Ever since I can remember, I've been captivated by the American West. Was it that cowboys were brave and if you had integrity it was most certainly put to the test? Was it that everyone rode horses and I was a horse crazy girl? Whatever it was that struck me, it stayed. I have treasured the West ever since, through books, film, art, and most recently, a fantasy western trilogy of my own.
This book follows a young widow traveling westward with her extended family and her journey to find love and purpose again. It takes a hard and honest look at the kind of challenges that people in that time period faced, but through hardships and staggering loss she finds hope and belonging in a beautiful and deadly landscape.
In this epic and haunting love story set on the Oregon Trail, a family and their unlikely protector find their way through peril, uncertainty, and loss.
The Overland Trail, 1853: Naomi May never expected to be widowed at twenty. Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both.
But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each…
In the tradition of Bury My Heart at Wounded Knee, a stunningly vivid historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all.
S. C. Gwynne’s Empire of the Summer Moonspans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood…
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
I never thought of the Old West the same again after reading this book, which shows how the myth of the Old West was made by powerful men who created the West in their own image.
I used to think of Western vigilantism as part and parcel of the “Wild West,” necessary to keep the piece in the absence of “civilization.” Little did I know that the ones behind Western vigilante violence were powerful men using terrorist tactics to preserve their control over the land and its resources.
Bold’s meticulous research is as undeniable as it is thought-provoking and utterly absorbing.
The Frontier Club is Christine Bold's name for the network of eastern aristocrats who created the western as we now most commonly know it. At the turn of the twentieth century, they yoked this most popular formula to their own elite causes-from big-game hunting to conservation, immigration restriction to Jim Crow segregation-and aligned themselves with cattle kings and "quality" publishers. This book tells the story of that cultural sleight-of-hand. It delves into institutional archives and personal papers to excavate the hidden social, political, and financial interests in the making of the modern western. It re-reads frontier club fiction in relation…
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
In this volume Belue has done the almost impossible task of transcribing the text of Draper’s unpublished manuscript of Boone’s life. Draper spent his career collecting documents and interviews about Boone and the settlement of the Ohio Valley, but never managed to finish the work. Only those who have tried to read Draper’s manuscripts can appreciate the heroic task Belue has accomplished. I relied extensively on this volume.
Draper, the first secretary of the State Historical Society of Wisconsin, collected more than 500 volumes of material on the famed frontiersman Daniel Boone. His biography of Boone remained unfinished for 100 years until Ted Franklin Belue, a widely read scholar of early Americana, added his authoritative editing. This long-awaited work is filled with little-known information on Boone and his family, long hunters, the Shawnee, the fur trade, and frontier life in general.
Raised in the American West, I have watched the explosive growth in Colorado with dismay. In my lifetime, metro Denver has grown from a population of about 500,000 people to more than 5.5 million. The Colorado of large ranches and wide, open spaces is disappearing. I have named my publishing company “lost ranch books,” in honor of the ranch where I grew up, which was sold and developed with cookie-cutter houses. I’ve now set out to recapture historic Colorado by writing about it. My award-winning books center on Colorado’s and the American West’s history, for not only is it fascinating and, often, troubling, but it still resonates today.
Punke’s book chronicles a story of heroism and company greed that isn’t that far in the past of America’s labor battles. It tells of a fire that spread through the underground tunnels of the copper mines belonging to J.D. Rockefeller’s Anaconda company and others. The book centers on the men trapped underground who exhaust every possible option in a dire bid to survive, including some ingenious methods and some which hasten their demise. Punke touches as well on political, labor, and business wranglings that put the workers at risk. He also follows Butte’s history to present day, demonstrating that the Montana city has never quite recovered from its past as a copper city.
The author of the #1 New York Times bestseller, The Revenant -- basis for the award-winning motion picture starring Leonardo DiCaprio -- tells the remarkable story of the worst hard-rock mining disaster in American history.
A half-hour before midnight on June 8, 1917, a fire broke out in the North Butte Mining Company's Granite Mountain shaft. Sparked more than two thousand feet below ground, the fire spewed flames, smoke, and poisonous gas through a labyrinth of underground tunnels. Within an hour, more than four hundred men would be locked in a battle to survive. Within three days, one hundred and…
Having grown up with an older generation—my great-grandparents, great-great aunts and uncles, and a godmother, all who were born between 1877 and 1900—I learned to appreciate how they lived and what they went through. As a child, I found a hand-written poem about a brothel queen who caused a gunfight between her paramour and a stranger. Then, in college, I met a wonderful old man who told me stories about the former red-light district right in my own neighborhood. Once I learned the often tragic, but also successful stories of these ladies, I decided to be their voice and remind America how important they were to our history.
