Growing up on a diet of The Godfather, The Sopranos, thrillers, and gangster novels, and living in New York City with eye-opening trips to Sicily, I became slightly obsessed with the Mafia. I came to see the American Mafia as a quintessentially American fabric, woven of family, power, immigrants, money, history, loyalty, legacy, and, yes, crime.
A history of the early 1960s in America, leading up to the assassination of JFK, seen through the eyes of the mobsters and criminals, crooked cops, spies, and sleazos who power the machines of history.
A comprehensive romp through the underbelly of American crime and politics (and you might, after reading this book, wonder what’s the difference), it’s a novel about characters you don’t like—but they’re vivid and fascinating.
Much more than a gritty gangster novel, it’s a tale about the people in history’s shadows, and, ultimately, history and the “never innocent” America itself.
The first novel in Ellroy's extraordinary Underworld USA Trilogy as featured on BBC Radio 4's A Good Read.
1958. America is about to emerge into a bright new age - an age that will last until the 1000 days of John F Kennedy's presidency.
Three men move beneath the glossy surface of power, men allied to the makers and shakers of the era. Pete Bondurant - Howard Hughes's right-hand man, Jimmy Hoffa's hitman. Kemper Boyd - employed by J Edgar Hoover to infiltrate the Kennedy clan. Ward Littell - a man seeking redemption in Bobby Kennedy's drive against organised crime.…
I’m a career financial and business journalist, only recently turned novelist. I’m obsessed with the way that history repeats itself in the financial markets and that we never seem to learn our lessons. Fear and greed have always driven the behavior of bankers, traders, and investors; and they still do today, only barely inhibited by our regulatory system. I want to help people understand how markets work, and I like combining fiction with fact to explain these systems and how they’re abused. With that in mind, I work during the day as a reporter at NPR and by night as a scribbler of historical fiction with a financial twist.
I love the way Wolfe brings one of the more arcane areas of the financial markets to life - namely bankruptcy workout - and skewers the greed and ambition of real estate investors in the 1990s.
I’m a huge admirer of Wolfe’s technique of writing a novel using journalistic interviews, and I’m struck by the way he nails the characters and actions when he describes how the bankruptcy process works. And all while keeping the reader absolutely hooked on the narrative.
I go back to Wolfe’s novels again and again, not just to be amused and entertained but to get a real insight into the dark heart and often absurd workings of the financial system.
A dissection of greed-obsessed America a decade after The Bonfire of the Vanities and on the cusp of the millennium, from the master chronicler of American culture Tom Wolfe
Charlie Croker, once a fabled college football star, is now a late-middle-aged Atlanta real estate entrepreneur-turned conglomerate king. His expansionist ambitions and outsize ego have at last hit up against reality. Charlie has a 28,000 acre quail shooting plantation, a young and demanding second wife and a half-empty downtown tower with a staggering load of debt. Wolfe shows us contemporary America with all the verve, wit, and insight that have made…
I grew up in New Jersey and my paternal ancestors have lived here since 1732. My ancestors served in the Civil War, my father served in World War II and I also served in the military. From an early age, I wanted to be a writer, and that ambition, as well as my experience as an army officer in the Vietnam War, provided the sparks that ignited my writing career.
Most people were drawn to this work because of the HBO television series of the same name. While there was, to be kind, a great deal of exaggeration in the series, Johnson’s thorough research for the book provides an accurate and fascinating account of the history of Atlantic City and its legendary political boss Enoch “Nucky” Johnson.
"When I was first approached by HBO to use Nelson Johnson's book as the basis for a TV series, my biggest challenge was choosing a time period in which to set it...Ultimately I settled on the 1920s of Atlantic City's legendary treasurer Nucky Johnson...A place of spectacle, shady politics, fast women and backroom deals". (Terence Winter, Emmy Award-winning writer of "The Sopranos" and Executive Producer of Boardwalk Empire). From its humble beginnings as a fledgling seaside resort, Atlantic City grew to be America's playground - loud, brash, and dedicated to the pursuit of pleasure. In 1920 alcohol was banned across…
I am researching how elites and societies in Russia and East Central Europe have adapted to the social, political, and economic transformation processes following the end of Communism. What fascinates me about this topic is understanding why many of these countries continued to fall back to the same patterns of re-autocratization as they did during the Communist times. My answer is that it is because many institutions and elites in these regions have continued certain policies and behaviors from Communist times, which are still affecting their politics and economics. I also examine the impact of the transformational shock on Russia's international revisionism and democratic backsliding across the region.
