Here are 100 books that No Common Ground fans have personally recommended if you like
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Memory is capricious and impacts our view of the past. That’s why I do what I do! I am a twenty-year museum professional who began my career at Conner Prairie Interactive History Park, worked at the Denver Museum of Nature & Science for almost ten years, and am now part of the Arts & History department at the City and County of Broomfield. I have designed and developed programs and events, as well as managed teams in each of these stops. I seek to illuminate stories, elevate critical voices, and advocate for equity through the unique pathways of the arts, history, and museum magic.
By turns funny, poignant, and incisive, the late author Tony Horwitz tours the South with a journalist’s eye and a sociologist’s heart.
He bravely takes on the memory of the Civil War through the eyes of reenactors, angry neo-Confederates in bars, and Black museum guides (among many others). I recently re-read this book through the lens of the Black Lives Matter movement and the killing of George Floyd, which touched off numerous protests against monuments to Confederate leaders.
When Horwitz wrote this book in the late 1990s, it seemed unlikely that Monument Avenue in Richmond would ever change. In the case of monuments to problematic historic figures, at least, people’s perspectives have indeed shifted over time. Horwitz’s book is a great reminder that change is possible!
NATIONAL BESTSELLER • A Pulitzer Prize-winning war correspondent takes us on an explosive adventure into the soul of the unvanquished South, where Civil War reenactors, battlefield visitors, and fans of history resurrect the ghosts of the Lost Cause through ritual and remembrance.
"The freshest book about divisiveness in America that I have read in some time. This splendid commemoration of the war and its legacy ... is an eyes–open, humorously no–nonsense survey of complicated Americans." —The New York Times Book Review
For all who remain intrigued by the legacy of the Civil War—reenactors, battlefield visitors, Confederate descendants and other Southerners,…
I have been writing books on public art and memorials since the early 1990s and served on some major public commissions that select memorials and/or determine the fate of problematic memorials. These markers in our public spaces define who we are as a culture at a certain point in time, even though interpretations of them may evolve. They are our link to our history, express our present day values, and send a message to the future about who we are and what we value and believe in.
This book clearly illustrates the mutability of memory of even the most dramatic and significant events in American (and indeed all) history.
It makes the point that memory and historical consciousness depend on the identity of the individual as well as the passage of time and shifting political realities. In this sense, memorials are not static since they do not have a fixed definition.
After reading this book I always took into account both the personal and larger difficult to define concept of public memory when writing or speaking about memorials.
Winner of the Bancroft Prize Winner of the Gilder Lehrman Lincoln Prize Winner of the Merle Curti award Winner of the Frederick Douglass Prize
No historical event has left as deep an imprint on America's collective memory as the Civil War. In the war's aftermath, Americans had to embrace and cast off a traumatic past. David Blight explores the perilous path of remembering and forgetting, and reveals its tragic costs to race relations and America's national reunion.In 1865, confronted with a ravaged landscape and a torn America, the North and South began a slow and painful process of reconciliation. The…
A dozen years ago, my family moved from a homogeneous community where everyone looked, lived, and believed as we did to a vibrant neighborhood filled with difference and complexity. This shifted something deep inside me and ultimately changed the way I see the world and myself within it. It set me on a path toward understanding how authentic, ordinary community holds the power to transform our world. To live as neighbors is to draw near to each other. I have written three books on this central theme and plan to spend the rest of my life reaching for empathy as our best tool in reclaiming the goodness of humanity.
As someone raised in small-town USA, I had to come to terms with the fact that I was taught a white-washed, largely inaccurate American history. It was up to me to re-educate myself.
As someone who can get bogged down by long lists of dates and details, How the Word is Passed gave me a modern lens for understanding the history around slavery. I was gripped by Smith’s lyrical, humane approach.
This is the sort of book that makes the world better.
ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF THE YEAR A NUMBER ONE NEW YORK TIMES BESTSELLER LONGLISTED FOR THE NATIONAL BOOK AWARD FOR NON-FICTION
'A beautifully readable reminder of how much of our urgent, collective history resounds in places all around us that have been hidden in plain sight.' Afua Hirsch, author of Brit(ish)
Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - which offer an intergenerational story of how slavery has been central in…
Having grown up visiting lots of historic sites – and hearing my father sing old Civil War tunes (frequently off-key!) on long car trips – I gravitated pretty quickly to studying the Civil War, and its aftermath, when I was in college and then in graduate school. I was particularly interested in the way Americans experienced the Civil War after it was over: the sentimental novels they read; the romantic movies they watched; the reconstructed battlefields they visited. In my work as a professor at Boston University, I try to get students to think about the stories that do, and do not, get told about the Civil War and other events from the past. I suppose the question that always piqued my interest was why people might find the often wildly inaccurate versions of the past so appealing.
