I'm a recently retired Professor of French literature and cinema studies at Dartmouth College. Because I love both books and movies, I developed a course on adaptation, which I taught with pleasure for many years. I wanted to give students the opportunity to learn how to analyze literary texts and films, separately and in juxtaposition, and they especially enjoyed discovering how the “same” story works quite differently in different media. In addition to the two volumes on Tavernier, my published books include New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France; Parables of Theory: Jean Ricardou’s Metafiction; and Rape and Representation (co-edited with Brenda Silver).
I was introduced to this book through Tavernier’s brilliant adaptation, Clean Slate (Coup de Torchon, 1981). Set in Texas, Thompson’s novel was published in 1964, during the Civil Rights Movement, and it offers a portrait of petty-minded racism in the continuing aftermath of slavery. Tavernier’s adaptation transposes the story to 1930s French colonial West Africa. I remain haunted by the ways the two settings illuminate each other. Tavernier’s blending of a deadly serious historical crisis with touches of comedy—slapstick even—brings both eras and the novel itself to life in enjoyable and instructive ways.
A classic crime novel from 'the best suspense writer going, bar none' New York Times
Nick Corey likes being the high sheriff of Potts County. But Nick has a few problems that he needs to deal with: like his loveless marriage, the pimps who torment him, the honest man who is running against him in the upcoming elections and the women who adore him.
And it turns out that Nick isn't anything like as amiable, easy-going or as slow as he seems. He's as sly, brutal and corrupt as they come.
I’m a baseball history fanatic who writes on a wide range of topics for work and pleasure, which I’m glad to say often are the same thing. I’ve been a journalist for many years, even covered a few World Series, and I’ve written stories for books published by the Society for American Baseball Research. I’ve also written a lot about music, science, business, and politics, for newspapers and magazines. I’ve been a playwright, fortunate to have seen my work staged in different venues. And I also wrote a book called, The Music and Mythocracy of Col. Bruce Hampton: A Basically True Biography, which I’m really excited to tell you about in the next section!
This novel by one of my favorite writers, the late, great Paul Hemphill – an icon of journalism and storytelling in the American South – is a hilarious, vaguely autobiographical story of life in the low minor leagues. Hemphill perfectly captures the language, grit, rhythm, and flow of minor league baseball in the mid-1950s, touching on issues of worker’s rights, segregation, sex, love, teamwork, and courage, without preaching or being sentimental.
My favorite moment in the book (and the terrific HBO movie version, starring William Peterson and Virginia Madsen) is when a Klan roadblock stops the Stogies’ team bus because they want to lynch the team’s star catcher, Joe Louis Brown, the only black player in the league – one the Stogies suggests, “let ‘em hang Whisenant, he’s only batting .179.”
A story with a heart of gold about love and the loss of innocence at the bottom of the most minor league in baseball-the class D Alabama-Florida League in the 1950s, with a sour old maverick manager, a yearning teenage second baseman, and a black catcher masquerading as a Venezuelan. "A first-rate novel."-Newsweek. "A sharp, unsentimental portrait of the minor league life...and Hemphill makes it all come to life, believably and memorably."-Sports Illustrated. "So good, so true, so funny..."-New York Times Book Review.
By Andrew T. Huse, Bárbara Cruz, and Jeff Houck
Author
Why are we passionate about this?
Our obsessions with food and history mean that recipes are not the end of the journey, but the beginning. Recipes are an answer to a whole host of questions, challenges, and opportunities, and those are the stories that interest us. A recipe with no history is like the punch line with no preceding joke, incomplete at best.
In the Twentieth Century, the U.S. took stock of its regional specialties, resulting in landmark publications around the country. Many of the resulting books then and now tend to fixate on recipes alone, the tip of the culinary iceberg.
During the 1980s, John Egerton meandered around the South looking for vestiges of vittles only found there at a time when regional cooking specialties across the US seemed to be fading fast. With snippets of travel writing, interviews with artisans, anecdotes, and recipes, Southern Food demonstrated the culinary vitality and diversity of the South in one volume.
Egerton’s work revealed the need for deeper research and more context to make sense of culinary traditions. It also helped casual observers to recognize the importance of Southern food, and that before mass-produced popular culture took hold, all food was essentially regional.
