive growth in Colorado with dismay. In my lifetime, metro Denver has grown from a population of about 500,000 people to more than 5.5 million. The Colorado of large ranches and wide, open spaces is disappearing. I have named my publishing company “lost ranch books,” in honor of the ranch where I grew up, which was sold and developed with cookie-cutter houses. I’ve now set out to recapture historic Colorado by writing about it. My award-winning books center on Colorado’s and the American West’s history, for not only is it fascinating and, often, troubling, but it still resonates today.

When I retired from the service, I wanted to be done with big decisions and just focus on family. I’d had enough war-zone drama. I’m drawn to stories where the veteran finds he/she just can’t do that. My protagonist in my debut, Stable deals with this. He’s overcome so much…the loss of his son, the loss of an aircrew, and years of depression. Now that he’s “back,” he just wants to lead a normal life. I wanted to show you can pull the veteran from the battlefield, but it’s hard to quell his or her desire to continue to serve—and the inherent conflict of service before self or family remains.