Growing up in the sub-tropics of Brisbane, there was a magic in the heat. It was one that spoke to me from a really young age, and I’d daydream about finding portals to secret worlds in the stutter of a sprinkler’s spray, or the ooze of a monster in mid-afternoon sweat. There was no way I couldn’t find a story in the oppressive swelter of year-round summers, and in my head, I’d cast roles for my family and my friends. Over the years, that bred into a love of writing and reading stories about strange families finding their own sorts of magic with each other and their environments, and the ways that little taste of the uncanny can reveal and conceal in equal measure.
There’s a lot of pandemic fiction, but rarely are they as creative and thrilling as this. The zooflu that rips through Australia allows people to talk to animals while they’re sick, and when it inches towards the family-run zoo at the heart of this novel, tensions rise and bonds are tested, especially between addict Jean, her granddaughter Kimberley, and prodigal son, Lee.
Hard-drinking, foul-mouthed, and allergic to bullshit, Jean is not your usual grandma. She's never been good at getting on with other humans, apart from her beloved granddaughter, Kimberly. Instead, she surrounds herself with animals, working as a guide in an outback wildlife park. And although Jean talks to all her charges, she has a particular soft spot for a young dingo called Sue.
As disturbing news arrives of a pandemic sweeping the country, Jean realises this is…
I have long been drawn to everyday experiences in courts. Since Hurricane Katrina struck in 2005, I’ve been writing and teaching about courts, social welfare, and disasters in a changing climate. Following the disasters requires noticing the routine cases filed, not only the notable constitutional claims the United States Supreme Court hears. That can be hard to do, because all the cases filed are not listed in any one place. In the pandemic, my interest in the more ordinary met the databases that people assembled, gathering as best possible the many cases filed about the pandemic.
The 1918 flu killed millions, including 675,000 in the United States. It rapidly killed young people. The president of the United States never spoke of it.
The United States was at war, and officials claimed speaking of the flu would undermine the war effort. Not speaking of the flu fit well with widespread suppression of speech, which officials also justified by pointing to the war. Civil rights and liberties claims linked to that pandemic as it did in COVID-19.
Mr. Barry’s sprawling story includes many actors. Mr. Barry argues that managing a pandemic requires trust. In the COVID-19 pandemic, trust could still be hard to come by, even as medical care, labor, insurance, schooling, and the place of courts had changed over the intervening one hundred years.
At the height of WWI, history's most lethal influenza virus erupted in an army camp in Kansas, moved east with American troops, then exploded, killing as many as 100 million people worldwide. It killed more people in twenty-four months than AIDS killed in twenty-four years, more in a year than the Black Death killed in a century. But this was not the Middle Ages, and 1918 marked the first collision of science and epidemic disease. Magisterial in its breadth of perspective and depth of research and now revised to reflect the growing danger of the avian flu, "The Great Influenza"…
One of the reasons I enjoy writing historical novels is because I’ve always loved history. I enjoy creating characters and settings based on real-life incidents. I’m also involved in genealogy and find that kind of history fascinating. Reading about incidents (or like Dragnet’s Joe Friday used to say, "Just the facts, ma’am,") can be dry and boring. When a reader can experience history through fictional characters, history becomes more immersive than the dry accounts of a historical event. It’s entertaining to be able to take oneself back in time to a world with few modern conveniences and fewer distractions of media. While the reader is entertained, they can also learn about history in the process.
While not technically a ‘romance,’ this is the remarkable story of one woman’s quest to uncover her past. In 1963, 25-year-old journalist Christine Lenoir watches in horror as Lee Harvey Oswald is shot live on TV. She has flashbacks and vivid dreams about her life as a young child. Raised by religious sisters in a convent in France, Christine is led to believe that her parents died of the flu. In actuality, she discovers that they and most of the residents of her hometown were slaughtered by the Nazis in June of 1944. It’s a difficult read, but this is an extraordinary book.
Christine Lenoir's early childhood memories are vague. Told that her family perished of influenza, she grows up in the aftermath of World War II believing herself fortunate that her parents at least did not die violently, as so many did, and because she found a good and loving home. But she witnesses the live telecast of Lee Harvey Oswald's murder, strange dreams and terrifying images begin to plague her. As her faint recollections of the horrors of her childhood become stronger, Christine embarks on a quest to discover what her visions mean. She ultimately unearths a history she never knew…
I have read over 50 zombie novels and watched pretty much every zombie movie available to me. I write horror and a lot doesn’t really scare me anymore. The books I’ve listed are some of the ones that have stuck with me and gave me nightmares. My favorite zombie movies are the Norwegian film Dead Snow, Train to Busan, and REC (so scary as it added religion to the mix). I read a lot of zombie novels as research for my own zombie novels as I want my books to present new ideas that aren’t readily available, or overused.
