I read all kinds of thrillers, but the ones that intrigue me the most are those where you’re not only uncertain of who murdered who, or what happened when, but of whether what you’re reading is real or not. For me, those kinds of mysteries elevate the genre to something profound – philosophical problems worked out through the medium of murder and mayhem. Covering both conspiracy narratives and those strange stories where everything feels like a dream, here are some of my favourites.
Long before The Da Vinci Code, Umberto Eco wrote this epic novel featuring the Knights Templar. It's the story of the employees of a small publishing house, who for their own amusement dream up a wild conspiracy theory connecting multiple historical events. It's all fun and games until they realise there may be some truth to their theory. Soon their lives are in danger.
Three book editors, jaded by reading far too many crackpot manuscripts on the mystic and the occult, are inspired by an extraordinary conspiracy story told to them by a strange colonel to have some fun. They start feeding random bits of information into a powerful computer capable of inventing connections between the entries, thinking they are creating nothing more than an amusing game, but then their game starts to take over, the deaths start mounting, and they are forced into a frantic search for the truth
This is Agatha Christie's creepiest novel. A love story between a chauffeur and an heiress, who move to a majestic house in the countryside and find themselves the victims of a local curse. Strange things start to happen. But is any of it real? The shocking truth doesn't become clear until the last few pages.
- combining love, death and melodrama blended together as only Agatha Christie can.
Gipsy's Acre was a truly beautiful upland site with views out to sea - and in Michael Rogers it stirred a child-like fantasy.
There, amongst the dark fir trees, he planned to build a house, find a girl and live happily ever after.
Yet, as he left the village, a shadow of menace hung over the land. For this was the place where accidents happened. Perhaps Michael should have heeded the locals' warnings: 'There's no luck for them as meddles with Gipsy's Acre.'
Paul Auster is known for taking motifs from noir and playing around with them. Of all his books, this one works the best as a straightforward thriller. A pair of drifters attempt to hustle some millionaires out of their money but get outsmarted. After a disastrous poker game, they end up in debt to their victims, who set them to work building a useless decorative wall. It's one of those novels that reads like it could all be a dream.
Nashe comes into an inheritance and decides to pursue a life of freedom. He meets Pozzi, a gambler, who exerts a terrible fascination over, him and together they take a desperate gamble. By the author of "The New York Trilogy", "Moon Palace" and "The Invention of Solitude".
A short, mind-bending novel about a young woman writing a story who starts to encounter incidents from her story in real life. This book is a delight. From that intriguing opening, it evolves into a tale of sadness and isolation, set against the backdrop of a fading British seaside town.
With an abandoned degree behind her and a thirtieth birthday approaching, amateur writer Bonnie Falls moves out of her parents' home into a nearby flat. Her landlady, Sylvia Slythe, takes an interest in Bonnie, encouraging her to finish one of her stories, in which a young woman moves to the seaside, where she comes under strange influences. As summer approaches, Sylvia suggests to Bonnie that, as neither of them has anyone else to go on holiday with, they should go away together - to the seaside, perhaps.
The new novel from the author of the Man Booker-shortlisted The Lighthouse is…
I'm not a conspiracy theorist but this is arguably the most believable book on this list. An account of the JFK assassination, following three fictional characters who are mixed up in it. It's a true epic of conspiracies and double-crosses, gangsters and federal agents, written in Ellroy's unique staccato style.
The first novel in Ellroy's extraordinary Underworld USA Trilogy as featured on BBC Radio 4's A Good Read.
1958. America is about to emerge into a bright new age - an age that will last until the 1000 days of John F Kennedy's presidency.
Three men move beneath the glossy surface of power, men allied to the makers and shakers of the era. Pete Bondurant - Howard Hughes's right-hand man, Jimmy Hoffa's hitman. Kemper Boyd - employed by J Edgar Hoover to infiltrate the Kennedy clan. Ward Littell - a man seeking redemption in Bobby Kennedy's drive against organised crime.…
All murder mysteries follow a simple set of rules. There must be two or more suspects. One or more victims. Eventually, one of the suspects must be revealed as the killer…
In the 1930s, Grant McAllister, a mathematics professor turned author, worked out these rules, illustrating his ideas with a collection of crime stories. Then Grant disappeared. Julia Hart has finally tracked him down. An editor for a prestigious London publisher, she has some questions about his work. And she wants to know why he stopped writing. But she’ll soon find out that some stories are best left untold.
Too often, I find that novelists force the endings of their books in ways that aren’t true to their characters, the stories, or their settings. Often, they do so to provide the Hollywood ending that many readers crave. That always leaves me cold. I love novels whose characters are complex, human, and believable and interact with their setting and the story in ways that do not stretch credulity. This is how I try to approach my own writing and was foremost in my mind as I set out to write my own book.
The Oracle of Spring Garden Road explores the life and singular worldview of “Crazy Eddie,” a brilliant, highly-educated homeless man who panhandles in front of a downtown bank in a coastal town.
Eddie is a local enigma. Who is he? Where did he come from? What brought him to a life on the streets? A dizzying ride between past and present, the novel unravels these mysteries, just as Eddie has decided to return to society after two decades on the streets, with the help of Jane, a woman whose intelligence and integrity rival his own. Will he succeed, or is…
“Crazy Eddie” is a homeless man who inhabits two squares of pavement in front of a bank in downtown Halifax, Nova Scotia. In this makeshift office, he panhandles and dispenses his peerless wisdom. Well-educated, fiercely intelligent with a passionate interest in philosophy and a profound love of nature, Eddie is an enigma for the locals. Who is he? Where did he come from? What brought him to a life on the streets? Though rumors abound, none capture the unique worldview and singular character that led him to withdraw from the perfidy and corruption of human beings. Just as Eddie has…
