As an author, editor, and woman of color, I celebrate stories that reflect a diversity of voices. Good storytelling allows us to catch a glimpse into lives that may be similar or different from ours, that champion what makes us unique while reminding us that we are not alone.
Originally published in 2002, Colonize This! brings together the voices of young women of color writing about their experiences of race and gender in America. The 2019 edition features essays by a new generation of feminists of color writing on issues such as police violence, transgender rights, and immigration. These fresh voices are intermixed with essays from the original 2002 publication, creating a poignant feminist dialogue.
It has been decades since women of color first turned feminism upside down, exposing the feminist movement as exclusive, white, and unaware of the concerns and issues of women of color from around the globe. Since then, key social movements have risen, including Black Lives Matter, transgender rights, and the activism of young undocumented students. Social media has also changed how feminism reaches young women of color, generating connections in all corners of the country. And yet we remain a country divided by race and gender.
Now, a new generation of outspoken women of color offer a much-needed fresh dimension…
I’ve been thinking about and researching obscured narratives for a long time, now. As a lawyer, I learned about how systems and structures marginalize and hide important voices because of overt discrimination and implicit biases, and I took that knowledge with me while I earned a PhD in literary studies. I’ve learned — and am still learning! — that if we want to remedy exclusions from cultural histories, we’ve gotto learn to think about what voices are missing and why. I hope reading my book and those recommended here will give you a chance to learn with me. Let’s change the ways we think about so-called “definitive” histories of music.
This is a book about the power of one musician to reimagine the shapes of identity and power in the face of centuries-long violence and pervasive discrimination against Black individuals and communities, and the ability of song and text to create new histories and futures.
I don’t think my words could possibly be better than Stephanie Phillips’s, so I’ll quote from her book here: “To watch Solange is to see a version of unapologetic Blackness many Black people aspire to—one that doesn’t subscribe to previous notions of what it means to be Black, one aware of self-preservation, one that doesn’t give a f*** about what Becky in the back thinks Black people should do.”
Whether you’re a fan of Solange’s music or not, you’ll find Phillips’s writing completely inspiring.
The dramatic story of Solange: a musician and artist whose unconventional journey to international success was far more important than her family name.
'Why Solange Matters is a significant and sober treatise on popular music . . . This book is more than necessary.' THURSTON MOORE
'The author's prose sparkles . . . This is a book about what freedom could look like for Black women.' CALEB AZUMAH NELSON, OBSERVER
'Invigorating . . . much more than a dry thesis and at times something nearer to personal reverie.' IAN PENMAN,…
I am an author who also penned a novel during the pandemic, with a timeline that stretched into the first six months of the pandemic–against the advice of my agent and the publishing industry at large. I know many authors choose not to write about intense political and social happenings, but that “life will never be the same again” feeling was something I couldn’t avoid. The pandemic threw people together and kept us apart at the same time. I was intensely interested in its incubator effect as well as the silo aspect quarantining had on all of our lives.
This YA novel was the first I read set during COVID times, and it hit me with the urgency of The Hate U Give by Angie Thomas.
I loved the author’s unwavering courage in tackling the racial subject matter head-on. Heartbreaking and whip-smart, it taught me what teens were going through with regard to virtual friendship, classrooms, and pop stardom. Farley’s novel captures a moment in time during the pandemic while others were still processing it.
Like a photo album, I wasn’t quite ready to revisit, it portrays the importance of a difficult time in our nation’s history coupled with that uneasy age of adolescence. Entertaining, yes, but a historical artifact, definitely.
For sixteen-year-old Geth Montego, zero o’clock begins on March 11, 2020. By June, she wonders if it will ever end.
“An insightful, eye-opening, and inventive story. C.J. Farley has penned a novel that sheds an important light on real issues facing young people today.” ―Angie Thomas, author of The Hate U Give
In early March 2020 in New Rochelle, New York, teenager Geth Montego is fumbling with the present and uncertain about her future. She only has three friends: her best friend Tovah, who’s been acting weird ever since they started applying to college; Diego, who she wants to ask…
I like to think I’m the smart female protagonist of my own life. Each of the women I’ve described in this book calls out to me in some way. They’re misunderstood or devalued by the people around them. They know more than they’re given credit for. I think most women feel that to some degree. I think its understood now that representation matters. We all want to see ourselves in the media we take in. I saw myself in these protagonists, or I saw a need that these books would fill in my life if I lived in their worlds.
