The most recommended romantic love books

At first glance, Valley of Shadows is a straight-genre horror novel, with a gruesome whodunnit at its center.

We’re given a noble but flawed Mexican American hero, Solitario, searching for a band of ritualistic murderers, who, by the novel’s midpoint, have already slaughtered a dozen men, women, and children.

This leaves Solitario, like the reader, desperate to keep them from killing again, but clueless about who they are and how they select their victims. This mystery remains unsolved until a shocking perpetrator and motive emerge on the novel’s final pages.

An essential thread in Ruiz’s riveting story is its otherworldly cast of characters, including a parade of personable ghosts, two living bruja (Mexican witches), and both the mythology and practical applications of Aztec and Apache mystical traditions.

Readers will recognize these flourishes as directly traceable to the fantastical, politically charged magic realism style developed by masters of this genre, namely… show more.

Ainsley and Peter are struggling, and they decide to try an open marriage. A risky proposition, given that neither trusts the other—and rightly so, the reader soon discovers. But when one of Ainsley's dates follows her home and Peter kills him, they are forced to co-operate so they can get away with the crime. Nothing like a joint project to rekindle the flames of passion!

This book is nearly perfect. Yes, there are a few twists which could have been foreshadowed better, but the wicked glee with which the author tells her story is contagious. I could practically hear her palms rubbing together as I read.

Chapman’s brilliant novel is part ghost story, part addiction narrative, and all white-knuckle horror.

The painful sharpness with which the characters are drawn seems to indicate they could only have come out of real life; regardless of whether this is true, readers who have known anyone who has struggled with addiction will surely recognize these characters.

It’s a book that hurts in the way that the best horror is supposed to.

I found this entire series a refreshing and original set of Billionaire trope romances, as each of the heroes lives with a permanent disability. One really important thing I think Tamie does really well with her books is that they don’t come across as shallow or exoticized – the characters are never magically healed for their happily ever afters – they have their challenges and it makes them who they are, but they don’t need those things to be fixed to be happy and whole. She has a lot of personal insight into this as well, as she covers in her Author’s Note that she wrote these books out of a personal desire to bring representation to this community out of love for her grandson who also – like Bran – happens to be blind.

A dream-activated time travel story. Now that's one I couldn't resist and fortunately, I didn't.

The reader follows the character, Quinn, on a journey as her dreams bring a man that stirs her like no other. Problem? Nick enters her real world, too. They have a history. Complications? Oh, he's dreaming about her, too.

Can they figure out a way to stay connected and understand what's happening? Let’s hope.

Warning: it's a series, but after reading the first book, you'll be glad there's more from this talented author. 

I picked up Narcisa in Portland’s legendary Powell’s bookstore over ten years ago on a whim and it ended up worming its way into my top ten books of all time. The prose is chaotic, evocative, drippy, disgusting, engaging, fantastic. Narcisa is a predatory, magnetic mess of nature and like the narrator, you’ve got to keep flying with her until she throws you down. I was floored and inspired by Shaw’s ability to tame such a blizzard of turmoil between two thin paper covers.

In the beginning, I found Dolly shallow and ridiculous. I reminded myself that she was in her late teens and twenties. I am so glad I withheld my judgment. I loved watching her grow as a human. It was like seeing my own daughter learn from her mistakes.

Her honest and authentic storytelling had me in hysterics. When she experienced her first and subsequent heartbreak, I cried. Her loneliness broke my heart. Any single woman, regardless of age, can relate. I loved her female friendships and the importance and value she gave them. I related to every bit of her story.  

I could pick any historical romance by Milan and feel happy giving it a spot on this list. Because Milan’s stories are deeply invested in exploring how social strictures and structures function to keep women in their “rightful” (i.e., subordinate) place.

In my favorite, Mark Turner has recently been knighted by Queen Victoria for his philosophical treatise, A Gentleman’s Practical Guide to Chastity, an honor that makes him a rock star to myriad young Englishmen. When a rival offers a reward to anyone who can prove she’s seduced the morally upright Mark, courtesan Jessica Farleigh takes up the challenge.

While Mark’s fans and neighbors find the virgin philosopher and fallen woman an appalling mismatch, Mark does not shy away from his attraction, simultaneously offering a witty yet biting critique of the double standard on male and female sexual behavior.

West Virginia’s Jayne Anne Phillips made a noisy arrival on the literary scene with her triumphant collection of short stories, Black Tickets. One of the first of the “dirty realists,” Phillips paints the backroads and forgotten lives of rural West Virginia during a time when that state, and many like it, were on no one’s radar. As one of her characters says, “This ain’t the South…this is the goddam past.” Phillips captures the loneliness and the disconnected lives of young women and men in a way few books have done.  

All hail the queen. Sally Rooney makes it look easy, with just the right amount of Irish, nothing-is-easy-you-insufferable-wanker on the side. This book has it all: awkward yet undeniably hot sexual tension! Arguments! Cool names! A house that is bigger than yours!

And within Rooney’s stupidly gorgeous prose, we find ourselves not only yelling “EXACTLY!” out loud, many times, to an empty room but answering the book’s central question: right here. As long as we have a good book, that beautiful world is right here.