I loved that the main character was a kickass female. Ashley is a fabulous character who is more than what people think she is, which is how I often feel. The fun thing is that Ashley is just like everyone else, a woman trying to get through a very rough day. Ashley felt like she could be any of us or all of us. In fact, I hope that I can be Ashley if there is a zombie apocalypse, a strong female who doesn’t let anyone cause me to die (except me).
Ashley was just trying to get through a tough day when the world turned upside down.
A terrifying virus appears, quickly becoming a pandemic that leaves its victims, not dead, but far worse. Attacked by zombies, Ashley discovers that she is a 'Wild-Card' -- immune to the virus -- and she is recruited to fight back and try to control the outbreak.
It's Buffy meets the Walking Dead in a rapid-fire zombie adventure!
In my day job working for a charity, I work with emergency planners, examining how we can minimise the harm caused by disasters, including outbreaks of disease. I’m fascinated by the measures in place to deal with catastrophes, and how contingency planners respond on a practical and a human level. When writing my novel about a killer virus, I devoured both fiction and non-fiction books tackling pandemics ranging from the Black Death to Aids. I am confident I know the skills needed to survive when a pandemic reduces the world’s population to a small, doughty band of survivors. I am not confident I possess these skills.
I read this book as background reading for writing my own virus-based novel, and it was an absolutely fascinating study of the response to a pandemic that took place almost exactly a century ago. It covers everything from the role of the First World War troops’ demobilisation on spreading the virus, to the impact of poverty on infection rates, to why young, fit people were the most likely to die of the illness. And, of course, why it was called Spanish Flu in the first place (spoiler alert: not because it came from Spain!)
Read the devastating story of the Spanish flu - the twentieth century's greatest killer - and discover what it can teach us about the current Covid-19 pandemic.
'Both a saga of tragedies and a detective story... Pale Rider is not just an excavation but a reimagining of the past' Guardian
With a death toll of between 50 and 100 million people and a global reach, the Spanish flu of 1918-1920 was the greatest human disaster, not only of the twentieth century, but possibly in all of recorded history. And yet, in our popular conception it exists largely as a footnote…
I love immigrant stories. This story begins with a young man who trains in medical school in Chicago but longs to serve in a small town.
Dr. Pierre Sartor was new in a small Iowa town 100 years ago when the influenza pandemic broke out. He forged a partnership with what is now Mayo Clinic, which was beneficial his entire career. Dr. Sartor's box of treasures was passed to his son, who later gave it to his daughter, setting her on an exciting journey of discovery for Dr. Pierre Sartor's granddaughter.
It is an important chapter in Iowa history, medical history, and of a well-loved Iowa country doctor who had immigrated from Luxembourg.
Maintain isolation – practice good hygiene – wear a mask – be kind. We all know these methods of fighting COVID-19, but this prescription comes from the 1918 experience of Dr. Pierre Sartor, who battled the worldwide influenza pandemic in his small town of Titonka, Iowa.
Dr. Sartor wrote an inspiring first-person account of how he treated more than 1,000 patients – and by his reckoning, lost only five – which lay forgotten in a lockbox of family artifacts until it was discovered decades later by his granddaughter, Beth Obermeyer, a journalist and author of three previous books. Beth knew…
I’m an Irish writer and historian. I always enjoyed history, even in school, and I went on to study it at Maynooth University, receiving a BA. I became a history teacher and eventually head of the history department in Méanscoil Iognáid Rís. I began writing local history articles for the Dunlavin arts festival and the parish magazine. I went back to university and got a first-class honours MA from Maynooth, before being awarded a PhD from DCU. I’ve won the Lord Walter Fitzgerald prize and the Irish Chiefs’ Prize, and my students were winners in the Decade of Centenaries competition. Now retired, I continue to write and lecture about history!
The ‘decade of centenaries’ from 2013-2023 has seen a plethora of books published about events during the Irish Revolution of a hundred years ago or so. Most of them have a glaring omission in that they do not mention, or only barely mention, the great influenza pandemic (the Spanish Flu) of 1918-1919, despite the fact that infection rates and mortality rates were extremely high. Milne’s book tackles the subject head-on, and fills a gap in the narrative of the pivotal decade 1913-23 in Irish history. The high quality of the research is evident in the enormous level of detail throughout the book, and Milne has given a human voice to many of the victims’ families by including survivor memories passed down through the generations. A sombre, thought-provoking read!