This book is fascinating because it shows how underlying informal political structures remained the same even after empires and political regimes collapsed.
Ledeneva explores the nature of the informal patronal networks connecting Russian elites and how that explains the persistent non-democratic dynamic over time and under various contexts. This book sheds light on the informal nature of Russian politics.
During the Soviet era, blat-the use of personal networks for obtaining goods and services in short supply and for circumventing formal procedures-was necessary to compensate for the inefficiencies of socialism. The collapse of the Soviet Union produced a new generation of informal practices. In How Russia Really Works, Alena V. Ledeneva explores practices in politics, business, media, and the legal sphere in Russia in the 1990s-from the hiring of firms to create negative publicity about one's competitors, to inventing novel schemes of tax evasion and engaging in "alternative" techniques of contract and law enforcement. She discovers ingenuity, wit, and vigor…
This book provides an eye-opening look at the ways journalists in the Philippines harnessed their power to resist misinformation, authoritarianism, and the despair that can emerge in corrupted media environments. The insights of Ressa's personal and professional journey offer a much-needed parable of hope in action as readers across the globe continue to struggle with the same plagues in many forms.
*BBC RADIO 4 START OF THE WEEK and GUARDIAN BOOK OF THE YEAR*
WINNER OF THE NOBEL PEACE PRIZE 2021
What will you sacrifice for the truth?
Maria Ressa has spent decades speaking truth to power. But her work tracking disinformation networks seeded by her own government, spreading lies to its own citizens laced with anger and hate, has landed her in trouble with the most powerful man in the country: President Duterte.
Now, hounded by the state, she has multiple arrest warrants against her name, and a potential 100+ years behind bars to prepare for - while she stands…
The celebrated historian and journalist uncovers the networks trying to destroy the democratic world
All of us have in our minds a cartoon image of what an autocratic state looks like, with a bad man at the top. But in the 21st century, that cartoon bears little resemblance to reality. Nowadays, autocracies are run not by one bad guy, but by sophisticated networks composed of kleptocratic financial structures, security services and professional propagandists. The members of these networks are connected not only within a given country, but among many countries. The corrupt, state-controlled companies in one dictatorship do business with…
I am an anthropologist of development who has conducted ethnographic research in India, Indonesia, and more recently, Australia. Throughout my career I have grappled with questions of how power works in development, particularly in and through processes of self-making. I seek new theoretical tools to examine these questions, but always grounded in the realities of the everyday. I came of age when post-development critiques were dominant, but both my idealism and cynicism have been tempered by working alongside local development actors. In my work I try to give readers a sympathetic portrait of their lives, beliefs, and hopes, and how these shape practices, relationships, and consequences of ‘development’.
Akhil Gupta asks why so many people in India suffer extreme poverty, and yet invite so little reaction.
His answer is structural violence. State inaction, or ineffective action, are part of the conditions that let people die from poverty.
The brilliance in Akhil Gupta’s work is inviting us to look at the state not as a coherent and unified entity, but as operating through multiple levels, agencies, and departments.
As someone interested in local development actors, I find his ethnographic accounts of low-level government offices and officials particularly compelling.
By showing everyday practices in these offices, and fine-grained encounters between officials and welfare recipients, Gupta shows how state indifference is produced, and challenged, in ways that shape life and death.
