I am a professor in philosophy, political science, and gender and women’s studies at the University of Illinois at Urbana-Champaign (USA), where I live with my wife. I have a PhD in philosophy from the University of Toronto (Canada), an MA in philosophy from the University of Tromsø (Norway), a MSc in Industrial Relations and Personnel Management from the London School of Economics and Political Science (UK), and a BA(Hons) in Business Management from the University of Newcastle Upon Tyne (UK). One of the most important lessons from my first two degrees was that I love theory (about theories) and, so, those two degrees enabled me to find my way to philosophy, which I have been in love with since.
I only recently discovered the work of Anna J. Cooper, but I find myself reading and thinking about and with her a lot. She’s not an obvious philosophical love for me in that she never writes about LGBTQIA life and does write about men and women from a relatively conservative, Christian, cis, and straight point of view. However, Cooper gives voice to and insight into the struggles of Black women, and her work helps me, as someone who is both racialized as white and an immigrant to the US, perceive and feel important dimensions of the reality in which I now live.
Thus, in her writings about the things she knows about, I find a friend and a colleague as I’m trying to think about intersectional issues that go beyond the life I know first-personally.
The first book by Anna J. Cooper, A Voice From the South, presents strong ideals supporting racial and gender equality as well as economic progress. It's a forward-thinking narrative that highlights many disparities hindering the African American community.
Anna J. Cooper was an accomplished educator who used her influence to encourage and elevate African Americans. With A Voice From the South, she delivers a poignant analysis of the country's affairs as they relate to Black people, specifically Black women. She stresses the importance of education, which she sees as a great equalizer. Cooper considers it a necessary investment in not…
My twin passions are the fictional stories of Sherlock Holmes, and American history as told on the battlefields of the Civil War—and I have long thought that we make history boring, focusing on battles and dates, and not on the individuals who made it happen (Lincoln above all). So why not shake it up? In One Must Tell the Bees, the rational but very fictional Sherlock Holmes brings to life the accomplishments of the shrewd, incisive but very real Abraham Lincoln in a way that I hope adds to our understanding of Lincoln’s accomplishments, even as our country struggles to reassess the meaning of that portion of our history.
In the 1930’s some very forward-thinking person at the Work Projects Administration got the idea to interview former slaves and record their stories before it was too late, and their stories had been lost.
The result was some 2,300 interviews with men and women who had been enslaved across many states (not just the South). The interviews are generally brief but always unvarnished and compelling.
The resulting record of their lives and experiences will leave a mark on anyone who reads them. And you should read them.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
Prior to my becoming a cozy mystery author, I was a ladies’ apparel sales rep traveling a territory in the deep southern states. During my four-year stint I spent a great deal of time in a variety of southern cities and small towns. I interacted with progressive as well as traditional, conservative people. My experiences gave me a unique perspective with respect to the social mores and hierarchy of Southern society.
Newly widowed Miss Julia, a pillar of her small southern community, is the poster child for my wise Nana’s theory that things never turn out the way you think they will when she finds herself smack dab in the center of a smarmy love triangle scandal involving her late husband.
I adore Miss Julia’s razer-sharp wit as she morphs from a clueless stuffed shirt into an endearingly strong southern woman who doesn’t take crap from anyone.
I am a big fan of a fast-paced tale that deftly weaves comic characters through a plot wrought with hand-wringing angst. Miss Julia and her cast of crazy characters does not disappoint.
Miss Julia, a recently bereaved and newly wealthy widow, is only slightly bemused when one Hazel Marie Puckett appears at her door with a youngster in tow and unceremoniously announces that the child is the bastard son of Miss Julia's late husband. Suddenly, this longtime church member and pillar of her small Southern community finds herself in the center of an unseemly scandal-and the guardian of a wan nine-year-old whose mere presence turns her life upside down.
With razor-sharp wit and perfect "Steel Magnolia" poise, Miss Julia speaks her mind indeed-about a robbery, a kidnapping, and the other disgraceful events…
I began writing speculative fiction because I was fascinated by its potential as a laboratory to imagine the world that could be. It’s a narrative form that allows us to play with revolutionary changes in society without any real people getting hurt. And it compels the author to do the hard work of imagining how others experience life in the real world as well as the imaginary one. The best SF novels balance their speculations with a grounding in the observed world, entertaining us with propulsive wonder while filling our minds with new ideas and fresh perspectives that linger long after we put the book down.
The Civil War in this short novel by Bisson, who sadly died in early 2024, is part of the book's backstory. It is set in a 1950s America in which our 1860s Civil War never happened.
In Bisson’s mirror America, Harriet Tubman joined John Brown in his raid on Harper’s Ferry, resulting in a victory for the abolitionists that led to a massive slave uprising in the South, aided by radical Europeans and Mexicans seeking to reclaim territory and ultimately the formation of a new socialist utopia from the former states of the Deep South.
