Here are 35 books that Rise of the Warrior Cop fans have personally recommended if you like
Rise of the Warrior Cop.
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I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
I love this book because it provides a broad, philosophical backdrop for questions about policing.
We often hear policy recommendations regarding how to improve the plight of the urban poor, but Shelby argues that the central problem is more about the state’s failure to adhere to basic principles of justice. Rampant criminality in impoverished communities can thus be construed as a response to systematic injustice.
This book is a fascinating study of the ways that injustice can limit the range of rational life choices.
Winner of the Spitz Prize, Conference for the Study of Political Thought Winner of the North American Society for Social Philosophy Book Award
Why do American ghettos persist? Scholars and commentators often identify some factor-such as single motherhood, joblessness, or violent street crime-as the key to solving the problem and recommend policies accordingly. But, Tommie Shelby argues, these attempts to "fix" ghettos or "help" their poor inhabitants ignore fundamental questions of justice and fail to see the urban poor as moral agents responding to injustice.
"Provocative...[Shelby] doesn't lay out a jobs program or a housing initiative. Indeed, as he freely…
I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
How should theorizing about the police be reconciled with the practical reality of policing?
Jackall’s book illustrates the difficulty of answering this question by drawing on his years of fieldwork with New York City police detectives, illuminating the tension between theory and the rough-and-tumble world of police work.
It is one thing to ponder the justification of, say, deceptive practices from within the confines of the ivory tower and quite another to face that question in an interrogation room with someone suspected of a heinous crime.
The book is an engaging study of life on the street.
Detectives work the streets - an arena of action, vice, lust, greed, aggression, and violence - to gather shards of information about who did what to whom. They also work the cumbersome machinery of the justice system - semi-military police hierarchies with their endless jockeying for prestige, procedure-driven district attorney offices, and backlogged courts - transforming hardwon street knowledge into public narratives of responsibility for crime. Street Stories, based on years of fieldwork with the New York City Police Department and the District Attorney of New York, examines the moral ambiguities of the detectives' world as they shuttle between the…
I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
I love this book because it reminds us of the many ways that technology can affect justice.
It is tempting to think sophisticated tactics such as “predictive policing” can solve all problems relating to human bias. However, Brayne shows that data and algorithms do not eliminate bias and discretion. Instead, high-tech police tools simply make bias less overt and visible, which erodes the public’s ability to hold the police accountable.
I especially enjoyed how the book flips the script, considering diverse ways to use these tools to help the public. For example, how can municipalities use technology to analyze the underlying factors that contribute to policing problems in the first place?
The scope of criminal justice surveillance, from the police to the prisons, has expanded rapidly in recent decades. At the same time, the use of big data has spread across a range of fields, including finance, politics, health, and marketing. While law enforcement's use of big data is hotly contested, very little is known about how the police actually use it in daily operations and with what consequences.
In Predict and Surveil, Sarah Brayne offers an unprecedented, inside look at how police use big data and new surveillance technologies, leveraging on-the-ground fieldwork with one of the most technologically advanced law…
I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
This book is so unique because Brooks recounts her experience applying to be a sworn, armed reserve police officer with the Washington, DC, Metropolitan Police Department.
The book thus provides a window into the typically closed-off life within the police institution. It’s a compelling account—based on first-hand experience—of how we can better understand and improve the police institution. Also, the book is simply chock-full of good storytelling.
Named one of the best nonfiction books of the year by The Washington Post
“Tangled Up in Blue is a wonderfully insightful book that provides a lens to critically analyze urban policing and a road map for how our most dispossessed citizens may better relate to those sworn to protect and serve.” —The Washington Post
“Remarkable . . . Brooks has produced an engaging page-turner that also outlines many broadly applicable lessons and sensible policy reforms.” —Foreign Affairs
Journalist and law professor Rosa Brooks goes beyond the "blue wall of silence" in this radical inside examination of American policing
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
The first in Locke’s Highway 59 series, featuring African American Texas ranger Darren Matthews involving two bodies one black, one white that wash up in a small East Texas town.
The story combines procedural, western, and Southern gothic to give an entertaining, human, yet unflinching look at race both past and present. This book enlightened me on how much African Americans contribute to what we call Texas culture.
Waterstones' Thriller of the Month June 2020 Shortlisted for the Orwell Prize 2020 A Sunday Times Book of the Year 'Political crime fiction of the highest order' Sunday Times
Nine-year-old Levi King knew he should have left for home sooner; instead he found himself all alone, adrift on the vastness of Caddo Lake. A sudden noise - and all goes dark. Ranger Darren Mathews is trying to emerge from another kind of darkness; his career and reputation lie in the hands of his mother, who's never exactly had his best interests at heart. Now she holds the key to his…
For almost thirty years, I worked as a cop in the back alleys, poorly lit laneways, and forgotten neighbourhoods in Toronto, the city where I grew up. Murder, mayhem, and sexual violations intended to demean, shame, and haunt the victims were all in a day’s work. Whether as a beat cop or a plainclothes detective, I dealt with good people who did bad things and bad people who followed their instincts. And now that I’m retired, I can take some of those experiences and turn them into crime fiction novels.
P.D. James’ Adam Dalgleish is a wonderful, complex character that lifted the stereotypical police investigator up from insensitive knuckle-dragger to poetic hero, in my opinion.
In this particular book (there are fourteen in total), Dalgleish is presented with way too many motives but no actual physical evidence, which is always fun as a reader (not so much fun for the detective).