The 1918-19 influenza epidemic killed more than 50 million people, and infected between one fifth and half of the world's population. It is the world's greatest killing influenza pandemic, and is used as a worst case scenario for emerging infectious disease epidemics like the corona virus COVID-19. It decimated families, silenced cities and towns as it passed through, stilled commerce, closed schools and public buildings and put normal life on hold. Sometimes it killed several members of the same family. Like COVID-19 there was no preventative vaccine for the virus, and many died from secondary bacterial pneumonia in this pre-antibiotic…
Both words in the title drew me to this book! What an incredible weaving of the immigrant journeys of a young couple, from Scotland and Italy, who meet in Utah after he survives WWI and the influenza pandemic.
By then, she is a young widow who has lost a young brother, her father, her husband in the war, and another brother to the pandemic.
But they have much more to face, from the deception and destruction of a rampant secretive religion. Remarkably, they escape and find redemption. This is the almost unbelievable story of the author's grandparents, written as a novel.
One family's struggle for freedom and faith in a world gone mad.
The call of freedom has propelled millions of immigrants to journey thousands of miles from all corners of the globe to come to America over the last four hundred years.
This story details the incredible cost that some are willing to pay to drink from freedom's fountain.
My grandfather crossed the Atlantic Ocean seven times to come to America. He fought in a global war, and nearly died in combat in the French countryside, wearing the uniform of an American.
I'm the author of short stories and novels including my young adult debut, Pandemic, which continues to be a timely read about surviving a widespread deadly virus. After the H1N1 pandemic of 2009 (commonly called Swine Flu), I was fascinated with the idea of a global illness that could be much, much worse. I researched historical diseases, interviewed public health officials, and the idea for my novel was born. Written and published before COVID-19, some of the details are eerily predictive of coronavirus. Pandemic won SCBWI’s Crystal Kite Award the year after its publication, and a June 2022 reissue of the original novel includes updated resources and backmatter.
Set in Oregon during the 1918
influenza pandemic, this historical young adult novel features a teen girl
separated from her family as the illness spreads from the east coast of the US to
the west. Like Lil, the main character from my book, Cleo in A Death-Struck Year grapples
with moral dilemmas. I was drawn to Cleo’s struggle of wanting to help others,
which will put her life at risk, and of desperately wanting to survive.
Schools, churches, and theaters shut down. The entire city is thrust into survival mode-and into a panic. Headstrong and foolish, seventeen-year-old Cleo is determined to ride out the pandemic in the comfort of her own home, rather than in her quarantined boarding school dorms. But when the Red Cross pleads for volunteers, she can't ignore the call. As Cleo struggles to navigate the world around her, she is surprised by how much she finds herself caring about near-strangers. Strangers like Edmund, a handsome medical student and war vet. Strangers who could be gone tomorrow. And as the bodies begin to…
I’ve loved zombie movies since I was a kid and first saw Return of the Living Dead during a slumber party. Since then I’ve watched as many as I could, along with shows like The Walking Dead and Z Nation. The changes in the publishing industry over the past few years have given me something even better – hundreds of amazing books about romance and survival in the zombie apocalypse to read. The five books on my list are the very best of those that eventually inspired me to write my own books. I hope you like them!
These are short, but the author crams so much into each book it feels like they’re twice as long. Frankie and Yorke are seriously flawed as characters, but their flaws tend to complement one another’s. It’s those flaws that drive most of their actions in the book, so even when they do something stupid you know exactly why they did them, and it’s not just a random TSTL thing thrown in to move the story along. The chemistry is hot but the romance is a slow burn because they’ve got so many issues to work out. There’s gripping action to keep things moving, plenty of zombie fighting, and psycho survivors trying to ruin the apocalypse for everyone.
A deadly flu raging across the planet. A woman with zero intention of surviving the apocalypse. A man who will never let her die.
When 99% of the population dies of an ungodly flu, those who survived are desperate, capable of anything, plunged into a world without laws, and no one to enforce them anyway.
Frankie has zero survival skills, but with the world burning around her, she discovers an untapped well of hope inside herself, and the strength to find other survivors. For good or bad, they must now rebuild.
Yorke, a lone soldier, never needed anyone ... until…
