Here are 100 books that Frankenstein fans have personally recommended if you like
Frankenstein.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m Mindy Vail, and with over 25 years in education and change management, I’ve spent my career as a leadership consultant and keynote speaker. My passion for the book list I’ve put together comes from my work in guiding individuals and organizations through transformation and my dedication to helping others find their joy. Each book reflects my commitment to embracing change, nurturing leadership, and unlocking potential. My insights come from hands-on experience and a deep understanding of psychology, leadership, and personal growth, and I believe we are all ever-evolving in our journeys.
This book captivates me because Chris McCandless's quest for meaning and self-discovery mirrored my own struggles with never wanting to fit into a box determined by others. His desire to break free from societal constraints and find true fulfillment resonates with my own experiences. Jon Krakauer’s portrayal of McCandless’s adventure into the wilderness also strikes a chord with me, highlighting the extremes people go to in their pursuit of purpose and the consequences of those choices.
Reading it reminds me of the importance of embracing our own paths, even when they diverge from the norm and the profound insights that can come from stepping into the unknown.
Krakauer’s page-turning bestseller explores a famed missing person mystery while unraveling the larger riddles it holds: the profound pull of the American wilderness on our imagination; the allure of high-risk activities to young men of a certain cast of mind; the complex, charged bond between fathers and sons.
"Terrifying... Eloquent... A heart-rending drama of human yearning." —New York Times
In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all…
I am an astronomer and college professor who loves science fiction. For many years, I have kept a webpage recommending science fiction stories and novels that are based on good astronomy. I love explaining astronomy to non-scientists, and I am the lead author of OpenStax Astronomy, a free online textbook for beginners, which is now the most frequently used textbook for astronomy classes in the U.S. I actually learned English at age 11 by reading science fiction comics and then books for kids, After many decades as a fan, I have recently realized a long-held dream and become a published SF author myself.
I think this novel, by physicist Gregory Benford, is one of the best fictional representations of how science is really done and of the real world of scientists and graduate students.
It is also an early exploration of the concept of tachyons, particles that cannot move slower or as slow as the speed of light but always have to go faster. (These have been proposed only in theory, but what makes them exciting is that they would travel backward in time.) In the book, that property enables people in the future to communicate with us in their past.
Another thing I like about this book is that some of his characters are thinly disguised (or not disguised) versions of real astronomers of the time.
The year is 1998, the world is a growing nightmare of desperation, of uncontrollable pollution and increasing social unrest. In Cambridge, two scientists experiment with tachyons - subatomic particles that travel faster than the speed of light and, therefore, according to the Theory of Relativity, may move backwards in time. Their plan is to signal a warning to the previous generation.
In 1962, a young Californian scientist, Gordon Bernstein, finds his experiments are being spoiled by unknown interference. As he begins to suspect something near the truth it becomes a race against time - the world is collapsing and will…
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Maybe this is cheating, but it’s still a book set during a war, albeit a fantastical one.
But come on: Arthur, Guinevere, Lancelot, Merlin, Nimue, Pellinore, Gawain, Mordred, the Round Table–I may never have read a more powerful scene (or seen such, in the play) as when Arthur cheers for Lancelot to ride and save Guinevere from a fire which Arthur himself set!
Moving, with great, classic prose typical of the time and White’s contemporaries C.S. Lewis and Tolkien.
Voyager Classics - timeless masterworks of science fiction and fantasy.
A beautiful clothbound edition of The Once and Future King, White's masterful retelling of the Arthurian legend.
T.H. White's masterful retelling of the Arthurian legend is an abiding classic. Here all five volumes that make up the story are published together in a single volume, as White himself always wished.
Here is King Arthur and his shining Camelot, beasts who talk and men who fly; knights, wizardry and war. It is the book of all things lost and wonderful and sad; the masterpiece of fantasy by which all others are…
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to…
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.
The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
I grew up in a family that was focused on people, poetry, and politics. My parents both worked with children with disabilities in Massachusetts and my mother ran a daycare center in our house. As a reader, student, poet, and then editor, I’ve drawn on those experiences and expectations, and have searched through books looking for their echoes. Since 2007, I've edited books at Yale University Press where I'm currently Senior Executive Editor. I have a BA from Cornell University and an MFA in Creative Writing from the Iowa Writers’ Workshop. I've also worked in various publishing roles at ICM, Continuum, and Harvard University Press.