Hailed as an instant classic when it appeared in 1987, John Egerton's Southern Food captures the flavor and feel of what it has meant for southerners, over the generations, to gather at the table. This book is for reading, for cooking, for eating (in and out), for referring to, for browsing in, and, above all, for enjoying. Egerton first explores southern food in more than 200 restaurants in eleven southern states; he describes their specialties and recounts his conversations with owners, cooks, waiters, and customers. Then, because some of the best southern cooking is done at home, Egerton offers more…
I've been searching for spiritual freedom since the age of four when I was sent to school. Soon I recognised books as an escape from the limitations of the physical world and into the dream world. Each of the five books below have made serious contributions to this psycho-spiritual escape plan, and have lifted my spirit to that higher dimension of freedom. I live in the Scottish Highlands, as my ancestors did, in a misted swirl of ghostly archetypes, mountains, deer, lochs, and brooding skies. Even here though, an escape tunnel is needed into the deepest realm of mind, where the stories and mystery hide away until the moment needed.
Impossible to fathom how Carson McCullers could have distilled such wisdom into her soul by age twenty-three, and then produced this book. The passions and losses, violence and ambition, guilts and loves, of her cast of small-town 1930s Americana characters, wander across the pages like spectres disrupted by a shifting wind.
The lost, struggling to hear each other's songs above their own pain, but continuing to try through the long night, no matter the chance of success.
I first bought a copy of this in Sandusky, Ohio, in 1993, on a day off from working at Cedar Point Amusement Park, entranced as I read the first pages standing up in a mall bookshop, the after-echoes of rumbling roller-coasters pummelling my ears and spirit.
The beloved classic that turned Carson McCullers into an overnight literary sensation and one of the Modern Library's top 20 novels of the 20th century.
"A remarkable book...From the opening page, brilliant in its establishment of mood, character, and suspense, the book takes hold of the reader."
In a Georgia Mill town during the 1930s, an enigmatic John Singer, draws out the haunted confessions of an itinerant worker, a doctor, a widowed cafe owner, and a young girl. Each yearns for escape from small town life, but the young girl, Mick Kelly, the book's heroine (loosely based on McCullers), finds…
As a poet and a novelist, I'm fascinated by the places where these two genres meet, undo each other, and create something new again. That sounds a lot like what love can do, and whenever I read a long poem that achieves a unique aesthetic unity, I feel the writer has found a new way to love the world, to love the reader. And, as usual, both the world and the reader are challenged by that love—to grow.
Poets have many tools at their disposal in their attempt to bring aesthetic unity to a long poem, and C. D. Wright is innovative in her use of imagery and cinematic grammar to do exactly that.
This is a book to be studied for its remarkable ability to convey, in what Auden called “memorable speech,” the beautiful doom of the common heart.
Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. "In my book," she writes, "poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so."
C.D. Wright was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation.…
Perhaps it was being born in a large seaport – Liverpool – where I would watch from our front window the great liners steaming out on the tide that made me love travel and seeing the world. My book about the great age of British travel, A Corkscrew is Most Useful was the product of this obsession with how people travel, what they see, how they interpret their journeys. I have also written about Bruce Chatwin, one of the most original of modern travellers, and in my 2016 book Crossings I have explored the idea of borders, real and metaphorical, which figure so largely in the life of anyone moving from country to country and define our sense of belonging and identity.
I love this book because Lawrence is one of the great travel writers. His highly individual style of writing, so full of energy and life, makes Mexico in the 1920s come alive. In the marvellous opening chapter you are with him in his Mexican garden, seeing what he sees, smelling what he smells, hearing what he hears. Very few travel writers have this gift and it’s hard to believe that this book is nearly 100 years old when it is as fresh as the day it was written.
Much of D.H. Lawrence's life was defined by his passion for travel and it was those peripatetic wanderings that gave life to some of his greatest novels. In the 1920s Lawrence travelled several times to Mexico, where he was fascinated by the clash of beauty and brutality, purity and darkness that he observed there. The diverse and evocative essays that make up Mornings in Mexico - 'Market Day', 'Dance of the Sprouting Corn', 'The Hopi Snake Dance' - bring to life the elemental simplicity of the Zapotec Indians in Mexico, the intense, dark rhythms of the Indians in the American…
I first learned about Fannie Lou Hamer more than a decade ago, and I have been deeply inspired by her life story and her words. I didn’t initially think I would write a book about her. But the uprisings of 2020 motivated me to do so. Like so many people, I struggled to make sense of everything that was unfolding, and I began to question whether change was possible. The more I read Hamer’s words, the more clarity I found. Her vision for the world and her commitment to improving conditions for all people gave me a renewed sense of hope and purpose.