In this brief and powerful book, esteemed historian Annette Gordon-Reed focuses on “Juneteenth”, the day (June 19, 1865) when enslaved workers in Texas were declared free by the Union Army following the conclusion of the Civil War. For Gordon-Reed, a black Texas woman, Juneteenth, recently declared a federal holiday, offers a starting point for pondering the legacy of slavery and emancipation for Afro-Texans and for thinking more broadly about the tension between history and myth. In the course of all this, Gordon-Reed tells her own personal story about navigating the often fraught terrain of her state’s legacy of racial exploitation.
Interweaving American history, dramatic family chronicle and searing episodes of memoir, On Juneteenth recounts the origins of the holiday that celebrates the emancipation of those who had been enslaved in the United States. A descendant of enslaved people brought to Texas in the 1850s, Annette Gordon-Reed, explores the legacies of the holiday.
From the earliest presence of black people in Texas-in the 1500s, well before enslaved Africans arrived in Jamestown-to the day in Galveston on 19 June 1865, when General Gordon Granger announced the end of slavery, Gordon-Reed's insightful and inspiring essays present the saga of a "frontier" peopled by…
I'm fascinated with material culture – studying the things we make and use – and what they tell us about our history. My particular passion is for nineteenth-century Black material culture, often the only tangible history of enslaved and newly-emancipated Black lives. The books on my list educated me of the historical realities for African Americans, from emancipation to Jim Crow – providing critical context for deciphering the stories embedded in historical artifacts. Overall, the gendered (and harrowing) history these books provide on the contributions of African-American women to civil rights and social justice should be required reading for everyone.
I consider Standing Soldiers, Kneeling Slaves one of the best books on how Confederate monuments came to dominate nineteenth-century public spaces – most notably in my hometown of Richmond, Virginia - and what they tell us about post-Civil War history.
It is a compelling narrative of how white Southern society purposefully chiseled racism and white superiority into their post-war commemorative landscape, and used these memorials to both re-define the public’s memory of the Civil War and to cement the white-black hierarchy established during slavery.
Savage’s analysis of the Confederate monuments looks at all the political, historical, cultural, and artistic factors that enabled the creation of Richmond’s racialized landscape. This approach helped me understand the importance of context when examining nineteenth-century public art through a twenty-first-century lens.
A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy
The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces-specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest…
I have been writing books on public art and memorials since the early 1990s and served on some major public commissions that select memorials and/or determine the fate of problematic memorials. These markers in our public spaces define who we are as a culture at a certain point in time, even though interpretations of them may evolve. They are our link to our history, express our present day values, and send a message to the future about who we are and what we value and believe in.
Given the alarming number of recent deaths by gun violence it is especially illuminating to consider the various ways sites of violence have been commemorated.
Ranging from total disappearance, to informative plaques, and major memorials, communities have reckoned with the aftermath in radically different ways.
I loved this book because it made me think about the content of site - or rather the content we attribute to the ground - where something shocking happened, be it a mass shooting or any other tragic event.
Shadowed Ground explores how and why Americans have memorialized-or not-the sites of tragic and violent events spanning three centuries of history and every region of the country. For this revised edition, Kenneth Foote has written a new concluding chapter that looks at the evolving responses to recent acts of violence and terror, including the destruction of the Branch Davidian compound at Waco, Texas, the Oklahoma City bombing, the Columbine High School massacre, and the terrorist attacks of 9/11.
I have been writing books on public art and memorials since the early 1990s and served on some major public commissions that select memorials and/or determine the fate of problematic memorials. These markers in our public spaces define who we are as a culture at a certain point in time, even though interpretations of them may evolve. They are our link to our history, express our present day values, and send a message to the future about who we are and what we value and believe in.
We rarely stop to think about memorials in terms of what emotion might have prompted them.
That is what Doss does here, covering a wide range of subjects and geographic sites. It is clear from her analysis that grief, fear, gratitude, shame, and anger have inspired a range of works representing a range of motivations for commemoration.
After reading this book you will never look at memorials in the same way. I had never thought of memorials in terms of emotional affect before and now consider it a major factor to be considered.
