I have been captivated by the study of prisons since my early college years. The fact that prisons are so new in human history still feels mind-blowing to me. I used to think that prisons have just always been around, but when you realize they are actually new, that has major implications. This is nowhere more clear than at the beginning: how hard it was to get to the point where prisons made sense to people, to agree on how prisons should be designed and managed, and to keep on the same path when prisons very quickly started to fail. It’s still puzzling to me.
This is one of the first books on prisons I ever read and it’s the one that got me hooked. It’s not just about prisons, though. Laboratories of Virtue is about the period during and after the American Revolution when the US moved away from colonial-era punishments into the beginnings of what we have today. It was a moment when we could have gone in a lot of different directions, but Meranze shows how we ended up with long-term incarceration as our go-to punishment for serious (and some not-so-serious) crimes.
He brings in developments in society generally, explaining how anxieties about theatre and crowds contributed to middle-class and elite reformers’ growing distaste for capital punishment and a preference for privately meting out punishment. This book is a great introduction to how punishment and penal trends are the products of changes in society and perceptions of crime, rather than a direct…
Michael Meranze uses Philadelphia as a case study to analyze the relationship between penal reform and liberalism in early America. In Laboratories of Virtue, he interprets the evolving system of criminal punishment as a microcosm of social tensions that characterized the early American republic. Engaging recent work on the history of punishment in England and continental Europe, Meranze traces criminal punishment from the late colonial system of publicly inflicted corporal penalties to the establishment of penitentiaries in the Jacksonian period. Throughout, he reveals a world of class difference and contested values in which those who did not fit the emerging…
I’ve always had a passion for history and the American West in particular. From a young age, my reading reflected my passion, with a few mysteries in the mix. I didn’t read many romance novels until one day I was flying to another city and I forgot to pack a book. My assistant drove me to the airport and she pulled a historical romance novel from her handbag. It was her favorite and she was an expert on romance novels. Before my plane landed, I was hooked—and I’m still hooked. That started my career as a historical romance novelist.
Of course, I must include a novel set in the American West. How could I not? And oh, so many to choose from—a difficult task. This is another recommendation based on strong, intriguing characters. The heroine is determined to save her family from financial ruin and she faces the hardships of the West. Lindsey has written two very passionate, headstrong individuals, and you will have some laughs and some tears reading this one.
An enticing new historical romance from No. 1 New York Times bestselling author Johanna Lindsey. Marry Me By Sundown takes you on a captivating adventure in 1880s Montana where passions and gold fever run high as an American heiress turns to a rugged mountain man to help her locate her father's fortune. Perfect for fans of Julia Quinn's Bridgerton.
Summoned back to Philadelphia from the social whirl in London, Violet Mitchell never expected to find her brothers living on the edge of financial ruin while their father seeks new wealth in Montana's gold fields. With the family's home and social…
In 2011, when my all-girl garage band began gigging around Chicago, I couldn’t tell you how many times I heard people call us “riot grrrl.” We weren’t riot grrrls; we were far too late for the movement. But for so many people, riot grrrl was the only reference point they had for scary, brash female musicians. The truth is, women were involved in the movement’s origins in every part of the world. I believe we must understand that riot grrrls weren’t the first women of punk.My book Hit Girls: Women of Punk in the USA, 1975-1983 details the stories of lesser-known but highly influential women who helped create punk and its adjacent genres.
I’m a sucker for memoirs. And English teachers. Nancy is both. She teaches language arts at a public school in Massachusetts. But most importantly, she can tell a story. The book is a series of memories from the Philly and Boston hardcore scenes in the early ‘80s. It’s hard to put down, and it’s a really necessary account that tells of all the ways women were present and participating in what has always been referred to as a movement of exclusive, testosterone-induced navel-gazing.
From disenchanted Catholic schoolgirl and glam maniac to instigator on the 1980s hardcore punk scene, Nancy Barile discovered freedom at a time when punk music was new and dangerous. She made her place behind the boards and right in the front row as insurgents such as SSD, Minor Threat, Bad Brains, Dead Kennedys and Black Flag wrote new rules and made history. She survived punk riots and urban decay, ran the streets with outcasts, and ultimately found true love as she fought for fairness and found her purpose. "Thank God we had girls like Nancy back then to keep things…
That moment when you realize, whew, you’ve survived the catastrophe, but the greater challenge lies ahead? That intrigues me. Maybe that’s because my grandmother was struck by a Vespa in Italy when I was five years old, and we traveled home by ship through a hurricane that rocked much of the East Coast. Stories about “What’s next?” and “How do we push the rubble away?” are my go-to now, as they were during the years I worked as a journalist, first as a reporter, then for much longer as an editor. After my husband’s death in 2011, clearing the rubble yielded the first two installments of my vampire trilogy.