This is a book that inspired me as a historian and in my approach to activism. Barbara Ransby’s biography of Ella Baker excavates the activist’s life, placing the reader at the nexus of some of the most important moments in civil rights history. Ella Baker’s life also provides a blueprint for local activism and group-centered leadership. It’s a compelling story of how Ella Baker became a mentor, inspiring, listening to, and supporting local activists.
One of the most important African American leaders of the twentieth century and perhaps the most influential woman in the civil rights movement, Ella Baker (1903-1986) was an activist whose remarkable career spanned fifty years and touched thousands of lives. In this deeply researched biography, Barbara Ransby chronicles Baker's long and rich political career as an organizer, an intellectual, and a teacher, from her early experiences in depression-era Harlem to the civil rights movement of the 1950s and 1960s. Ransby paints a vivid picture of the African American fight for justice and its intersections with other progressive struggles worldwide across…
I am a journalist, author, guitarist, singer, and songwriter who has spent my career spreading the gospel of the music I love, notably the Allman Brothers Band and the blues masters. I’ve been a Guitar World writer and editor since 1991, profiled countless musicians for The Wall Street Journal, and lived in Beijing for four years, forming a blues band with three Chinese musicians that toured the country, recorded an album, and won awards. That experience has informed everything I’ve done since, including forming Friends of the Brothers, the premier celebration of the music of the Allman Brothers Band.
I was drawn to Peter Guralnick’s clear prose and obvious passion for the music and musicians he explores–and his deep commitment to helping his readers understand why he cares so much.
His books highlight how engaging nonfiction writing must be built upon rich reporting and walking the invisible line where enthusiasm for a subject never becomes sycophancy. I could say the same about all of Guralnick’s books, but this book was a profound inspiration as I was really grappling with how to convey my own passion for music in words.
A gripping narrative that captures the tumult and liberating energy of a nation in transition, Sweet Soul Music is an intimate portrait of the legendary performers--Sam Cooke, Ray Charles, James Brown, Solomon Burke, Aretha Franklin, Otis Redding, and Al Green among them--who merged gospel and rhythm and blues to create Southern soul music. Through rare interviews and with unique insight, Peter Guralnick tells the definitive story of the songs that inspired a generation and forever changed the sound of American music.
I bought Coyote Settles the South a couple of years ago and decided to reread it again this year. The author, John Lane (an English professor at Wofford
College, Spartanburg, South Carolina), became intrigued by coyotes
when he encountered them living near his home.
He eventually begins seeking
them out during hikes from his home and begins observing and chronicling their
habits. This book tells his story of studying coyotes and figuring out what these very intelligent and mostly misunderstood creatures
are all about.
John Lane is an engaging writer, and this is a thoroughly enjoyable read.
One night, poet and environmental writer John Lane tuned in to a sound from behind his house that he had never heard before: the nearby eerie and captivating howls of coyote. Since this was Spartanburg, South Carolina, and not Missoula, Montana, Lane set out to discover all he could about his new and unexpected neighbors.
Coyote Settles the South is the story of his journey through the Southeast, where he visits coyote territories: swamps, nature preserves, old farm fields, suburbs, a tannery, and even city streets. On his travels he meets, interrogates, and observes those who interact with the animals-trappers,…
From a youth devouring the books of Bruce Catton to my formative years as a historian, I’ve been fascinated by the Civil War, especially the thinking and experiences of southerners who lived through the cataclysmic war years. In my teaching and writing, I’ve tried to focus on the lived experiences, the hopes and fears, of southerners who seemingly embraced secession and an independent Southern Confederacy in the expectation of a short, victorious war only to become disenchanted when the war they thought would come to pass turned into a long, bloody stalemate. The books I’ve listed share my passion for the war and open new and often unexpected windows into the Confederate experience.
A great book for teaching me how much the wartime experiences and political resistance of the soldiers’ wives and the slaves impacted the fate of the Confederacy and pushed it in directions never imagined by the planters who created the Confederacy to serve their interests and not the majority of the population they expected to do their bidding.
Pulitzer Prize Finalist Winner of the Frederick Douglass Book Prize Winner of the Merle Curti Award
"McCurry strips the Confederacy of myth and romance to reveal its doomed essence. Dedicated to the proposition that men were not created equal, the Confederacy had to fight a two-front war. Not only against Union armies, but also slaves and poor white women who rose in revolt across the South. Richly detailed and lucidly told, Confederate Reckoning is a fresh, bold take on the Civil War that every student of the conflict should read." -Tony Horwitz, author of Confederates in the Attic