In the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of communism, have dotted the American landscape. Equally ubiquitous, though until now, less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In "Memorial Mania", Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express - and claim - those issues in visibly…
From a youth devouring the books of Bruce Catton to my formative years as a historian, I’ve been fascinated by the Civil War, especially the thinking and experiences of southerners who lived through the cataclysmic war years. In my teaching and writing, I’ve tried to focus on the lived experiences, the hopes and fears, of southerners who seemingly embraced secession and an independent Southern Confederacy in the expectation of a short, victorious war only to become disenchanted when the war they thought would come to pass turned into a long, bloody stalemate. The books I’ve listed share my passion for the war and open new and often unexpected windows into the Confederate experience.
This is the best source for understanding that the Confederacy, contrary to accepted wisdom, was not the South writ large. In a fast-paced narrative Freehling identifies the anti-Confederate dissenters – free as well as enslaved – who resisted Confederate rule and undermined it from within. He shows conclusively how Union victory was aided immeasurably by the lack of unity in the Confederacy.
Why did the Confederacy lose the Civil War? Most historians point to the larger number of Union troops, for example, or the North's greater industrial might. Now, in The South Vs. the South, one of America's leading authorities on the Civil War era offers an entirely new answer to this question. William Freehling argues that anti-Confederate Southerners-specifically, border state whites and southern blacks-helped cost the Confederacy the war. White men in such border states as Missouri, Kentucky, and Maryland, Freehling points out, were divided in their loyalties-but far more joined the Union army (or simply stayed home) than marched off…
I'm super passionate about educating people on how to empower themselves and change the world. I do a lot of different things for a living. And my organization CANVAS works with the groups who are involved in the pro-democracy struggles and “art of the revolution.” Starting as a student activist in my homeland, ruled by ruthless dictator Slobodan Milosevic, I was blessed to meet and work with some of the most courageous people. Throughout the last 25 years, I've tried to capture, share, and transfer successful tools common people may use in order to address injustice, inequality, or small tangible problems through mobilizing their peers – and thus make their communities or the world a better place.
Have you heard of “Yes Men”, possibly the most inspiring and creative contemporary group of American activists? People who made powerful corporations like VW look ridiculous and excuse for their emission scandal cheating, and very same people who have shut down the WTO? If “yes”, learn about the coolest tools they and other pranksters have used to empower themselves to change the world. If “no” take this book, buckle up for a wild ride and find an activist toolbox for making your community a better place.
"Elegant and incendiary." Naomi Klein. Beautiful Trouble brings together dozens of seasoned artists and activists from around the world to distill their best practices into a toolbox for creative action. Sophisticated enough for veteran activists, accessible enough for newbies, this compendium of troublemaking wisdom is a must-have for aspiring changemakers. Showcasing the synergies between artistic imagination and shrewd political strategy, Beautiful Trouble is for everyone who longs for a more beautiful, more just, more livable world and wants to know how to get there.
As a historian and someone who grew up in Cold War Berlin, I am constantly inspired by efforts to curb the devastating effects of industrialised warfare. I love learning about people who had the courage to speak up, and how their historical understanding of the military abuse of power enables us to think differently about present-day warfare. So much of my research has been inspired by social movements and their difficult efforts to improve the world. While I am no expert on Vietnamese history, I have been fortunate to have learned a lot about how ingenious the Vietnamese revolutionaries were in actively pedalling the global emergence of Vietnam War protest.
What happened when US activists travelled to Asia during the Vietnam War?
This is the question Wu seeks to answer in one of the most important books on internationalism and Vietnam War protest. She looks at how they sympathised and identified with anti-imperialist struggles in Asia, inverting an orientalist dichotomy between imperial America and decolonising Asia “whereby the decolonizing East helped to define the identities and goals of activists in the West.”
This was one of the books that first got me interested in understanding why ethnically diverse protesters responded to the Vietnam War the way they did, and how activists’ travel fostered the imagination of new political possibilities and alternative means of political articulation as they transcended ethnic and racial backgrounds.
Traveling to Hanoi during the U.S. war in Vietnam was a long and dangerous undertaking. Even though a neutral commission operated the flights, the possibility of being shot down by bombers in the air and antiaircraft guns on the ground was very real. American travelers recalled landing in blackout conditions, without lights even for the runway, and upon their arrival seeking refuge immediately in bomb shelters. Despite these dangers, they felt compelled to journey to a land at war with their own country, believing that these efforts could change the political imaginaries of other members of the American citizenry and…
