I was raised in a don't-blink-or-you'll-miss-it town in southeast Tennessee. I was embarrassed by where I came from for a long time, and worked on getting rid of my tell-tale accent. Then, as the years went on, I figured out who I am as a person was shaped by being a small-town Southern girl. So I embraced my Southerness. When I started writing fiction, it never occurred to me to set my books anywhere but small towns, and every one of them is. I’m fact, with the exception of one, all my books are set in Tennessee. At this point, I can't imagine notwriting small-town stories.
The title made me curious about this book but I wasn't sure what to expect.
What I found was an interesting cast of characters. The strong-willed heroine tried to use lists and logic to control her emotions (something I might have done a time or two). The hero was swoon-worthy in both physical and personality terms. There was a mystery that reached deep into the past.
The story played out with humor, emotion, and a strong sense of the Southern. All things I love in a novel.
Hotel executive Wendy Marsh puts her career on hold when she inherits half of her family’s inn. Her to-do list? It’s simple: teach her spoiled cousin how to manage Fountenoy Hall, then hightail it back to her structured, careful life in Atlanta. Romance has never been part of Wendy's plan – so what is it about the sexy history professor researching the inn that she finds so tempting?Rob Upshaw would be enjoying his time at the Inn at Fountenoy Hall if he wasn’t secretly hunting for a family treasure lost during Prohibition. Only a few minor inconveniences stand in his…
California’s San Joaquin Valley is so congenial to plants I thought it made me a gardener. When I got my first job in a retail nursery I quickly realized how little I knew. Twenty years in the nursery trade expanded the depth and breadth of my garden skills. I owe my horticultural education to knowledgeable colleagues, an unending stream of interesting questions from nursery customers, and especially to Ed Laivo who introduced me to an ArcticGlo nectarine that commanded my attention.
For years Henry Mitchell wrote for The Washington Post about the agony and the ecstasy of gardening and, consequently, everything else. This classic is laced with pith, wit, gems, and instruction throughout. No one does it better or funnier. The easiest path is to quote the man himself: “Shasta daisies are far more agreeable and lovely than one thinks they are going to be.”
"The most soul-satisfying gardening book in years." -New York Times (March 1982, reviewing the 1981 cloth edition from IU Press).
"Genuinely a classic . . ." -Los Angeles Times (on the occasion of Houghton Mifflin's paperback edition, which came out in 1994).
"Is there anyone alive with the slightest interest in gardening who doesn't know that Henry Mitchell is one of the funniest and most truthful garden columnists we've got?" -Allen Lacy
"Mitchell is a joy to read. He has tried and failed, persevered and triumphed, and he has many sound recommendations for us fumblers and failures." -Celestine Sibley, in…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
This is a significant departure from the notion of a “haunted house” most of us are familiar with. We expect an old house, haunted by the past, far from humankind, and left to rot and fester in isolation somewhere remote. The haunted house in Siddons’s novel, however, is right in the middle of an upper-class neighborhood in Atlanta, and it’s a brand-new build. Rather than being haunted by the ghosts of the past inhabitants, the house itself is a force of evil, corrupting all who cross its threshold in terrible, terrifying, and often deadly ways.
An unparalleled picture of that vibrant but dark intersection where the Old and the New South collide.
Thirtysomething Colquitt and Walter Kennedy live in a charming, peaceful suburb of newly bustling Atlanta, Georgia. Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Disappointed by their diminished privacy, Colquitt and Walter soon realize something more is wrong with the house next door. Surely the house can’t be haunted, yet it seems to destroy…
As a teacher of US women’s history and educational history, I have long been interested in women’s colleges—in their faculties, administrators, students, alumnae, goals, and achievements. Most recently, as the biographer of a woman educator (a dean of Barnard College in the early 20th century), I became more deeply involved with the literature on single-sex schools. Major books focus on the older women’s colleges, the “Seven Sisters,” but devote attention to other colleges as well. I am impressed with the talents of historians, with their skill at asking questions of their subjects, with the intensity of mission at the women’s schools, and with changing styles of campus culture.