With this bold and radical counterfactual as the backdrop, Bisson uses a chorus of compelling narrations to imagine the more just America that could be—and the struggles it would take to realize it.
Presenting an alternative version of African American history, this novel explores what might have happened if John Brown’s 1859 raid on Harper’s Ferry had been successful. Chronicling life in a thriving black nation founded by Brown in the former southeastern United States, this dramatic story opens 100 years later, just as Nova Africa is poised to celebrate its first landing of a spacecraft on Mars. The prosperous black state will soon be tested when the granddaughter of John Brown returns from Africa to reunite with her daughter and share with her a secret that will alter their lives forever.
When I moved to South Carolina some 25 years ago, I found understanding all the history around me challenging. Even more than that, I found it hard to talk about! Politics and history get mixed up in tricky ways. I worked with students to understand stories about plantation sites, leading me to start reading the words of survivors of captivity. I started reading slave narratives and trying to listen to what people had to say. While sad sometimes, their words are also hopeful. I now read books about our nation’s darkest times because I look for ways to guide us to a better future.
A desperate mother gives her child all she can before they are separated: a cotton sack with a handful of nuts, a tattered dress, and a braid of hair. Little Ashley was sold away from her mother but somehow held onto and cherished that bag. Later, her granddaughter embroidered that story of a mother’s love onto the bag.
I never knew where this story would take me because it’s not a history book or a family story like any other. The author takes this one sad and beautiful object and asks us to think about motherhood, Black hair, women’s art, nuts, and the history of food for enslaved Americans. She even asks us to think about girlhood itself.
Could I ever see that much in one object? Could you? This is a gorgeous and inspiring reminder of how history works for different people and in different ways if we look…
NATIONAL BOOK AWARD WINNER * NEW YORK TIMES BESTSELLER * WINNER OF THE CUNDILL HISTORY PRIZE
'A remarkable book' - Jennifer Szalai, The New York Times 'A brilliant exercise in historical excavation and recovery' - Annette Gordon-Reed, author of The Hemingses of Monticello 'A history told with brilliance and tenderness and fearlessness' - Jill Lepore, author of These Truths: A History of the United States
In 1850s South Carolina, Rose, an enslaved woman, faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag with a few items. Soon after, the nine-year-old girl was…
I am a historian of education and twentieth-century U.S. history. Public schooling has been transformative for me, opening up a world of opportunities, but I know many others are not nearly so lucky. This has shaped my interest in the history of public schooling, including its promise of democracy and opportunity and the too-often reality of the way it replicates and deepens social and economic inequalities. I think history helps us understand our world, including to see the roots of inequality we live with today and to think about how we might build a more equitable system.
I love this book because it is such a groundbreaking, insightful, and comprehensive examination of the development of Southern public education systems and the fight over whether they would be instruments of domination or liberation. Every time I read it, I learn new things.
This book shows how Black Southerners' activism and support helped build public education in the South and how they tried to use education to claim and give meaning to freedom after the Civil War. At the same time, White Southerners fought (and in many ways) succeeded in using those systems for control and hierarchy.
I think the book explores this tension in education and offers profound insights about the history and ongoing effects of this history of discrimination and segregation.
James Anderson critically reinterprets the history of southern black education from Reconstruction to the Great Depression. By placing black schooling within a political, cultural, and economic context, he offers fresh insights into black commitment to education, the peculiar significance of Tuskegee Institute, and the conflicting goals of various philanthropic groups, among other matters. Initially, ex-slaves attempted to create an educational system that would support and extend their emancipation, but their children were pushed into a system of industrial education that presupposed black political and economic subordination. This conception of education and social order--supported by northern industrial philanthropists, some black educators,…
My family is a marvelously mixed bunch: lesbian, gay, and straight relatives; Jewish and Latin relatives; relatives along a spectrum of economic situations, abilities, and political views. The policy work that I do connects me with social justice advocates from across NYC’s multiple ethnic, racial, religious, and LGBTQ communities. The wildly disparate voices that surround me illuminate both the power of communal ties and the dangers of narrow identity labeling. A central quest behind my work, my reading, and my writing has thus always been to balance and respect everything at once: the cultural structures that sustain us; the individual quirks that challenge and complicate those structures; and the universalities that cross all cultural borders.
