Here are 36 books that Rise of the Warrior Cop fans have personally recommended if you like
Rise of the Warrior Cop.
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I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
I love this book because it provides a broad, philosophical backdrop for questions about policing.
We often hear policy recommendations regarding how to improve the plight of the urban poor, but Shelby argues that the central problem is more about the state’s failure to adhere to basic principles of justice. Rampant criminality in impoverished communities can thus be construed as a response to systematic injustice.
This book is a fascinating study of the ways that injustice can limit the range of rational life choices.
Winner of the Spitz Prize, Conference for the Study of Political Thought Winner of the North American Society for Social Philosophy Book Award
Why do American ghettos persist? Scholars and commentators often identify some factor-such as single motherhood, joblessness, or violent street crime-as the key to solving the problem and recommend policies accordingly. But, Tommie Shelby argues, these attempts to "fix" ghettos or "help" their poor inhabitants ignore fundamental questions of justice and fail to see the urban poor as moral agents responding to injustice.
"Provocative...[Shelby] doesn't lay out a jobs program or a housing initiative. Indeed, as he freely…
I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
How should theorizing about the police be reconciled with the practical reality of policing?
Jackall’s book illustrates the difficulty of answering this question by drawing on his years of fieldwork with New York City police detectives, illuminating the tension between theory and the rough-and-tumble world of police work.
It is one thing to ponder the justification of, say, deceptive practices from within the confines of the ivory tower and quite another to face that question in an interrogation room with someone suspected of a heinous crime.
The book is an engaging study of life on the street.
Detectives work the streets - an arena of action, vice, lust, greed, aggression, and violence - to gather shards of information about who did what to whom. They also work the cumbersome machinery of the justice system - semi-military police hierarchies with their endless jockeying for prestige, procedure-driven district attorney offices, and backlogged courts - transforming hardwon street knowledge into public narratives of responsibility for crime. Street Stories, based on years of fieldwork with the New York City Police Department and the District Attorney of New York, examines the moral ambiguities of the detectives' world as they shuttle between the…
I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
I love this book because it reminds us of the many ways that technology can affect justice.
It is tempting to think sophisticated tactics such as “predictive policing” can solve all problems relating to human bias. However, Brayne shows that data and algorithms do not eliminate bias and discretion. Instead, high-tech police tools simply make bias less overt and visible, which erodes the public’s ability to hold the police accountable.
I especially enjoyed how the book flips the script, considering diverse ways to use these tools to help the public. For example, how can municipalities use technology to analyze the underlying factors that contribute to policing problems in the first place?
The scope of criminal justice surveillance, from the police to the prisons, has expanded rapidly in recent decades. At the same time, the use of big data has spread across a range of fields, including finance, politics, health, and marketing. While law enforcement's use of big data is hotly contested, very little is known about how the police actually use it in daily operations and with what consequences.
In Predict and Surveil, Sarah Brayne offers an unprecedented, inside look at how police use big data and new surveillance technologies, leveraging on-the-ground fieldwork with one of the most technologically advanced law…
I’m an Associate Professor in the University of Alabama’s Department of Philosophy. I worked as an FBI Special Agent before making the natural transition to academic philosophy. Being a professor was always a close second to Quantico, but that scene in Point Break in which Keanu Reeves and Patrick Swayze fight Anthony Kiedis on the beach made it seem like the FBI would be more fun than academia. In my current position as a professor at the University of Alabama, I teach in my department’s Jurisprudence Specialization. My primary research interests are at the intersection of philosophy of law, political philosophy, and criminal justice. I’ve written three books on policing.
This book is so unique because Brooks recounts her experience applying to be a sworn, armed reserve police officer with the Washington, DC, Metropolitan Police Department.
The book thus provides a window into the typically closed-off life within the police institution. It’s a compelling account—based on first-hand experience—of how we can better understand and improve the police institution. Also, the book is simply chock-full of good storytelling.
