Why am I passionate about this?
As a historian of the U.S. presidency, I have long been fascinated by the ways in which aspirants for the White House energize and harness popular support for their candidacy. Tracing the development of electioneering practices from the early 1800s to today has been fascinating. Is there a connection between the hickory sprigs worn by Andrew Jackson’s supporters and the MAGA hats worn by Donald Trump’s supporters? Between the political rallies of William Henry Harrison and those of every modern presidential candidate? Between the derision leveled at politically active women in the 1830s and that directed at Sarah Palin and Hilary Rodham Clinton in the twenty-first century? You betcha!
Mark's book list on early U.S. presidential campaigning
Why did Mark love this book?
The connection between music and contemporary politics is obvious, but it is easy to forget that before Woody Guthrie, the protest songs of the 1960s, Green Day, and Keke Palmer, music was an integral part of national politics. Coleman unsurprisingly contends that political music in the early U.S. was collective and participatory, but he goes on to argue that elites used it to enforce conformity, an interesting twist on how we traditionally think of political music as challenging the status quo.
1 author picked Harnessing Harmony as one of their favorite books, and they share why you should read it.
Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its diverse population. In this pathbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War. Based on deep archival research in sources such as music periodicals, songbooks, and manuals for musical instruction, Coleman argues that a particular ideal of musical power provided conservative elites with an attractive road map for producing the harmonious union they desired. He reassesses the logic…