The most recommended film books

This story (and series) features pets in a retirement village where the protagonist, Charlotte, is technically too young to be there but remains because her grandmother raised her there. The neighbor’s dog unearths a skeleton in her backyard.

How it got there is the mystery to be solved. Charlotte’s pet serves as the litmus test for possible suitors. It’s a fun read. 

My sister read the Lord of the Rings trilogy to me when I was a kid while we were on holiday in Scotland and it was hugely inspiring. Growing up I thought I would like to illustrate the books - until Alan Lee did it so perfectly. No one can better his interpretation, as Peter Jackson will agree. His delicate pencil work and subtle use of colour have always, for me, set the bar for illustration. A highlight of my career has been having my own work exhibited alongside his.

A RITA Award winner, this sweet, character-driven Regency comes alive with playful Hepburn/Tracy style banter in a May/December romance. An impertinent younger sister, who takes in strays and the wounded, wins the attention of a scarred, slightly singed diplomat. She decides he must be reunited with his family for the holidays. With her rascal brother’s dubious assistance, the three embark on a surprisingly dangerous quest to fulfill heartfelt Christmas wishes.

A massive influence on my own cultural approach to understanding cinema and intersectional representation, hooks offers acute analyses of the way films can affect us on a personal, political, and communal level, for better and for worse.

Hooks is smart, sharp, and switched on to how misogyny and racism can adversely affect the treatment of female characters of colour, especially.

Tom Hanks is one of my favorite actors, so when I saw that he’d written a book it immediately caught my eye.

Like my number-one favorite book, it provides a behind-the-scenes look at how a show is made, in this case a movie being shot on location. There’s much more drama going on behind the camera than in front of it! The pacing is not frantic, however. The cast of characters is wonderfully varied, and I enjoyed seeing how they related to each other and grew as people – or didn’t.

I especially liked that Tom Hanks also narrated the book. When an author narrates their own work, you experience it exactly like they intended, with the inflection on certain words, etc.

No list of important books on Hollywood is complete without a reference to Kevin Brownlow.

Kevin was there in the 1960s and 1970s, when many of the silent-era Hollywood stars were still alive. He met and interviewed them all. His book brings that era to life in a way that no other book or film has been able to accomplish. Kevin is also a major supporter of other authors.

He was kind enough to blurb two of my books. He also read drafts of my Warner Brothers book – twice! Each time with increasingly helpful, thoughtful, and supportive feedback. Kevin is the one historian that every film historian is in debt to. I don’t think Kevin knows how important he is, but he certainly deserves a spot on my list. 

A meticulously researched and detailed historical and critical account of Video Art from the 1960s onwards. Meigh-Andrews’ study rightly focuses not least on technology - cameras, analogue tape, editing systems, synthesisers, etc, given the high impact that continuously evolving technological developments have had in opening up new aesthetic possibilities for artists working with moving images.

I met the poet Nick Flynn over twenty years ago, not long before the publication of his most famous book, Another Bullshit Night in Suck City, a memoir about his father’s homelessness. Since then, he has become one of my favorite writers. The Reenactments—for my money, his best book—takes us through the surreal experience of Another Bullshit Night being turned into a film. Robert De Niro plays his father and Julianne Moore plays his mother. De Niro meets Flynn’s father, studying him for character traits. In the most heartbreaking sections, Flynn relives his mother’s suicide as it’s filmed. As Flynn writes: “How often are you offered the chance for a complete reenactment of the day of the disaster?”

I love this book for two special reasons: it was written by a scholar who doubles as a film director and thus understands both media from the inside and it is the first work to elaborate on the meaning of “historiophoty,” a word coined years ago by the famed historian, Hayden White, that means “the representation of history and our thought about it in visual images.” 

In clear and compelling prose, Nelson undertakes the enormous task of consolidating several decades of scholarship in diverse fields (history, film, philosophy) to create five principles that allow you and I to think more clearly about the real contributions of historical films. Her work allows you to better understand the explicit and implicit meanings of historical films.

I recommend this book because it is one of the few single-authored monographs in English that covers Taiwan cinema exclusively and comprehensively.

The study of Taiwan cinema has proliferated and diversified a great deal in recent years. However, when Hong’s Taiwan Cinema was published in 2011, most books on this subject were edited volumes and tended to have a narrower focus at the time. I like the fact that the author has offered many first-hand research materials.

I learned not only about the history of Taiwan cinema from pre-1945 to the new millennium but also why and how Taiwan cinema has shown the island as a contested nation on screen throughout the many decades.