A NEW YORK TIMES BESTSELLER A Today Show #ReadwithJenna Book Club Pick
A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help her start anew.
It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming…
I was a funny little anxious kid, and still remember the relief of coming across friends who opened up and told their darkest thoughts and silliest moments. This is what I seek out in books and try to show in my own stories. To say...Look! We’re all deeply weird! You are not alone! Comics and graphic novels have such a unique and immediate way of whispering into your heart and it amazes me that so many people haven’t yet discovered what a wonderful art form they are.
When I was halfway through Billy, Me, and You, I got off the tube I was riding, cancelled my plans, and took the book to a pub to give it my full attention. That was the power it had. So submerged in its world I was unable to put it down. It's so beautifully written and big and painful, it held my hand in my own grief and somehow radiated such warmth and hope like a magic thing.
A moving, surprisingly funny, and inspiring graphic memoir by a woman who lost her two-year-old son after heart surgery, Billy, Me & You is a bracing and memorable account of recovery after bereavement. Nicola Streeten’s little boy, Billy, was two years old when he died following heart surgery for problems diagnosed only a few days earlier. Ten years later, Streeten revisited her diaries and notebooks made at the time: this wonderfully vibrant narrative recounts how she and her partner recovered. Gut-wrenchingly sad at times, her graphic memoir is an unforgettable portrayal of trauma and our reaction to it – and,…
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This book is an unyielding portrayal of the excesses of 1980s consumerism, hedonism, and self-destruction. Amis pulls no punches in his depiction of John Self, a 35-year-old director of TV commercials who lives a life of excess driven by his appetites—primarily for food, drugs, alcohol, sex, and, of course, money. Through John Self’s descent, the novel delivers a harsh commentary on the culture of greed and indulgence that characterized the decade.
The novel's portrayal of greed, addiction, and sexism rubbed some readers and critics the wrong way. Some saw it as too nihilistic or excessively grim in its critique of 1980s culture, where everything seemed for sale, including morality. However, in this age of trigger warnings, safe spaces, and pervasive purity spirals, I personally found its unapologetically gritty satire a breath of fresh air.
This book will appeal not only to fans of dark humor and satire but also to…
One of Time's 100 best novels in the English language-by the acclaimed author of Lionel Asbo: State of England and London Fields
Part of Martin Amis's "London Trilogy," along with the novel London Fields and The Information, Money was hailed as "a sprawling, fierce, vulgar display" (The New Republic) and "exhilarating, skillful, savvy" (The Times Literary Supplement) when it made its first appearance in the mid-1980s. Amis's shocking, funny, and on-target portraits of life in the fast lane form a bold and frightening portrait of Ronald Reagan's America and Margaret Thatcher's England.
I am the author of the Black Viking and Hellbent Riffraff Thrillers and several volumes of dirty realism poetry. I am also the Founder and editor-in-chief of Bristol Noir, an indie publisher and ezine specialising in curiously dark fiction and crime noir. Since 2017 Bristol Noir has been publishing up-and-coming and best-selling authors from around the world. I’m a writer originally from Northumberland in Northern England. In the late 90s, I studied in Greater Manchester when the IRA bomb went off and during the infamous years of the Hacienda club. I now live in Bristol. I’ve devoted my writing to exploring my heritage and the environments I’ve been in.
Derek Raymond’s 4th book in his Factory Seriesis sublimely dark and poetic. It’s brit-grit with an industrial, dirty backdrop and hard feel. Some lines are funny in their harshness with a cliched bad PI turned up to max.
This is a British hard-boiled, hard-drinking, and damaged detective with all the atmosphere of a French noir clashing with Ted Lewis’ Get Carter.
I Was Dora Suarez is a prime example of brit-noir with a flawed protagonist chasing clues and signs in an equally damaged world. Despite the bleakness of the characters and situations it’s impossible not to be gripped and have your face thrust against the glass to see.
