The best books about Switzerland

Like Thomas Jefferson, I cannot live without books. And, while I read in a variety of genres, from early childhood on, my favorite stories were the ones that began with “once upon a time.” My fascination with historicals started with one of my father’s few books from his childhood, The Cave Twins, which introduced me to a world far different from suburban America. For me, the appeal of historicals is the opportunity to learn about another era and to escape from the modern world. And so, if you want to escape from what seems like an endless pandemic, I invite you to explore the worlds six talented authors have created.

I'm the founder of Life Organized Inc, a firm specializing in the organization of people, their lives, and physical spaces. Known for creating solutions that are as aesthetically appealing as they are practical, I transform spaces from the inside out. My areas of expertise include home and office organization, time management, digital decluttering, organizing for academic success, maximizing productivity while working from home, and management of everyday chaos. I'm a graduate of the University of Pennsylvania and the NYU Stern School of Business.

I think of my imagination as a living thing that I have a working, evolving relationship with. I try to access that creative flow state through automatic drawing and something about that process seems to help me in my daily life. I draw every day. I make art zines, comics, fine art, album art, and collaborative works. The books in this list all feel personally important to me and are works I return to and think about often.

As the author of comedy cosy mystery novels, including a series set in an eccentric boarding school for girls, I’m always attracted by the notion of closed, clearly-defined worlds as colourful settings for stories of crimes and misdemeanours. Having worked for 13 years in a girls’ boarding school, where I loved being part of its lively and spirited community, I am very familiar with the quirks and foibles, as well as the practicalities, of boarding school life, and I really enjoy reading other people’s impressions and interpretations of boarding schools of all kinds. 

Books provided me with many role models, from writer Jo of Little Women to the swashbuckling Angelique of bodice-ripping yarns… No wonder Elizabeth I (the supreme non-conformist) remains my favourite royal, and Jane Austen (mistress of the sharp aside) a return-to read. Women going against what's expected of them informed my early awakenings as a feminist as the women of my favourite books - in differing domestic settings and social mores – strove to be their authentic selves. I’ve lived a good portion of my life vicariously through novels – reading voraciously from a very young age – my mother, also a reader and non-conformist in her own way, informed the person and writer I've become.

I became interested in North Korea in 2002 when the George W. Bush administration declared the country to be part of an Axis of Evil, along with Iraq and Iran. Bush had lied about Iraq, to justify a war against that country, and I wondered what evidence, if any, his administration had that North Korea was either evil or part of an axis. The answer was none. Bush was able to propagate one North Korean myth after another because the public knew very little about the country. I wished to give people some background so they could make sense of what they were reading and hearing about North Korea in the news and social media.

I’m a theologian who started out as a computer scientist. Teaching classes on AI got me wondering, not just whether we’d ever be able to create a human-like AI, but why we wanted to do so in the first place. It seemed to me that computers were the most helpful when they did the things we are not very good at—crunching big calculations, or exploring Mars—stuff we can’t do. That got me thinking that there might be something spiritual going on, that in a world where we increasingly no longer believed in God or angels, we were lonely. That we didn’t want a tool but a companion.  

I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinn is an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?

I basically write everything I can’t say in real life. So my characters tend to be witty assholes who see the world for what it is: a raging dumpster fire. The best compliment I ever received came from a reviewer who said my writing style was like a “wholesome Palahniuk or less trippy Vonnegut.” That’s about as good as gets for any author, especially one who adores all things Kurt Vonnegut. I am a fan of books that trace the trajectory of human behavior to its logical end: self-destruction. So my list is made up of books that imagine funny, scary, sad, and absurd apocalyptic endings to human civilization. 

Years ago, I visited a school for the deaf to see how the children learn to read. It opened my eyes: It is exceedingly difficult to learn to read a language you cannot hear. I am a linguist and a writer for children. So this experience lit a fire under me – I wanted to learn about the deaf experience, sign languages, and what sorts of ways I might be able to support the effort to learn to read. I now analyze sign languages, work with a team to advocate for deaf children’s language rights, and am co-director of the RISE project, producing videobooks for deaf children and their families.

I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui? 