Its setting in suburban Philadelphia (near my old house) drew me to this book. But I loved it for the way Patchett unwinds the event that upends everything two siblings understand about and expect from their lives.
I’ve experienced how a single accident or illness can change the course of the future. What I recognized and connected with was this book’s portrayal of what I call the Grief Cha-Cha, two steps forward, three steps backward, and how sometimes what you grieve isn’t so much the person you’ve lost as the person that loss makes you.
Lose yourself in the story of a lifetime - the unforgettable Sunday Times bestseller
'Patchett leads us to a truth that feels like life rather than literature' Guardian
Nominated for the Women's Prize 2020
A STORY OF TWO SIBLINGS, THEIR CHILDHOOD HOME, AND A PAST THAT THEY CAN'T LET GO.
Like swallows, like salmon, we were the helpless captives of our migratory patterns. We pretended that what we had lost was the house, not our mother, not our father. We pretended that what we had lost had been taken from us by the person who still lived inside.
In the…
I’m an author and former journalist with a fascination with design and consumer culture. I’ve been writing about design and pop culture since completing an assignment on Jack Telnack’s Ford Taurus and Thunderbird designs for a national news magazine. My interest deepened when I moved to daily journalism and wrote about Raymond Loewy’s design for the S-1 Pennsylvania Railroad locomotive. When the newspaper industry began cratering in a blizzard of mergers, buyouts, and bad management, I spent 25 years working in media relations at Penn State and Juniata College. I looked for an involving side project as a respite from writing professorial profiles and found safe haven with the life and legacy of Raymond Loewy.
Populuxe was the first book I read that connected art, consumerism, and industrial design in clear, pointed, and witty language. Hine, an author as well as a critic for the Philadelphia Inquirer, covers what he calls “America’s spending spree” decade (1954-1964), by showing the connections revealed by shoppers’ choice of cars, homes, furniture, and appliances. Populuxe resonated for me because Hine wielded the tools of the critic and the historian and explained the art and design influences to be found in dishwashers, tailfins, and Naughyde. My curiosity about why people buy certain products was piqued by Hine’s analysis and showed readers that not all essays on art and design need to drip with impenetrable prose or obtuse insights.
The decade from 1954 to 1964 was one of America's great shopping sprees. Never before were there so many people able to acquire so many things, and never before was there such a choice. Thomas Hine calls it Populuxe--populism and popularity and luxury, plus a totally unnecessary "e" to give it a little class; the word itself is as synthetic as the world it denotes. With the help of more than 250 amazing and amusing pictures in black and white and color (and what colors!), Thomas Hine explores, recaptures and explains this glorious, vanished world of hopes and dreams and…
I have had an interest in history for over 30 years. My main interest was the American Revolutionary and the Federalist/War of 1812 eras. I like these periods because they were intriguing, fun, and informative as to what happened before and how a nation grew and developed. I found this more engaging when I visited the various locations of battlefields, houses, and legal buildings (all of Washington DC is an example). It helped me to understand the mammoth task of the individuals trying to make something out of a fledging former British colony, into one of the more formidable powerhouses in modern society. It's a wonder that I now live in the mother country!
The story is like the book, Valley Forge, but in the British point of view of a soldier under General Sir William Howe. The British took over Philadelphia, spending a lavish winter there, whilst the American army freezes in Valley Forge. There are rebels and loyalists everywhere, but who is who? Well placed on the list because of attention to detail.
From THE BESTSELLING author Bernard Cornwell comes Redcoat . . .
Philadelphia in 1777 is a city at war - not just between American troops and the British army, but within itself. For an occupied city throws together loyalist and patriot, soldier and civilian, man and woman; divides families and breeds treachery.
Here ruthless Captain Kit Vane and beautiful Martha Crowl, passionate patriot Caroline and her idealist young lover Jonathon, unscrupulous Ezra Woollard and the brutal Sergeant Scammell, forge and break shifting allegiances that drive them to dangerous lengths. And caught between them Private Sam Gilpin, seduced into war by…
I’m of the opinion that good writers draw from life experience. Here are the broad strokes: a Boy Scout reporter at the 1964 national Jamboree, a drummer in country, rock, and jazz bands, a SCUBA instructor, a commercial real estate developer, a drug addict, and an inmate in the penal system. I’ve been reading and writing almost from day one. Most of my early work is crap. I’ve learned the hard way what makes a story worth telling and how best to tell it. Read my recommendations and decide for yourself. After all, it’s your opinion that counts.
I love things that go punch in the dark. This book is another fine example of breaking the mold. Some would label it a “crime novel,” some “noir,” others “thriller,” and others still “hardboiled.” Bottomline, this is one kickass novel.