Red Tape presents a major new theory of the state developed by the renowned anthropologist Akhil Gupta. Seeking to understand the chronic and widespread poverty in India, the world's fourth largest economy, Gupta conceives of the relation between the state in India and the poor as one of structural violence. Every year this violence kills between two and three million people, especially women and girls, and lower-caste and indigenous peoples. Yet India's poor are not disenfranchised; they actively participate in the democratic project. Nor is the state indifferent to the plight of the poor; it sponsors many poverty amelioration programs.…
I am a professor of sociology at the University of Chicago, and I am interested in global capitalism, financial elites, and all aspects of how people broker capital deals. I am a scholar of anti-heroes who studies all of the ways that people play in the gray. My first book, Dealing in Desire, is an ethnography where I embedded myself in several different hostess bars to study the relationship between sex work and financial deal-making. I grew up in California but have lived most of my adult life in Ho Chi Minh City, Houston, Boston, and Chicago.
I found this book to be a raw act of bravery. Desmond Shum describes his and his ex-wife Whitney Duan’s economic ascendancy in China as they climbed to become part of a billionaire class. Shum describes all of the ways they had to play in the gray in order to successfully execute massive real estate and airport projects. On a personal level, he takes you inside his life as an elite, purchasing expensive homes, vehicles, and art. But just as quickly as they rose, his wife vanished as part of the party’s use of extralegal kidnappings to facilitate investigations into corruption.
This book is one man’s act of bravery in risking everything to tell his story while also implicating himself in corrupt activity. He shows us that charges of corruption must be understood through a political lens with the objective of consolidating power and preserving the legitimacy of the Communist…
I’m a South Asian writer who grew up in dry plains and the desert, so when I saw the ocean for the first time—it was an absolute shock to my senses. I was drawn to its vastness, its strangeness. Everything about our seas is fascinating, from the way they sustain life on the planet to the alien creatures that inhabit them. Since I’m a reader, I began to look for books featuring seas, and after nonfic ones, found fantasy books that were set in imaginative water-based worlds. This lifelong love has now led to my own debut being an oceanic fantasy. So I hope you enjoy this list. :)
I love inventive worldbuilding, more than anything else in a story. And The Light at the Bottom of the World, set in a post-apocalyptic future where our world is underwater is a criminally underrated gem. The whole book is as brilliant as it is surrealistic. It follows protagonist Leyla McQueen from submerged London who’s competing in a marathon in the hopes of freeing her political prisoner father — and who finds out there’s much more going on with the corrupt government than she knew. An astutely plotted thriller,The Light at the Bottom of the World is an achievement in imagination.
From debut author London Shah, comes a thrilling futuristic Sci-Fi mystery perfect for fans of Illuminae and These Broken Stars.
In the last days of the twenty-first century, sea creatures swim through the ruins of London. Trapped in the abyss, humankind wavers between hope and fear of what lurks in the depths around them, and hope that they might one day find a way back to the surface.
When sixteen-year-old submersible racer Leyla McQueen is chosen to participate in the city's prestigious annual marathon, she sees an opportunity to save her father, who has been arrested on false charges. The…
When I decided to set my new novel, Saturnalia, in Philadelphia, I was excited to draw on my experience as a native and current resident of the City of Brotherly Love. But I also love magic and the supernatural as much as I love research—my Philadelphia had to be a fantastical one. I drew on real landmarks, real history, and real social dynamics, but added wild festivals, secret societies, and an occult history to create a place all my own. Fortunately, I had a number of fictional fantasy cities to guide my world-building.
Qaanaak, Blackfish City’s floating Arctic city, is science-fictional—it’s maintained by artificial intelligence and other futuristic technology—but it’s built with all the world-building care the fantasy reader desires, including a text-within-a-text that explains the city’s origins. What most inspired me, though, is how Qaanaak exposes a city’s class structure, and questions what makes a city worth saving.
***A PUBLISHERS WEEKLY BEST BOOK OF 2018*** ***A KIRKUS BEST BOOK OF 2018***
'A remarkable work of dystopian imagination' - Starburst
'Incisive and beautifully written . . . Blackfish City simmers with menace and heartache, suspense and wonder' - Ann Leckie, Hugo, Nebula and Clarke Award-winning author
*****
After the climate wars, a floating city was constructed in the Arctic Circle. Once a remarkable feat of mechanical and social engineering it is now rife with corruption and the population simmers with unrest.
Into this turmoil comes a strange new visitor - a woman accompanied by an orca and a chained…