Named one of the best nonfiction books of the year by The Washington Post
“Tangled Up in Blue is a wonderfully insightful book that provides a lens to critically analyze urban policing and a road map for how our most dispossessed citizens may better relate to those sworn to protect and serve.” —The Washington Post
“Remarkable . . . Brooks has produced an engaging page-turner that also outlines many broadly applicable lessons and sensible policy reforms.” —Foreign Affairs
Journalist and law professor Rosa Brooks goes beyond the "blue wall of silence" in this radical inside examination of American policing
I have spent over twenty years over (fifteen in Texas) recommending crime fiction as a bookseller in a couple of prominent stores. Texas and its writers have always fascinated me. Now that I get to call myself one, I am connected more to the genre literature of my adopted state and have an insider's view as both writer and resident.
The first in Locke’s Highway 59 series, featuring African American Texas ranger Darren Matthews involving two bodies one black, one white that wash up in a small East Texas town.
The story combines procedural, western, and Southern gothic to give an entertaining, human, yet unflinching look at race both past and present. This book enlightened me on how much African Americans contribute to what we call Texas culture.
Waterstones' Thriller of the Month June 2020 Shortlisted for the Orwell Prize 2020 A Sunday Times Book of the Year 'Political crime fiction of the highest order' Sunday Times
Nine-year-old Levi King knew he should have left for home sooner; instead he found himself all alone, adrift on the vastness of Caddo Lake. A sudden noise - and all goes dark. Ranger Darren Mathews is trying to emerge from another kind of darkness; his career and reputation lie in the hands of his mother, who's never exactly had his best interests at heart. Now she holds the key to his…
I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.
This novel is enriched by being set in the theatre and based on a real dance troupe. We are caught up in an authentically realized experience of a stage company. It is set in Ngaio Marsh’s home country of New Zealand. Her knowledge of the Maori fertility symbol, the tiki, plays a significant role in the plot.
Her detective, Roderick Alleyn. Is also a gentleman, like Lord Peter Wimsey, but this time a professional policeman, who looks like a cross "between a monk and a grandee."
As with Dorothy Sayers, an extra interest is added in later books, with Alleyn’s edgy love affair with the artist Agatha Troy.
The leading lady of a theater company touring New Zealand was stunningly beautiful. No one-including her lover-understood why she married the company's pudgy producer. But did she rig a huge jeroboam of champagne to kill her husband during a cast party?
Did her sweetheart? Or was another villain waiting in the wings? On a holiday down under, Inspector Roderick Alleyn must uncork this mystery and uncover a devious killer...
As a career journalist/communications specialist and historical suspense novelist, the intersection of fact and fiction has always been a fascination and an inspiration. In journalism and nonfiction reportage, the best we can hope to ascertain are likely facts. But in fiction—particularly fiction melded with history—I believe we can come closest to depicting something at least in the neighborhood of truth. My own novels have consistently employed real people and events, and as a reader, I’m particularly drawn to books that feature a factual/fictional mix, something which all five of my recommended novels excel in delivering with bracing bravado.
James Ellroy’s 1987 novel exploring the infamous unsolved and ghoulish murder of Elizabeth Short, the so-called “Black Dahlia,” gripped me with its chilling portrayal of two very different cops who become obsessed with solving the 1947 murder.
Although this is a relatively early work of Ellroy’s and extremely visceral owing to the nature of the historical crime, it’s arguably the author’s first mature novel, proved to be his breakout book, and pre-dates the rather alliterative, staccato prose style he would adopt not long after.
Post-war Los Angeles is seedily, disturbingly rendered in surreal and gothic relief, while Ellroy also masterfully portrays many of the haunted LAPD detectives who actually worked the case.