An axe-wielding psychopath carves young Dora Suarez into pieces and smashes the head of Suarez's friend, an elderly woman. On the same night, in the West End, a firearm blows the top off the head of Felix Roatta, part-owner of the seedy Parallel Club. The unnamed narrator, a sergeant in the Metropolitan Police's Unexplained Deaths division, develops a fixation on the young woman whose murder he investigates. And he discovers that Suarez's death is even more bizarre than suspected: the murderer ate bits of flesh from Suarez's corpse and ejaculated against her thigh. Autopsy results compound the puzzle: Suarez was…
Don’t ask me why I grew aware, from the earliest age, of living in more than one world. There seemed to be a strident world of what we said was happening, and a twilight world of what was really happening. I ended up liking and writing about the world of what really happens, because while all our seamless goal-driven plans are filling the air there’s this beautiful, whimsical, frail and often ridiculous world where we’re hapless and riddled with twists. The world of humanity. The backstage of laughter and tears. And for that, I present five outrageous old friends living in books from our strange human history.
Being lured into another world by a strong first-person voice turns a book into a wide-open door, and I love going through strange doors. This one opens onto a richly detailed middle-class mess who’s also an exceptional host, recently widowed alcoholic single-parent Peter Jernigan. He takes us on a ride through suburban New Jersey as passengers in his mind, narrating his life’s unravelling with brutal whimsy and humour. This was one of the most helpless relationships I’ve had with a character in a book. A privilege and a reminder of the balancing act we all face.
Peter Jernigan's life is slipping out of control. His wife's gone, he's lost his job and he's a stranger to his teenage son. Worse, his only relief from all this reality - alcohol - is less effective by the day. And when the medicine doesn't work, you up the dose. And when that doesn't work, what then? (Apart from upping the dose again anyway, because who knows?)
Jernigan's answer is to slowly turn his caustic wit on everyone around him - his wife Judith, his teenage son Danny, his vulnerable new girlfriend Martha and, eventually, himself - until the laughs…
A rare stand-alone cozy mystery, set at a baking competition at a Vermont country estate. Six contestants, each distinct and intriguing, a hostess with a secret, and a judge the rest love to hate.
As a writer, I admire the clear, compelling flow of the story, even as we start with a prologue, move back four days, wrap up in less than a week, then ice the cake with an epilogue a year later. Add the shift between the hostess’s third-person narration and the contestants’ first-person voices, stir in our knowledge that someone’s been killed but not who, and the result could be an inedible mess. Instead, this is a thoroughly delicious read.
Cozies are sometimes criticized for using murder as a device and not addressing real-world issues. In the end, justice is served, as it should be, with a twist that shows a good cozy can hit hard and…
“This delicious combination of Clue and The Great British Bake Off kept me turning the pages all night!” —Janet Evanovich, #1 New York Times bestselling author
Only Murders in the Building meets The Maid in this darkly beguiling locked-room mystery where someone turns up dead on the set of TV’s hottest baking competition—perfect for fans of Nita Prose, Richard Osman, and Anthony Horowitz.
Every summer for the past ten years, six awe-struck bakers have descended on the grounds of Grafton, the leafy and imposing Vermont estate that is not only the filming site for “Bake Week” but also the childhood…
I’m not as old as some of the characters in the books I’ve mentioned, but I’m getting there. With age, one learns to hold grief in one hand and gratitude in the other. The importance of friendship and community can hardly be overstated. I love reading books that represent older characters, especially women, as complex, life-embracing individuals without resorting to condescension. I strove to write such a book with Toby’s Last Resort. I’m not always writing about older characters, but in all my work, I want to dive below the surface, discover meaning in the ordinary, and treat my characters with respect.
The narrator of this story is a writer whose friend is dying of cancer.
The friend asks the narrator to accompany her through her final days, including the contemplation of suicide. The writer reluctantly agrees.
One unusual thing about this novel is that none of the characters have names; they’re referred to as the daughter, the ex, or the friend. This jarred me at first, but I grew used to it.
The narrator takes mental excursions about many topics, musing as a writer. While this sounds like a depressing set-up, I found this story to be a thoughtful and tender statement about connection.
The two women become surprisingly close while sharing this intimate part of life.