First published in 1958, this is one of the first books to pay respect and present the truth about the struggles western women faced. Mr. Brown was very thorough in covering women’s roles in the west, from homesteaders and wives, to women kidnapped by Natives, to actresses and prostitutes. He also used primary sources, not the internet, to conduct his research.
All aspects of western feminine life, which include a good deal about the western male, are covered in this lively, informal but soundly factual account of the women who built the West. Among those whose stories are included are Elizabeth Custer; Lola Montez, Ann Eliza Young, Josephine Meeker, Carry Nation, Esther Morris, and Virginia Reed.
I am fortunate to have been blessed with a positive disposition. When my toast falls on the floor I like to believe it will land butter side up. I learned at a very early age that owning one's mistakes and airing them out loud could bring on laughter or a smile of recognition that many of us suffer the same fears as we navigate this often uncharted life with our fingers crossed or hands in prayer, that we will mostly get it right. This is why I write the books I write. By nature, I am a happiness ambassador… And humor is my weapon of choice.
Epic is not a word I use lightly but in the case of The Last Crossing, it’s not an overstatement. At its core it’s a story of family, A cruel father, power, and his three sons, all of whom bare the scars from their upbringing. Loyalty, betrayal, insecurity, and often cruelty. Flaws and frailty live within us all but never quite so viscerally It’s the 1800s, set in the uncharted Canadian west, a wild and dangerous place but breathtakingly beautiful - strikingly different from the opulence of England playing out in opposition. There was also so much research put into this journey that while being taken on the adventure, I learned so much without ever feeling the lessons.
Reading this novel, I was stunned at its scope. History comes alive on this journey, which is often so uncomfortable, with a cast of characters that on occasion repelled me but…
Charles and Addington Gaunt must find their free- spirited brother, Simon, who has gone missing in the wilds of the American West. They enlist the services of a guide to lead them on their journey across a harsh and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. They are joined by Lucy Stoveall, a woman filled with rage and sorrow over the loss of her young sister Madge who was brutally murdered. She is on a vengeful mission to track down and kill the murderous Kelso brothers. The group is…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
LaValle brings his trademark mastery of horror and suspense to the American West in this story about the dangers of the past and the perils of being a woman alone. In 1915, Adelaide flees California for Montana, tugging behind her a locked steamer trunk inside which lives a deadly secret.
Spooky, riveting, and uncomfortably timeless in its portrayal of how Black women are treated in the United States, this is a necessary addition to the canon.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.
Years ago, I contributed a chapter to a book edited by Sara R. Massey. When Sara called to check on the progress of my chapter/contribution she excitedly told me about her just finishing reading Quintard Taylor’s book. She loved the book so much that she recommended I buy a copy. I promised to order the book. I kept my promise and almost missed getting my chapter to Sarabecause I appreciated Quintard Taylor’s book so much. Almost as if he was in my ear, his was a book full of did you know moments.
I understood fully when reading why Sara called. Taylor reminded me that this history is not necessarily parochial– existing only in one location; rather, behavior, social mores and moving from one place to another, telling a familiar tale. A tale, not in the sense of making up history, but showing how the racial construct established…
A landmark history of African Americans in the West, In Search of the Racial Frontier rescues the collective American consciousness from thinking solely of European pioneers when considering the exploration, settling, and conquest of the territory west of the Mississippi. From its surprising discussions of groups of African American wholly absorbed into Native American culture to illustrating how the largely forgotten role of blacks in the West helped contribute to everything from the Brown vs. Board of Education desegregation ruling to the rise of the Black Panther Party, Quintard Taylor fills a major void in American history and reminds us…
Ever since I can remember, I've been captivated by the American West. Was it that cowboys were brave and if you had integrity it was most certainly put to the test? Was it that everyone rode horses and I was a horse crazy girl? Whatever it was that struck me, it stayed. I have treasured the West ever since, through books, film, art, and most recently, a fantasy western trilogy of my own.
I read this book for the first time when I was probably nine or ten and I think this was one of the books that really started it all. It put words to what I felt about the West...the glory of the wide plains, the kind of guts it took to survive, the love of a boy and a horse, and the lengths they would go for each other. It's a perfectly wistful and beautiful western.