Spears’ compelling tale of Jodie Taylor—a lesbian coming of age in the American South of the 1950s and 1960s—smoothly draws readers into that overall time and place through details of setting (a “Pepto-Bismol pink trailer raised on cinder blocks”), behavior (a girl gleefully pouring salted peanuts into an RC Cola) and history (the Birmingham Church bombing) before plunging us into the far-less-familiar inner world of mid-century Southern lesbians. We gain privileged entrée into wildly rollicking bars and snugly welcoming kitchens; witness acts of treachery and acts of fierce loyalty; come to know women of tough skins and tender hearts. “It takes living queer to understand who we are,” one character confidently asserts. But through this adeptly crafted book, Spears opens up that understanding to us all.
I am a recovering trial lawyer (after 35 years of law practice) who took up fiction writing in my late 50s and became so interested in learning what it’s like to be a writer – and how to write better – that I began a podcast designed to encourage authors to open up about their writing lives. After more than 500+ author interviews, I remain fascinated by the many different ways that writers approach their craft and how they turn their “what-ifs” into interesting stories. The writing books that I am recommending are books I used to guide me in my interviews. I hope they will provide insight and inspiration in your writing journey.
What better way to experience what it feels like to be a writer than to read the reflections of one of the South’s beloved storytellers?
Pat Conroy was a writer who mentored other writers, quick with a blurb and a word of encouragement. In this book, we find a compilation of his thoughts on writing and publishing from interviews, magazine articles, speeches, and letters.
I loved this book because it shows the personal side of the writer, offering up tidbits about how the internet and technology were mysteries to him, along with his deeper reflections like: “The Great Santinihurt my entire family. But if I didn’t tell the truth the way I saw it, I wasn’t worth anything as a writer.”
Southern writer Rick Bragg’s homage to Pat Conroy at the end of the book is a touching exclamation point.
Final words and heartfelt remembrances from bestselling author Pat Conroy take center stage in this winning nonfiction collection, supplemented by touching pieces from Conroy’s many friends.
This new volume of Pat Conroy’s nonfiction brings together some of the most charming interviews, magazine articles, speeches, and letters from his long literary career, many of them addressed directly to his readers with his habitual greeting, “Hey, out there.” Ranging across diverse subjects, such as favorite recent reads, the challenge of staying motivated to exercise, and processing the loss of dear friends, Conroy’s eminently memorable pieces offer a unique window into the life…
I’ve been fascinated by the Civil War my entire life. As a boy, I met a man in my Ohio hometown who spent his own youth visiting with the last, wrinkled survivors of the Union armies. His memories at once made the Civil War real and immediate for me. I soon devoured every book and walked every battlefield I could find. After earning an undergraduate degree in Civil War Studies at Gettysburg College, I completed my Ph.D. at Yale. I have authored six books on the conflict—one of which was a runner-up for the Pulitzer in History—and teach courses on the Civil War at Sam Houston State University.
This book recovers—through diligent archival spadework and keen historical empathy—the human realities of emancipation for freedom-seeking enslaved persons. Emancipation, Taylor demonstrates, was a humanitarian refugee crisis acted out amidst the uncertainties of civil warfare. Embattled Freedom supplies a sweeping survey of a complex historical process, but it does so on a human scale—tracking a small group of protagonists as they wind their way to the uncertain asylum of slave refugee (“contraband”) camps. The author’s close attention to the material realities of “contraband” camps—hunger, shelter, and clothing—builds a sense of intimacy and emotional connection. Scholars have established that emancipation was a process, and that the enslaved played a vital role in their own liberation; here is the best account of how that struggle was lived.
The Civil War was just days old when the first enslaved men, women, and children began fleeing their plantations to seek refuge inside the lines of the Union army as it moved deep into the heart of the Confederacy. In the years that followed, hundreds of thousands more followed in a mass exodus from slavery that would destroy the system once and for all. Drawing on an extraordinary survey of slave refugee camps throughout the country, Embattled Freedom reveals as never before the everyday experiences of these refugees from slavery as they made their way through the vast landscape of…
I was raised in Springfield, Illinois, what is considered Lincoln’s backyard. I grew up fascinated by history, and the Civil War in particular. The trouble was, its racial overtones always bothered me. Later in life, I became a high school history and journalism teacher and turned my interest in historical-based board gaming into a business I called Indulgent Wife Enterprises (because my wife is so incredibly supportive). To date, I have published 30 board games based mostly on American conflicts. When I retired, I began the ambitious project of writing a strongly researched account of the divisions leading up to the Civil War and through to the Reconstruction period that followed.
Ever since I was a little kid in Springfield, Illinois (Lincoln’s hometown), I found racism hard to understand. Where did it come from? Why is it so rooted in our society?
This book taught me about black dreams, freedom, and rights ravaged by widespread violence and intimidation. I was particularly impressed by General Lewis Merrill, assigned by Grant to prosecute KKK excesses in the northern counties of South Carolina; he was a man who, like me, could not believe the cruel outrages he was told… until he saw them for himself.