The highly acclaimed novel based on America's most infamous unsolved murder case. Dive into 1940s Los Angeles as two cops spiral out of control in their hunt for The Black Dahlia's killer in this powerful thriller that is "brutal and at the same time believable" (New York Times). On January 15, 1947, the torture-ravished body of a beautiful young woman is found in a Los Angeles vacant lot. The victim makes headlines as the Black Dahlia -- and so begins the greatest manhunt in California history. Caught up in the investigation are Bucky Bleichert and Lee Blanchard: Warrants Squad cops,…
I have always had a strong, long-lived interest in all things Italian (including Italian food and wine). I spent my third year of university at a campus in Rome and travelled all over Italy during my year there. I’ve been back to Italy as a tourist and researcher numerous times, as five of my ten award-winning novels are set there (in Venice, Rome, Cremona, etc.). I have many Italian friends and my most recent novel,The Artist and the Assassin, is being translated into Italian and will be published by Les Flaneurs Edizioni, an Italian publisher in Bari, Italy.
Another in Donna Leon’s series set in Venice with a focus on Commissario Guido Brunetti, a totally believable detective with all the skills any good detective would need to have while meeting up against all the difficulties any detective would encounter in a society (Italy) where the nature of bureaucracy is extremely problematic. So problematic that Brunetti is forced to take a break on a nearby island where he runs into other crimes and difficulties.
'When she's writing about her beloved Venice, Donna Leon can do no wrong. And Earthly Remains, her new mystery featuring Commissario Guido Brunetti, is one of her best. It's also one of her saddest, dealing as it does with the seemingly unstoppable polluting of the great lagoon . . . Leon dares to try, once again earning the gratitude of her devoted readers.' New York Times
A New York Times Bestseller A New York Times Top Ten Crime Novel of 2017 A New York Times Book Review Editors' Choice An Amazon Best Book of the Month (Mystery) __________________________________
Ever since I was a child, I loved stories where an element of danger is introduced into a peaceful setting. Armchair sleuths can solve crimes alongside the detectives and in the comfort and relative security of their own homes. I cut my teeth on Nancy Drew, Trixie Belden, and The Hardy Boys before moving on to Agatha Christie. It’s such an interactive experience when we get the same clues as the detectives and try to come to similar conclusions. These books all replicate the experience well and put the reader in the driver’s seat.
One of the biggest joys in this fine series is the pub settings. Each title is the name of a pub and each pub is the sort of spot you'd like to settle comfortably down with a drink and a chat with friends. Add onto this backdrop a puzzling murder, the wonderful Scotland Yard inspector Richard Jury, and his aristocratic sidekick Melrose Plant, and you've got a winning formula from Martha Grimes.
At the Man with a Load of Mischief, they found the dead body stuck in a keg of beer. At the Jack and Hammer, another body was stuck out on the beam of the pub’s sign, replacing the mechanical man who kept the time. Two pubs. Two murders. One Scotland Yard inspector called in to help. Detective Chief Inspector Richard Jury arrives in Long Piddleton and finds everyone in the postcard village looking outside of town for the killer. Except for one Melrose Plant. A keen observer of human nature, he points Jury in the right direction: into the darkest…
For almost thirty years, I worked as a cop in the back alleys, poorly lit laneways, and forgotten neighbourhoods in Toronto, the city where I grew up. Murder, mayhem, and sexual violations intended to demean, shame, and haunt the victims were all in a day’s work. Whether as a beat cop or a plainclothes detective, I dealt with good people who did bad things and bad people who followed their instincts. And now that I’m retired, I can take some of those experiences and turn them into crime fiction novels.
P.D. James’ Adam Dalgleish is a wonderful, complex character that lifted the stereotypical police investigator up from insensitive knuckle-dragger to poetic hero, in my opinion.
In this particular book (there are fourteen in total), Dalgleish is presented with way too many motives but no actual physical evidence, which is always fun as a reader (not so much fun for the detective).
When a young girl is found murdered in a field, the scientific examination of the exhibits is just a routine job for the staff of Hoggatt's forensic science laboratory. But nothing could have prepared them for the brutal death of one of their own. When the senior biologist is found dead in his laboratory Commander Dalgliesh is called to the bleak fens of East Anglia, where the murderer is lying in wait to strike again . . .
'One of the most spine-chilling writers around.' Observer