'I was totally overwhelmed by this extraordinary novel. A total joy - and laugh-out-loud funny' DEBORAH MOGGACH
The New York Times-bestselling, National Book Award-winning author of THE FRIEND brings her singular voice to a story about the meaning of life and death, and the value of companionship.
The woman at the heart of this extraordinary novel finds that everyone she meets has a common need: the urge to talk about themselves and to have an audience for their experiences. And so she tries to pay attention, to imagine and listen to what those around her are going through. But then…
“Everyone on This Train Is a Suspect” by Benjamin Stevenson was the coolest whodunit I’ve read in 2024. Right from the start, I was hooked by the confined setting (a moving train) and its quirky ensemble of passengers, where each traveler harbors a deep-guarded secret. The story was outrageously funny and suspenseful at times, and each new clue forced me to reevaluate who could be responsible. Its fast-paced narrative kept me guessing right up to its satisfying conclusion. “Everyone on This Train Is a Suspect” was as fun as it was exhilarating: a witty page-turner that mixes comedy and crime in a way that’s completely new and refreshing.
From the bestselling author of Everyone in My Family Has Killed Someone, a fiendishly fun locked room (train) murder mystery that "offers a tip of the hat to the great Agatha Christie novel while at the same time being a modern reinvention of it" (Nita Prose) -- perfect for fans of Richard Osman and Anthony Horowitz
When the Australian Mystery Writers’ Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each…
We almost said “quirky” instead of off-kilter in this title. But quirky is becoming synonymous with cozy, which is weird because it doesn’t mean the same thing at all. So, off-kilter it is. Done well, playing with expectations makes for an especially engaging read. We’ve attempted that trick in our own Shady Hollow Mysteries, which uses the form of a traditional murder mystery, but in a world of anthropomorphic animals. So naturally we love when other authors play with the form. These five books all fit the description of “off-kilter,” and we hope you can find fun and joy in reading them.
Now here’s a fun flip on so-called “cosy” crime. Remember the twist of Columbo, the way the show started with us viewers seeing the murderer commit the crime and then allowing us to watch Columbo slowly assembled his case against them? This book by Helene Tursten and translated to English by Marlaine Delargy offers a similar vibe. Our protagonist Maud has more than one notch on her proverbial belt, and we get to hear about each killing, along with the justification for them all. All the grit you’d expect from Scandinavian crime, but with the delightful slant of this outwardly fragile old lady being the center of it all. From Sweden to South Africa, Maud makes her mark! Plus there are cookie recipes, with a distinctly Scandi-noir flavor.
Don’t let her age fool you. Maud may be nearly ninety, but if you cross her, this elderly lady is more sinister than sweet.
Just when things have finally cooled down for 88-year-old Maud after the disturbing discovery of a dead body in her apartment in Gothenburg, a couple of detectives return to her doorstep. Though Maud dodges their questions with the skill of an Olympic gymnast a fifth of her age, she wonders if suspicion has fallen on her, little old lady that she is. The truth is, ever since Maud was a girl, death has seemed to follow…
Born and raised in New York City, my plans to become an artist got sidetracked by an interest in psychology. While in school, I graduated college, majoring in Fine Arts and Psychology, combining my two interests. I continued my education as a Graphic Designer at The School of Visual Arts. I worked as a freelance graphic artist for a while before starting a career in the creative arts therapies. While I enjoy a dark, brooding, suspenseful mystery, sometimes I need a little humor to round out those dark edges. Despite some bad things happening in the world, most people do silly, goofy, and often stupid things and you have to laugh.
How can a story about white supremacists, lottery tickets, and turtles make you laugh? In Carl Hiaasen’s Lucky You, murder and mayhem are the least of its treasures. Hiaasen’s style is witty, wildly humorous and with a keen eye for the obvious. He has a way of inhabiting his stories with colorful, bombastic characters who linger long after you turn that last page. He sets most of his stories in southern Florida, which only adds to Hiaasen’s unique setting and style.
From the author of STRIP TEASE and STORMY WEATHER, a lighthearted crime novel set in Florida. Two white-trash reprobates win a lottery jackpot of $28 million but are forced to share this amount with a third party. When they decide that this is not acceptable they set out to find the other winner and void her claim by violent means.