I had to put down one of King's long-winded tales and a Koontz self-absorbed Oddity because I didn't want to stop reading this book. I'll get back to those guys later. This pick is a fast dirt bike in a sandstorm—way more fun.
Mr. Swierczynski (try to type that 3 times fast) crafts one hell of a novel. His bizarre twists are the stuff of nose bleeds, all done with gritty characters in a fast-paced style that grabs you by the eyeballs and won't let go. He initially reminded me of one of my all-time dark writing faves, Charlie Huston. Unique beyond comparison, The Wheelman checks all the boxes for…
Meet Lennon, a mute Irish getaway driver who has fallen in with the wrong heist team on the wrong day at the wrong bank. Betrayed, his money stolen and his battered carcass left for dead, Lennon is on a one-way mission to find out who is responsible--and to get back his loot. But the robbery has sent a violent ripple effect through the streets of Philadelphia. And now a dirty cop, the Russian and Italian mobs, the mayor's hired gun, and a keyboard player in a college rock band maneuver for position as this adrenaline-fueled novel twists and turns its…
I was not trained in African American history, but first developed a passion for it during my first teaching job in Pittsburgh, where a number of my colleagues were interested in locating the origins of Black Nationalism and began researching the life of a local black physician, Martin R. Delany. That led me to a wider exploration of nineteenth-century African American history.
A child of slavery, Still became a major figure in the Underground Railroad in Philadelphia which worked to undermine slavery by aiding the enslaved to reach freedom.
Wish I had this book when I was writing my book. There is no better book on the movement in eastern Pennsylvania and Still’s roll in it.
The remarkable and inspiring story of William Still, an unknown abolitionist who dedicated his life to managing a critical section of the Underground Railroad in Philadelphia—the free state directly north of the Mason-Dixon Line—helping hundreds of people escape from slavery.
Born free in 1821 to two parents who had been enslaved, William Still was drawn to antislavery work from a young age. Hired as a clerk at the Anti-Slavery office in Philadelphia after teaching himself to read and write, he began directly assisting enslaved people who were crossing over from the South into freedom. Andrew Diemer captures the full range…
Little House on the Prairie, Roots, the Bicentennial, family vacations, and an early childhood in New Orleans all shaped my perception of the world as a place overlaying history. Although I could not have completely articulated this then, I specifically wanted to know what women before me had done, I wanted to know about parts of the story that seemed to be in the shadows of the places where I consumed history, and I wanted to know “the real story.” The intensity of recreating a person’s world and their experience in it made me question how historians know what we know, and how deeply myth, nostalgia, or even preconceptions guide readings of the evidence. The authors here all show an awareness that re-telling a person’s life can move it away from the evidence and they try to return to that evidence and find the “real story,” or as near to it as possible.
Betsy Ross sewed the first American flag. That’s the legend, which did not appear until her grandchildren started to capitalize on tourism to the Philadelphia Centennial celebrations in 1876. The real Betsy Ross proves far more exciting. She sewed flags, but she was also an artisan, a businesswoman, a Quaker who was too political for her Meeting, and involved in the public protests leading up to the Revolution. Miller connects family networks, the material culture of the drapery and textile industries, British trade policies, and Revolutionary politics and protest into a whole cloth. This is a visceral look at the War for Independence from one of its epicenters and the vantage of one of its most iconic women.
Beyond the legend of the creation of the American flag, we know very little about the facts of Betsy Ross' life. Perhaps with one snip of her scissors she convinced the nation's future first president that five-pointed stars suited better than six. Perhaps not. Miller recovers for the first time the full story of Betsy Ross, sharing the woman as she truly was. Miller pieces together the fascinating life of this little-known and much beloved figure, showing that she is important to our history not just because she made a flag, but because she embraced the resistance movement with vigour,…
It is a brilliant weaving of multiple mythologies that manages to be both timeless and fresh. Vo’s characters glimmer, sparkling off the page, somehow having nuanced depth while critiquing stereotypes.
The language, the complexity of plot… this novel doesn’t want to be put down, and even if you do, it continues to haunt you.
"Lyrical, mesmerizing, and otherworldly. . . stunning proof that Nghi Vo is one of the most original writers we have today. A beautiful, brutal, monstrous Hollywood fantasy.”―Taylor Jenkins Reid, New York Times bestselling author of The Seven Husbands of Evelyn Hugo
Immortality is just a casting call away.
World Fantasy Award Finalist Locus Award Finalist Ignyte Award Finalist An Amazon Best Book of 2022 One of NPR’s Best Books of 2022 Vulture’s #1 Fantasy Novel of 2022 Indie Next List Reading Group Book of 2023
Best of Year Selections at Apple Books | B&N Booksellers | LibraryReads | TIME Magazine…