I am not the target audience for this book. But it had gotten some buzz, and it seemed interesting, so I read it. And it just blew me away. I’ve read so many articles that say that the more fiction you read, especially books about people and cultures unlike your own, the more empathetic you become. This book does this so well you can practically see it happen. I’ve seen this book on a lot of banned book lists, and for the life of me, I don’t understand why.
When I first read it, my thought was, “Everyone should read this book. I understand so much better now.” It’s about 16-year-old Starr Carter, who is smart and wise beyond her years. She witnesses a police officer shoot her childhood best friend, Khalil. This puts her in the middle of a maelstrom of opinion and gives her inside information on a…
Now a major motion picture, starring Amandla Stenberg
No. 1 New York Times bestseller
Winner of the Waterstones Children's Book Prize * Goodreads Choice Awards Best of the Best * National Book Award Longlist * British Book Awards Children's Book of the Year * Teen Vogue Best YA Book of the Year
Sixteen-year-old Starr lives in two worlds: the poor neighborhood where she was born and raised and her posh high school in the suburbs. The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed best friend, Khalil, by a…
Think you don't have cognitive biases? Think again. This book is a masterclass in understanding the human mind and our tendency to justify our actions. I was able to see where my self-justification could cloud my judgment and influence decisions.
The book contains many examples of cognitive biases from prosecutors, doctors, the #MeToo movement, spouses/partners, politicians, law enforcement, and more.
Basically....don't trust your own judgement!
Renowned social psychologists Carol Tavris and Elliot Aronson take a compelling look into how the brain is wired for self-justification. This updated edition concludes with an extended discussion of how we can live with dissonance, learn from it, and perhaps, eventually, forgive ourselves.
Why is it so hard to say “I made a mistake”—and really believe it?
When we make mistakes, cling to outdated attitudes, or mistreat other people, we must calm the cognitive dissonance that jars our feelings of self-worth. And so, unconsciously, we create fictions that absolve us of responsibility, restoring our belief that we are smart, moral,…
I'm an ‘expert’ when it comes to books because I've been ‘reading’ books since before I could talk – even at two years old, holding the books upside down, but somehow still immersed. I presume all of you are experts, too. Your love of books has brought you to this site. Books became my escape when the world seemed too large and too cruel to cope with. But what makes me even more of an expert, was my dedication to books….that two-year-old loved books so much he would tear out pages and eat them, he would stuff pieces in his nose….Grossed out? Well, what can I tell ya’, I was dedicated lol.
This book takes us on various modes of public transportation through Seattle, following an overweight, diabetic grocery store cashier struggling to make ends meet after losing his boyfriend to mob violence during a BLM rally. I love the way this book mirrors the moments of hilarity and the moments of sleaze that anyone who has ridden a bus in a metropolitan area will immediately recognize. It took me back to my own trips on the New York City subways, reading a book while a homeless man sang "Sexual Healing" in the aisles, lol. This book is totally of our moment, as the passengers argue about wearing masks vs. not wearing masks, or ride the light rail to the latest rally advertised on Facebook.
The book is broken into short little vignettes, moving us (seemingly) randomly through unconnected encounters with a rag-tag group of fellow passengers. The joy is that the…
Todd Tillotson is struggling to move on after his husband is killed in a hit and run attack a year earlier during a Black Lives Matter protest in Seattle.
In this novel set entirely on public transportation, we watch as Todd, isolated throughout the pandemic, battles desperation in his attempt to safely reconnect with the world.
Will he find love again, even casual friendship, or will he simply end up another crazy old man on the bus?
Things don’t look good until a man whose face he can’t even see sits down beside him despite the raging variants.
What could possibly captivate the mind more than monsters? As a kid, I eagerly consumed books from authors like R.L. Stine, Stephen King, and HP Lovecraft. I watched George Romero, Wes Craven, and John Carpenter, and played games like Dungeons and Dragons, Vampire: The Masquerade, andThe Call of Cthulhu.When I discovered monster studies in my PhD years—a way to read monsters as cultural productions that tell us something about the people that create them—I was hooked. Ever since, I get to continue reading my favorite books, watching my favorite movies, and playing my favorite games. It’s just that now someone’s paying me to do it.
Ok, you’ve read Cohen and Monsters and the Monstrous. This monster stuff is getting pretty good, and you might be able to feel around the edges a bit. How does it apply to contemporary America which “no longer believes in monsters?” This is where Poole’s book comes in. Poole walks through monstrosity in the US from Columbus’ first steps to just shy of 2020. All the juicy topics that Americans have used monsters for—sex, race, and politics—emerge in this monstrous tour de forceof US history. This is one of the first books I recommend to my students.