In the wake of her father’s death, Katharine Smyth turned to her favorite novel, Virginia Woolf’s To the Lighthouse, as a way of wrestling with his memory and understanding her own grief. Her book about the experience, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf, was published by Crown in 2019 and named a New York Times Book Review Editors’ Choice. Smyth’s work has appeared in The Atlantic, The Paris Review, Elle, The New York Times, Literary Hub, Poets & Writers, and The Point.

I'm an art, performance, and music junkie. I love spectacle. My writing career began with articles in the political underground press of the 1970s and I've always seen art and entertainment as ‘political’ in their messages and in the emotions they incite. Tennis for me is part of a cultural spectrum embracing fashion, city and recreational life, film and artistic counter cultures, all creating a world of excitement and passion, so my writing on tennis is part of a wider project: to try to answer the questions of why these performances are so much more than ‘just’ entertainment, why they give passion and meaning to life, and why they are inspirational.

The passionate teaching of Bernard Schmitt at the University of Fribourg, Switzerland, kindled my interest in monetary macroeconomics. In Fribourg I wrote my doctoral dissertation while working as Schmitt’s research and teaching assistant. In 1978 I moved to London to conduct research at the LSE as a PhD student under the supervision of Meghnad Desai. I received my PhD in 1982. Back on the Continent, I continued my collaboration with Schmitt, which lasted until his death in 2014. My enthusiasm for research never failed and I hope to have conveyed it to some of my students at the Centre for Banking Studies in Lugano and at USI (Università della Svizzera Italiana).

As a child I grew up listening to my Dutch mother’s stories of life under German occupation and her family’s struggle for survival during the Hunger Winter. Life was hard but exciting for a teenager who thought nothing of delivering anti-Nazi leaflets, chopping down lime trees in front of the house for firewood, and evading the Germans on her ancient bike in her quest for food. It was this unwavering spirit that I wanted to capture in the four novels I’ve written set in wartime Holland. She was the inspiration behind my latest World War 2 novel, The Boy in the Attic.

Mike Thorn is the author of Shelter for the Damned, Darkest Hours, and Peel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, including Vastarien, Dark Moon Digest, and The NoSleep Podcast. His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), Beyond Empowertainment: Exploring Feminist Horror (Seventh Row), The Film Stage, and elsewhere. He is currently pursuing his PhD in Creative Writing at the University of New Brunswick.

I love to read a good action-adventure story. I’ve also written a few. And I know that no matter how high the stakes, if there’s no heart in the characters then there’s very little engagement to make it any more memorable than a temporary thrill. I love thrills, but the stories that stick with you after the excitement of the moment is over, those are the true gems. Besides the fun of reading that type of book, maybe you even learn something about yourself or the world and come out a wee bit wiser than when you went in. And isn’t that a fantastic use of our imaginative powers?!

My passion as a teacher and writer is to help students and others interpret, understand and enjoy architecture and the built environment, and to help them respond in their own designs to the complexities of place, people, and construction. I have chosen five well-established books on analysing architecture that are highly illustrated, avoid jargon, can be explored rather than needing to be read sequentially cover-to-cover, and have lasting value. They offer guidance for beginning students and a checklist for the experienced. They are books to be kept handy and repeatedly consulted. Of course, analysing existing architecture is invaluable in designing new architecture. I hope you enjoy them.

I am the prize-winning author of sixteen novels, most recently Little Egypt, The Squeeze, and Blasted Things. I teach creative writing at the University of St Andrews. I live in Edinburgh and am a Fellow of the Royal Society of Literature. I’m a novelist and student of human nature. I love to work out what motivates people, how and why they make choices, their coping mechanisms, and how they act under pressure. Before I begin a novel set in the past, I read as much fiction written at the time as I can find, as well as autobiography and history. In this way, I attempt to truffle down into the actions and impulses of individuals, both performative and deeply interior, that characterise the spirit of the era that I’m writing.

I grew up on a farm in Northern Ireland. Ulster was always an inspiration, for both my painting and my writing. My first novel, The Misremembered Man, became a bestseller worldwide, and I followed it with several more works of fiction. I attribute their success to the magic of rural Ireland, and the wonderful characters who peopled my childhood. My formative years, unhappy and fearful though they were, serve as a repository of emotion and stimulation, which I draw upon frequently in my writing. Having the courage to change and grow in difficult circumstances is a common theme. Since all my novels are character-driven, my book choices broadly reflect this strength in the authors I have chosen.