The most recommended books about outlaws

His visionary, unabashed grit, queer defiance, and uncanny lyrical ability really should make him required reading for everyone. But if you’re a defiant freak, you get mixed up in the prison system, and you need a North Star, you can’t do much better than Genet, a beautiful, wild thinker about all things related to the place of punishment and jails in society.

He truly lived the life he described, which people love nowadays. The Thief’s Journal is shockingly countercultural and exhilarating even now.

One of my reasons for starting to write about the UK outlaw biker scene in particular was that no one else seemed to be treating it seriously. That all changed when Tony Thompson, a highly respected journalist with a track record of highly readable and successful books on the UK gangland and crime scene produced this.

This book is the biography of ex-Outlaws MC member Daniel "Snake Dog" Boone, but through it, Thompson tells the wider story of the development of the UK outlaw biker scene since the eighties and how it has been affected by international biker politics, up to and including the 2007 murder of Gerry Tobin. Thoroughly recommended and essential reading for anyone interested in the club scene in England. I’ve said that if this had come out before my first biker book, the chances are I’d have never finished writing it.

A queer and gender-bent retelling of Robin Hood, this book swept me off my feet. Combining the origins of Robin Hood, the repression of the poor and working class in this period in England, deep friendships, and a romance full of yearning, this story made me feel deeply. I felt Robyn’s desperation to feed her family and take on the Sheriff of Nottingham for destroying someone she loved. I felt Maid Marian’s struggle with her realization that she is, indeed, a lesbian in love with Robyn. I felt it all in my bones. The book takes what people love about a Robin Hood story and makes it even more radical with its inclusion of lesbian and trans characters, and doesn’t shy away from the realities of rebelling against power.

Here is the appeal of a different kind of story. This novella tells the story of an aristocratic Sicilian woman who, in the wake of the unification of 1860, becomes a brigand, which is to say, a partisan, fighting against the new regime.

The protagonist's unique experience is the key to this narrative, which translates into English very well. 

Wow. The voice in this book takes my breath away. I’ve never read anything else quite like it.

There’s a plot full of adventure, tragedy, and healing, but mostly, there is Rueben Land and his sister Swede, two of the most compelling characters in literature. The story begins with a miracle when Rueben’s father commands his newly stillborn son to breathe.

Questions about miracles, hope, faith, and redemption pepper the story with no easy answers, again asking: What does it mean to be human? That’s a question all great literature grapples with.

R.D. Blackmore's Lorna Doone may not be everyone's idea of a romance, but I put it solidly into that category because it follows the relationship of a boy and girl from youth to adulthood, and shows the affection and devotion shared between them. To me, that is more romantic than a string of sexual escapades can ever be. And seeing it all from the boy's viewpoint was refreshing and poignant, making me suspect men are actually more emotionally sensitive than us women, feminine stereotypes and stiff-backed machismo notwithstanding.

This is slightly outside the boundaries of a wartime novel, as it takes place in the Old West, but it’s a fantastic book for this list, and shouldn’t be overlooked if you love this trope. Jess Harney makes a name for herself as a notorious male sharpshooter and outlaw. Her first-person voice is one of the most interesting I’ve read, and I loved how she fit in as one of the guys while never sacrificing who she was. She barely even thinks about her gender as she so naturally considers herself male. Books like this really highlight the blurred lines between cross-dressing out of necessity or desire, and I’m excited to see more authors addressing this trope with the nuance of queerness which is often part of it.

I often ask what the nature of laws and authority is. In the "Old West," when there was no overarching central authority, the survival of the fittest was the law. I’m curious how the clash of the old world with the new becomes a never-ending cycle and where it may lead.

I loved how none of the characters were all good or all bad, they were just survivors. This book is not meant to be liked or disliked. It’s meant to be experienced and "danced with."

Long a favorite of mine, every couple of years I enjoy returning to this book about two brothers who fall in with a group of Venetian street children and the young master-thief who oversees them. Funke's classic, assured style grants this relatively contemporary novel (first published in Germany in 2000) a charming, old-fashioned sensibility, while the pacing and characterization should appeal to the most modern of readers, at least to my eyes. The book has everything I love in stories for young readers–mystery, magic, friendship, and startling plot twists–and the interior illustrations done by Funke herself are lovely.

This is another great story about stealing—and in this book it’s about what the burglar accidentally acquires. It’s very funny and unexpected when Bill the burglar picks up a baby without realizing and becomes preoccupied with its needs. Luckily another lovely burglar turns up and helps out. I’ve never read this book to kids as I found it after mine had grown up but we all enjoyed Ahlberg’s work for many years. I love the detail in the pictures, which show chaotic houses and unexpected items. There are lots of words too which is not so usual in picture books now, but I think kids really enjoy being lulled by a reading voice while they dream about the pictures.