Monsters arrived in 2011aand now they are back. Not only do they continue to live in our midst, but, as historian Scott Poole shows, these monsters are an important part of our pastaa hideous obsession America cannot seem to escape. Poole's central argument in Monsters in America is that monster tales intertwine with America's troubled history of racism, politics, class struggle, and gender inequality. The second edition of Monsters leads readers deeper into America's tangled past to show how monsters continue to haunt contemporary American ideology. By adding new discussions of the American West, Poole focuses intently on the Native…
Margaret Renkl,
who comes from a colorful southern family, interweaves her close observations
of nature with glimpses of her own autobiography. She uses her birthplace and
nature as her gauge, mirror, and touchstone, whereas I use my authors.
Renkl
writes a weekly opinion column for the NYT. “The Gift of Shared Grief” is my
favorite piece from her second book. I hope that you don’t need it right now,
but maybe it will be useful to you when you do. Renkl’s way of responding to
grief is wise, eloquent, and uplifting; however, when necessary, she can be
brave and fierce.
When Renkl says, “Every day the world is teaching me what I
need to know to be in the world,” she’s not talking about screaming
headlines.
Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Winner of the 2022 Southern Book Prize An Indie Next Selection for September 2021 A Book Marks Best Reviewed Essay Collection of 2021 A Literary Hub Most Anticipated Book of 2021 A Country Living Best Book of Fall 2021 A Garden & Gun Recommended Read for Fall 2021 A Book Marks Best Reviewed Book of September 2021
For the past four years, Margaret Renkl's columns have offered readers of The New York Times a weekly dose of natural beauty, human decency, and persistent hope from her home in Nashville.…
I am a sociologist with a longstanding interest in the social aspects of medicine and public health. I started with research on HIV/AIDS. Since then, I have written many books and conducted a multitude of studies on how people understand and experience health and illness and how they seek help when they are sick or feel at risk from disease. When COVID-19 hit the world in early 2020, it was not long before I started to think about what my research training and expertise could offer to understanding the social impacts of this new pandemic. I started to write about COVID and research on people’s everyday experiences.
The COVID Chronicles is an anthology of graphic fiction about COVID life. The dozens of contributors are mostly based in the US but also come from Australia, Canada, the UK, Europe, and Asia. There are a dizzying array of art styles and tones across the collection, from humorous to darkly grim. Together, all the graphic narratives reveal the ups and downs of pandemic life in the early months of COVID: from dealing with loneliness, unemployment, illness, and death, transitioning to working from home, racism, and the Black Lives Matter protests to seeking opportunities to show love, care, connection, and hope.
In 2020, the COVID-19 pandemic brought the world to its knees. When we weren't sheltering in place, we were advised to wear masks, wash our hands, and practice social distancing. We watched in horror as medical personnel worked around the clock to care for the sick and dying. Businesses were shuttered, travel stopped, workers were furloughed, and markets dropped. And people continued to die.
Amid all this uncertainty, writers and artists from around the world continued to create comics, commenting directly on how individuals, societies, governments, and markets reacted to the worldwide crisis. COVID Chronicles: A Comics Anthology collects more…
I’ve been a comic book nerd forever and a comic book historian for the past fifteen years, specializing in the history of female superheroes and writing books about Wonder Woman, Lois Lane, Catwoman, and more. A lot of amazing heroines have been featured in adaptations that have introduced them to a larger audience, but there are so many other great characters still waiting to get their chance to shine. I’m excited to share a few of them that I really love with you here, as well as spotlight a diverse collection of creators and characters that deserve a closer look.
In recent years, DC has branched out into standalone YA graphic novels that reimagine their characters, and Nubia: Real One is my favorite one yet. In the mainline comics, Nubia was Wonder Woman’s long-lost twin sister, but here McKinney and Smith reimagine her as a teenager in the southern United States, dealing with her Amazon powers as she reckons with injustice and police brutality. The book was inspired by the Black Lives Matter movement and McKinney and Smith’s desire to create a heroine that resonates with the issues faced by young, Black readers, and they deliver a fantastic story.
Nubia has always been a little bit different. As a baby she showcased Amazonian-like strength by pushing over a tree to rescue her neighbour s cat. But despite her having similar abilities, the world has no problem telling her that she s no Wonder Woman. And even if she were, they wouldn t want her. Every time she comes to the rescue, she s reminded of how people see her: as a threat. Her moms do their best to keep her safe, but Nubia can t deny the fire within her, even if she s a little awkward about it…