Recent concern with intersectionality (instances where categories of race and gender overlap) makes research into Black women’s colleges vital. Founded in 1881 as a Baptist female seminary in Atlanta, Georgia, Spelman College became a leading women’s liberal arts college. The book tracks the impact of four college presidents from the outset to the 1950s. The authors show how the formal academic curriculum, extra-curriculum (college-sponsored activities), and hidden curriculum (informal and even inadvertent influences) instilled an imperative to excel.
Presents the history of Spelman's foundation through the tenure of its fourth president, Florence M. Read, in1953. The story is brought up to date by the contributions of Spelman's current president, Beverly Daniel Tatum, and by Johnnetta B. Cole.
The book chronicles how the vision each of these women presidents, and their response to changing social forces, both profoundly shaped Spelman's curriculum and influenced the lives and minds of thousands of young Black women.
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
This is not a work of fiction but a memoir by a novelist, an unflinching portrait of generations of a family ever at the brink. It reads almost as vignettes, exquisitely crafted and somehow soothing even in their brutal honesty. Poignantly rendered pieces of the author’s life reflect aspects of Appalachian culture that can often come across as stereotyping, but the personal nature of this work combined with Dodd White’s skilled pen makes it an authentic view into struggles endemic to the region. He bravely writes of suicides in his family, most heartbreakingly that of his son. Until I read this book, Joan Didion’s A Year of Magical Thinkingwas secure in its position at the top of my “best memoirs” list.
This collection of fourteen essays by Charles Dodd White-praised by Silas House as "one of the best prose stylists of Appalachian literature"-explores the boundaries of family, loss, masculinity, and place. Contemplating the suicides of his father, uncle, and son, White meditates on what it means to go on when seemingly everything worth living for is lost. What he discovers is an intimate connection to the natural world, a renewed impulse to understand his troubled family history, and a devotion to following the clues that point to the possibility of a whole life.
Avoiding easy sentiment and cliche, White's transformative language…
I was raised in a don't-blink-or-you'll-miss-it town in southeast Tennessee. I was embarrassed by where I came from for a long time, and worked on getting rid of my tell-tale accent. Then, as the years went on, I figured out who I am as a person was shaped by being a small-town Southern girl. So I embraced my Southerness. When I started writing fiction, it never occurred to me to set my books anywhere but small towns, and every one of them is. I’m fact, with the exception of one, all my books are set in Tennessee. At this point, I can't imagine notwriting small-town stories.
It's a very funny take on a small Southern town. The characters could be people I know or grew up with, and that made me laugh all the harder. Not that you can't enjoy the book if you aren't Southern. The story is one about community and friendship. And it'll also give you a taste of being Southern.
WARM AND WITTY, A FEAST FOR THE HEART ... "Use your very last bottom dollar, if you have to. Just BUY THIS BOOK. You will laugh yourself sick and love every minute of it." - Jill Conner Browne, The Sweet Potato Queen Welcome to the Bottom Dollar Emporium in Cayboo Creek, South Carolina, where everything from coconut mallow cookies to Clabber Girl Baking Powder costs a dollar but the coffee and gossip are free. For the Bottom Dollar gals, work time is sisterhood time. When news gets out that a corporate dollar store is coming to town, the women are…
I’ve been fascinated with the paranormal since I was a little girl and used to talk to the old lady on the edge of my bed. That old lady turned out to be my grandma, who had passed when I was in my mother’s womb. My entire family is touched by the curiosity and love that comes with the paranormal, so much so my mother is a working psychic medium. For years, I have spent every birthday attending haunted houses with a paranormal team to “investigate.” For some strange reason, I love to be terrified, and I fear I will never stop chasing the thrill.
This book is not for the faint of heart, there are trigger warnings a mile long and it is one of the most gruesome books I have ever read and yet like a car crash, I couldn’t peel my eyes away from the book.
I listened to it on audiobook and the narration of the story added to the thrill and terror of it all.
'One of the boldest thriller writers working today' TESS GERRITSEN 'Her characters, plot, and pacing are unrivalled' MICHAEL CONNELLY _________________________________________ AS RECOMMENDED ON HIT CRIME PODCAST MY FAVOURITE MURDER A heart-racing thriller from the No. 1 Sunday Times bestselling author
Sisters. Strangers. Survivors.