First published in 1958, this is one of Hannah Arendt’s most influential books and in it she attempts to define the human condition in the aftermath of World War II, developing her concept “natality.”
It’s a challenging book that I’ve wrestled with and argued with and never forgotten. It includes some of her most powerful and frequently cited passages about birth. Lately, I’ve been returning to its opening pages, in which she discusses the launch of Sputnik into space.
She saw this launch not as an exciting technological breakthrough, but as a fateful repudiation of our earthly existence, an existence that was defined by birth with possibilities and limitations.
The past year has seen a resurgence of interest in the political thinker Hannah Arendt, "the theorist of beginnings," whose work probes the logics underlying unexpected transformations-from totalitarianism to revolution.
A work of striking originality, The Human Condition is in many respects more relevant now than when it first appeared in 1958. In her study of the state of modern humanity, Hannah Arendt considers humankind from the perspective of the actions of which it is capable. The problems Arendt identified then-diminishing human agency and political freedom, the paradox that as human powers increase through technological and humanistic inquiry, we are…
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
One of the classic novels about monsters having internal lives. Grendel doesn’t even survive the first half of the Beowulf poem.
But what was his life like? This creature who went into rages over music and merriment? This outsider who clearly had no one to commune with? Where there could just be pathos, Gardner injects surprising dorkiness and humor that further round out Grendel’s existence. And there’s a huge bonus in the poem’s dragon also showing up as an utter weirdo neighbor.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.
"An extraordinary achievement."—New York Times
The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will…
I’ve been a fan of dinosaurs and other mega-monsters ever since I watched the original Godzilla movie as a kid. It scared me half out of my wits! There’s something about big, scaly, dangerous beasts that makes for a great adventure story. Add fascinating human characters and you’ve got my full attention. I started writing my Dinosaur Wars books precisely to fill the void where there are far too few stories of this type in current literature. Challenges between human heroes and giant beasts have been part of literature from the start, featuring dragons, titans, and ocean leviathans. I see my writings as efforts to continue that tradition.
H.G. Wells delivers an astonishing tale of space invaders from Mars, with breathtaking scenes of monstrously huge three-legged walking machines terrorizing the populace of London and its surrounds. For sheer imagery, few science fiction stories before or since have come close to its gripping, real-world feel.
The story is told by an unnamed protagonist who goes on an odyssey in ravaged London as towering alien war machines chase, kill, or capture fleeing citizens in chaotic scenes of panic and fear. That fear sent chills along my spine on rereading this classic recently.
Notable were touching humanistic scenes with Dr. Ogilvy, an astronomer who leads an ill-fated attempt at truce-making, and a defeated soldier whose counterattack with artillery failed horribly.
But planet Earth was not only being watched - soon it would be invaded by monstrous creatures from Mars who strode about the land in great mechanical tripods, bringing death and destruction with them. What can possibly stop an invading army equipped with heat-rays and poisonous black gas, intent on wiping out the human race? This is one man's story of that incredible invasion, from the time the first Martians land near his home town, to the destruction of London. Is this the end of human life on Earth?
I grew up in Boston and New York and currently live in Montreal. I have worked primarily in writing performance texts and plays. I founded the performance company Bluemouth Inc., with whom I have written and staged over a dozen works. In 2018, I completed an MFA in Creative Writing at Concordia University, where I was awarded the Dean of Arts and Sciences Award for Excellence in Creative Writing. As for my expertise in compiling this list, I am the daughter of a strong force-of-nature woman who fought for what she had and taught her kids they can get through anything as long as they have humor, music, and books.
This book was recommended to me by my firefighter brother, who often reads what I call “he-man” books. The titles always have words like mutiny, bullets, gangsters, firestorm, etc. So, when he suggested I read this book, I had my reservations. (In fairness, the books he recommends consistently end up on my list of all-time favorites–I guess that’s what I get for pre-judging!) In any case, over the years, I have learned the one thing we both love in a protagonist–and now I have a name for it–is grit. I can’t recommend this book highly enough.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.
Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
This is an absolute classic of the genre. Brooks draws in various ‘accounts’ of a recent zombie outbreak and structures them as if the broad details are common knowledge to his in-universe audience.
This approach means the real-world reader is always discovering new details and nuggets of information in a way that really whets the appetite while increasing the sense of horror at the way events unfolded in a world that isn’t quite our own.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
