The most recommended books about Scotland

Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had. 

When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.

I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.

A British writer and editor who developed a love of Greece from childhood holidays and Ancient Greek classes at school, and a passion for hidden and little-known places, I felt myself called back and moved ten years ago to the Dodecanese, a remote and rugged group of islands at the southeast edge of Europe. Wandering on foot around islands whose populations emigrated in their thousands over the last hundred years leaving refuges of wild and quiet, I began to be fascinated by things left behind on the landscape and differences from one island to the next. I explored in this way for five years and wrote the stories in my third book set in Greece, Wild Abandon: A Journey to the Deserted Places of the Dodecanese.

My motto is: we are techno-humans. Whatever nature or God created, we re-created. We move in cars, chat via the Internet, and eat industrial food. Technologies shape our bodies, identities, even imagination. That’s why the energy transition fascinates me. We propose to rip out and replace the technological foundations of the global economy. No less than the data revolution, energy transitions are about human re-invention. So, what kinds of human futures are we engineering? And can we design energy futures that make human futures better, more inclusive, more just? Figuring that out is my job as Director of the Center for Energy & Society at Arizona State University.

I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it. 

I am a film director and producer, specialising in science and history. I write books between making films. 

I’m passionate about dogs. Besides being a novelist, I write and blog about dogs for a living. Save a few grief-filled months here and there, there’s never been a time in my life when I didn’t have at least one dog, each one just as special and beloved as the last. My current special beloved is a German shepherd named Dixie, a big, goofy girl who loves belly rubs and tug-of-war almost as much as food and cuddles. Dogs also make the stakes feel higher when there’s an element of danger involved. Sure, go ahead, kill off the main character. Just don’t harm the dog and everything will be fine.

Primarily I’m a wife and mother, who loves holidays and writing about our experiences: from the many family holidays in a static caravan 90 minutes’ drive from our hometown in Scotland to the wonderful opportunities we’ve had to travel the world since, including through my work as a lecturer (when the family came too for a holiday while I worked!) or with friends. I like reading other authors’ personal experiences especially when I’m drawn into feeling I’m with the author during the travels, experiencing what’s not always included in travel guidebooks: the not-so-good as well as the good, the challenging as well as the amazing.

I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.

I’ve always been a keen reader of crime fiction. A huge fan of both Agatha Christie and PD James in the Golden age of English crime fiction. I love American mystery writers too and have attended Bouchercon in New Orleans. Just after Driftnet was published and the Dr. Rhona MacLeod series launched, I was visiting a Crime Writers’ Association conference in Lincoln with my friend and fellow crime writer Alex Gray. That’s where the idea for a weekend promoting Scottish Crime writing began. When we launched it ten years ago, Ian Rankin said, "Scandinavia doesn’t have better crime writers than Scotland, it has better PR." That’s what we set out to change.

I am, have always been, and always will be a realist. Therefore I find ‘Faction’ books, biographies, and memoirs more interesting, as I can learn from them and know that some or all of the events are true. They say ‘write what you know’ and so when it came to writing A Rather Unusual Romance I did just that. I was diagnosed with Stage 4 thyroid cancer back in 2005, and decided to weave the 15-year journey back to health I undertook into the pages of a fictional romance, with Alan and Erin similarly affected by thyroid cancer. Every procedure they had to endure was true because I had to go through it as well (without the romance)!

I’ve always been a keen reader of crime fiction. A huge fan of both Agatha Christie and PD James in the Golden age of English crime fiction. I love American mystery writers too and have attended Bouchercon in New Orleans. Just after Driftnet was published and the Dr. Rhona MacLeod series launched, I was visiting a Crime Writers’ Association conference in Lincoln with my friend and fellow crime writer Alex Gray. That’s where the idea for a weekend promoting Scottish Crime writing began. When we launched it ten years ago, Ian Rankin said, "Scandinavia doesn’t have better crime writers than Scotland, it has better PR." That’s what we set out to change.

Growing up in the Honest Toun of Musselburgh near Edinburgh, I was surrounded by bloody battlefields, haunted castles, ruined abbeys and palaces. In particular, Scotland during the turbulent 16th century Reformation and the tragic reign of Mary, Queen of Scots fired my imagination. I was curious to know more about the lives, loves, and destinies of these fascinating historical characters. I wanted to delve deeper, go beyond dates and events–what happened when–to explore why and how people acted. I’m passionate about writing historical fiction as it involves researching the tiniest details about everyday life–clothes, food, methods of travel, language, beliefs–to bring people from the past to life for the reader.

I love everything Scottish. My grandfather was Scottish. I never met him, but mom passed the pride of her heritage and culture to me. Mom used to throw out an occasional phrase or poem that I thought was Gaelic. (I later learned it was Scotts but that’s another story.) I decided I wanted to learn the language and found a short course at a small college on the Isle of Skye and it changed my life. After that short course I committed to learning the language and enrolled in the distance learning program. I travel to Skye for the short courses between my semesters and have made lifelong friends.  

I romantically believe that the sea runs in my blood. On the Norwegian side of my family, my grandfather was a boat builder, and my uncle a whaler. I’m a surfer, and I’ve worked in whale and dolphins conservation for many years. So I’m drawn to the ocean and – as work and family duties keep me inland more than I’d like – when unable to get in or on the water, I get my fix with salty tales; some of which I read and some of which I write. The books on this list are all classics, in my view; they all speak to the enigma of the ocean; an ever-changing scape, full of alien life. I hope you enjoy them, and also Girl. Boy. Sea.

I have lived by the sea in the far north of Scotland, where I wrote The Wee Seal, and several other sea and seal themed books. I now live in Edinburgh by the sea and swim daily. I am also a storyteller with a keen interest in myth, and how myth impacts our lives. The recommendations I have given a nod to myth and their place in our life, and the sea, and how, at least in Britain, it is rarely that far away. A little wild, in a world that can feel, sometimes, too tame.

I’ve loved to read from the moment I discovered I could, going to the library and checking out the max number I was allowed every week. When I discovered romance novels, I’d hide the covers so no one knew what I was reading but I could never stop. My favorites were the ones focusing on marriage of convenience. They have multiple layers of conflict and the happily ever after never comes easy. There is something about forcing two unwilling souls together that makes for some interesting, complicated, explosive, delightful, and heartwarming storylines. No matter the time frame, two people fighting their attraction but ultimately loving hard is worth the read.

Before I started to focus on writing, I was a performer: an actor, a magician, and an escapologist. I’ve learnt a great deal about how to construct a story for an audience. I’m excited by the layers of a good narrative—by what makes it work. In my own life I’m always looking for the details: reflections in a puddle, the interactions of strangers, lost items left behind. My book is all about stopping in the middle of this overwhelming world to notice the everyday moments and to celebrate them. I often find that there is magic there, hidden in plain sight.