When a young girl is found murdered in a field, the scientific examination of the exhibits is just a routine job for the staff of Hoggatt's forensic science laboratory. But nothing could have prepared them for the brutal death of one of their own. When the senior biologist is found dead in his laboratory Commander Dalgliesh is called to the bleak fens of East Anglia, where the murderer is lying in wait to strike again . . .
'One of the most spine-chilling writers around.' Observer
I have lived in London most of my life, and what I love most about it are the wild places, the spots where the city and nature rub shoulders. When reading fiction, ‘place’ matters a lot to me, and if I am familiar with the setting, I like it to be accurate. That said, I love a little fantasy to stretch the boundaries. As well as being a writer and editor, I have worked part-time in bookshops for over forty years, and during that time, I must have read hundreds of novels set in and around London. These are five of my absolute favourites.
I need crime novels to have a good backstory–characters that grip me beyond the murder, burglary, or kidnapping. The setting of this story, in the world of publishing in a building on the bank of the River Thames, fulfills everything I could want.
As a detective, Adam Dalgliesh is intriguing; he is highly respected but intensely private, a published poet who lives alone in a flat overlooking the river, all of which made me want to know more about the man, as well as the crime he has to solve.
The Peverell Press, a two-hundred-year-old publishing firm housed in a dramatic mock-Venetian palace on the Thames, is certainly ripe for change. But the proposals of its ruthlessly ambitious new managing director, Gerard Etienne, have made him dangerous enemies - a discarded mistress, a neglected and humiliated author, and rebellious colleagues and staff. When Gerard's body is discovered bizarrely desecrated, there is no shortage of suspects and Adam Dalgliesh and his team are confronted with a puzzle of extraordinary complexity and a murderer who is prepared to strike…
I am a retired police officer who worked the streets and conducted criminal investigations for over thirty-one years in a busy city with Detroit as a neighbor. I handled everything from narcotics to arson and murder. Having lived the life, I truly enjoy a well-written crime novel, especially those inspired by real events. That is what I also write. I prefer crime stories where the protagonist is truer to life and doesn’t possess superpowers.
For me, reading a Harry Bosch novel is like inviting an old friend to dinner and catching up over beers. The Black Ice is the 2nd installment in Michael Connelly's Bosch series, published back in 1993, but recently re-released as a paperback.
Whether it's an old book or a new one, I can't get enough of Harry Bosch. There’re still a few stories I haven't read yet, but the television series has filled in a lot of the blanks. I think I've seen each episode at least five times now.
The Black Ice is a good story, about a Robbery/Homicide case that should have been assigned to Bosch, but he inserts himself into it anyway. The plot moves well and kept me interested throughout. And, if you're a really sharp detective, you might pick up on a couple of clues as to the major twist at the end.
When an LAPD narcotics officer is found with a fatal bullet wound and a suicide note, Detective Harry Bosch follows a bloody trail of drug murders across the Mexico border.
Working the case, LAPD detective Harry Bosch is reminded of the primal police rule he learned long ago: Don't look for the facts, but the glue that holds them together. Soon Harry's making some very dangerous connections, starting with a dead cop and leading to a bloody string of murders that wind from Hollywood Boulevard to the back alleys south of the border. Now this battle-scarred veteran will find himself…
I have always had a strong, long-lived interest in all things Italian (including Italian food and wine). I spent my third year of university at a campus in Rome and travelled all over Italy during my year there. I’ve been back to Italy as a tourist and researcher numerous times, as five of my ten award-winning novels are set there (in Venice, Rome, Cremona, etc.). I have many Italian friends and my most recent novel,The Artist and the Assassin, is being translated into Italian and will be published by Les Flaneurs Edizioni, an Italian publisher in Bari, Italy.
Another in Donna Leon’s series set in Venice with a focus on Commissario Guido Brunetti, a totally believable detective with all the skills any good detective would need to have while meeting up against all the difficulties any detective would encounter in a society (Italy) where the nature of bureaucracy is extremely problematic. So problematic that Brunetti is forced to take a break on a nearby island where he runs into other crimes and difficulties.
'When she's writing about her beloved Venice, Donna Leon can do no wrong. And Earthly Remains, her new mystery featuring Commissario Guido Brunetti, is one of her best. It's also one of her saddest, dealing as it does with the seemingly unstoppable polluting of the great lagoon . . . Leon dares to try, once again earning the gratitude of her devoted readers.' New York Times
A New York Times Bestseller A New York Times Top Ten Crime Novel of 2017 A New York Times Book Review Editors' Choice An Amazon Best Book of the Month (Mystery) __________________________________
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
If Anton Chekhov had risen from the dead in 1982 and written a book about the criminal underworld of South Florida, the result would have been something like Miami Blues. I am utterly fascinated by the level of social realism in this (supposedly) simple crime novel!
The villain, ex-con Freddy Frenger, is a monster, but he’s also weirdly compelling. Hoke Moseley, the protagonist, is a deeply flawed hero, if ever there was one. In telling their bizarre tales, Willeford weaves a narrative that is as gritty and detailed as it is artful and grotesquely beautiful.
After a brutal day investigating a quadruple homicide, Detective Hoke Moseley settles into his room at the un-illustrious El Dorado Hotel and nurses a glass of brandy. With his guard down, he doesn’t think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over ten years of cases wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge,…
