100 books like A High and Hidden Place

I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you “great lumps of facts” that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.

I am Rhys Bowen, New York Times best selling author of two historical mystery series and several Internationally best selling historical novels. Many of these take place in and around World War II. I have particularly focused on the bravery of ordinary women, the unsung heroines who risked their lives against impossible odds. My stories take place in France, Italy, as well as, England so these books resonated with me.

As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.

One of the reasons I enjoy writing historical novels is because I’ve always loved history. I enjoy creating characters and settings based on real-life incidents. I’m also involved in genealogy and find that kind of history fascinating. Reading about incidents (or like Dragnet’s Joe Friday used to say, "Just the facts, ma’am,") can be dry and boring. When a reader can experience history through fictional characters, history becomes more immersive than the dry accounts of a historical event. It’s entertaining to be able to take oneself back in time to a world with few modern conveniences and fewer distractions of media. While the reader is entertained, they can also learn about history in the process.

I received my B.S. in geology and spent my career in commercial banking. How did I go from banking to becoming an author? I learned to write as a banker back in the “good old” days when the loan officer had to write their own credit memorandum. I enjoyed it so much I told myself, “One day, I'm going to write a book.” Then I found a book called Walks Through Lost Paris by Leonard Pitt. As my wife and I walked through the streets of Paris, I said, “I can write a book like this.” And so I did. We're about to publish our sixth book in an anticipated series of nine.

While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo. A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.

I've always been interested in history, which is probably why I ended up with a BA(Hons) in history. One of the things that historical fiction can do better than a historical text is to take you there, let you live the events as they happened. It's important that the facts are correct, but so is the setting. The narrative has to be believable and convincing. I've done that with my own book, To Die a Dry Death, and I expect nothing less from the books I read.

My novel Nourishment is loosely based on stories I was told about the war by my parents who lived through it. My mother was a firewoman during the Blitz and my father was in Normandy after the D-Day landings. They married during the war. I wish now I’d written down the stories my parents used to tell me. There was always humour in their stories. My parents could both see the absurdity and the dark comedy that can sometimes be present in wartime situations, especially on the home front, and I hope some of that comes through in Nourishment.

My grandfather joined the French Resistance in his early twenties in 1942. He told me his story when I was a teenager, which has had a lasting effect on me. I have since taught college students about the French Resistance and published on the way it has been depicted in films, TV series, novels, and comics since 1942. My book Revisiting the French Resistance will appeal to those interested in the relationship between history and fiction, and/or who enjoy stories of ordinary, yet exemplary individuals who at some point of history have felt compelled to say “no” to a situation deemed unacceptable.  

Not only have I written six critically acclaimed novels for middle-grade readers, including three historical fictions, I am the parent of a tween and teen who is always looking for great read-alouds and read-alongs for my own family. I am a firm believer that this is a valuable way to encourage literacy and love of story as I wrote in a recent, much-discussed essay in The Atlantic. Having lived abroad, including as an exchange student and camper in the Soviet Union and for three years in Belgium, I am also a huge believer in expanding our own as well as our kids’ knowledge of history beyond our own borders, cultures, identities, and perspectives.