More than twenty years ago, Claire and Lydia's teenage sister Julia vanished without a trace. The two women have not spoken since, and now their lives could not be more different. Claire is the glamorous trophy wife of an Atlanta millionaire. Lydia, a single mother, dates an ex-con and struggles to make ends meet. But neither has…
I am passionate about fierce female protagonists in fiction because I believe that fiction is a great way to highlight real-life issues. Before becoming an author, I was a lawyer. It was tough navigating the challenges of maternity leave and trying to have a career whilst being a mum to a young family. The reality is that there’s still plenty of gender inequality remaining in the world at large, so I made sure that I always write strong, competent female main characters to lead by example. As you can imagine, my reading tastes are the same as my writing ones, making me an excellent curator of strong female fiction.
This chart-topping writing duo can do no wrong in my eyes. Their Innkeeper Chronicles series ranks amongst my all-time favorites, but when it comes to fierce female protagonists, their Kate Daniels series truly takes the cake.
I find Kate fascinating. She has a complex backstory (no spoilers here!), and she is a masterful fighter, excelling in both physical combat and magical prowess. She consistently stands up for others, often putting herself in peril to protect those around her.
I love how her wit and humor shine through, striking the perfect balance between light and shade.
I will always remember the way she greeted a particular deadly lion shifter with a cheeky “Here, kitty, kitty, kitty.” For me, Kate Daniels embodies everything a fierce female protagonist should be.
Kate Daniels is about to enter a world of gritty magic and dangerous mystery! Vampires, necromancers and mages abound on the city streets, with one kickass heroine in the middle
Future Atlanta is an interesting place to live: one moment magic dominates, and cars stall and guns fail. The next, technology takes over and the defensive spells no longer protect your house from monsters.
Here skyscrapers topple under the onslaught of magic; the Pack, a paramilitary clan of shapechangers, prowl through the ruined streets; and the Masters of the Dead, necromancers driven by their thirst for knowledge and wealth, pilot…
I love books that deal with justice and make you feel
strong emotions. This book did that and more.
The story included discrimination
against Chinese and Black Americans in the South in the early 1900s. The plot was
moving, riveting and the writing was impeccable.
I'd often stop and be amazed
at the wonderful way the author strung her words together. Stacey Lee is a
talented and unique writer. It was filled with love, hope, and surprises.
A Reese's Book Club YA Pick and New York Times Bestseller
From the critically acclaimed author of Luck of the Titanic, Under a Painted Sky, and Outrun the Moon comes a powerful novel about identity, betrayal, and the meaning of family.
By day, seventeen-year-old Jo Kuan works as a lady's maid for the cruel daughter of one of the wealthiest men in Atlanta. But by night, Jo moonlights as the pseudonymous author of a newspaper advice column for the genteel Southern lady, "Dear Miss Sweetie." When her column becomes wildly popular, she uses the power of the pen to address…
I have always loved horses and riding. My dream was to become a showjumper but, unfortunately, my opportunities in London were limited and although I rode a lot in Australia, my jumping was limited to the odd log in the bush. I’m an avid reader and particularly enjoy horse books written for adults, which is why I wrote a book for horse lovers. I have recommended books that gave me pleasure and which I am sure other horse lovers will enjoy.
Free Rein is the autobiography of two-time Australian Olympic champion, Gill Rolton, who famously remounted at the Atlanta Olympics with a broken collarbone to finish the team event. Gillian was a late starter to eventing at the age of twenty-one but went on to compete for thirty years. This autobiography reveals the injuries to herself and her horses which meant missing the LA and Seoul Olympics, the success she achieved with her wonderful horse, Peppermint Grove and her inclusion in the Australia Sporting Hall of Fame.
the autobiography of two-time Olympic gold medallist equestrian Gillian Rolton. Gill Rolton is one of Australiaᱠmost accomplished riders. Her riding career has spanned over 30 years and includes Olympic Games, World Championships and internationals. Even more impressive when you find out Gill started eventing and showjumping at the relatively late age of 21. Free Rein follows Gill from her days as a horse-mad, music-loving Adelaide surfie chick to her inclusion in the Australian Sporting Hall of Fame. She reveals how injury to horse and rider meant she missed out on the LA Olympics and also on Seoul. After the incredible…
