100 books like Frankenstein

Here’s my confession: I hated Chris McCandless by the time I finished this book. I hated his cockiness and lack of respect for the power of the wilderness.

But you know what I give him credit for? His ability to leave his life of privilege and the courage to go out into the world and forge his own destiny. He did what he thought was best for him despite the pushback he received from his friends and family.

I think I hated him so much because I wanted him to succeed, and he doomed himself through his own hubris. 

I think this novel, by physicist Gregory Benford, is one of the best fictional representations of how science is really done and of the real world of scientists and graduate students.

It is also an early exploration of the concept of tachyons, particles that cannot move slower or as slow as the speed of light but always have to go faster. (These have been proposed only in theory, but what makes them exciting is that they would travel backward in time.) In the book, that property enables people in the future to communicate with us in their past.

Another thing I like about this book is that some of his characters are thinly disguised (or not disguised) versions of real astronomers of the time.

Maybe this is cheating, but it’s still a book set during a war, albeit a fantastical one.

But come on: Arthur, Guinevere, Lancelot, Merlin, Nimue, Pellinore, Gawain, Mordred, the Round Table–I may never have read a more powerful scene (or seen such, in the play) as when Arthur cheers for Lancelot to ride and save Guinevere from a fire which Arthur himself set!

Moving, with great, classic prose typical of the time and White’s contemporaries C.S. Lewis and Tolkien. 

This book is a longtime favorite of mine. Toni Morrison was a master at blending the personal story and the political, and in this book, she blends the true story of a mother who kills her child to prevent slave catchers from returning the baby to life as a slave.

Morrison’s fictional Sethe is haunted by the ghost of the baby she killed and the memories of her difficult life as a slave. This is one of the novels I return to time after time, both for the beauty of the writing and the portrayal of a mother’s love, guilt, and the lingering impact of slavery.

First published in 1958, this is one of Hannah Arendt’s most influential books and in it she attempts to define the human condition in the aftermath of World War II, developing her concept “natality.” 

It’s a challenging book that I’ve wrestled with and argued with and never forgotten. It includes some of her most powerful and frequently cited passages about birth. Lately, I’ve been returning to its opening pages, in which she discusses the launch of Sputnik into space. 

She saw this launch not as an exciting technological breakthrough, but as a fateful repudiation of our earthly existence, an existence that was defined by birth with possibilities and limitations.

Grendel is the original monster from English literature who killed many warriors and did battle with Beowulf. 

This poignant book tells the story from his point of view. It’s never completely clear what Grendel is, only that he seems to exist somewhere between humans and beasts. He is frustrated by how emotionally drawn he is to the singing he hears in the humans’ mead hall but is equally frustrated by the stupidity of the animals he encounters. 

He knows from first-hand experience how cruel men can be but because he is so alone in the world, he can’t stop himself from seeking them out. Reading this book is a hard look at loneliness, a long walk at the side of a creature whose very existence is painful.  

The immersive nature of this book's narrative gripped me from the very start. This is a truly foundational text in the genre, but it nevertheless holds up to this day.

I particularly enjoyed the two-part story’s focus on humanity’s initial resistance to the invading force as well as an exploration of life under Martian control.

It goes without saying that the book is considerably older than the others I read while becoming interested in this topic. I enjoyed reflecting on the similarities and differences in Wells’ contemporary ideas about aliens, which naturally reflect some key Earth-based societal concerns of the time.

One of my all-time favorites, both heartrending and humorous and a must read.

True Grit tells the story of Mattie Ross, a determined and tenacious young girl seeking justice for her father's murder. She hires the relentless U.S. Marshal Rooster Cogburn to help her track down the killer.

Readers will love this book for its gripping narrative, vivid characters, and Mattie's unwavering resolve and courage, which challenges traditional gender roles in the Wild West.

The ‘zombie apocalypse’ scenario has been used for years by risk management professionals to make the examination of possible societal breakdowns more fun and/or interesting.

By focusing on a hazard people know, like hurricanes or wildfires, audiences come to the discussion with pre-existing biases and, in many cases, first-hand experience. This forces the communicator to counter such bias before getting to key messages.

There’s never been an actual zombie apocalypse (nor is there likely to ever be one…), which means the zombie scenario adequately ‘levels the field’. It forces audiences to think beyond their go-to assumptions and introduces levels of uncertainty and unknown that are typical of major disasters.

This book, written without obvious heroes and heroines, in a documentary style, makes a perfect proxy for a disaster exercise scenario. I also believe it does a great job illustrating how different forms of governance result in different response strategies, which… show more.

I read this book relatively recently, not at school or when I was in my twenties, but when I was in my late thirties. I had heard of the novel, and the concept of burning books was all-too familiar as I studied a module on Holocaust literature at university. However, the premise of Ray Bradbury’s novel, written in 1953, was so simple yet so powerful.

It echoes with our own reality today, as although books are not being burned, we are seeing the art of writing itself being "burned" or minimized by tools such as AI or social media. The virtual burning of honest reportage or poetry for opinionated views and algorithms is one symptom of today’s fast-paced society. 

There were some great quotes in Fahrenheit 451, too; the one that really stuck out was, “Everyone must leave something behind when he dies… A child or a book or a… show more.